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Politics and Religion in the White South

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Politics, while always an integral part of the daily life in the South, took on a new level of importance after the Civil War. Today, political strategists view the South as an essential region to cultivate if political hopefuls are to have a chance of winning elections at the national level. Although operating within the context of a secular government, American politics is decidedly marked by a Christian influence. In the mostly Protestant South, religion and politics have long been nearly inextricable. Politics and Religion in the White South skillfully examines the powerful role that religious considerations and influence have played in American political discourse. This collection of thirteen essays from prominent historians and political scientists explores the intersection in the South of religion, politics, race relations, and southern culture from postCivil War America to the present, when the Religious Right has exercised a profound impact on the course of politics in the region as well as the nation. The authors examine issues such as religious attitudes about race on the Jim Crow South; Billy Graham's influence on the civil rights movement; political activism and the Southern Baptist Convention; and Dorothy Tilly, a white Methodist woman, and her contributions as a civil rights reformer during the 1940s and 1950s. The volume also considers the issue of whether southerners felt it was their sacred duty to prevent American society from moving away from its Christian origins toward a new, secular identity and how this perceived God-given responsibility was reflected in the work of southern political and church leaders. By analyzing the vital relationship between religion and politics in the region where their connection is strongest and most evident, Politics and Religion in the White South offers insight into the conservatism of the South and the role that religion has played in maintaining its social and cultural traditionalism.

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Academy Awardwinning director Martin Scorsese is one of the most significant American filmmakers in the history of cinema. Although best known for his movies about gangsters and violence, such as Mean Streets, Goodfellas, Casino, and Taxi Driver, Scorsese has addressed a much wider range of themes and topics in the four decades of his career. In The Philosophy of Martin Scorsese, an impressive cast of contributors explores the complex themes and philosophical underpinnings of Martin Scorsese's films. The essays concerning Scorsese's films about crime and violence investigate the nature of friendship, the ethics of vigilantism, and the nature of unhappiness. The authors delve deeply into the minds of Scorsese's tortured characters and explore how the men and women he depicts grapple with moral codes and their emotions. Several of the essays explore specific themes in individual films. The authors describe how Scorsese addresses the nuances of social mores and values in The Age of Innocence, the nature of temptation and self-sacrifice in The Last Temptation of Christ and Bringing Out the Dead, and the complexities of innovation and ambition in The Aviator. Other chapters in the collection examine larger philosophical questions. In a world where everything can be interpreted as meaningful, Scorsese at times uses his films to teach audiences about the meaning in life beyond the everyday world depicted in the cinema. For example, his films touching on religious subjects, such as Kundun and The Last Temptation of Christ, allow the director to explore spiritualism and peaceful ways of responding to the chaos in the world.Filled with penetrating insights on Scorsese's body of work, The Philosophy of Martin Scorsese shows the director engaging with many of the most basic questions about our humanity and how we relate to one another in a complex world.

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An Illustrated Guide to the Vascular Flora

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Plant Life of Kentucky is the first comprehensive guide to all the ferns, flowering herbs, and woody plants of the state. This long-awaited work provides identification keys for Kentucky's 2,600 native and naturalized vascular plants, with notes on wildlife/human uses, poisonous plants, and medicinal herbs. The common name, flowering period, habitat, distribution, rarity, and wetland status are given for each species, and about 80 percent are illustrated with line drawings. The inclusion of 250 additional species from outside the state (these species are "to be expected" in Kentucky) broadens the regional coverage, and most plants occurring from northern Alabama to southern Ohio to the Mississippi River (an area of wide similarity in flora) are examined, including nearly all the plants of western and central Tennessee. The author also describes prehistoric and historical changes in the flora, natural regions and plant communities, significant botanists, current threats to plant life, and a plan for future studies. Plant Life of Kentucky is intended as a research tool for professionals in biology and related fields, and as a resource for students, amateur naturalists, and others interested in understanding and preserving our rich botanical heritage.

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Middle Eastern Travels and the Search for Reconciliation

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In Peace Out of Reach, Stephen Eric Bronner offers an intriguing analysis and eyewitness account of the political and ideological conflicts plaguing the Middle East. Sharply critical of the United States' policies in Afghanistan and Iraq and concerned about our nation's declining credibility throughout the world, Bronner examines the unexplored possibilities and recurrent roadblocks in the struggle for peace. Whether visiting academics in Iran, refugees in Palestine, or the president of Syria, Bronner seeks to listen and learn. These experiences have shaped Bronner's understanding of how the political crises in the Middle East have dramatically influenced Western politics and culture. Peace Out of Reach also investigates the extraordinary controversies generated by the publication of blasphemous cartoons of the prophet Mohammed, the religious conservatism of Pope Benedict XVI, the character of contemporary anti-Semitism, and the connection between human rights and personal faith. Peace Out of Reach is both a study in foreign policy and a philosophical inquiry that raises profound ethical questions about the world and the United States' role in it. It links experience with erudition and objective analysis with strategic proposals for change. This book will undoubtedly resonate with all people seeking an alternative to the discredited policies of the past. It contributes mightily to the cultivation of a cosmopolitan and democratic politics.

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Max Fleischer and the Animation Revolution

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Max Fleischer (18831972) was for years considered Walt Disney's only real rival in the world of cartoon animation. The man behind the creation of such legendary characters as Betty Boop and the animation of Popeye the Sailor and Superman, Fleischer asserted himself as a major player in the development of Hollywood entertainment. Out of the Inkwell: Max Fleischer and the Animation Revolution is a vivid portrait of the life and world of a man who shaped the look of cartoon animation. Also interested in technical innovation, Fleischer invented the rotoscopea device that helped track live action and allowed his cartoons to revolutionize the way animated characters appeared and moved on-screen. In the 1920s, Fleischer created a series of "Out of the Inkwell" films, which led to a deal with Paramount. Their character KoKo the Clown introduced new animation effects by growing out of Fleischer's pen on-screen. As the sound revolution hit film, the studio produced shorts featuring the characters interacting with songs and with the now-famous bouncing ball that dances across lyrics projected on the screen. Max Fleischer's story is also one of a creative genius struggling to fit in with the changing culture of golden age cinema. Out of the Inkwell captures the twists and turns, the triumphs and disappointments, and most of all the breathless energy of a life vibrantly lived in the world of animation magic.

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Southern White Evangelicals and the Prohibition Movement

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In the late 1800s, Southern evangelicals believed contemporary troubleseverything from poverty to political corruption to violence between African Americans and whitessprang from the bottles of "demon rum" regularly consumed in the South. Though temperance quickly gained support in the antebellum North, Southerners cast a skeptical eye on the movement, because of its ties with antislavery efforts. Postwar evangelicals quickly realized they had to make temperance appealing to the South by transforming the Yankee moral reform movement into something compatible with southern values and culture. In Liquor in the Land of the Lost Cause: Southern White Evangelicals and the Prohibition Movement, Joe L. Coker examines the tactics and results of temperance reformers between 1880 and 1915. Though their denominations traditionally forbade the preaching of politics from the pulpit, an outgrowth of evangelical fervor led ministers and their congregations to sound the call for prohibition. Determined to save the South from the evils of alcohol, they played on southern cultural attitudes about politics, race, women, and honor to communicate their message. The evangelicals were successful in their approach, negotiating such political obstacles as public disapproval the church's role in politics and vehement opposition to prohibition voiced by Jefferson Davis. The evangelical community successfully convinced the public that cheap liquor in the hands of African American "beasts" and drunkard husbands posed a serious threat to white women. Eventually, the code of honor that depended upon alcohol-centered hospitality and camaraderie was redefined to favor those who lived as Christians and supported the prohibition movement. Liquor in the Land of the Lost Cause is the first comprehensive survey of temperance in the South. By tailoring the prohibition message to the unique context of the American South, southern evangelicals transformed the region into a hotbed of temperance activity, leading the national prohibition movement.

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As part of its effort to expose Communist infiltration in the United States and eliminate Communist influence on movies, from 19471953 the House Committee on Un-American Activities subpoenaed hundreds of movie industry employees suspected of membership in the Communist Party. Most of them, including screenwriter Paul Jarrico (19151997), invoked the Fifth Amendment and refused to answer questions about their political associations. They were all blacklisted. In The Marxist and the Movies, Larry Ceplair narrates the life, movie career, and political activities of Jarrico, the recipient of an Oscar nomination for his screenplay for Tom, Dick and Harry (1941) and the producer of Salt of the Earth (1954), one of the most politically besieged films in the history of the United States. Though Jarrico did not reach the upper eschelon of screenwriting, he worked steadily in Hollywood until his blacklisting. He was one of the movie industry's most engaged Communists, working on behalf of dozens of social and political causes. Song of Russia (1944) was one of the few assignments that allowed him to express his political beliefs through his screenwriting craft. Though MGM planned the film as a conventional means of boosting domestic support for the USSR, a wartime ally of the United States, it came under attack by a host of anti-Communists. Jarrico fought the blacklist in many ways, and his greatest battle involved the making of Salt of the Earth. Jarrico, other blacklisted individuals, and the families of the miners who were the subject of the film created a landmark film in motion picture history. As did others on the blacklist, Jarrico decided that Europe offered a freer atmosphere than that of the cold war United States. Although he continued to support political causes while living abroad, he found it difficult to find remunerative black market screenwriting assignments. On the scripts he did complete, he had to use a pseudonym or allow the producers to give screen credit to others. Upon returning to the United States in 1977, he led the fight to restore screen credits to the blacklisted writers who, like himself, had been denied screen credit from the late 1940s to the mid-1960s. Despite all the obstacles he encountered, Jarrico never lost his faith in the progressive potential of movies and the possibility of a socialist future. The Marxist and the Movies details the relationship between a screenwriter's work and his Communist beliefs. From Jarrico's immense archive, interviews with him and those who knew him best, and a host of other sources, Ceplair has crafted an insider's view of Paul Jarrico's life and work, placing both in the context of U.S. cultural history.

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Rational Radicalism and the Future of Politics

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The online publication Logos: A Journal of Modern Society and Culture was launched in response to the atmosphere of triumphant conservatism and militarism that pervades American political culture in the aftermath of 9/11. Aiming to revitalize the moribund political left, several world-renowned intellectual figures congregated to form the journal's core group of editors and writers. The mission of Logos is to promote "rational radicalism," grounded in critical social theory and fully engaged with the most vital issues of our time. The Logos Reader: Rational Radicalism and the Future of Politics offers the best political writing published by the journal during its first three years. Compiled by founding editors Stephen Eric Bronner and Michael J. Thompson, these pieces critically examine globalization, the Iraq War, and the plight of the Middle East, while also illuminating the domestic concerns that dominate American discourse. Delivered in a direct, accessible manner, the analyses presented in The Logos Reader reflect the journal's distinctly public purpose. The essays reveal both the practical and theoretical connections between distant military pursuits and domestic struggles for democracy and equality. The left's leading intellectuals shed light on the most recent developments in the global war on terrorism while sharply criticizing right-wing justifications for restricted civil liberties, human rights violations, and rampant expansion of armaments. Similar attention is given to central domestic issues, such as the conservative right's assault on the welfare state and the crusade of religious fundamentalists against civil rights protections for all citizens. Negotiating the vast terrain of current social problems, the contributors are united in their intent to question and ultimately constrain the excessive power wielded by dominant cultural, political, and economic institutions. This collection stakes out firm ideological ground and challenges authoritarian forces, clarifying the notion of rational radicalism as a liberating counterpoint to limiting worldviews and systems of oppression.

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Stephen Eric Bronner, Michael J. Thompson

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The Complete Guide to Kentucky State Parks

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The Complete Guide to Kentucky State Parks is the one-stop resource for information on great places to view Kentucky's natural beauty, tour historical sites, golf, camp, fish, hike, backpack, swim, ride horseback, rock climb, and enjoy almost any other type of outdoor recreation. Whether you are a day tripper, weekend escapee, or weeklong camper, this unique guide is ideal for any one of the seven million visitors who enjoy Kentucky state parks each year. Author Susan Reigler showcases all forty-nine state parks and historical sites, as well as the Kentucky Horse Park, the Breaks Interstate Park, and the Falls of the Ohio State Park. The book contains vivid details and numerous lush photographs and is organized geographically to help with planning trips around the state. A comprehensive map is included for each region. For every park, the essential information is provided:  Natural or historical attractions of the park  Types of recreation available  Camping and lodging facilities, museums, and gift shops  Addresses and phone numbers  Magnificent color photographs170 in allIf you want to see the moonbow at Cumberland Falls, one of only two in the world, to listen for a ghostly bugle at Perryville Battlefield, or to explore the longest cave system in the world, let this book be your guide. Don't be without it when planning your vacation in Kentucky.

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Killing the Indian Maiden examines the fascinating and often disturbing portrayal of Native American women in film. Through discussion of thirty-four Hollywood films from the silent period to the present, M. Elise Marubbio examines the sacrificial role of what she terms the "Celluloid Maiden"a young Native woman who allies herself with a white male hero and dies as a result of that choice. Marubbio intertwines theories of colonization, gender, race, and film studies to ground her study in sociohistorical context all in an attempt to define what it means to be an American. As Marubbio charts the consistent depiction of the Celluloid Maiden, she uncovers two primary characterizationsthe Celluloid Princess and the Sexualized Maiden. The archetype for the exotic Celluloid Princess appears in silent films such as Cecil B. DeMille's The Squaw Man (1914) and is thoroughly established in American iconography in Delmer Daves's Broken Arrow (1950). Her more erotic sister, the Sexualized Maiden, emerges as a femme fatale in such films as DeMille's North West Mounted Police (1940), King Vidor's Duel in the Sun (1946), and Charles Warren's Arrowhead (1953). The two characterizations eventually combine to form a hybrid Celluloid Maiden who first appears in John Ford's The Searchers (1956) and reappears in the 1970s and the 1990s in such films as Arthur Penn's Little Big Man (1970) and Michael Apted's Thunderheart (1992). Killing the Indian Maiden reveals a cultural iconography about Native Americans and their role in the frontier embedded in the American psyche. The Native American woman is a racialized and sexualized othera conquerable body representing both the seductions and the dangers of the frontier. These films show her being colonized and suffering at the hands of Manifest Destiny and American expansionism, but Marubbio argues that the Native American woman also represents a threat to the idea of a white America. The complexity and longevity of the Celluloid Maiden iconpersisting into the twenty-first centurysymbolizes an identity crisis about the composition of the American national body that has played over and over throughout different eras and political climates. Ultimately, Marubbio establishes that the ongoing representation of the Celluloid Maiden signals the continuing development and justification of American colonialism.

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An Oral History of the Civil Rights Movement in Kentucky

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Memories fade, witnesses pass away, and the stories of how social change took place are often lost. Many of those stories, however, have been preserved thanks to the dozens of civil rights activists across Kentucky who shared their memories in the wide-ranging oral history project from which this volume arose. Through their collective memories and the efforts of a new generation of historians, the stories behind the marches, vigils, court cases, and other struggles to overcome racial discrimination are finally being brought to light. In Freedom on the Border: An Oral History of the Civil Rights Movement in Kentucky, Catherine Fosl and Tracy E. K'Meyer gather the voices of more than one hundred courageous crusaders for civil rights, many of whom have never before spoken publicly about their experiences. These activists hail from all over Kentucky, offering a wide representation of the state's geography and culture while explaining the civil rights movement in their respective communities and in their own words. Grounded in oral history, this book offers new insights into the diverse experiences and ground-level perspectives of the activists. This approach often highlights the contradictions between the experiences of individual activists and commonly held beliefs about the larger movement. Interspersed among the chapters are in-depth profiles of activists such as Kentucky general assemblyman Jesse Crenshaw and Helen Fisher Frye, past president of the Danville NAACP. These activists describe the many challenges that Kentuckians faced during the civil rights movement, such as inequality in public accommodations, education, housing, and politics. By placing the narratives in the social context of state, regional, and national trends, Fosl and K'Meyer demonstrate how contemporary race relations in Kentucky are marked by many of the same barriers that African Americans faced before and during the civil rights movement. From city streets to mountain communities, in areas with black populations large and small, Kentucky's civil rights movement was much more than a series of mass demonstrations, campaigns, and elite-level policy decisions. It was also the sum of countless individual struggles, including the mother who sent her child to an all-white school, the veteran who refused to give up when denied a job, and the volunteer election worker who decided to run for office herself. In vivid detail, Freedom on the Border brings this mosaic of experiences to life and presents a new, compelling picture of a vital and little-understood era in the history of Kentucky and the nation.

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Catherine Fosl, Tracy E. K'Meyer, Terry L. Birdwhistell, Douglas A. Boyd, James C. Klotter

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The fourth book in the Virginia at War series casts a special light on vital home front matters in Virginia during 1864. Following a year in which only one major battle was fought on Virginia soil, 1864 brought military campaigning to the Old Dominion. For the first time during the Civil War, the majority of Virginia's forces fought inside the state's borders. Yet soldiers were a distinct minority among the Virginians affected by the war. In Virginia at War, 1864, scholars explore various aspects of the civilian experience in Virginia including transportation and communication, wartime literature, politics and the press, higher education, patriotic celebrations, and early efforts at reconstruction in Union-occupied Virginia. The volume focuses on the effects of war on the civilian infrastructure as well as efforts to maintain the Confederacy. As in previous volumes, the book concludes with an edited and annotated excerpt of the Judith Brockenbrough McGuire diary.

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William C. Davis, James I. Robertson Jr.

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The "Kentucky Tragedy" was early America's best known true crime story. In 1825, Jereboam O. Beauchamp assassinated Kentucky attorney general Solomon P. Sharp. The murder, trial, conviction, and execution of the killer, as well as the suicide of his wife, Anna Cooke Beauchampfascinated Americans. The episode became the basis of dozens of novels and plays composed by some of the country's most esteemed literary talents, among them Edgar Allan Poe and William Gilmore Simms. In Murder and Madness, Matthew G. Schoenbachler peels away two centuries of myth to provide a more accurate account of the murder. Schoenbachler also reveals how Jereboam and Anna Beauchamp shaped the meaning and memory of the event by manipulating romantic ideals at the heart of early American society. Concocting a story in which Solomon Sharp had seduced and abandoned Anna, the couple transformed a sordid murdercommitted because the Beauchamps believed Sharp to be spreading a rumor that Anna had had an affair with a family slaveinto a maudlin tale of feminine virtue assailed, honor asserted, and a young rebel's revenge. Murder and Madness reveals the true story behind the murder and demonstrates enduring influence of Romanticism in early America.

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The history of civil rights in the United States is usually analyzed and interpreted through the lenses of modern conservatism and progressive liberalism. In Race and Liberty in America: The Essential Reader, author Jonathan Bean argues that the historical record does not conveniently fit into either of these categories and that knowledge of the American classical liberal tradition is required to gain a more accurate understanding of the past, present, and future of civil liberties in the nation. By assembling and contextualizing classic documents, from the Declaration of Independence to the Civil Rights Act of 1964 to the 2007 U.S. Supreme Court decision banning school assignment by race, Bean demonstrates that classical liberalism differs from progressive liberalism in emphasizing individual freedom, Christianity, the racial neutrality of the Constitution, complete color-blindness, and free-market capitalism. A comprehensive and vital resource for scholars and students of civil liberties, Race and Liberty in America presents a wealth of primary sources that trace the evolution of civil rights throughout U.S. history.

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Barack Obama's presidential victory demonstrated unprecedented racial progress on a national level. Not since the civil rights legislation of the 1960s has the United States seen such remarkable advances. During Obama's historic campaign, however, prominent African Americans voiced concern about his candidacy, demonstrating a divided agenda among black political leaders. The assassination of Martin Luther King Jr. changed perceptions about the nature of African American leadership.In Yes We Did?, Cynthia Fleming examines the expansion of black leadership from grassroots to the national arena, beginning with Booker T. Washington and W. E. B. DuBois and progressing through contemporary leaders including Harold Ford Jr., Louis Farrakhan, Jesse Jackson Jr., and Barack Obama. She emphasizes socioeconomic status, female black leadership, media influence, black conservatism, and generational conflict. Fleming had unprecedented access to a wide range of activists, including Carol Mosley Braun, Al Sharpton, and John Hope Franklin. She deftly maps the history of black leadership in America, illuminating both lingering disadvantages and obstacles that developed after the civil rights movement.Among those interviewed were community activists and scholars, as well as former freedom riders, sit-in activists, and others who were intimately involved in the civil rights struggle and close to Dr. King. Their personal accounts reflect the diverse viewpoints of the black community and offer a new understanding of the history of African American leadership, its current status, and its uncertain future.

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Cynthia Griggs Fleming, Eleanor Holmes Norton

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Vietnam Declassified is a detailed account of the CIA's effort to help South Vietnamese authorities win the loyalty of the Vietnamese peasantry and suppress the Viet Cong. Covering the CIA engagement from 1954 to mid-1972, it provides a thorough analysis of the agency and its partners. Retired CIA operative and intelligence consultant Thomas L. Ahern Jr. is the first to comprehensively document the CIA's role in the rural pacification of South Vietnam, drawing from secret archives to which he had unrestricted access. In addition to a chronology of operations, the book explores the assumptions, political values, and cultural outlooks of not only the CIA and other U.S. government agencies, but also of the peasants, Viet Cong, and Saigon government forces competing for their loyalty. The depth of Ahern's research combined with the timely relevance of his analysis to current events in the Middle East makes this title an important addition to military literature.

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During World War II, Hollywood studios supported the war effort by making patriotic movies designed to raise the nation's morale. They often portrayed the combatants in very simple terms: Americans and their allies were heroes, and everyone else was a villain. Norway, France, Czechoslovakia, and England were all good because they had been invaded or victimized by Nazi Germany. Poland, however, was represented in a negative light in numerous movies. In Hollywood's War with Poland, 1939-1945, M. B. B. Biskupski draws on a close study of prewar and wartime films such as To Be or Not to Be (1942), In Our Time (1944), and None Shall Escape (1944). He researched memoirs, letters, diaries, and memoranda written by screenwriters, directors, studio heads, and actors to explore the negative portrayal of Poland during World War II. Biskupski also examines the political climate that influenced Hollywood films.

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One of the lesser-known stories of the Civil War is the role played by escaped slaves in the Union blockade along the Atlantic coast. From the beginning of the war, many African American refugees sought avenues of escape to the North. Due to their sheer numbers, those who reached Union forces presented a problem for the military. Fortunately, the First Confiscation Act of 1861 permitted the seizure of property used in support of the South's war effort, including slaves. Eventually regarded as contraband of war, the runaways became known as contrabands. In Bluejackets and Contrabands, Barbara Brooks Tomblin examines the relationship between the Union Navy and the contrabands. The navy established colonies for the former slaves, and, in return, some contrabands served as crewmen on navy ships and gunboats and as river pilots, spies, and guides. Tomblin presents a rare picture of the contrabands and casts light on the vital contributions of African Americans to the Union Navy and the Union cause.

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One of the most renowned Washington insiders of the twentieth century, Clark Clifford (19061998) was a top advisor to four Democratic presidents. As a powerful corporate attorney, he advised Harry S. Truman, John F. Kennedy, Lyndon Johnson, and Jimmy Carter. As special counsel to Truman, Clifford helped to articulate the Truman Doctrine, grant recognition to Israel, create the Marshall Plan, and build the North Atlantic Treaty Organization (NATO). After winning the 1960 Democratic presidential nomination, Kennedy asked Clifford to analyze the problems he would face in taking over the executive branch and later appointed him chairman of the Foreign Intelligence Advisory Board. Johnson named Clifford secretary of defense in 1968, but their warm relationship was strained when Clifford concluded that there was no plan for victory in the Vietnam War and that the United States was in a "bottomless pit." Even Carter, who kept his distance from Washington insiders, turned to Clifford for help. In Clark Clifford: The Wise Man of Washington, John Acacia chronicles Clifford's rise from midwestern lawyer to Washington power broker and presidential confidant. He covers the breadth and span of Clifford's involvement in numerous pivotal moments of American history, providing a window to the inner workings of the executive office. Drawing from a wealth of sources, the author reveals Clifford's role as one of the most trusted advisors in American history and as a primary architect of cold war foreign policy.

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Jim Tomlinson's previous book of short stories, Things Kept, Things Left Behind, won the prestigious Iowa Short Fiction Award and received enthusiastic reviews. The New York Times compared the strong sense of place in Tomlinson's writing to that found in the works of Flannery O'Connor and Alice Munro. The stories in his new collection, Nothing Like An Ocean, also reflect Tomlinson's awareness of place, revisiting the fictional town of Spivey, a community in rural Appalachia where the characters confront difficult circumstances and, with quiet dignity, try to do what is right. In the title story, Tomlinson explores themes of forgiveness and acceptance in the lives of two characters, Alton Wood, a high school math teacher isolated by grief, and his sister Fran, who is emotionally paralyzed by her part in a tragic death. The two take halting steps back into the world after Alton receives an anonymous invitation to a church singles dance. These themes also underlie "Angel, His Rabbit, and Kyle McKell," which tells of Dempsie's evening with two menher volatile boyfriend and the recently returned Iraq War amputee whose secret she has been keeping. Loss and the inevitability of change recur in Tomlinson's stories. In "Overburden," Ben, a man simultaneously contemplating AARP membership and impending fatherhood, travels with his wife, Sarah, back to eastern Kentucky to visit the oak tree that was essential to their courtship, only to find the site as barren and featureless as the moon, a casualty of mountaintop removal mining. "So Exotic" draws us into the worn environs of Rita's Huddle In Cafe, where the owner becomes the confidant of Quilla, a mousy bank teller who blossoms as the muse of an eccentric artist from Belarus. The eleven stories in Nothing Like An Ocean evoke a strong sense of small-town Kentucky life, finding humor in the residents' foibles while never diminishing their inner lives. Tomlinson's masterful fiction captures light and dark moments, moments that are foreign yet deeply familiar, as his characters seek redemption and sometimes find unexpected grace..