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Ellen Bowie Holland grew up in a house at Weatherford, Texas, that had the "motherly look of a large and gallant hen hovering over too many chicks" and that was inhabited by a "lively, warm-hearted family." This book is her record of the "whole world of little things which enriched young lives" in her small town. Blessed with a discerning and sympathetic eye, she had much happiness to remember and record, and she employs a charming combination of nostalgia and comedy as she brings to life again these bygone days. Her childhood experiences are illuminated by the wisdom of maturity, and the whole is infused with a deft humor, developed through her skilled use of fantasy and through her ability to laugh at the pretensions of the Victorian life she saw. Holland's book also is memorable as a record of her unforgettable parents: "Mother was born on Columbus Day, and she and Columbus had a lot in common. She liked to discover things for herself and nothing pleased her more than to nicely finish off a job that she had been told could not be done" . . . "She wasn't geared for solitary musing. Like a salmon at spawning time she liked to swim upstream against rushing waters and bash into boulders" . . . "Mother's pattern of neatness reached out in all directions" . . . "Mother, sheathed like an armadillo" . . . "Father, silk-hatted, or swallow-tailed, distinguished almost beyond belief" . . . "I never heard him raise his voice or laugh aloud" . . . "Father was not witty but he had an absolutely delightful sense of nonsense. His humor came smoothly upon the scene" . . . Throughout the book the reader shares the author's consciousness of the vast distance between her own childhood and that of the grandchildren to whom the book is dedicateda distance created by rapid technological change. "From my window I look over an air-conditioned city and I see jets streaking across the sky and occasionally I hear one of them breaking the sound barrier" . . . "When I really want to awe myself I think about the fact that only one generation ago Mother saw friendly or marauding Indians roaming these same acres" . . . "Those of my age have come into a span of years where living conditions of all kinds have changed so abruptly, where obsolescence sets in so rapidly, that there is little in common between our infancy and our present."

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Culture, Cognition, and Cinematic Imagination

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Indian movies are among the most popular in the world. However, despite increased availability and study, these films remain misunderstood and underappreciated in much of the English-speaking world, in part for cultural reasons. In this book, Patrick Colm Hogan sets out through close analysis and explication of culturally particular information about Indian history, Hindu metaphysics, Islamic spirituality, Sanskrit aesthetics, and other Indian traditions to provide necessary cultural contexts for understanding Indian films. Hogan analyzes eleven important films, using them as the focus to explore the topics of plot, theme, emotion, sound, and visual style in Indian cinema. These films draw on a wide range of South Asian cultural traditions and are representative of the greater whole of Indian cinema. By learning to interpret these examples with the tools Hogan provides, the reader will be able to take these skills and apply them to other Indian films. But this study is not simply culturalist. Hogan also takes up key principles from cognitive neuroscience to illustrate that all cultures share perceptual, cognitive, and emotional elements that, when properly interpreted, can help to bridge gaps between seemingly disparate societies. Hogan locates the specificity of Indian culture in relation to human universals, and illustrates this cultural-cognitive synthesis through his detailed interpretations of these films. This book will help both scholars and general readers to better understand and appreciate Indian cinema.

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Modernist Visions and the Invisible Indian

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To many observers in the late 1980s and early 1990s, Mexico appeared to be a modern nation-state at last assuming an international role through its participation in NAFTA and the OECD (Organization of Economic Cooperation and Development). Then came the Zapatista revolt on New Year's Day 1994. Wearing ski masks and demanding not power but a new understanding of the indigenous peoples of Mexico, Subcomandante Marcos and his followers launched what may be the first "post" or "counter" modern revolution, one that challenges the very concept of the modern nation-state and its vision of a fully assimilated citizenry. This book offers a new way of understanding the Zapatista conflict as a counteraction to the forces of modernity and globalization that have rendered indigenous peoples virtually invisible throughout the world. Placing the conflict within a broad sociopolitical and historical context, Nicholas Higgins traces the relations between Maya Indians and the Mexican state from the conquest to the presentwhich reveals a centuries-long contest over the Maya people's identity and place within Mexico. His incisive analysis of this contest clearly explains how the notions of "modernity" and even of "the state" require the assimilation of indigenous peoples. With this understanding, Higgins argues, the Zapatista uprising becomes neither surprising nor unpredictable, but rather the inevitable outcome of a modernizing program that suppressed the identity and aspirations of the Maya peoples.

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Like Dorothy waking up over the rainbow in the Land of Oz, Hollywood discovered a vivid new world of color in the 1930s. The introduction of three-color Technicolor technology in 1932 gave filmmakers a powerful tool with which to guide viewers' attention, punctuate turning points, and express emotional subtext. Although many producers and filmmakers initially resisted the use of color, Technicolor designers, led by the legendary Natalie Kalmus, developed an aesthetic that complemented the classical Hollywood filmmaking style while still offering innovative novelty. By the end of the 1930s, color in film was thoroughly harnessed to narrative, and it became elegantly expressive without threatening the coherence of the film's imaginary world. Harnessing the Technicolor Rainbow is the first scholarly history of Technicolor aesthetics and technology, as well as a thoroughgoing analysis of how color works in film. Scott Higgins draws on extensive primary research and close analysis of well-known movies, including Becky Sharp, A Star Is Born, Adventures of Robin Hood, and Gone with the Wind, to show how the Technicolor films of the 1930s forged enduring conventions for handling color in popular cinema. He argues that filmmakers and designers rapidly worked through a series of stylistic modes based on the demonstration, restraint, and integration of colorand shows how the color conventions developed in the 1930s have continued to influence filmmaking to the present day. Higgins also formulates a new vocabulary and a method of analysis for capturing the often-elusive functions and effects of color that, in turn, open new avenues for the study of film form and lay a foundation for new work on color in cinema.

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Postnationalism in Chicana/o Literature and Culture

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In recent decades, Chicana/o literary and cultural productions have dramatically shifted from a nationalist movement that emphasized unity to one that openly celebrates diverse experiences. Charting this transformation, Postnationalism in Chicana/o Literature and Culture looks to the late 1970s, during a resurgence of global culture, as a crucial turning point whose reverberations in twenty-first-century late capitalism have been profound. Arguing for a postnationalism that documents the radical politics and aesthetic processes of the past while embracing contemporary cultural and sociopolitical expressions among Chicana/o peoples, Hernandez links the multiple forces at play in these interactions. Reconfiguring text-based analysis, she looks at the comparative development of movements within women's rights and LGBTQI activist circles. Incorporating economic influences, this unique trajectory leads to a new conception of border studies as well, rethinking the effects of a restructured masculinity as a symbol of national cultural transformation. Ultimately positing that globalization has enhanced the emergence of new Chicana/o identities, Hernandez cultivates important new understandings of borderlands identities and postnationalism itself.

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Culture, Public Space, and City Building in a Global Era

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The redesign and revitalization of traditional urban centers is the cutting edge of contemporary urban planning, as evidenced by the intense public and professional attention to the rebuilding of city cores from Berlin to New York City's "Ground Zero." Spanish and Latin American cities have never received the recognition they deserve in the urban revitalization debate, yet they offer a very relevant model for this "return to the center." These cultures have consistently embraced the notion of a city whose identity is grounded in its organic public spaces: plazas, promenades, commercial streets, and parks that invite pedestrian traffic and support a rich civic life. This groundbreaking book explores Spanish, Mexican, and Mexican-American border cities to learn what these urban areas can teach us about effectively using central public spaces to foster civic interaction, neighborhood identity, and a sense of place. Herzog weaves the book around case studies of Madrid and Barcelona, Spain; Mexico City and Queretaro, Mexico; and the Tijuana-San Diego border metropolis. He examines how each of these urban areas was formed and grew through time, with attention to the design lessons of key public spaces. The book offers original and incisive discussions that challenge current urban thinking about politics and public space, globalization, and the future of privatized communities, from gated suburbs to cyberspace. Herzog argues that well-designed, human-scaled city centers are still vitally necessary for maintaining community and civic life. Applicable to urban renewal projects around the globe, Herzog's book will be important reading for planners, architects, designers, and all citizens interested in creating more livable cities.

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Butterflies, Moths, and Other Invertebrates of Costa Rica

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At the biological crossroads of the Americas, Costa Rica hosts an astonishing array of plants and animalsover half a million species! Ecotourists, birders, and biologists come from around the world, drawn by the likelihood of seeing more than three or four hundred species of birds and other animals during even a short stay. To help all these visitors, as well as local residents, identify and enjoy the wildlife of Costa Rica, Carrol Henderson published Field Guide to the Wildlife of Costa Rica in 2002, and it instantly became the indispensable guide. Now Henderson has created a dedicated field guide to more than one hundred tropical butterflies, moths, and other invertebrates that travelers are most likely to see while exploring the wild lands of Costa Rica. He includes fascinating information on their natural history, ecology, identification, and behavior gleaned from his forty years of travels and wildlife viewing, as well as details on where to see these remarkable and beautiful creatures. The butterflies, moths, and other invertebrates are illustrated by over 180 stunning and colorful photographsmost of which were taken in the wild by Henderson. A detailed and invaluable appendix that identifies many of Costa Rica's best wildlife-watching destinations, lodges, and contact information for trip-planning purposes completes the volume.

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Carrol L. Henderson, Steve Adams, Daniel H. Janzen

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Natives, Europeans, and Africans in Sixteenth-Century Santiago de Guatemala

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The first century of Spanish colonization in Latin America witnessed the birth of cities that, while secondary to great metropolitan centers such as Mexico City and Lima, became important hubs for regional commerce. Santiago de Guatemala, the colonial capital of Central America, was one of these. A multiethnic and multicultural city from its beginning, Santiago grew into a vigorous trading center for agrarian goods such as cacao and cattle hides. With the wealth this commerce generated, Spaniards, natives, and African slaves built a city that any European of the period would have found familiar. This book provides a more complete picture of society, culture, and economy in sixteenth-century Santiago de Guatemala than has ever before been drawn. Robinson Herrera uses previously unstudied primary sources, including testaments, promissory notes, and work contracts, to recreate the lives and economic activities of the non-elite sectors of society, including natives, African slaves, economically marginal Europeans, and people of mixed descent. His focus on these groups sheds light on the functioning of the economy at the lower levels and reveals how people of different ethnic groups formed alliances to create a vibrant local and regional economy based on credit. This portrait of Santiago also increases our understanding of how secondary Spanish American cities contributed vitally to the growth of the colonies.

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The 1994 Zapatista uprising of Chiapas' Maya peoples against the Mexican government shattered the state myth that indigenous groups have been successfully assimilated into the nation. In this wide-ranging study of identity formation in Chiapas, Aida Hernandez delves into the experience of a Maya group, the Mam, to analyze how Chiapas' indigenous peoples have in fact rejected, accepted, or negotiated the official discourse on "being Mexican" and participating in the construction of a Mexican national identity. Hernandez traces the complex relations between the Mam and the national government from 1934 to the Zapatista rebellion. She investigates the many policies and modernization projects through which the state has attempted to impose a Mexican identity on the Mam and shows how this Maya group has resisted or accommodated these efforts. In particular, she explores how changing religious affiliation, women's and ecological movements, economic globalization, state policies, and the Zapatista movement have all given rise to various ways of "being Mam" and considers what these indigenous identities may mean for the future of the Mexican nation. The Spanish version of this book won the 1997 Fray Bernardino de Sahagun national prize for the best social anthropology research in Mexico.

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R. Aída Hernández Castillo, Renato Rosaldo, Martha Pou

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At the biological crossroads of the Americas, Costa Rica hosts an astonishing array of plants and animalsover half a million species! Ecotourists, birders, and biologists come from around the world, drawn by the likelihood of seeing more than three or four hundred species of birds and other animals during even a short stay. To help all of these visitors, as well as local residents, identify and enjoy the wildlife of Costa Rica, Carrol Henderson published Field Guide to the Wildlife of Costa Rica in 2002, and it became the instant and indispensable guide. Now Henderson has created a dedicated field guide to the birds that travelers are most likely to see, as well as to the unique or endemic species that are of high interest to birders. Birds of Costa Rica covers 310 birdsan increase of 124 species from the earlier volumewith fascinating accounts of the birds' natural history, identification, and behavior gleaned from Henderson's forty years of traveling and birding in Costa Rica. All of the accounts include beautiful photographs of the birds, most of which were taken in the wild by Henderson. There are new updated distribution maps and a detailed appendix that identifies many of the country's best bird-watching locations and lodges, including contact information for trip planning purposes.

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Carrol L. Henderson, Steve Adams, Alexander F. Skutch

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DelirioThe Fantastic, the Demonic, and the Reel

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Striking, inexplicable stories circulate among the people of Nuevo Leon in northern Mexico. Stories of conversos (converted Jews) who fled the Inquisition in Spain and became fabulously wealthy in Mexico. Stories of women and children buried in walls and under houses. Stories of an entire, secret city hidden under modern-day Monterrey. All these stories have no place or corroboration in the official histories of Nuevo Leon. In this pioneering ethnography, Marie Theresa Hernandez explores how the folktales of Nuevo Leon encode aspects of Nuevolenese identity that have been lost, repressed, or fetishized in "legitimate" histories of the region. She focuses particularly on stories regarding three groups: the Sephardic Jews said to be the "original" settlers of the region, the "disappeared" indigenous population, and the supposed "barbaric" society that persists in modern Nuevo Leon. Hernandez's explorations into these stories uncover the region's complicated history, as well as the problematic and often fascinating relationship between history and folklore, between officially accepted "facts" and "fictions" that many Nuevoleneses believe as truth.

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Twentieth-Century Texans in Washington, New Edition

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Profiles in Power offers concise biographies of fourteen twentieth-century Texans who wielded significant political power and influence in Washington, D.C. First published in 1993 by Harlan Davidson, it has been revised and updated with new chapters on John Nance Garner and Henry Gonzalez and expanded chapters on Lyndon Johnson, Barbara Jordan, Ralph Yarborough, Jim Wright, and John Tower. Demonstrating the validity of a biographical approach to history, the book as a whole covers all the major political issues of the twentieth century, as well as the pivotal role of Texans in defining the national agenda.

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Kenneth E. Hendrickson, Jr., Michael L. Collins, Patrick L. Cox

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Mammals, Amphibians, and Reptiles of Costa Rica

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To help visitors, as well as local residents, identify and enjoy the wildlife of Costa Rica, Carrol L. Henderson published Field Guide to the Wildlife of Costa Rica in 2002, and it instantly became the indispensable guide. Now Henderson has created a field guide dedicated to the monkeys, sloths, treefrogs, lizards, crocodiles, and other animals that travelers are most likely to see while exploring the wild lands of Costa Rica. He includes fascinating information on their natural history, ecology, identification, and behavior gleaned from his forty years of travels, studies, and wildlife viewing in Costa Rica, as well as details on where to see these remarkable and beautiful creatures. The mammals, amphibians, and reptiles are illustrated by stunning and colorful photographsmost of which were taken in the wild by Henderson. A detailed and invaluable appendix that identifies many of Costa Rica's best wildlife-watching destinations, lodges, and contact information for trip-planning purposes completes the volume.

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Carrol L. Henderson, Steve Adams, Winifred Hallwachs

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Gabriel Garcia Moreno and Conservative State Formation in the Andes

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This book explores the life and times of Ecuador's most controversial politician within the broader context of the new political history, addressing five major themes of nineteenth-century Latin American history: the creation of political networks, the divisiveness of regionalism, the bitterness of the liberal-conservative ideological divide, the complicating problem of caudillismo, and the quest for progress and modernization. Two myths traditionally associated with Garcia Moreno's rule are debunked. The first is that he created a theocracy in Ecuador. Instead, the book argues that he negotiated a concordat with the Papacy giving the national government control over the church's secular responsibilities, and subordinated the clergy, many of whom were highly critical of Garcia Moreno, to the conservative state. A second, frequently repeated generalization is that he created a conservative dictatorship out of touch with the liberal age in which he lived. Instead, the book argues that moderates held sway during the first nine years of Garcia Moreno's period of influence, and only during his final term did he achieve the type of conservative state he thought necessary to advance his progressive nation-building agenda. In sum, this book enriches our understanding of many of the notions of state formation by suggesting that conservatives like Garcia Moreno envisioned a program of material progress and promoting national unity under a very different formula from that of nineteenth-century liberals.

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Bird Conservation Comes Out of Its Shell

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Before modern binoculars and cameras made it possible to observe birds closely in the wild, many people collected eggs as a way of learning about birds. Serious collectors called their avocation "oology" and kept meticulous records for each set of eggs: the bird's name, the species reference number, the quantity of eggs in the clutch, the date and location where the eggs were collected, and the collector's name. These documented egg collections, which typically date from the nineteenth and early twentieth centuries, now provide an important baseline from which to measure changes in the numbers, distribution, and nesting patterns of many species of birds. In Oology and Ralph's Talking Eggs, Carrol L. Henderson uses the vast egg collection of Ralph Handsaker, an Iowa farmer, as the starting point for a fascinating account of oology and its role in the origins of modern birdwatching, scientific ornithology, and bird conservation in North America. Henderson describes Handsaker's and other oologists' collecting activities, which included not only gathering bird eggs in the wild but also trading and purchasing eggs from collectors around the world. Henderson then spotlights sixty of the nearly five hundred bird species represented in the Handsaker collection, using them to tell the story of how birds such as the Snowy Egret, Greater Prairie Chicken, Atlantic Puffin, and Wood Duck have fared over the past hundred years or so since their eggs were gathered. Photos of the eggs and historical drawings and photos of the birds illustrate each species account. Henderson also links these bird histories to major milestones in bird conservation and bird protection laws in North America from 1875 to the present.

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Rhetoric and Athletics in Ancient Greece

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The role of athletics in ancient Greece extended well beyond the realms of kinesiology, competition, and entertainment. In teaching and philosophy, athletic practices overlapped with rhetorical ones and formed a shared mode of knowledge production. Bodily Arts examines this intriguing intersection, offering an important context for understanding the attitudes of ancient Greeks toward themselves and their environment. In classical society, rhetoric was an activity, one that was in essence "performed." Detailing how athletics came to be rhetoric's "twin art" in the bodily aspects of learning and performance, Bodily Arts draws on diverse orators and philosophers such as Isocrates, Demosthenes, and Plato, as well as medical treatises and a wealth of artifacts from the time, including statues and vases. Debra Hawhee's insightful study spotlights the notion of a classical gymnasium as the location for a habitual "mingling" of athletic and rhetorical performances, and the use of ancient athletic instruction to create rhetorical training based on rhythm, repetition, and response. Presenting her data against the backdrop of a broad cultural perspective rather than a narrow disciplinary one, Hawhee presents a pioneering interpretation of Greek civilization from the sixth, fifth, and fourth centuries BCE by observing its citizens in action.

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From reviews of the first edition: Ethnographic Film can rightly be considered a film primer for anthropologists. Choice This is an interesting and useful book about what it means to be ethnographic and how this might affect ethnographic filmmaking for the better. It obviously belongs in all departments of anthropology, and most ethnographic filmmakers will want to read it. Ethnohistory Even before Robert Flaherty released Nanook of the North in 1922, anthropologists were producing films about the lifeways of native peoples for a public audience, as well as for research and teaching. Ethnographic Film (1976) was one of the first books to provide a comprehensive introduction to this field of visual anthropology, and it quickly became the standard reference. In this new edition, Karl G. Heider thoroughly updates Ethnographic Film to reflect developments in the field over the three decades since its publication, focusing on the work of four seminal filmmakersJean Rouch, John Marshall, Robert Gardner, and Timothy Asch. He begins with an introduction to ethnographic film and a history of the medium. He then considers many attributes of ethnographic film, including the crucial need to present "whole acts," "whole bodies," "whole interactions," and "whole people" to preserve the integrity of the cultural context. Heider also discusses numerous aspects of making ethnographic films, from ethics and finances to technical considerations such as film versus video and preserving the filmed record. He concludes with a look at using ethnographic film in teaching.

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Histories of Resistance from Northern California

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The territory of Napa County, California, contains more than grapevines. The deepest roots belong to Wappo-speaking peoples, a group whose history has since been buried by the stories of Spanish colonizers, Californios (today's Latinos), African Americans, Chinese immigrants, and Euro Americans. Napa's history clearly is one of co-existence; yet, its schoolbooks tell a linear story that climaxes with the arrival of Euro Americans. In "This Land was Mexican Once," Linda Heidenreich excavates Napa's subaltern voices and histories to tell a complex, textured local history with important implications for the larger American West, as well. Heidenreich is part of a new generation of scholars who are challenging not only the old, Euro-American depiction of California, but also the linear method of historical storytellinga method that inevitably favors the last man writing. She first maps the overlapping histories that comprise Napa's past, then examines how the current version came to dominateor even eraseearlier events. So while history, in Heidenreich's words, may be "the stuff of nation-building," it can also be "the stuff of resistance." Chapters are interspersed with "source breaks"raw primary sources that speak for themselves and interrupt the linear, Euro-American telling of Napa's history. Such an inclusive approach inherently acknowledges the connections Napa's peoples have to the rest of the region, for the linear history that marginalizes minorities is not unique to Napa. Latinos, for instance, have populated the American West for centuries, and are still shaping its future. In the end, "This Land was Mexican Once" is more than the story of Napa, it is a multidimensional model for reflecting a multicultural past.

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The Sociopolitical Structure of an Ancient Mesoamerican City

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Northeast of modern-day Mexico City stand the remnants of one of the world's largest preindustrial cities, Teotihuacan. Monumental in scale, Teotihuacan is organized along a three-mile-long thoroughfare, the Avenue of the Dead, that leads up to the massive Pyramid of the Moon. Lining the avenue are numerous plazas and temples, which indicate that the city once housed a large population that engaged in complex rituals and ceremonies. Although scholars have studied Teotihuacan for over a century, the precise nature of its religious and political life has remained unclear, in part because no one has yet deciphered the glyphs that may explain much about the city's organization and belief systems. In this groundbreaking book, Annabeth Headrick analyzes Teotihuacan's art and architecture, in the light of archaeological data and Mesoamerican ethnography, to propose a new model for the city's social and political organization. Challenging the view that Teotihuacan was a peaceful city in which disparate groups united in an ideology of solidarity, Headrick instead identifies three social groups that competed for political powerrulers, kin-based groups led by influential lineage heads, and military orders that each had their own animal insignia. Her findings provide the most complete evidence to date that Teotihuacan had powerful rulers who allied with the military to maintain their authority in the face of challenges by the lineage heads. Headrick's analysis also underscores the importance of warfare in Teotihuacan society and clarifies significant aspects of its ritual life, including shamanism and an annual tree-raising ceremony that commemorated the Mesoamerican creation story.

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From Tony Hillerman's Navajo Southwest to Martin Cruz Smith's Moscow, an exotic, vividly described locale is one of the great pleasures of many murder mysteries. Indeed, the sense of place, no less than the compelling character of the detective, is often what keeps authors writing and readers reading a particular series of mystery novels. This book investigates how "police procedural" murder mysteries have been used to convey a sense of place. Gary Hausladen delves into the work of more than thirty authors, including Tony Hillerman, Martin Cruz Smith, James Lee Burke, David Lindsey, P. D. James, and many others. Arranging the authors by their region of choice, he discusses police procedurals set in America, the United Kingdom and Ireland, Europe, Moscow, Asia, and selected locales in other parts of the world, as well as in historical places ranging from the Roman Empire to turn-of-the-century Cairo.