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The Life and Work of I. DeQuincey Newman

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A diverse collection of essays about a civil rights leader who played a major role in the desegregation of South CarolinaThe Spirit of an Activist chronicles the life and distinguished career of Isaiah DeQuincey Newman (1911-1985), a Protestant pastor, civil rights leader, and South Carolina statesman. Known as a tenacious advocate for racial equality, Newman was also renowned for his diplomatic skills when working with opponents and his advocacy of nonviolent protest over confrontation. His leadership and dedication to peaceful change played an important role in the dismantling of segregation in South Carolina. The thirteen narratives in this volume by such diverse contributors as Richard W. Riley, William Saunders, Esther Nell Witherspoon, and Donald L. Fowler attest to Newman's impact on South Carolina. Editor Sadye L. M. Logan orchestrates these contributor's essays into an informative, moving, and sometimes passionate collage of Newman's challenges, triumphs, and small and significant everyday acts of courage.Through this collection Logan takes the reader on an extraordinary journey from Newman's childhood in Darlington County, South Carolina, to his death at the age of seventy-four. Along that journey Newman led the state's African Americans to join the Democratic Party and was a delegate to several Democratic Presidential Conventions. In 1983 he became the first African American South Carolinian elected to the State Senate in nearly a century. The Spirit of an Activist is essentially biographical, but it uses a diverse chorus of voices to capture Newman's rich and varied contributions in transforming South Carolina's rigid and unjust social systems. His quiet dignity and appeals to reason won him the confidence, and ultimately the support, of key white political and economic leaders. In effect Newman served both as chief strategist for the protest movement and as chief negotiator at the conference table, becoming the "unofficial liaison" between South Carolina's African American citizens and the state's white power structure. In the years that followed formal desegregation, Newman remained active in politics and became a trusted confidant of state leaders, many of whom are featured in this volume. The Spirit of an Activist includes a foreword by attorney and civil rights activist Vernon E. Jordan, Jr., and a prologue by South Carolina congressman James E. Clyburn, both personal friends of Newman who worked with him during the civil rights struggle. ContributorsGloria Blackwell (Rackley)Tanya S. BriceMillicent E. BrownWallace Brown, Sr.James E. ClyburnG. Robert CookCarrie Crawford WashingtonDonald L. FowlerKaren Ross GrantVernon E. Jordan, Jr.Sadye L. M. LoganRobert E. McNairJosephine A. McRantJerome NobleMatthew J. Perry, Jr.Harrison ReardonRichard W. RileyWim RoefsAlex SandersWilliam "Bill" SaundersHiram Spain, Jr.James S. ThomasIsaac "Ike" W. WilliamsEsther Nell Knuckles Glymph Witherspoon

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Sadye L. M. Logan, Vernon E. Jordan, Jr.

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A collection that follows the lives of two families who own land and hunt in rural South CarolinaThe Lost Woods is a collection of fifteen short stories, most of them set in and around the fictional small town of Sledge, South Carolina. The events narrated in the stories begin in the 1930s and continue to the present day. The stories aren't accounts of hunting methods or legends of trophy killsthey are serious stories about hunting that are similar in style to William Faulkner's Go Down, Moses. The collection traces the evolution of two familiesthe Whites and the Chapmansas well as the changes in hunting and land use of the past eighty years. Some of these stories are narrated in third person; others are told by a wide range of characters, from grown men and women to children, but only from one perspectivethat of the hunter. As they walk the woods in search of turkeys, deer, or raccoons, these characters seek something more than food. They seek a lost connection to some part of themselves. The title "the lost woods" is adapted from Cherokee myths and stories wherein people must return again and again to the woods to find animals that were lost. Thereby, we find not only food, but who we are. Through these stories Rice reminds us that hunting is inextricably entwined with identity. As one of the oldest rituals that we as a species know, it reflects both our nobility and our depravity. Through it we return again and again to find the lost woods inside ourselves.

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An exploration of Chabon's career-long fascination with the consolationsand dangersof the imaginationPulitzer Prize-winning author Michael Chabon has emerged as one of the most daring writers of American fiction in the post-Pynchon era. Joseph Dewey examines how Chabon's narratives have sought to bring together the defining elements of the two principal expressions of the American narrative that his generation inherited: the formal extravagances of postmodernism and the compelling storytelling of psychological realism. Like the audacious, self-conscious excesses of Pynchon and his postmodern disciples, Dewey argues, Chabon's fictions are extravagant, often ironic, experiments into form animated by dense verbal and linguistic energy. As with the probing texts of psychological realism by Updike and his faithful, Chabon's fictions center on keenly drawn, recognizable characters caught up in familiar, heartbreaking dilemmas; enthralling storylines compelled by suspense, enriched with suggestive symbols; and humane themes about love and death, work and family, and sexuality and religion.Evolving over three decades, this hybrid fiction has made Chabon not only one of the most widely read composers of serious fiction of his guild but one of the most critically respected writers as well, thus positioning Chabon as a representative voice of the generation. Dewey's study, the first to examine the full breadth of Chabon's fiction from his landmark debut novel, The Mysteries of Pittsburgh, to his controversial 2012 best seller, Telegraph Avenue, places Chabon's fictional sensibility, for all its hipness, within what has been the defining theme of American literature since the provocative romances of Hawthorne and Melville: the anxious tension between escape and engagement; between the sweet, centripetal pull of the redemptive imagination as a splendid, if imperfect, engine of retreat and the harsh, centrifugal pull of real life itself, recklessly deformed by the crude handiwork of surprise and chance and unable to coax even the simplest appearance of logic.

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Joseph Conrad and the Anxiety of Knowledge

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An alternate view of the perplexing and often contradictory fiction of an elusive authorFew if any writers in the English language have been cited, praised, chided, or marveled at more routinely than Joseph Conrad for the perplexing evasiveness, contradictoriness, and indeterminacy of their fiction. William Freedman argues that the explanations typically offered for these identifying characteristics of much of Conrad's work are inadequate if not mistaken. Freedman's claim is that the illusiveness of a coherent interpretation of Conrad's novels and shorter fictions is owed not primarily to the inherent slipperiness or inadequacy of language or the consequence of a willful self-deconstruction. Nor is it a product of the writer's philosophical nihilism or a realized aesthetic of suggestive vagueness. Rather, Freedman argues, the perplexing elusiveness of Conrad's fiction is the consequence of a pervasive ambivalence toward threatening knowledge, a protective reluctance and recoil that are not only inscribed in Conrad's tales and novels, but repeatedly declared, defended, and explained in his letters and essays. Conrad's narrators and protagonists often set out on an apparent quest for hidden knowledge or are drawn into one. But repelled or intimidated by the looming consequences of their own curiosity and fervor, they protectively obscure what they have barely glimpsed or else retreat to an armory of practiced distractions. The result is a confusingly choreographed dance of approach and withdrawal, fascination and revulsion, revelation and concealment. The riddling contradictions of these fictions are thus in large measure the result of this ambivalence, their evasiveness the mark of intimidation's triumph over fascination. The idea of dangerous and forbidden knowledge is at least as old as Genesis, and Freedman provides a background for Conrad's recoil from full exposure in the rich admonitory history of such knowledge in theology, myth, philosophy, and literature. He traces Conrad's impassioned, at times pleading case for protective avoidance in the writer's letters, essays, and prefaces, and he elucidates its enactment and its connection to Conrad's signature evasiveness in a number of short stories and novels, with special attention to The Secret Agent, Heart of Darkness, Lord Jim, Under Western Eyes, and The Rescue.

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An overview of Proust's development as a writer and an in-depth study of his major novel, In Search of Lost TimeUnderstanding Marcel Proust includes an overview of Marcel Proust's development as a writer, addressing both works published and unpublished in his lifetime, and then offers an in-depth interpretation of Proust's major novel, In Search of Lost Time, relating it to the Western literary tradition while also demonstrating its radical newness as a narrative.In his introduction Allen Thiher outlines Proust's development in the context of the political and artistic life of the Third Republic, arguing that everything Proust wrote before In Search of Lost Time was an experiment in sorting out whether he wanted to be a writer of critical theory or of fiction. Ultimately, Thiher observes, all these experiments had a role in the elaboration of the novel. Proust became both theorist and fiction writer by creating a bildungsroman narrating a writer's education.What is perhaps most original about Thiher's interpretation, however, is his demonstration that Proust removed his aged narrator from the novel's temporal flow to achieve a kind of fictional transcendence. Proust never situates his narrator in historical time, which allows him to demonstrate concretely what he sees as the function of art: the truth of the absolute particular removed from time's determinations. The artist that the narrator hopes to become at the end of the novel must pursue his own individual truthsthose in fact that the novel has narrated, for him and the reader, up to the novel's conclusion.Written in a language accessible to upper-level undergraduates as well as literate general readers, Understanding Marcel Proust simultaneously addresses a scholarly public aware of the critical arguments that Proust's work has generated. Thiher's study should make Proust's In Search of Lost Time more widely accessible by explicating its structure and themes.

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A fortieth anniversary celebration of an award-winning zoo and botanical garden in South CarolinaRecognized today as one of America's best zoos, Riverbanks Zoo and Garden has become one of Columbia, South Carolina's most popular tourist destinations and one of the most visited zoos in the southeastern United States. Riverbanks celebrates its fortieth anniversary on April 25, 2014. Over the last four decades both the zoo and the garden have been honored with many regional and national awards for excellence.Among its many accolades, Riverbanks has received five prestigious Edward H. Bean Awards from the Association of Zoos and Aquariums, most recently in 2011 for the long-term breeding and conservation of the endangered Bali mynah. Riverbanks also has been honored with three Travel Attraction of the Year Awards by the Southeast Tourism Society and two Governor's Cup Awards by the South Carolina Department of Parks, Recreation, and Tourism as the state's Most Outstanding Attraction. Riverbanks Botanical Garden has received praise by Horticulture magazine as one of ten gardens that inspire and by HGTV as one of twenty great public gardens in the United States.What began in the mid-1960s as a modest dream of a few business leaders to create a small children's petting zoo has evolved into today's nationally ranked Riverbanks Zoo and Garden, visited by more than one million guests annually and supported by a membership base of more than thirty-three thousand households. Riverbanks is home to more than two thousand animals, which reside in natural habitat exhibits with barriers that are designed to create an environment almost totally free of bars and cages.Much like the zoo itself, this book features extraordinary animals, dynamic natural habitats, and significant historic landmarks. Riverbanks's rich history is captured here through anecdotal stories and nearly two hundred brilliant photographs and illustrations, making it easy to see why Riverbanks is recognized as one of the nation's great zoological parks and botanical gardens.Readers will discover some of the world's most magnificent and fascinating plants and animals that call Riverbanks home, while gaining a deeper understanding of how a midsized zoo gained world-class status as it pursued its mission: to foster an appreciation and concern for all living things.Proceeds from the purchase of this book go directly to the Riverbanks Society, the private, nonprofit organization supporting the mission of Riverbanks Zoo and Garden.

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Palmer "Satch" Krantz, Monique Blanchette Jacobs, Jim Maddy

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William Gilmore Simms's Selected Reviews on Literature and Civilization

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A collection of reviews and essays that reveal the regional, national, and international dimensions of Simms's intellectual interestsDuring William Gilmore Simms's life (1806-1870), book reviews and critical essays became vital parts of American literary culture and intellectual discourse. Simms was an assiduous reviewer and essayist, proving by example the importance of those genres. William Gilmore Simms's Selected Reviews on Literature and Civilization publishes for the first time in book form sixty-two examples of the writer's hundreds of newspaper and periodical reviews and book notes as well as four important critical essays. Together, the reviews and essays reveal the regional, national, and international dimensions of Simms's intellectual interests.To frame the two distinct parts of Selected Reviews, James Everett Kibler, Jr., and David Moltke-Hansen have written a general introduction that considers the development of book reviewing and the authorship of essays in cultural and historical contexts. In part one, Kibler offers an introduction that examines Simms's reviewing habits and the aesthetic and critical values that informed the author's reviews. Kibler then publishes selected texts of reviews and provides historical and cultural backgrounds for each selection. Simms was an early proponent of the critical theories of Romantics such as William Wordsworth, Samuel Taylor Coleridge, and Edgar Allan Poe. Widely read in European history and literature, he reviewed works published in French, German, and classics in original Greek and Latin and in translation. Simms also was an early, ardent advocate of works of local color and of southern "backwoods" humorists of his day. Simms published notices of seven of Herman Melville's novels, the writings of Ralph Waldo Emerson, and favorably reviewed Henry David Thoreau's Walden; or, Life in the Woods.Simms published numerous review essays of twenty thousand or more words in literary journals and also republished two collections in book form. These volumes treated such subjects as Americanism in literature and the American Revolution in South Carolina. Yet, as part two of Selected Reviews demonstrates, Simms ranged much more widely in the intellectual milieu. Such cultural and political topics as the 1848 revolution in France, the history of the literary essay, the roles of women in the American Revolution, and the activities of the southern convention in Nashville in 1850 captured Simms's attention. Moltke-Hansen's introduction to part two examines Simms's roles in, and responses to, the Romantic critical revolution and the other revolutions then roiling Europe and America.

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William Gilmore Simms, James E. Kibler, Jr., David Moltke-Hansen

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Jesus and the Politics of Roman Palestine

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A scholarly examination of the historical Jesus and his role in the conflicted politics of ancient PalestineIn Jesus and the Politics of Roman Palestine, Richard A. Horsley offers one of the most comprehensive critical analyses of Jesus of Nazareth's mission and how he became a significant historical figure. In his study Horsley brings a fuller historical knowledge of the context and implications of recent research to bear on the investigation of the historical Jesus. Breaking with the standard focus on isolated individual sayings of Jesus, Horsley argues that the sources for Jesus in historical interaction are the Gospels and the speeches of Jesus that they include, read critically in their historical context.This work addresses the standard assumptions that the historical Jesus has been presented primarily as a sage or apocalyptic visionary. In contrast, based on a critical reconsideration of the Gospels and contemporary sources for Roman imperial rule in Judea and Galilee, Horsley argues that Jesus was fully involved in the conflicted politics of ancient Palestine. Learning from anthropological studies of the more subtle forms of peasant politics, Horsley discerns from these sources how Jesus, as a Moses- and Elijah-like prophet, generated a movement of renewal in Israel that was focused on village communities.Following the traditional prophetic pattern, Jesus pronounced God's judgment against the rulers in Jerusalem and their Roman patrons. This confrontation with the Jerusalem rulers and his martyrdom at the hands of the Roman governor, however, became the breakthrough that empowered the rapid expansion of his movement in the immediately ensuing decades. In the broader context of this comprehensive historical construction of Jesus's mission, Horsley also presents a fresh new analysis of Jesus's healings and exorcisms and his conflict with the Pharisees, topics that have been generally neglected in the last several decades.

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An inspirational biography of the Nobel Prizewinning inventor of the laser"Do exploration. Do things that are new and different." This is the philosophy that Charles H. Townes has lived by since he was a young boy growing up on a small farm in Greenville, South Carolina. While tending to chores, exploring the outdoors, and tinkering with broken tools and equipment, Townes began what became a lifelong love of exploring and inventing. His passion for new things drove him to an amazing career of discoveries that have changed the world. All of us have been affected by Townes's work, especially his most famous contribution to science: the laser. We're surrounded by lasers, and we may not even realize it: they are in computers, DVD players, atomic clocks, and barcode scanners at the grocery store checkout counter. Doctors, police, astronomers, and even Hollywood filmmakers use lasers regularly in their work. This extraordinary technology was made possible by Townes's hard work and dedication to the "new and different," winning him the Nobel Prize in physics in 1964. In First, You Explore, the first biography of Townes, Rachel Haynie chronicles the scientist's boyhood fascination with the physical world and his early reading, experiments, and exploration of his surroundings on his family's farm. Now at age ninety-eight, Townes is still actively involved in science and education, serving as a guiding force for the planetarium and observatory at the South Carolina State Museum. This inspirational biography includes a timeline of Charles Townes's major life events and additional biographical information that parents and educators will find useful as teaching tools.

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An inspiring assortment of new and "best of" works by South Carolina's poet laureateNew and Selected Poems includes more than fifty poems from Marjory Wentworth's previous three collections, Noticing Eden, Despite Gravity, and The Endless Repetition of an Ordinary Miracle, plus twenty-eight new poems. This collection serves as a capstone to Wentworth's tenure as South Carolina poet laureate, a title she has held since 2003.Thematically Wentworth's poems invite us to view nature as a site of reflection and healing, to consider the power of familial bonds and friendships, and to broaden our awareness of human rights and social justice. Regional settings appear throughout, indicative of Wentworth's commitment to represent her adopted home state of South Carolina in her work. She skillfully employs a variety of forms, from prose poems to sonnets to elegies to list poems, making for a rich and interesting trek through this "best of" collection of her poems to date.This collection includes a foreword by the poet Carol Ann Davis, author of Psalm and Atlas Hour and assistant professor of English at Fairfield University.

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Truth and Reconciliation in a Southern Town

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A fresh perspective on the Orangeburg Massacre and its legacyOn the night of February 8, 1968, South Carolina state highway patrolmen fired on civil rights demonstrators in front of South Carolina State College, a historically black institution in the town of Orangeburg. Three young black menSamuel Hammond, Delano Middleton, and Henry Smithwere killed, and twenty-seven other protestors were injured. Preceding the infamous events at Kent State University by more than two years, the Orangeburg Massacre, as it came to be known, was one of the first violent civil rights confrontations on an American college campus. The patrolmen involved were exonerated while victims and their families were left still seeking justice. To this day the community of Orangeburg endeavors to find resolution and reconciliation. In Blood and Bone, Orangeburg native Jack Shuler offers a multifaceted examination of the massacre and its aftermath, uncovering a richer history than the one he learned as a white youth growing up in Orangeburg. Shuler focuses on why events unfolded and escalated as they did and on the ramifications that still haunt the community. Despite the violence of the massacre and its contentious legacy, Orangeburg is a community of people living and working together. Shuler tells their fascinating stories and pays close attention to the ways in which the region is shaping a new narrative on its own, despite the lack of any official reexamination of the massacre. He also explores his own efforts to understand the tragedy in the context of Orangeburg's history of violence. His native connections gave him access to individuals, black and white, who have previously not spoken out publicly. Blood and Bone breaks new ground as an investigation of the massacre and also as a reflection by a proud Orangeburg native on the meanings of Southern community.Shuler concludes that the history of race and violence in Orangeburg mirrors the history of race relations in the United Statesa murky and contested narrative, complicated by the emotions and motivations of those who have shaped the story and of those who have refused to close the book on it. Orangeburg, like the rest of the nation, carries the historical burdens of slavery, war, Reconstruction, Jim Crow, and civil rights. Blood and Bone exposes the ways in which historical memory affects the lives of ordinary Americans. Shuler explores how they remember the Orangeburg Massacre, what its meaning holds for them now, and what it means for the future of the South and the nation.

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John Dewey, Rhetoric, and Democratic Practice

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A collection examining Dewey's influence on effective communication in a healthy democratic practiceThe essays in this collection, written by sixteen scholars in rhetoric and communications studies, demonstrate American philosopher John Dewey's wide-ranging influence on rhetoric in an intellectual tradition that addresses the national culture's fundamental conflicts between self and society, freedom and responsibility, and individual advancement and the common good. Editors Brian Jackson and Gregory Clark propose that this influence is at work both in theoretical foundations, such as science, pragmatism, and religion, and in Dewey's debates with other public intellectuals, such as Jane Addams, Walter Lippmann, James Baldwin, and W. E. B. Du Bois.Jackson and Clark seek to establish Dewey as an essential source for those engaged in teaching others how to compose timely, appropriate, useful, and eloquent responses to the diverse and often-contentious rhetorical situations that develop in a democratic culture. They contend that there is more at stake than instruction in traditional modes of public discourse because democratic culture encompasses a variety of situations, private or public, civic or professional, where people must cooperate in the work of advancing a common project. What prepares people to intervene constructively in such situations is instruction in those rhetorical practices of democratic interaction that is implicit throughout Dewey's work.Dewey's writing provides a rich framework on which a distinctly American tradition of a democratic rhetorical practice can be builta tradition that combines the most useful concepts of classical rhetoric with those of modern progressive civic engagement. Jackson and Clark believe Dewey's practice takes rhetoric beyond the traditional emphasis on political democracy to provide connections to rich veins of American thought such as individualism, liberalism, progressive education, collectivism, pragmatism, and postindustrial science and communication. They frame Dewey's voluminous work as constituting a modern expression of continuing education for the "trained capacities" required to participate in democratic culture. For Dewey human potential is best realized in the free flow of artful communication among the individuals who together constitute society.The book concludes with an afterword by Gerard A. Hauser, College Professor of Distinction in the Department of Communication at the University of Colorado Boulder.

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An exploration of the thematic interests and narrative strategies of a contemporary American master of fictionEarl Ingersoll introduces the fiction of Steven Millhauser, whose distinguished career of more than four decades includes eight books of short fiction and four novels, the latest being the Pulitzer Prize-winning Martin Dressler (1996). In Understanding Steven Millhauser, Ingersoll explores Millhauser's twelve books chronologically, revealing the development of a major contemporary American writer and a master of fiction who cares as deeply about his craft as the modernists did earlier in the past century. While most examinations of an author's work begin with at least a biographical sketch, Ingersoll has faced distinct challenges because Millhauser has resisted efforts to read his fiction through the lens of his biography. Responding to an interviewer's request for a brief biography, Millhauser provided the succinct "1943-." Part of such resistance, Ingersoll argues, arises from Millhauser's belief that if readers have too many questions about an author's work, the author has failed, and no amount of response can redress that failure. Millhauser's central characters, such as August Eschenburg and J. Franklin Payne, are often themselves artists or technicians who are "overreachers," and Ingersoll shows that Millhauser's early expressions of literary realism have given way to interest in departures from the "real." For Millhauser, "stories, like conjuring tricks, are invented because history is inadequate to our dreams." Millhauser's strength is the ability to sustain obsessions because works of fiction succeed insofar as they are able to supplant reality. As a master fabulist, Ingersoll argues, Millhauser is preoccupied with extravagance both in the subject matter of his fiction and in his style. Whether it involves Martin Dressler doing himself in by designing and constructing increasingly complex hotels or the miniaturists in the short story "Cathay" pushing their impulse to extremes, past the eye's ability to see their art objects, Millhauser's fiction is full of such an impulse, which can produce prolific artists as well as compulsive lunatics. The triumph of Millhauser's craft, Ingersoll shows, is that it merges a fascination with the relationship between imagination and experience with a precise and allusive prose to produce works seamlessly joining the everyday with the radical and fantastic, in forms ranging from travelogues of the imagination to works merging the waking world with the world of dreams.

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A fresh treatment of a complex biblical text and the prophet Jeremiah as a literary figureIn Jeremiah and God's Plans of Well-being, Barbara Green explores the prophet Jeremiah as a literary persona of the biblical book through seven periods of his prophetic ministry, focusing on the concerns and circumstances that shaped his struggles. Having confronted the vast complexity of scholarly issues found in the Book of Jeremiah, Green has chosen to examine the literary presentation of the prophet rather than focus on the precise historical details or the speculative processes of composition. What Green exposes is a prophet affected by the dire circumstances of his life, struggling consistently, but ultimately failing at his most urgent task of persuasion.In the first chapter Green examines Jeremiah's predicament as he is called to minister and faces royal opposition to his message. She then isolates the central crisis of mission, the choice facing Judah, and the sin repeatedly chosen. Delving into the tropes of Jeremiah's preaching and prophecy, she also analyses the struggle and lament that express Jeremiah's inability to succeed as an intermediary between God and his people. Next Green explores the characterizations of the kings with whom Jeremiah struggled and his persistence in his ministry despite repeated imprisonment, and, finally, Green focuses on Jeremiah's thwarted choice to remain in Judah at the end of the first temple period and his descent into Egypt after the assassination of Gedaliah.In Jeremiah and God's Plans of Well-being, Green shows the prophet as vulnerable, even failing at times, while suggesting the significance of his assignment and unlikelihood of success. She explores the complexities of the phenomenon of prophecy and the challenges of preaching unwelcome news during times of uncertainty and crisis. Ultimately Green provides a fresh treatment of a complex biblical text and prophet. In presenting Jeremiah as a literary figure, Green considers how his character continues to live on in the traditions of Judaism and Christianity today.

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Unexplored Moments in Nineteenth-Century Upcountry South Carolina History

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A window into the social and cultural life of the South Carolina upcountry during the nineteenth centuryThe history of South Carolina's lowcountry has been well documented by historians, but the upcountrythe region of the state north and west of Columbia and the geologic fall linehas only recently begun to receive extensive scholarly attention. The essays in this collection provide a window into the social and cultural life of the upstate during the nineteenth century. The contributors explore topics such as the history of education in the region, post-Civil War occupation by Union troops, upcountry tourism, Freedman's Bureau's efforts to educate African Americans, and the complex dynamics of lynch mobs in the late nineteenth century. Recovering the Piedmont Past illustrates larger trends of social transformation occurring in the region at a time that shaped religion, education, race relations and the economy well into the twentieth century. The essays add depth and complexity to our understanding of nineteenth century southern history and challenge accepted narratives about a homogeneous South. Ultimately each of the eight essays explores little known facets of the history of upcountry South Carolina in the nineteenth century.The collection includes a foreword by Orville Vernon Burton, professor of history and director of the Cyberinstitute at Clemson University.

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Women, Gender, and Racial Violence in South Carolina, 1865-1900

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A new perspective on gender roles and racial violence in South Carolina after the Civil WarIn Shrill Hurrahs, Kate Cote Gillin presents a new perspective on gender roles and racial violence in South Carolina during Reconstruction and the decades after the 1876 election of Wade Hampton as governor. In the aftermath of the Civil War, southerners struggled to either adapt or resist changes to their way of life. Gillin accurately perceives racial violence as an attempt by white southern men to reassert their masculinity, weakened by the war and emancipation, and as an attempt by white southern women to preserve their antebellum privileges.As she reevaluates relationships between genders, Gillin also explores relations within the female gender. She has demonstrated that white women often exacerbated racial and gender violence alongside men, even when other white women were victims of that violence. Through the nineteenth century, few bridges of sisterhood were built between black and white women. Black women asserted their rights as mothers, wives, and independent free women in the postwar years, while white women often opposed these assertions of black female autonomy. Ironically even black women participated in acts of intimidation and racial violence in an attempt to safeguard their rights. In the turmoil of an era that extinguished slavery and redefined black citizenship, race, not gender, often determined the relationships that black and white women displayed in the defeated South.By canvassing and documenting numerous incidents of racial violence, from lynching of black men to assaults on white women, Gillin proposes a new view of postwar South Carolina. Tensions grew over controversies including the struggle for land and labor, black politicization, the creation of the Ku Klux Klan, the election of 1876, and the rise of lynching. Gillin addresses these issues and more as she focusses on black women's asserted independence and white women's role in racial violence. Despite the white women's reactionary activism, the powerful presence of black women and their bravery in the face of white violence reshaped southern gender roles forever.

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The South Carolina Encyclopedia Guide to South Carolina Writers

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A comprehensive guide to South Carolina writers who have made significant contributions to the state's literary traditionThe South Carolina Encyclopedia Guide to South Carolina Writers expands the range of writers included in the landmark South Carolina Encyclopedia. This guide updates the entries on writers featured in the original encyclopedia and augments that list substantially with dozens of new essays on additional authors from the late eighteenth century to the present who have contributed to the Palmetto State's distinctive literary heritage.Each profile in this concise reference includes essential biographical facts and critical assessments to place the featured writers in the larger context of South Carolina's literary tradition. The guide comprises 128 entries written by more than sixty-nine literary scholars, and it also highlights the sixty-nine writers inducted thus far into the South Carolina Academy of Authors, which serves as the state's literary hall of fame. Rich in natural beauty and historic complexity, South Carolina has long been a source of inspiration for writers. The talented novelists, essayists, poets, playwrights, journalists, historians, and other writers featured here represent the countless individuals who have shared tales and lore of South Carolina.The guide includes a foreword by George Singleton, author of two novels, four short story collections and one nonfiction book, and a 2010 inductee of the South Carolina Academy of Authors.

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An investigation of how the trauma of shipwreck affected American values and behaviorA Sea of Misadventures examines more than one hundred documented shipwreck narratives from the seventeenth to the nineteenth century as a means to understanding gender, status, and religion in the history of early America. Though it includes all the drama and intrigue afforded by maritime disasters, the book's significance lies in its investigation of how the trauma of shipwreck affected American values and behavior. Through stories of death and devastation, Amy Mitchell-Cook examines issues of hierarchy, race, and gender when the sphere of social action is shrunken to the dimensions of a lifeboat or deserted shore.Rather than debate the veracity of shipwreck tales, Mitchell-Cook provides a cultural and social analysis that places maritime disasters within the broader context of North American society. She answers questions that include who survived and why, how did gender or status affect survival rates, and how did survivors relate their stories to interested but unaffected audiences?Mitchell-Cook observes that, in creating a sense of order out of chaotic events, the narratives reassured audiences that anarchy did not rule the waves, even when desperate survivors resorted to cannibalism. Some of the accounts she studies are legal documents required by insurance companies, while others have been a form of prescriptive literatureguides that taught survivors how to act and be remembered with honor. In essence, shipwreck revealed some of the traits that defined what it meant to be Anglo-American. In an elaboration of some of the themes, Mitchell-Cook compares American narratives with Portuguese narratives to reveal the power of divergent cultural norms to shape so basic an event as a shipwreck.

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Compelling case studies and criticism of rhetorical practices aimed at social changeThe Public Work of Rhetoric presents the art of rhetorical techne as a contemporary praxis for civic engagement and social change, which is necessarily inclusive of people inside and outside the academy. In this provocative call to action, editors John M. Ackerman and David J. Coogan, along with seventeen other accomplished contributors, offer case studies and criticism on the rhetorical practices of citizen-scholars pursuing democratic ideals in diverse civic communitieswith partnerships across a range of media, institutions, exigencies, and discourses.Challenging conventional research methodologies and the traditional insularity of higher education, these essays argue that civic engagement as a rhetorical act requires critical attention to our notoriously veiled identity in public life, to our uneasy affiliation with democracy as a public virtue, and to the transcendent powers of discourse and ideology. This can be accomplished, the contributors argue, by building on the compatible traditions of materialist rhetoric and community literacy, two vestiges of rhetoric's dual citizenship in the fields of communication and English. This approach expresses a collective desire in rhetoric for more politically responsive scholarship, more visible impact in public life, and more access to the critical spaces between universities and their communities.The compelling case studies in The Public Work of Rhetoric are located in inner-urban and postindustrial communities where poverty is the overriding concern, in afterschool and extracurricular alternatives that offer new routes to literate achievement, in new media and digital representations of ethnic cultures designed to promote chosen identities, in neighborhoods and scientific laboratories where race is the dominant value, and in the policy borderlands between universities and the communities they serve. Through these studies and accounts, the contributors champion the notion that the public work of rhetoric is the tough labor of gaining access and trust, learning the codes and histories of communities, locating the situations in which rhetorical expertise is most effective, and in many cases jointly defining the terms for gauging social change.

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Gerard A. Hauser, John M. Ackerman, David J. Coogan

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A collection of poems exploring memories and identity forged in the American SouthSelected by 2011 National Book Award winner Nikky Finney as the seventh annual winner of the South Carolina Poetry Book Prize, Hold Like Owls is the first book-length collection from Julia Koets. Full of imagery deeply embedded in memories of growing up in the American South, Koets explores what it means to holdto carry memoriesand what to hold onto and what to let go. Birds turn into paper, a voice fits inside a chestnut shell, and moths eat stars through a woolen sky as the collection evokes nuance within the ordinary, reframes childhood memory, and engages the themes of the night, sensuality, and desire. Whether questioning personal histories, language, sexual identity, or love, the collection honors the "gentle corners of the night" that allow for questioning and uncertainty to exist.