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As the Civil War entered its first full calendar year for the Old Dominion, Virginians began to experience the full ramifications of the conflict. Their expectations for the coming year did not prepare them for what was about to happen; in 1862 the war became earnest and real, and the state became then and thereafter the major battleground of the war in the East. Virginia emerged from the year 1861 in much the same state of uncertainty and confusion as the rest of the Confederacy. While the North was known to be rebuilding its army, no one could be sure if the northern people and government were willing to continue the war. The landscape and the people of Virginia were a part of the battlefield. Virginia at War, 1862 demonstrates how no aspect of life in the Commonwealth escaped the war's impact. The collection of essays examines topics as diverse as daily civilian life and the effects of military occupation, the massive influx of tens of thousands of wounded and sick into Richmond, and the wartime expansion of Virginia's industrial base, the largest in the Confederacy. Out on the field, Robert E. Lee's army was devastated by the Battle of Antietam, and Lee strove to rebuild the army with recruits from the interior of the state. Many Virginians, however, were far behind the front lines. A growing illustrated press brought the war into the homes of civilians and allowed them to see what was happening in their state and in the larger war beyond their borders. To round out this volume, indefatigable Richmond diarist Judith McGuire continues her day-by-day reflections on life during wartime. The second in a five-volume series examining each year of the war, Virginia at War, 1862 illuminates the happenings on both homefront and battlefield in the state that served as the crucible of America's greatest internal conflict.

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William C. Davis, James I. Robertson Jr.

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Although nine of the former British colonies joined the United States before Virginia, the fate of the new republic depended heavily on the Commonwealth. With four of the first five American presidents, and many other founding fathers and framers of the Constitution, calling Virginia their home, the roots of American democracy are firmly planted within the borders of the Old Dominion. Similarly, several Southern states preceded Virginia in seceding from the Union, but until Virginia joined them in April 1861, the Confederacy lacked cohesion. Richmond was immediately named the capital of the fledgling nation, and by the end of spring, Virginia had become the primary political and military theater in which the grand tragedy of the Civil War was enacted. Virginia at War, 1861, edited by acclaimed historians William C. Davis and James I. Robertson Jr., vividly portrays the process of secession, the early phases of conflict, and the struggles of Virginians to weather the brutal storms of war. Virginia at War, 1861 is the first in a series of volumes on each of Virginia's five years as a Confederate state. Essays by eight noted Civil War scholars provide a three-dimensional view of Virginians' experiences during the first year of the War Between the States. In addition to recounting the remarkable military events taking place in Virginia in 1861, this collection examines a civilian population braced for war but divided on crucial questions, an economy pressed to cope with the demands of combat, and a culture that strained to reconcile its proud heritage with its uncertain future. In 1861, the outcome of the Civil War was far from determined, but for Virginians there was little doubt that the war experience would alter nearly everything they had known before the outbreak of hostilities. In exacting detail, Virginia at War, 1861 examines the earliest challenges of the Civil War, the changes war wrought, and the ways in which Virginians withstood and adapted to this profound, irrevocable upheaval.

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William C. Davis, James I. Robertson Jr.

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Civil War scholars have long used soldiers' diaries and correspondence to flesh out their studies of the conflict's great officers, regiments, and battles. However, historians have only recently begun to treat the common Civil War soldier's daily life as a worthwhile topic of discussion in its own right. The View from the Ground reveals the beliefs of ordinary men and women on topics ranging from slavery and racism to faith and identity and represents a significant development in historical scholarshipthe use of Civil War soldiers' personal accounts to address larger questions about America's past. Aaron Sheehan-Dean opens The View from the Ground by surveying the landscape of research on Union and Confederate soldiers, examining not only the wealth of scholarly inquiry in the 1980s and 1990s but also the numerous questions that remain unexplored. Chandra Manning analyzes the views of white Union soldiers on slavery and their enthusiastic support for emancipation. Jason Phillips uncovers the deep antipathy of Confederate soldiers toward their Union adversaries, and Lisa Laskin explores tensions between soldiers and civilians in the Confederacy that represented a serious threat to the fledgling nation's survival. Essays by David Rolfs and Kent Dollar examine the nature of religious faith among Civil War combatants. The grim and gruesome realities of warfareand the horror of killing one's enemy at close rangeprofoundly tested the spiritual convictions of the fighting men. Timothy J. Orr, Charles E. Brooks, and Kevin Levin demonstrate that Union and Confederate soldiers maintained their political beliefs both on the battlefield and in the war's aftermath. Orr details the conflict between Union soldiers and Northern antiwar activists in Pennsylvania, and Brooks examines a struggle between officers and the Fourth Texas Regiment. Levin contextualizes political struggles among Southerners in the 1880s and 1890s as a continuing battle kept alive by memories of, and identities associated with, their wartime experiences. The View from the Ground goes beyond standard histories that discuss soldiers primarily in terms of campaigns and casualties. These essays show that soldiers on both sides were authentic historical actors who willfully steered the course of the Civil War and shaped subsequent public memory of the event.

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Vernon and Irene Castle's Ragtime Revolution

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Vernon and Irene Castle popularized ragtime dancing in the years just before World War I and made dancing a respectable pastime in America. The whisper-thin, elegant Castles were trendsetters in many ways: they traveled with a black orchestra, had an openly lesbian manager, and were animal-rights advocates decades before it became a public issue. Irene was also a fashion innovator, bobbing her hair ten years before the flapper look of the 1920s became popular. From their marriage in 1911 until 1916, the Castles were the most famous and influential dance team in the world. Their dancing schools and nightclubs were packed with society figures and white-collar workers alike. After their peak of white-hot fame, Vernon enlisted in the Royal Canadian Flying Corps, served at the front lines, and was killed in a 1918 airplane crash. Irene became a movie star and appeared in more than a dozen films between 1917 and 1922. The Castles were depicted in the Fred Astaire-Ginger Rogers movie Vernon and Irene Castle's Ragtime Revolution (1939), but the film omitted most of the interesting and controversial aspects of their lives. They were more complex than posterity would have it: Vernon was charming but irresponsible, Irene was strong-minded but self-centered, and the couple had filed for divorce before Vernon's death (information that has never before been made public). Vernon and Irene Castle's Ragtime Revolution is the fascinating story of a couple who reinvented dance and its place in twentieth-century culture.

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Guerrilla insurgencies continue to rage across the globe, fueled by ethnic and religious conflict and the easy availability of weapons. At the same time, urban population centers in both industrialized and developing nations attract ever-increasing numbers of people, outstripping rural growth rates worldwide. As a consequence of this population shift from the countryside to the cities, guerrilla conflict in urban areas, similar to the violent response to U.S. occupation in Iraq, will become more frequent. Urban Guerrilla Warfare traces the diverse origins of urban conflicts and identifies similarities and differences in the methods of counterinsurgent forces. In this wide-ranging and richly detailed comparative analysis, Anthony James Joes examines eight key examples of urban guerrilla conflict spanning half a century and four continents: Warsaw in 1944, Budapest in 1956, Algiers in 1957, Montevideo and Sao Paulo in the 1960s, Saigon in 1968, Northern Ireland from 1970 to 1998, and Grozny from 1994 to 1996. Joes demonstrates that urban insurgents violate certain fundamental principles of guerrilla warfare as set forth by renowned military strategists such as Carl von Clausewitz and Mao Tse-tung. Urban guerrillas operate in finite areas, leaving themselves vulnerable to encirclement and ultimate defeat. They also tend to abandon the goal of establishing a secure base or a cross-border sanctuary, making precarious combat even riskier. Typically, urban guerrillas do not solely target soldiers and police; they often attack civilians in an effort to frighten and disorient the local population and discredit the regime. Thus urban guerrilla warfare becomes difficult to distinguish from simple terrorism. Joes argues persuasively against committing U.S. troops in urban counterinsurgencies, but also offers cogent recommendations for the successful conduct of such operations where they must be undertaken.

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Traditional histories of the hard-fought Battle of the Bulge routinely include detailed lists of the casualties suffered by American, British, and German troops. Conspicuously lacking in most accounts, however, are references to the civilians in Belgium and Luxembourg who lost their lives in the same battle. Yet the most reliable current estimates calculate at approximately three thousand. the number of civilians who perished during the six weeks of fighting. Telling the stories of ordinary people caught up in the maelstrom of war, The Unknown Dead surveys this crucial battle and its consequences from an entirely new perspective. Renowned historian Peter Schrijvers, a native Belgian, describes in vivid detail the horrific war crimes committed by German military units on the front lines and by Nazi security services behind the battle lines, as well as the devastating effects of Allied responses to the enemy threat, including massive bombings of small towns.During the offensive, inhabitants of the villages of this region of Belgium lived in a state of chaos. Countless men, women, and children were killed in cold blood for aiding American soldiers, and the GIs themselves were often highly suspicious of German-speaking Belgians. Local services ground to a halt, and citizens formed volunteer groups to obtain water and meet other basic needs. Even after the violence had ended and the postwar reconstruction had begun, the small communities remained in turmoil. The countryside was dotted with abandoned land mines and explosives, and the emotional tension between civilians and battle hardened veterans often took years to dissipate. Based on recently discovered sources including numerous personal testimonies, municipal and parish records, and findings of the Belgian War Crimes Commission, The Unknown Dead vividly recounts the experiences of innocents in the violence of one of World War II's seminal battles.

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The U.S. Cavalry, which began in the nineteenth century as little more than a mounted reconnaissance and harrying force, underwent intense growing pains with the rapid technological developments of the twentieth century. From its tentative beginnings during World War I, the eventual conversion of the traditional horse cavalry to a mechanized branch is arguably one of the greatest military transformations in history. Through Mobility We Conquer recounts the evolution and development of the U.S. Army's modern mechanized cavalry and the doctrine necessary to use it effectively. The book also explores the debates over how best to use cavalry and how these discussions evolved during the first half of the century. During World War I, the first cavalry theorist proposed combining arms coordination with a mechanized force as an answer to the stalemate on the Western Front. Hofmann brings the story through the next fifty years, when a new breed of cavalrymen became cold war warriors as the U.S. Constabulary was established as an occupation security-police force. Having reviewed thousands of official records and manuals, military journals, personal papers, memoirs, and oral historiesmany of which were only recently declassifiedGeorge F. Hofmann now presents a detailed study of the doctrine, equipment, structure, organization, tactics, and strategy of U.S. mechanized cavalry during the changing international dynamics of the first half of the twentieth century. Illustrated with dozens of photographs, maps, and charts, Through Mobility We Conquer examines how technology revolutionized U.S. forces in the twentieth century and demonstrates how perhaps no other branch of the military underwent greater changes during this time than the cavalry.

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Perhaps no one has keener insight into human nature than the small-town trial lawyer. All but lost in an era of corporate law firms and specialized practice, this charismatic figure was once at the political center of a community and was the holder of its many secrets. A small town attorney's only specialization was the town itself. Serving as both defender and accuser, these lawyers witnessed communities and individuals at their best and worst. Men and women of the legal profession often exert influence in seemingly small realms, but they play an important role in the lives of many people and help shape the American legal system. Veteran oral historian and folklorist William Lynwood Montell has brought together a fascinating collection of tales gathered from lawyers and judges throughout the Volunteer State. Montell searched small towns and cities across Tennessee for the law's older and middle age practitioners, and he shares the wealth of their experience in Tales from Tennessee Lawyers. These stories are recorded exactly as told by the lawyers themselves, and they reveal candid and unusual snapshots of the legal systemboth past and present. With a tape recorder and an ear for detail, Montell uncovers events and lives ranging from the commonplace to the extraordinary. A man resorts to prostitution to alleviate the debt brought about by divorce proceedings. Identical twins are tried for a string of murders. A convict flees his trial by stealing the judge's car. A prosecutor tries the nation's first school-shooting case. Judge George Balitsaris, a former University of Tennessee football player, escorts a special prosecutor out of a notorious rape trial as a precaution after the defendant's family issues threats. These and similar stories illustrate the strange, complex cases argued daily from Tennessee's largest cities to its smallest towns. Far more than just a collection of lawyer jokes, these recollections shed light on the tense and often dangerous lives of those who work to see that all receive fair representation and treatment in court.

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Selling Beauty to African American Women, 1920-1975

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Between the 1920s and the 1970s, American economic culture began to emphasize the value of consumption over production. At the same time, the rise of new mass media such as radio and television facilitated the advertising and sales of consumer goods on an unprecedented scale. In Style and Status: Selling Beauty to African American Women, 19201975, Susannah Walker analyzes an often-overlooked facet of twentieth-century consumer society as she explores the political, social, and racial implications of the business devoted to producing and marketing beauty products for African American women. Walker examines African American beauty culture as a significant component of twentieth-century consumerism, and she links both subjects to the complex racial politics of the era. The efforts of black entrepreneurs to participate in the American economy and to achieve self-determination of black beauty standards often caused conflict within the African American community. Additionally, a prevalence of white-owned firms in the African American beauty industry sparked widespread resentment, even among advocates of full integration in other areas of the American economy and culture. Concerned African Americans argued that whites had too much influence over black beauty culture and were invading the market, complicating matters of physical appearance with questions of race and power. Based on a wide variety of documentary and archival evidence, Walker concludes that African American beauty standards were shaped within black society as much as they were formed in reaction to, let alone imposed by, the majority culture. Style and Status challenges the notion that the civil rights and black power movements of the 1950s through the 1970s represents the first period in which African Americans wielded considerable influence over standards of appearance and beauty. Walker explores how beauty culture affected black women's racial and feminine identities, the role of black-owned businesses in African American communities, differences between black-owned and white-owned manufacturers of beauty products, and the concept of racial progress in the postWorld War II era. Through the story of the development of black beauty culture, Walker examines the interplay of race, class, and gender in twentieth-century America.

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Patterns of Conflict and Change, 1991-2001

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" The South continues to be the most distinctive region in American politics. Over the last half century, Democratic dominance in the South has given way to the emergence of a truly competitive two-party system that leans Republican in presidential elections. In some ways, the region is increasingly like the rest of the country, yet even the degree of change and the speed with which it occurred give the South a distinctive air. The contributors to Southern Political Party Activists examine both the development of American political party organizations and the changing political character of the South, focusing on grassroots party activists-those who are involved in party organizations at the county level. John A. Clark is associate professor of political science at Western Michigan University. Charles L. Prysby is professor of political science at the University of North Carolina at Greensboro.

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"The evil that men do" has been chronicled for thousands of years on the European stage, and perhaps nowhere else is human fear of our own evil more detailed than in its personifications in theater. Early writers used theater to communicate human experiences and to display reverence for the gods governing daily life. Playwrights from Euripides onward sought inspiration from this interplay between the worldly and the occult, using human belief in the divine to govern characters' actions within a dramatic arena. The constant adherence to the supernatural, despite changing religious ideologies over the centuries, testifies to a deep and continuing belief in the ability of a higher power to interfere in human life. Stages of Evil is the first book to examine the representation and relationship of evil and the occult from the prehistoric origins of drama through to the present day. Drawing on examples of magic, astronomy, demonology, possession, exorcism, fairies, vampires, witchcraft, hauntings, and voodoo, author Robert Lima explores how theater shaped American and European perceptions of the occult and how the dramatic works studied here reflect society back upon itself at different points in history. From representations of Dionysian rites in ancient Greece, to the Mouth of Hell in the Middle Ages, to the mystical cabalistic life of the Hasidic Jews, to the witchcraft and magic of the Elizabethan and Jacobean stage, Lima traces the recurrence of supernatural motifs in pivotal plays and performance works of the Western tradition. Considering numerous myths and cultural artifacts, such as the "wild man," he describes the evolution and continual representation of supernatural archetypes on the modern stage. He also discusses the sociohistorical implications of Christian and pagan representations of evil and the theatrical creativity that occultism has engendered. Delving into his own theatrical, literary, folkloric, and travel experiences to enhance his observations, Lima assays the complex world of occultism and examines diverse works of Western theater and drama. A unique and comprehensive bibliography of European and American plays concludes the study and facilitates further research into the realm of the social and literary impact of the occult.

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The industrial expansion of the twentieth century brought with it a profound shift away from traditional agricultural modes and practices in the American South. The forces of economic modernityspecialization, mechanization, and improved efficiencyswept through southern farm communities, leaving significant upheaval in their wake. In an attempt to comprehend the complexities of the present and prepare for the uncertainties of the future, many southern farmers searched for order and meaning in their memories of the past. In Southern Farmers and Their Stories, Melissa Walker explores the ways in which a diverse array of farmers remember and recount the past. The book tells the story of the modernization of the South in the voices of those most affected by the decline of traditional ways of life and work. Walker analyzes the recurring patterns in their narratives of change and loss, filling in gaps left by more conventional political and economic histories of southern agriculture. Southern Farmers and Their Stories also highlights the tensions inherent in the relationship between history and memory. Walker employs the concept of "communities of memory" to describe the shared sense of the past among southern farmers. History and memory converge and shape one another in communities of memory through an ongoing process in which shared meanings emerge through an elaborate alchemy of recollection and interpretation. In her careful analysis of more than five hundred oral history narratives, Walker allows silenced voices to be heard and forgotten versions of the past to be reconsidered. Southern Farmers and Their Stories preserves the shared memories and meanings of southern agricultural communities not merely for their own sake but for the potential benefit of a region, a nation, and a world that has much to learn from the lessons of previous generations of agricultural providers.

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Salvator Rosa (16151673) was a colorful and controversial Italian painter, talented musician, a notable comic actor, a prolific correspondent, and a successful satirist and poet. His paintings, especially his rugged landscapes and their evocation of the sublime, appealed to Romantic writers, and his work was highly influential on several generations of European writers. James S. Patty analyzes Rosa's tremendous influence on French writers, chiefly those of the nineteenth century, such as Stendhal, Honore de Balzac, Victor Hugo, George Sand, and Theophile Gautier. Arranged in chronological order, with numerous quotations from French fiction, poetry, drama, art criticism, art history, literary history, and reference works, Salvator Rosa in French Literature forms a narrative account of the reception of Rosa's life and work in the world of French letters.

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Rural Life and Culture in the Upper Cumberland

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Tennessee History Book Award Finalist The Upper Cumberland region of Kentucky and Tennessee, often regarded as isolated and out of pace with the rest of the country, has a far richer history and culture than has been documented. The contributors to Rural Life and Culture in the Upper Cumberland discuss an extensive array of subjects, including popular music, movies, architecture, folklore, religion, and literature. Seventeen original essays by prominent scholars such as Lynwood Montell, Charles Wolfe, Allison Ensor, and Jeannette Keith uncover fascinating stories and personalities as they explore topics including wartime hero Alvin C. York, Socialist Party Tennessee gubernatorial candidate Kate Brockford Stockton, and even a thriving nudist colony, the Timberline Lodge.

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Michael E. Birdwell, W. Calvin Dickinson

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The Origins of American Intervention in Vietnam

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Using recently released archival materials from the United States and Europe, Replacing France: The Origins of American Intervention in Vietnam explains how and why the United States came to assume control as the dominant western power in Vietnam during the 1950s. Acting on their conviction that American methods had a better chance of building a stable, noncommunist South Vietnamese nation, Eisenhower administration officials systematically ejected French military, economic, political, bureaucratic, and cultural institutions from Vietnam. Kathryn C. Statler examines diplomatic maneuvers in Paris, Washington, London, and Saigon to detail how Western alliance members sought to transform South Vietnam into a modern, westernized, and democratic ally but ultimately failed to counter the Communist threat. Abetted by South Vietnamese prime minister Ngo Dinh Diem, Americans in Washington, D.C., and Saigon undermined their French counterparts at every turn, resulting in the disappearance of a French presence by the time Kennedy assumed office. Although the United States ultimately replaced France in South Vietnam, efforts to build South Vietnam into a nation failed. Instead, it became a dependent client state that was unable to withstand increasing Communist aggression from the North. Replacing France is a fundamental reassessment of the origins of U.S. involvement in Vietnam that explains how Franco-American conflict led the United States to pursue a unilateral and ultimately imperialist policy in Vietnam.

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In Reconstructing American Historical Cinema: From Cimarron to Citizen Kane, J. E. Smyth dramatically departs from the traditional understanding of the relationship between film and history. By looking at production records, scripts, and contemporary reviews, Smyth argues that certain classical Hollywood filmmakers were actively engaged in a self-conscious and often critical filmic writing of national history. Her volume is a major reassessment of American historiography and cinematic historians from the advent of sound to the beginning of wartime film production in 1942. Focusing on key films such as Cimarron (1931), The Public Enemy (1931), Scarface (1932), Ramona (1936), A Star Is Born (1937), Jezebel (1938), Young Mr. Lincoln (1939), Gone with the Wind (1939), Stagecoach (1939), and Citizen Kane (1941), Smyth explores historical cinema's connections to popular and academic historigraphy, historical fiction, and journalism, providing a rich context for the industry's commitment to American history. Rather than emphasizing the divide between American historical cinema and historical writing, Smyth explores the continuities between Hollywood films and history written during the first four decades of the twentieth century, from Carl Becker's famous "Everyman His Own Historian" to Howard Hughes's Scarface to Margaret Mitchell and David O. Selznick's Gone with the Wind. Hollywood's popular and often controversial cycle of historical films from 1931 to 1942 confronted issues as diverse as frontier racism and women's experiences in the nineteenth-century South, the decline of American society following the First World War, the rise of Al Capone, and the tragic history of Hollywood's silent era. Looking at rarely discussed archival material, Smyth focuses on classical Hollywood filmmakers' adaptation and scripting of traditional historical discourse and their critical revision of nineteenth- and twentieth-century American history. Reconstructing American Historical Cinema uncovers Hollywood's diverse and conflicted attitudes toward American history. This text is a fundamental challenge the prevailing scholarship in film, history, and cultural studies.

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Constitutional scholar George Anastaplo believes that many judges and lawyers draw upon a skimpy, if not simply unreliable, knowledge of history. He proposes that in order to write reliable opinions, these men and women must have a deeper understanding of the enduring principles upon which the law naturally tends to draw. In the study of constitutional law, Anastaplo argues that it is more important to weigh what the Supreme Court has said and how that is saidwhat considerations it weighed and howthan it is to know what it is recorded that the Court "decided."In Reflections on Constitutional Law, Anastaplo makes the case for a renewed focus on a now often-overlooked aspect of the study of law. He emphasizes the continuing significance and importance of the Constitution by thoroughly examining the most important influences on the American constitutional system, including the Magna Carta and the Declaration of Independence.

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Frontier Kentucky's Most Famous Preacher

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The Disciples of Christ, one of the first Christian faiths to have originated in America, was established in 1832 in Lexington, Kentucky, by the union of two groups led by Alexander Campbell and Barton W. Stone. The modern churches resulting from the union are known collectively to religious scholars as part of the Stone-Campbell movement. If Stone and Campbell are considered the architects of the Disciples of Christ and America's first nondenominational movement, then Kentucky's Raccoon John Smith is their builder and mason. Raccoon John Smith: Frontier Kentucky's Most Famous Preacher is the biography of a man whose work among the early settlers of Kentucky carries an important legacy that continues in our own time. The son of a Revolutionary War soldier, Smith spent his childhood and adolescence in the untamed frontier country of Tennessee and southern Kentucky. A quick-witted, thoughtful, and humorous youth, Smith was shaped by the unlikely combination of his dangerous, feral surroundings and his Calvinist religious indoctrination. The dangers of frontier life made an even greater impression on John Smith as a young man, when several instances of personal tragedy forced him to question the philosophy of predeterminism that pervaded his religious upbringing. From these crises of faith, Smith emerged a changed man with a new vocation: to spread a Christian faith wherein salvation was available to all people. Thus began the long, ecclesiastical career of Raccoon John Smith and the germination of a religious revolution. Exhaustively researched, engagingly written, Raccoon John Smith is the first objective and painstakingly accurate treatment of the legendary frontier preacher. The intricacies behind the development of both Smith's personal religious beliefs and the founding of the Christian Church are treated with equal care. Raccoon John Smith is the story of a single man, but in carefully examining the events and people that influenced Elder Smith, this book also serves as a formative history for several Christian denominations, as well as an account of the wild, early years of the Commonwealth of Kentucky.

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What Great Cooks Have Taught Us about Ourselves and Our Food

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In an age where convenience often ranks above quality, many Americans have abandoned traditional recipes and methods of cooking for fast solutions to their hunger and nourishment needs. Modern families are busier than ever, juggling hectic schedules that send them to fast-food restaurant drive-through windows and to grocery stores crowded with pre-processed and ready-to-eat foods. With parents frequently working during the daytime, efficient food preparation in the evenings has become the number one priority in kitchens across the country. This trend began during the postWorld War II years, which heralded the arrival of "fast foods" and innovative technological advancements that sought to simplify the cooking process. These products were marketed as quick and convenient alternatives that transformed the concept of cooking from a cultural activity and a means of bonding with one's family to a chore that should occupy as little time and energy as possible. Profiles from the Kitchen: What Great Cooks Have Taught Us about Ourselves and Our Food is Charles A. Baker-Clark's call to abandon the "homogenization of food and dining experiences" by encouraging us to reclaim knowledge of cooking and eating and reconnect with our ethnic, familial, and regional backgrounds. Baker-Clark profiles fifteen individuals who have shaped our experiences with food and who have gone beyond popular trends to promote cooking as a craft worth learning and sustaining. The cooks and food critics he writes about emphasize the appreciation of good cooking and the relationship of food to social justice, spirituality, and sustainability. Profiles from the Kitchen highlights prominent figures within the food industry, from nationally and internationally known individuals such as Paul and Julia Child, James Beard, and M.F.K. Fisher to regional food experts such as John T. Edge and Dennis Getto. The result is a collective portrait of foodlovers who celebrate the rich traditions and histories associated with food in our daily lives and who encourage us to reestablish our own connections in the kitchen.

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In 1953, the same year that Elvis Presley cut his first demo, Cash Box magazine named the Hilltoppers the top vocal group of the year. Hits such as "Trying" and "P.S. I Love You" raced up the charts and kept the group in Billboard's Top 40. The four fresh-faced singers appeared on The Toast of the Town with Ed Sullivan, who introduced them to the nation. On weekends the Hilltoppers performed in cities across the country, but on Monday mornings they were better known as Western Kentucky State College students Jimmy Sacca, Seymour Spiegelman, Don McGuire, and Billy Vaughn. The Korean War, military drafts, and changing public tastes in music, however, cut short singing careers that should have lasted much longer. Sacca was drafted in 1953, mere months before the end of the war. Vaughn left the group shortly after that for a career at Dot Records and found fame elsewhere with his orchestra. McGuire and Spiegelman were drafted as well, and despite a set of temporary replacement members, the group eventually called it quits. Fifty years later, historian Carlton Jackson revisits the Kentucky college kids who made it big between classes. He follows the group from their first hit, recorded in Western's Van Meter Auditorium, to their brief 1970s reunion. Their story recalls the nature of celebrity and youth in the early days of rock 'n' roll.