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A Collection of American Indian Poetry to 1930

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Until now, the study of American Indian literature has tended to concentrate on contemporary writing. Although the field has grown rapidly, early worksespecially poetryremain mostly unknown and inaccessible. Changing Is Not Vanishing simultaneously reinvents the early history of American Indian literature and the history of American poetry by presenting a vast but forgotten archive of American Indian poems. Through extensive archival research in small-circulation newspapers and magazines, manuscripts, pamphlets, rare books, and scrapbooks, Robert Dale Parker has uncovered the work of more than 140 early Indian poets who wrote before 1930.

Changing Is Not Vanishing includes poems by 82 writers and provides a full bibliography of all the poets Parker has identifiedmost of them unknown even to specialists in Indian literature. In a wide range of approaches and styles, the poems in this collection address such topics as colonialism and the federal government, land, politics, nature, love, war, Christianity, and racism. With a richly informative introduction and extensive annotation, Changing Is Not Vanishing opens the door to a trove of fascinating, powerful poems that will be required reading for all scholars and readers of American poetry and American Indian literature.

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While the marquis de Sade was drafting The 120 Days of Sodom in the Bastille, another libertine marquis in a nearby cell was also writing a novelone equally outrageous, full of sex and slander, and more revealing for what it had to say about the conditions of writers and writing itself. Yet Sade's neighbor, the marquis de Pelleport, is almost completely unknown today, and his novel, Les Bohemiens, has nearly vanished. Only a half dozen copies are available in libraries throughout the world. This edition, the first in English, opens a window into the world of garret poets, literary adventurers, down-and-out philosophers, and Grub Street hacks writing in the waning days of the Ancien Regime.

The Bohemians tells the tale of a troupe of vagabond writer-philosophers and their sexual partners, wandering through the countryside of Champagne accompanied by a donkey loaded with their many unpublished manuscripts. They live off the landfor the most part by stealing chickens from peasants. They deliver endless philosophic harangues, one more absurd than the other, bawl and brawl like schoolchildren, copulate with each other, and pause only to gobble up whatever they can poach from the barnyards along their route.

Full of lively prose, parody, dialogue, double entendre, humor, outrageous incidents, social commentary, and obscenity, The Bohemians is a tour de force. As Robert Darnton writes in his introduction to the book, it spans several genres and can be read simultaneously as a picaresque novel, a roman a clef, a collection of essays, a libertine tract, and an autobiography. Rediscovered by Darnton and brought gloriously back to life in Vivian Folkenflik's translation, The Bohemians at last takes its place as a major work of eighteenth-century libertinism.

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Anne Gédéon Lafitte, Marquis de Pelleport, Robert Darnton, Vivian Folkenflik

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Roanoke is part of the lore of early America, the colony that disappeared. Many Americans know of Sir Walter Ralegh's ill-fated expedition, but few know about the Algonquian peoples who were the island's inhabitants. The Head in Edward Nugent's Hand examines Ralegh's plan to create an English empire in the New World but also the attempts of native peoples to make sense of the newcomers who threatened to transform their world in frightening ways.

Beginning his narrative well before Ralegh's arrival, Michael Leroy Oberg looks closely at the Indians who first encountered the colonists. The English intruded into a well-established Native American world at Roanoke, led by Wingina, the weroance, or leader, of the Algonquian peoples on the island. Oberg also pays close attention to how the weroance and his people understood the arrival of the English: we watch as Wingina's brother first boards Ralegh's ship, and we listen in as Wingina receives the report of its arrival. Driving the narrative is the leader's ultimate fate: Wingina is decapitated by one of Ralegh's men in the summer of 1586.

When the story of Roanoke is recast in an effort to understand how and why an Algonquian weroance was murdered, and with what consequences, we arrive at a more nuanced and sophisticated understanding of what happened during this, the dawn of English settlement in America.

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Race and Practice in Archaeological Interpretation

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Scholars who investigate racea label based upon real or perceived physical differencesrealize that they face a formidable task. The concept has been contested and condoned, debated and denied throughout modern history. Presented with the full understanding of the complexity of the issue, Race and Practice in Archaeological Interpretation concentrates on the archaeological analysis of race and how race is determined in the archaeological record.

Most archaeologists, even those dealing with recent history, have usually avoided the subject of race, yet Charles E. Orser, Jr., contends that its study and its implications are extremely important for the science of archaeology. Drawing upon his considerable experience as an archaeologist, and using a combination of practice theory as interpreted by Pierre Bourdieu and spatial theory as presented by Henri Lefebvre, Orser argues for an explicit archaeology of race and its interpretation.

The author reviews past archaeological usages of race, including a case study from early nineteenth-century Ireland, and explores the way race was used to form ideas about the Mound Builders, the Celts, and Atlantis. He concludes with a proposal that historical archaeologycast as modern-world archaeologyshould take the lead in the archaeological analysis of race because its purview is the recent past, that period during which our conceptions of race developed.

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During the first half-century of American independence, a fundamental change in the meaning and morality of ambition emerged in American culture. Long stigmatized as a dangerous passion that led people to pursue fame at the expense of duty, ambition also raised concerns among American Revolutionaries who espoused self-sacrifice. After the ratification of the U.S. Constitution and the creation of the federal republic in 1789, however, a new ethos of nation-making took hold in which ambition, properly cultivated, could rescue talent and virtue from the parochial needs of the family farm. Rather than an apology for an emerging market culture of material desire and commercial dealing, ambition became a civic projecta concerted reply to the localism of provincial life. By thus attaching itself to the national self-image during the early years of the Republic, before the wrenching upheavals of the Industrial Revolution, ambitious striving achieved a cultural dominance that future generations took for granted.

Beyond the Farm not only describes this transformation as a national effort but also explores it as a personal journey. Centered on the lives of six aspiring men from the New England countryside, the book follows them from youthful days full of hope and unrest to eventual careers marked by surprising success and crushing failure. Along the way, J. M. Opal recovers such intimate dramas as a young man's abandonment by his self-made parents, a village printer's dreams of small-town fame, and a headstrong boy's efforts to both surpass and honor his family. By relating the vast abstractions of nation and ambition to the everyday milieus of home, work, and school, Beyond the Farm reconsiders the roots of American individualism in vivid detail and moral complexity.

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Irish Politics and Social Conflict in the Age of the American Revolution

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In the midst of great expansion and economic growth in the eighteenth century, Ireland was deeply divided along racial, religious, and economic lines. More than two thirds of the population were Catholic, but nearly all the landowners were Anglican. The minority also comprised practically the entire body of lawyers, officers in the army and navy, and holders of political positions. At the same time, a growing middle class of merchants and manufacturers sought to reform Parliament to gain a real share in the political power monopolized by the aristocracy and landed gentry.

Irish Politics and Social Conflict in the Age of the American Revolution remains one of the few in-depth studies of the effects of the Revolution on Ireland. Focusing on nine important years of Irish history, 1775 to 1783, from the outbreak of war in colonial America to the year following its conclusion, the book details the social and political conditions of a period crucial to the development of Irish nationalism. Drawing extensively on the Dublin press of the time, Maurice R. O'Connell chronicles such important developments as the economic depression in Britain and the Irish movement for free trade, the Catholic Relief Act of 1778, the rise of the Volunteers, the formation of the Patriot group in the Irish Parliament, and the Revolution of 1782.

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Reconquest and Crusade in Medieval Spain

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Drawing from both Christian and Islamic sources, Reconquest and Crusade in Medieval Spain demonstrates that the clash of arms between Christians and Muslims in the Iberian peninsula that began in the early eighth century was transformed into a crusade by the papacy during the twelfth and thirteenth centuries. Successive popes accorded to Christian warriors willing to participate in the peninsular wars against Islam the same crusading benefits offered to those going to the Holy Land. Joseph F. O'Callaghan clearly demonstrates that any study of the history of the crusades must take a broader view of the Mediterranean to include medieval Spain.

Following a chronological overview of crusading in the Iberian peninsula from the late eleventh to the middle of the thirteenth century, O'Callaghan proceeds to the study of warfare, military finance, and the liturgy of reconquest and crusading. He concludes his book with a consideration of the later stages of reconquest and crusade up to and including the fall of Granada in 1492, while noting that the spiritual benefits of crusading bulls were still offered to the Spanish until the Second Vatican Council of 1963.

Although the conflict described in this book occurred more than eight hundred years ago, recent events remind the world that the intensity of belief, rhetoric, and action that gave birth to crusade, holy war, and jihad remains a powerful force in the twenty-first century.

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Selected by Choice magazine as an Outstanding Academic Title

Fire in the Placa is the first full-length study in English of the Patum, a Corpus Christi fire festival unique to Berga, Catalonia, Spain, celebrated annually since the seventeenth century. Participants in the festival are transformed through drink, sleep deprivation, crowding, constant motion, and the smoke and sparks of close-range firecrackers into passionate members of a precarious body politic. Combining richly layered symbolism with intense bodily expression, the Patum has long served as a grassroots equivalent of grand social theory; it moves from a representation of social divisions to a forcible communion among them.

The Patum's dancing effigiesgiants, dwarves, Turks and Christian knights, devils and angels, a crowned eagle, and two flaming mule-dragonshave provided local allegories for a long series of political conflicts, but the festival obscures its own messages in smoke and motion to enable a temporary merging of opposites. Activists in the 1970s transition to democracy in Spain took the Patum as a model of how old adversaries might collaborate: it helped to shape the mix of assertiveness in performance and compromise in practice that is typical of contemporary Catalan nationalism. The Patum became a focus of resistance to the Franco regime and drew visitors from all over Catalonia, serving as a rehearsal for the mass protests in Barcelona. Later, it provided the newly autonomous region with a vehicle for integrating immigrants and a vocabulary of belonging, culminating in the Patum-derived devils of the closing ceremonies of the 1992 Olympic games.

Today, as mines and factories have closed in Berga, the Patum serves as an arena in which provincial Catalans model their relationship to Barcelona, Europe, and the world, and reflects their ambivalence about the choices open to them. Seeking a third way between tourism and terrorism, provincial towns like Berga show us the future of all local communities under globalization.

In collective performances such as the Patum, tensions between cultural and political representation are made visible, and the gap between aspiration and possibility is both bridged and acknowledged. In this exceptionally rich ethnographic study, Dorothy Noyes explores the predicament of provincial communities striving to overcome internal conflict and participate in a wider world.

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Suspicious Readings of Joyce's "Dubliners"

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Because the stories in James Joyce's Dubliners seem to function as models of fiction, they are able to stand in for fiction in general in their ability to make the operation of texts explicit and visible. Joyce's stories do this by provoking skepticism in the face of their storytelling. Their narrative unreliabilitiesproduced by strange gaps, omitted scenes, and misleading narrative promptsarouse suspicion and oblige the reader to distrust how and why the story is told.

As a result, one is prompted to look into what is concealed, omitted, or left unspoken, a quest that often produces interpretations in conflict with what the narrative surface suggests about characters and events. Margot Norris's strategy in her analysis of the stories in Dubliners is to refuse to take the narrative voice for granted and to assume that every authorial decision to include or exclude, or to represent in a particular way, may be read as motivated. Suspicious Readings of Joyce's Dubliners examines the text for counterindictions and draws on the social context of the writing in order to offer readings from diverse theoretical perspectives.

Suspicious Readings of Joyce's Dubliners devotes a chapter to each of the fifteen stories in Dubliners and shows how each confronts the reader with an interpretive challenge and an intellectual adventure. Its readings of "An Encounter," "Two Gallants," "A Painful Case," "A Mother," "The Boarding House," and "Grace" reconceive the stories in wholly novel waysways that reveal Joyce's writing to be even more brilliant, more exciting, and more seriously attuned to moral and political issues than we had thought.

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The Master of Game is the oldest and most important work on the chase in the English language. Based primarily on Gaston de Foix's Livre de chasse, originally composed in 1387, The Master of Game was written by Edward of Norwich at his leisure between 1406 and 1413, mostly while being held prisoner for having treasonous designs against his cousin, Henry IV. While much of the book is almost an exact translation of de Foix, Edward added five chapters of his own to form the major source for our knowledge of the medieval hunt.

The book begins with a description of the nature of popular quarry, such as the hare, deer, and badger, including their behavior, characteristics, and even smells, and then moves to a discussion of various hunting dog breeds and how to train them. The medieval chase was a ritual event, so the book continues with an explanation of the various rules and techniques for a successful hunt, including how food was to be distributed among the hunters, the support persons, and the dogs. Weapons and traps of choice are also described, as well as the different horn calls used for communication. The Master of Game is a unique text for naturalists, hunters, and persons interested in social history. Although hunting is nowadays far removed from most people's experience, it was of major interest in the time of Edward of Norwich for ritual, sport, and, of course, food. Some knowledge of the chase was essential for all persons of medieval times.

This edition, the first paperback ever of the original version edited in 1909, includes a hearty foreword by Theodore Roosevelt, who adds some important contextual information about the chase and draws on his own vast hunting experience. A delight to read, even for those who are not keen on the sport, The Master of Game has, as one review exclaimed," all Chaucer's freshness, love of the open sky and fragrant woodland."

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Edward of Norwich, Theodore Roosevelt, William A. Baillie-Grohman, F. N. Baillie-Grohman

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Images, Iconoclasm, and the Carolingians

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In the year 726 C.E., the Byzantine emperor Leo III issued an edict declaring images to be idols, forbidden by Exodus, and ordering all such images in churches to be destroyed. Thus commenced the first wave of Byzantine iconoclasm, which ran its violent course until 787, when the underlying issues were temporarily resolved at the Second Council of Nicaea. In 815, a second great wave of iconoclasm was set off, only to end in 842 when the icons were restored to the churches of the East and the iconoclasts excommunicated.

The iconoclast controversies have long been understood as marking major fissures between the Western and Eastern churches. Thomas F. X. Noble reveals that the lines of division were not so clear. It is traditionally maintained that the Carolingians in the 790s did not understand the basic issues involved in the Byzantine dispute. Noble contends that there was, in fact, a significant Carolingian controversy about visual art and, if its ties to Byzantine iconoclasm were tenuous, they were also complex and deeply rooted in central concerns of the Carolingian court. Furthermore, he asserts that the Carolingians made distinctive and original contributions to the whole debate over religious art.

Images, Iconoclasm, and the Carolingians is the first book to provide a comprehensive study of the Western response to Byzantine iconoclasm. By comparing art-texts with laws, letters, poems, and other sources, Noble reveals the power and magnitude of the key discourses of the Carolingian world during its most dynamic and creative decades.

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The Lives of the Poor in Early Philadelphia

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Offering a new view into the lives and experiences of plebeian men and women, and a provocative exploration of the history of the body itself, Embodied History approaches the bodies of the poor in early national Philadelphia as texts to be read and interpreted. Through a close examination of accounts of the bodies that appeared in runaway advertisements and in seafaring, almshouse, prison, hospital, and burial records, Simon P. Newman uses physical details to paint an entirely different portrait of the material circumstances of the poor, examining the ways they became categorized in the emerging social hierarchy, and how they sought to resist such categorization.

The Philadelphians examined in Embodied History were members of the lower sort, a social category that emerged in the early modern period from the belief in a society composed of natural orders and ranks. The population of the urban poor grew rapidly after the American Revolution, and middling and elite citizens were frightened by these poor bodies, from the tattooed professional sailor, to the African American runaway with a highly personalized hairstyle and distinctive mannerisms and gestures, to the vigorous and lively Irish prostitute who refused to be cowed by the condemnation of others, to the hardworking laboring family whose weakened and diseased children played and sang in the alleys. In a new republic premised on liberty and equality, the rapidly increasing ranks of unruly bodies threatened to overwhelm traditional notions of deference, hierarchy, and order.

Affluent Philadelphians responded by employing runaway advertisements, the almshouse, the prison, and to a lesser degree the hospital to incarcerate, control, and correct poor bodies and transform them into well-dressed, hardworking, deferential members of society. Embodied History is a compelling and accessible exploration of how poverty was etched and how power and discipline were enacted upon the bodies of the poor, as well as how the poor attempted to transcend such discipline through assertions of bodily agency and liberty.

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In an age of new threats to international security, the old rules of war are rapidly being discarded. The great powers are moving toward norms less restrictive of intervention, preemption, and preventive war. This evolution is taking place not only in the United States but also in many of the world's most powerful nations, including Russia, France, and Japan, among others. As centuries of tradition and law are overturned, will preventive warfare push the world into chaos?

Eve of Destruction is a provocative contribution to a growing international debate over the acceptance of preventive military action. In the first work to identify the trends that have led to a coming age of preventive war, Thomas M. Nichols uses historical analysis as well as interviews with military officials from around the world to trace the anticipatory use of force from the early 1990swhen the international community responded to a string of humanitarian crises in Somalia, Bosnia, and Kosovoto today's current and potential actions against rogue states and terrorists. He makes a case for a bold reform of U.S. foreign policy, and of the United Nations Security Council itself, in order to avert outright anarchy.

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The Enduring Struggle for the American Revolution

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In 1798, the federal government levied its first direct tax on American citizens, one that seemed to favor land speculators over farmers. In eastern Pennsylvania, the tax assessors were largely Quakers and Moravians who had abstained from Revolutionary participation and were recruited by the administration of John Adams to levy taxes against their patriot German Reformed and Lutheran neighbors.

Led by local Revolutionary hero John Fries, the farmers drew on the rituals of crowd action and stopped the assessment. Following the Shays and Whiskey rebellions, Fries's Rebellion was the last in a trilogy of popular uprisings against federal authority in the early republic. But in contrast to the previous armed insurrections, the Fries rebels used nonviolent methods while simultaneously exercising their rights to petition Congress for the repeal of the tax law as well as the Alien and Sedition Acts. In doing so, they sought to manifest the principle of popular sovereignty and to expand the role of local people within the emerging national political system rather than attacking it from without.

After some resisters were liberated from the custody of a federal marshal, the Adams administration used military force to suppress the insurrection. The resisters were charged with sedition and treason. Fries himself was sentenced to death but was pardoned at the eleventh hour by President Adams. The pardon fractured the presidential cabinet and splintered the party, just before Thomas Jefferson's and the Republican Party's "Revolution of 1800."

The first book-length treatment of this significant eighteenth-century uprising, Fries's Rebellion shows us that the participants of the rebellion reengaged Revolutionary ideals in an enduring struggle to further democratize their country.

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The Call of the Popular from the Restoration to the New Criticism

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The humble ballad, defined in 1728 as "a song commonly sung up and down the streets," was widely used in elite literature in the eighteenth century and beyond. Authors ranging from John Gay to William Blake to Felicia Hemans incorporated the seemingly incongruous genre of the ballad into their work. Ballads were central to the Scottish Enlightenment's theorization of culture and nationality, to Shakespeare's canonization in the eighteenth century, and to the New Criticism's most influential work, Understanding Poetry. Just how and why did the ballad appeal to so many authors from the Restoration period to the end of the Romantic era and into the twentieth century?

Exploring the widespread breach of the wall that separated "high" and "low," Steve Newman challenges our current understanding of lyric poetry. He shows how the lesser lyric of the ballad changed lyric poetry as a whole and, in so doing, helped to transform literature from polite writing in general into the body of imaginative writing that became known as the English literary canon.

For Newman, the ballad's early lack of prestige actually increased its value for elite authors after 1660. Easily circulated and understood, ballads moved literature away from the exclusive domain of the courtly, while keeping it rooted in English history and culture. Indeed, elite authors felt freer to rewrite and reshape the common speech of the ballad. Newman also shows how the ballad allowed authors to access the "common" speech of the public sphere, while avoiding what they perceived as the unpalatable qualities of that same public's increasingly avaricious commercial society.

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Though they shared a state for most of the twentieth century, when the Czechs and Slovaks split in 1993 they founded their new states on different definitions of sovereignty. The Czech Constitution employs a civic model, founding the state in the name of "the citizens of the Czech Republic," while the Slovak Constitution uses the more exclusive ethnic model and speaks in the voice of "the Slovak Nation."

Defining the Sovereign Community asks two central questions. First, why did the two states define sovereignty so differently? Second, what impact have these choices had on individual and minority rights and participation in the two states? Nadya Nedelsky examines how the Czechs and Slovaks understood nationhood over the course of a century and a half and finds that their views have been remarkably resilient over time.

These enduring perspectives on nationhood shaped how the two states defined sovereignty after the Velvet Revolution, which in turn strongly affected the status of the Hungarian minority in Slovakia and the Roma minority in the Czech Republic. Neither state has secured civic equality, but the nature of the discrimination against minorities differs. Using the civic definition of sovereignty offers stronger support for civil and minority rights than an ethnic model does. Nedelsky's conclusions challenge much analysis of the region, which tends to explain ethnic politics by focusing on postcommunist factors, especially the role of opportunistic political leaders. Defining the Sovereign Community instead examines the undervalued historical roots of political culture and the role of current constitutional definitions of sovereignty. Looking ahead, Nedelsky offers crucial evidence that nationalism may remain strong in Slovakia and the Czech Republic, even in the face of democratization and EU integration, and is an important threat to both.

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Nursing, Nuns, and Hospitals in the Nineteenth Century

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In the nineteenth century, more than a third of American hospitals were established and run by women with religious vocations. In Say Little, Do Much, Sioban Nelson casts light on the work of these women's religious communities. According to Nelson, the popular view that nursing invented itself in the second half of the nineteenth century is historically inaccurate and dismissive of the major advances in the care of the sick as a serious and skilled activity, an activity that originated in seventeenth-century France with Vincent de Paul's Daughters of Charity.

In this comparative, contextual, and critical work, Nelson demonstrates how modern nursing developed from the complex interplay of the Catholic emancipation in Britain and Ireland, the resurgence of the Irish Church, the Irish diaspora, and the mass migrations of the German, Italian, and Polish Catholic communities to the previously Protestant strongholds of North America and mainland Britain. In particular, Nelson follows the nursing Daughters of Charity through the French Revolution and the Second Empire, documenting the relationship that developed between the French nursing orders and the Irish Catholic Church during this period. This relationship, she argues, was to have major significance for the development of nursing in the English-speaking world.

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The Rise of the Urban Recluse in Medieval Europe

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In cities and towns across northern Europe in the twelfth and thirteenth centuries, a new type of religious woman took up authoritative positions in society, all the while living as public recluses in cells attached to the sides of churches. In Lives of the Anchoresses, Anneke Mulder-Bakker offers a new history of these women who chose to forsake the world but did not avoid it.

Unlike nuns, anchoresses maintained their ties to society and belonged to no formal religious order. From their solitary anchorholds in very public places, they acted as teachers and counselors and, in some cases, theological innovators for parishioners who would speak to them from the street, through small openings in the walls of their cells. Available at all hours, the anchoresses were ready to care for the community's faithful whenever needed.

Through careful biographical studies of five emblematic anchoresses, Mulder-Bakker reveals the details of these influential religious women. The life of the unnamed anchoress who was mother to Guibert of Nogent shows the anchoress's role as a spiritual guide in an oral culture. A study of Yvette of Huy shows the myriad possibilities open to one woman who eventually chose the life of an anchoress. The accounts of Juliana of Cornillon and Eve of St. Martin raise questions about the participation of religious women in theological discussions and their contributions to church liturgy. And the biographical study of Margaret the Lame of Magdeburg explores the anchoress's role as day-to-day religious instructor to the ordinary faithful.

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Anneke B. Mulder-Bakker, Myra Heerspink Scholz

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Philadelphia and the Forging of Historical Memory

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With its rich foundation stories, Philadelphia may be the most important city in America's collective memory. By the middle of the eighteenth century William Penn's "greene countrie town" was, after London, the largest city in the British Empire. The two most important documents in the history of the United States, the Declaration of Independence and the Constitution, were drafted and signed in Philadelphia. The city served off and on as the official capital of the young country until 1800, and was also the site of the first American university, hospital, medical college, bank, paper mill, zoo, sugar refinery, public school, and government mint.

In First City, acclaimed historian Gary B. Nash examines the complex process of memory making in this most historic of American cities. Though history is necessarily written from the evidence we have of the past, as Nash shows, rarely is that evidence preserved without intent, nor is it equally representative. Full of surprising anecdotes, First City reveals how Philadelphiansfrom members of elite cultural institutions, such as historical societies and museums, to relatively anonymous groups, such as women, racial and religious minorities, and laboring peoplehave participated in the very partisan activity of transmitting historical memory from one generation to the next.

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Representing Indian and African American Belief

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The spiritual and religious beliefs and practices of Native Americans and African Americans have long been sources of fascination and curiosity, owing to their marked difference from the religious traditions of white writers and researchers. Matter, Magic, and Spirit explores the ways religious and magical beliefs of Native Americans and African Americans have been represented in a range of discourses including anthropology, comparative religion, and literature. Though these beliefs were widely dismissed as primitive superstition and inferior to "higher" religions like Christianity, distinctions were still made between the supposed spiritual capacities of the different groups.

David Murray's analysis is unique in bringing together Indian and African beliefs and their representations. First tracing the development of European ideas about both African fetishism and Native American "primitive belief," he goes on to explore the ways in which the hierarchies of race created by white Europeans coincided with hierarchies of religion as expressed in the developing study of comparative religion and folklore through the nineteenth century. Crucially this comparative approach to practices that were dismissed as conjure or black magic or Indian "medicine" points as well to the importance of their cultural and political roles in their own communities at times of destructive change.

Murray also explores the ways in which Indian and African writers later reformulated the models developed by white observers, as demonstrated through the work of Charles Chesnutt and Simon Pokagon and then in the later conjunctions of modernism and ethnography in the 1920s and 1930s, through the work of Zora Neale Hurston, Zitkala Sa, and others. Later sections demonstrate how contemporary writers including Ishmael Reed and Leslie Silko deal with the revaluation of traditional beliefs as spiritual resources against a background of New Age spirituality and postmodern conceptions of racial and ethnic identity.