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Literary composition is more than an intellectual affair. Poetry has long been said to spring from the heart, while aspiring writers are frequently encouraged to write "from the gut." Still another formulation likens the poetic imagination to the pregnant womb, in spite of the fact that most poets historically have been male. Offering a rather different set of arguments about the forces that shape creativity, Raymond Stephanson examines how male writers of the Enlightenment imagined the origins, nature, and structures of their own creative impulses as residing in their virility. For Stephanson, the links between male writing, the social contexts of masculinity, and the male bodyparticularly the genitaliaplayed a significant role in the self-fashioning of several generations of male authors.

Positioning sexuality as a volatile mechanism in the development of creative energy, The Yard of Wit explains why male writers associated their authorial workboth the internal site of creativity and its status in publicwith their genitalia and reproductive and erotic acts, and how these gestures functioned in the new marketplace of letters. Using the figure and writings of Alexander Pope as a touchstone, Stephanson offers an inspired reading of an important historical convergence, a double commodification of male creativity and of masculinity as the sexualized male body.

In considering how literary discourses about male creativity are linked to larger cultural formations, this elegant, enlightening book offers new insight into sex and gender, maleness and masculinity, and the intricate relationship between the male body and mind.

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Court Culture and the Origins of a Royalist Tradition in Early Stuart England

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In this work R. Malcolm Smuts examines the fundamental cultural changes that occurred within the English royal court between the last decade of the sixteenth century and the outbreak of the Civil War in 1642.

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U.S. Tourism and Empire in Cuba and Hawai'i

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For half a century, the United States has treated Cuba and Hawai'i as polar opposites: despised nation and beloved state. But for more than a century before the Cuban revolution and Hawaiian statehood of 1959, Cuba and Hawai'i figured as twin objects of U.S. imperial desire and as possessions whose tropical island locales might support all manner of fantasy fulfillmentcultural, financial, and geopolitical.

Using travel and tourism as sites where the pleasures of imperialism met the politics of empire, Christine Skwiot untangles the histories of Cuba and Hawai'i as integral parts of the Union and keys to U.S. global power, as occupied territories with violent pasts, and as fantasy islands ripe with seduction and reward. Grounded in a wide array of primary materials that range from government sources and tourist industry records to promotional items and travel narratives, The Purposes of Paradise explores the ways travel and tourism shaped U.S. imperialism in Cuba and Hawai'i. More broadly, Skwiot's comparative approach underscores continuity, as well as change, in U.S. imperial thought and practice across the nineteenth and twentieth centuries and across the Atlantic and Pacific oceans. Comparing the relationships of Cuba and Hawai'i with the United States, Skwiot argues, offers a way to revisit assumptions about formal versus informal empire, territorial versus commercial imperialism, and direct versus indirect rule.

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Judith Sargent Murray and the Struggle for Female Independence

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Judith Sargent Murray (1751-1820), poet, essayist, playwright, and one of the most thoroughgoing advocates of women's rights in early America, was as well known in her own day as Abigail Adams or Martha Washington. Her name, though, has virtually disappeared from the public consciousness. Thanks to the recent discovery of Murray's papersincluding some 2,500 personal lettershistorian Sheila L. Skemp has documented the compelling story of this talented and most unusual eighteenth-century woman.

Born in Gloucester, Massachussetts, Murray moved to Boston in 1793 with her second husband, Universalist minister John Murray. There she became part of the city's literary scene. Two of her plays were performed at Federal Street Theater, making her the first American woman to have a play produced in Boston. There as well she wrote and published her magnum opus, The Gleaner, a three-volume "miscellany" that included poems, essays, and the novel-like story "Margaretta." After 1800, Murray's output diminished and her hopes for literary renown faded. Suffering from the backlash against women's rights that had begun to permeate American society, struggling with economic difficulties, and concerned about providing the best possible education for her daughter, she devoted little time to writing. But while her efforts diminished, they never ceased.

Murray was determined to transcend the boundaries that limited women of her era and worked tirelessly to have women granted the same right to the "pursuit of happiness" immortalized in the Declaration of Independence. She questioned the meaning of gender itself, emphasizing the human qualities men and women shared, arguing that the apparent distinctions were the consequence of nurture, not nature. Although she was disappointed in the results of her efforts, Murray nevertheless left a rich intellectual and literary legacy, in which she challenged the new nation to fulfill its promise of equality to all citizens.

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Angolan Refugees and Their Divination Baskets

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The divination baskets of south Central Africa are woven for a specific purpose. The baskets, known as lipele, contain sixty or so small articles, from seeds, claws, and minuscule horns to wooden carvings. Each article has its own name and symbolic meaning, and collectively they are known as jipelo. For the Luvale and related peoples, the lipele is more than a container of souvenirs; it is a tool, a source of crucial information from the ancestral past and advice for the future.

In Along an African Border, anthropologist Sonia Silva examines how Angolan refugees living in Zambia use these divination baskets to cope with daily life in a new land. Silva documents the special processes involved in weaving the baskets and transforming them into oracles. She speaks with diviners who make their living interpreting lipele messages and speaks also with their knowledge-seeking clients. To the Luvale, these baskets are capable of thinking, hearing, judging, and responding. They communicate by means of jipelo articles drawn in configurations, interact with persons and other objects, punish wrongdoers, assist people in need, and, much like humans, go through a life course that is marked with an initiation ceremony and a special burial. The lipele functions in a state between object and person.

Notably absent from lipele divination is any discussion or representation in the form of symbolic objects of the violence in Angola or the Luvale's relocation strugglesinstead, the consultation focuses on age-old personal issues of illness, reproduction, and death. As Silva demonstrates in this sophisticated and richly illustrated ethnography, lipele help people maintain their links to kin and tradition in a world of transience and uncertainty.

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The Regulation of Language in Tudor-Stuart England

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In this study of the reciprocities binding religion, politics, law, and literature, Debora Shuger offers a profoundly new history of early modern English censorship, one that bears centrally on issues still current: the rhetoric of ideological extremism, the use of defamation to ruin political opponents, the grounding of law in theological ethics, and the terrible fragility of public spheres. Starting from the question of why no one prior to the mid-1640s argued for free speech or a free press per se, Censorship and Cultural Sensibility surveys the texts against which Tudor-Stuart censorship aimed its biggest guns, which turned out not to be principled dissent but libels, conspiracy fantasies, and hate speech. The book explores the laws that attempted to suppress such material, the cultural values that underwrote this regulation, and, finally, the very different framework of assumptions whose gradual adoption rendered censorship illegitimate.

Virtually all substantive law on language concerned defamation, regulating what one could say about other people. Hence Tudor-Stuart laws extended protection only to the person hurt by another's words, never to their speaker. In treating transgressive language as akin to battery, English law differed fundamentally from papal censorship, which construed its target as heresy. There were thus two models of censorship operative in the early modern period, both premised on religious norms, but one concerned primarily with false accusation and libel, the other with false belief and immorality. Shuger investigates the first of these modelsthe dominant English onetracing its complex origins in the Roman law of iniuria through medieval theological ethics and Continental jurisprudence to its continuities and discontinuities with current U.S. law. In so doing, she enables her reader to grasp how in certain contexts censorship could be understood as safeguarding both charitable community and personal dignitary rights.

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In a recent sale catalog, one bookseller apologized for the condition of a sixteenth-century volume as "rather soiled by use." When the book was displayed the next year, the exhibition catalogue described it as "well and piously used [with] marginal notations in an Elizabethan hand [that] bring to life an early and earnest owner"; and the book's buyer, for his part, considered it to be "enlivened by the marginal notes and comments." For this collector, as for an increasing number of cultural historians and historians of the book, a marked-up copy was more interesting than one in pristine condition.

William H. Sherman recovers a culture that took the phrase "mark my words" quite literally. Books from the first two centuries of printing are full of marginalia and other signs of engagement and use, such as customized bindings, traces of food and drink, penmanship exercises, and doodles. These marks offer a vast archive of information about the lives of books and their place in the lives of their readers.

Based on a survey of thousands of early printed books, Used Books describes what readers wrote in and around their books and what we can learn from these marks by using the tools of archaeologists as well as historians and literary critics. The chapters address the place of book-marking in schools and churches, the use of the "manicule" (the ubiquitous hand-with-pointing-finger symbol), the role played by women in information management, the extraordinary commonplace book used for nearly sixty years by Renaissance England's greatest lawyer-statesman, and the attitudes toward annotated books among collectors and librarians from the Middle Ages to the present.

This wide-ranging, learned, and often surprising book will make the marks of Renaissance readers more visible and legible to scholars, collectors, and bibliophiles.

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Seventeenth-century Indians from the Delaware and lower Hudson valleys organized their lives around small-scale groupings of kin and communities. Living through epidemics, warfare, economic change, and physical dispossession, survivors from these peoples came together in new locations, especially the eighteenth-century Susquehanna and Ohio River valleys. In the process, they did not abandon kin and community orientations, but they increasingly defined a role for themselves as Delaware Indians in early American society.

Peoples of the River Valleys offers a fresh interpretation of the history of the Delaware, or Lenape, Indians in the context of events in the mid-Atlantic region and the Ohio Valley. It focuses on a broad and significant period: 1609-1783, including the years of Dutch, Swedish, and English colonization and the American Revolution. An epilogue takes the Delawares' story into the mid-nineteenth century.

Amy C. Schutt examines important themes in Native American historymediation and alliance formationand shows their crucial role in the development of the Delawares as a people. She goes beyond familiar questions about Indian-European relations and examines how Indian-Indian associations were a major factor in the history of the Delawares. Drawing extensively upon primary sources, including treaty minutes, deeds, and Moravian mission records, Schutt reveals that Delawares approached alliances as a tool for survival at a time when Euro-Americans were encroaching on Native lands. As relations with colonists were frequently troubled, Delawares often turned instead to form alliances with other Delawares and non-Delaware Indians with whom they shared territories and resources. In vivid detail, Peoples of the River Valleys shows the link between the Delawares' approaches to land and the relationships they constructed on the land.

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The commencement of war in Iraq in 2003 was met with a variety of reactions around the globe. In Architects of Delusion, Simon Serfaty presents a historical analysis of how and why the decision to wage war was endorsed by some of America's main European allies, especially Britain, and opposed by others, especially France and Germany.

Tony Blair, George W. Bush, Jacques Chirac, and Gerhard Schroeder were, Serfaty argues, the architects of one of the most serious crises in postwar transatlantic relations. These four heads of state were the victims not only of their personal delusions but also of those of the nations they led. They all played the hand that their countries had dealt themthe forceful hand of a righteous America, the principled acquiescence of a faithful Britain, the determined intransigence of a quarrelsome France, and the ambiguous "new way" of a recast Germany.

Serfaty's deft interweaving of the political histories and cultures of the four countries and the personalities of their leaders transcends the Europe-bashing debate sparked by the Iraq invasion. He contends that not one of these four leaders was entirely right or entirely wrong in his approach to the others or to the issues, before and during the war. For the resulting wounds to heal, though, and for the continuity of transatlantic relations, he reminds us that the United States and France must end their estrangement, France and Britain must resolve their differences, Germany must carry its weight relative to both France and Britain, and the United States must exert the same visionary leadership for the twenty-first century that it showed during its rise to preeminence in the twentieth century.

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Christianity, Empire, and the Making of Religion in Late Antiquity

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In Christianity, Empire, and the Making of Religion in Late Antiquity, Jeremy M. Schott examines the ways in which conflicts between Christian and pagan intellectuals over religious, ethnic, and cultural identity contributed to the transformation of Roman imperial rhetoric and ideology in the early fourth century C.E. During this turbulent period, which began with Diocletian's persecution of the Christians and ended with Constantine's assumption of sole rule and the consolidation of a new Christian empire, Christian apologists and anti-Christian polemicists launched a number of literary salvos in a battle for the minds and souls of the empire.

Schott focuses on the works of the Platonist philosopher and anti- Christian polemicist Porphyry of Tyre and his Christian respondents: the Latin rhetorician Lactantius, Eusebius, bishop of Caesarea, and the emperor Constantine. Previous scholarship has tended to narrate the Christianization of the empire in terms of a new religion's penetration and conquest of classical culture and society. The present work, in contrast, seeks to suspend the static, essentializing conceptualizations of religious identity that lie behind many studies of social and political change in late antiquity in order to investigate the processes through which Christian and pagan identities were constructed. Drawing on the insights of postcolonial discourse analysis, Schott argues that the production of Christian identity and, in turn, the construction of a Christian imperial discourse were intimately and inseparably linked to the broader politics of Roman imperialism.

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Torture is the most widespread human rights crime in the modern world, practiced in more than one hundred countries, including the United States. How could something so brutal, almost unthinkable, be so prevalent? The Phenomenon of Torture: Readings and Commentary is designed to answer that question and many others. Beginning with a sweeping view of torture in Western history, the book examines questions such as these: Can anyone be turned into a torturer? What exactly is the psychological relationship between a torturer and his victim? Are certain societies more prone to use torture? Are there any circumstances under which torture is justifiedto procure critical information in order to save innocent lives, for example? How can torture be stopped or at least its incidence be reduced?

Edited and with an introduction by the former Executive Director of Amnesty International USA, The Phenomenon of Torture draws on the writings of torture victims themselves, such as the Argentinian journalist Jacobo Timerman, as well as leading scholars like Elaine Scarry, author of The Body in Pain. It includes classical works by Voltaire, Jeremy Bentham, Hannah Arendt, and Stanley Milgram, as well as recent works by historian Adam Hochschild and psychotherapist Joan Golston. And it addresses new developments in efforts to combat torture, such as the designation of rape as a war crime and the use of the doctrine of universal jurisdiction to prosecute perpetrators. Designed for the student and scholar alike, it is, in sum, an anthology of the best and most insightful writing about this most curious and common form of abuse. Juan E. Mendez, Special Advisor to the United Nations Secretary General on the Prevention of Genocide and himself a victim of torture, provides a foreword.

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Discipline and Salvation in Shenoute of Atripe

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Shenoute of Atripe led the White Monastery, a community of several thousand male and female Coptic monks in Upper Egypt, between approximately 395 and 465 C.E. Shenoute's letters, sermons, and treatisesone of the most detailed bodies of writing to survive from any early monasteryprovide an unparalleled resource for the study of early Christian monasticism and asceticism.

In Monastic Bodies, Caroline Schroeder offers an in-depth examination of the asceticism practiced at the White Monastery using diverse sources, including monastic rules, theological treatises, sermons, and material culture. Schroeder details Shenoute's arduous disciplinary code and philosophical structure, including the belief that individual sin corrupted not only the individual body but the entire "corporate body" of the community. Thus the purity of the community ultimately depended upon the integrity of each individual monk.

Shenoute's ascetic discourse focused on purity of the body, but he categorized as impure not only activities such as sex but any disobedience and other more general transgressions. Shenoute emphasized the important practices of discipline, or askesis, in achieving this purity. Contextualizing Shenoute within the wider debates about asceticism, sexuality, and heresy that characterized late antiquity, Schroeder compares his views on bodily discipline, monastic punishments, the resurrection of the body, the incarnation of Christ, and monastic authority with those of figures such as Cyril of Alexandria, Paulinus of Nola, and Pachomius.

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Why do the vast majority of heroin users live in cities? In his provocative history of heroin in the United States, Eric C. Schneider explains what is distinctively urban about this undisputed king of underworld drugs.

During the twentieth century, New York City was the nation's heroin capitalover half of all known addicts lived there, and underworld bosses like Vito Genovese, Nicky Barnes, and Frank Lucas used their international networks to import and distribute the drug to cities throughout the country, generating vast sums of capital in return. Schneider uncovers how New York, as the principal distribution hub, organized the global trade in heroin and sustained the subcultures that supported its use.

Through interviews with former junkies and clinic workers and in-depth archival research, Schneider also chronicles the dramatically shifting demographic profile of heroin users. Originally popular among working-class whites in the 1920s, heroin became associated with jazz musicians and Beat writers in the 1940s. Musician Red Rodney called heroin the trademark of the bebop generation. "It was the thing that gave us membership in a unique club," he proclaimed. Smack takes readers through the typical haunts of heroin users52nd Street jazz clubs, Times Square cafeterias, Chicago's South Side street cornersto explain how young people were initiated into the drug culture.

Smack recounts the explosion of heroin use among middle-class young people in the 1960s and 1970s. It became the drug of choice among a wide swath of youth, from hippies in Haight-Ashbury and soldiers in Vietnam to punks on the Lower East Side. Panics over the drug led to the passage of increasingly severe legislation that entrapped heroin users in the criminal justice system without addressing the issues that led to its use in the first place. The book ends with a meditation on the evolution of the war on drugs and addresses why efforts to solve the drug problem must go beyond eliminating supply.

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From its founding, Martinique played an integral role in France's Atlantic empire. Established in the mid-seventeenth century as a colonial outpost against Spanish and English dominance in the Caribbean, the island was transformed by the increase in European demand for sugar, coffee, and indigo. Like other colonial subjects, Martinicans met the labor needs of cash-crop cultivation by establishing plantations worked by enslaved Africans and by adopting the rigidly hierarchical social structure that accompanied chattel slavery. After Haiti gained its independence in 1804, Martinique's economic importance to the French empire increased. At the same time, questions arose, both in France and on the island, about the long-term viability of the plantation system, including debates about the ways colonistsespecially enslaved Africans and free mixed-race individualsfit into the French nation.

Sweet Liberty chronicles the history of Martinique from France's reacquisition of the island from the British in 1802 to the abolition of slavery in 1848. Focusing on the relationship between the island's widely diverse society and the various waves of French and British colonial administrations, Rebecca Hartkopf Schloss provides a compelling account of Martinique's social, political, and cultural dynamics during the final years of slavery in the French empire. Schloss explores how various groupsCreole and metropolitan elites, petits blancs, gens de couleur, and enslaved Africansinteracted with one another in a constantly shifting political environment and traces how these interactions influenced the colony's debates around identity, citizenship, and the boundaries of the French nation.

Based on extensive archival research in Europe and the Americas, Sweet Liberty is a groundbreaking study of a neglected region that traces how race, slavery, class, and gender shaped what it meant to be French on both sides of the Atlantic.

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In this book Ralph Schoolcraft explores the extraordinary career of the modern French author, film director, and diplomata romantic and tragic figure whose fictions extended well beyond his books. Born Roman Kacew, he overcame an impoverished boyhood to become a French Resistance hero and win the coveted Goncourt Prize under the pseudonymand largely invented personaRomain Gary. Although he published such acclaimed works as The Roots of Heaven and Promise at Dawn, the Gaullist traditions that he defended in the world of French letters fell from favor, and his critical fortunes suffered at the hands of a hostile press. Schoolcraft details Gary's frustrated struggle to evolve as a writer in the eye of a public that now considered him a known quantity. Identifying the daring strategies used by this mysterious character as he undertook an elaborate scheme to reach a new readership, Schoolcraft offers new insight into the dynamics of authorship and fame within the French literary institutions.

In the early 1970s Gary made his departure from the conservative literary establishment, publishing works that boasted a quirky, elliptical style under a variety of pseudonymous personae, the most successful of which was that of an Algerian immigrant by the name of Emile Ajar. Moving behind the mask of his new creation, Gary was able to win critical and popular acclaim and a second Goncourt in 1975. But as Schoolcraft suggests, Gary may have "sold his shadow"that is, lost his authorial personaby marketing himself too effectively. Going so far as to recruit a cousin to stand in as the public face of this phantom author, Gary kept the secret of his true authorship until his violent death in 1980 from a self-inflicted gunshot wound. The press reacted with resentment over the scheme, and he was shunned into the ranks of literary oddities.

Schoolcraft draws from archives of the several thousand documents related to Gary housed at the French publishing firms of Gallimard and Mercure de France, as well as the Butler Library at Columbia University. Exploring the depths of a story that has long remained shrouded in mystery, Romain Gary: The Man Who Sold His Shadow is as much a fascinating biographical sketch as it is a thought-provoking reflection on the assumptions made about identities in the public sphere.

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Exemplarity and Female Saints' Lives in Late Medieval England

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Her Life Historical offers a major reconsideration of one of the most popular narrative forms in late medieval Englandthe lives of female saintsand one of the period's primary modes of interpretationexemplarity. With lucidity and insight, Catherine Sanok shows that saints' legends served as vehicles for complex considerations of historical difference and continuity in an era of political crisis and social change. At the same time, they played a significant role in women's increasing visibility in late medieval literary culture by imagining a specifically feminine audience.

Sanok proposes a new way to understand exemplaritythe repeated injunction to imitate the saintsnot simply as a prescriptive mode of reading but as an encouragement to historical reflection. With groundbreaking originality, she argues that late medieval writers and readers used religious narrative, and specifically the legends of female saints, to think about the historicity of their own ethical lives and of the communities they inhabited. She explains how these narratives were used in the fifteenth century to negotiate the urgent social concerns occasioned by political instability and dynastic conflict, by the threat of heresy and the changing status of public religion, and by new kinds of social mobility and forms of collective identity.

Her Life Historical also offers a fresh account of how women came to be visible participants in late medieval literary culture. The expectation that they formed a distinct audience for saints' lives and moral literature allowed medieval women to surface in the historical record as book owners, patrons, and readers. Saints' lives thereby helped to invent the idea of a gendered audience with a privileged affiliation and a specific response to a given narrative tradition.

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Domesticity, Professionalism, and American Writing, 189-195

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Focusing on literary authors, social reformers, journalists, and anthropologists, Francesca Sawaya demonstrates how women intellectuals in early twentieth-century America combined and criticized ideas from both the Victorian "cult of domesticity" and the modern "culture of professionalism" to shape new kinds of writing and new kinds of work for themselves.

Sawaya challenges our long-standing histories of modern professional work by elucidating the multiple ways domestic discourse framed professional culture. Modernist views of professionalism typically told a racialized story of a historical break between the primitive, feminine, and domestic work of the Victorian past and the modern, masculine, professional expertise of the present. Modern Women, Modern Work historicizes this discourse about the primitive labor of women and racial others and demonstrates how it has been adopted uncritically in contemporary accounts of professionalism, modernism, and modernity.

Seeking to recuperate black and white women's contestations of the modern professions, Sawaya pairs selected novels with a broad range of nonfiction writings to show how differing narratives about the transition to modernity authorized women's professionalism in a variety of fields. Among the figures considered are Jane Addams, Ruth Benedict, Willa Cather, Pauline Hopkins, Zora Neale Hurston, Sarah Orne Jewett, Josephine St. Pierre Ruffin, and Ida Tarbell. In mapping out the constraints women faced in their writings and their work, and in tracing the slippery compromises they embraced and the brilliant adaptations they made, Modern Women, Modern Work boldly reenvisions the history of modern professionalism in the United States.

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The Black Experience in New York City Before World War I

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In the years between 1880 and 1915, New York City and its environs underwent a tremendous demographic transformation with the arrival of millions of European immigrants, native whites from the rural countryside, and people of African descent from both the American South and the Caribbean. While all groups faced challenges in their adjustment to the city, hardening racial prejudices set the black experience apart from that of other newcomers. Through encounters with each other, blacks and whites, both together and in opposition, forged the contours of race relations that would affect the city for decades to come.

Before Harlem reveals how black migrants and immigrants to New York entered a world far less welcoming than the one they had expected to find. White police officers, urban reformers, and neighbors faced off in a hostile environment that threatened black families in multiple ways. Unlike European immigrants, who typically struggled with low-paying jobs but who often saw their children move up the economic ladder, black people had limited employment opportunities that left them with almost no prospects of upward mobility. Their poverty and the vagaries of a restrictive job market forced unprecedented numbers of black women into the labor force, fundamentally affecting child-rearing practices and marital relationships.

Despite hostile conditions, black people nevertheless claimed New York City as their own. Within their neighborhoods and their churches, their night clubs and their fraternal organizations, they forged discrete ethnic, regional, and religious communities. Diverse in their backgrounds, languages, and customs, black New Yorkers cultivated connections to others similar to themselves, forming organizations, support networks, and bonds of friendship with former strangers. In doing so, Marcy S. Sacks argues, they established a dynamic world that eventually sparked the Harlem Renaissance. By the 1920s, Harlem had become both a tragedy and a triumphundeniably a ghetto replete with problems of poverty, overcrowding, and crime, but also a refuge and a haven, a physical place whose very name became legendary.

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In 1970, a sixty-five-year-old Philadelphian named Maggie Kuhn began vocally opposing the notion of mandatory retirement. Taking inspiration from the civil rights and anti-Vietnam War movements, Kuhn and her cohorts created an activist organization that quickly gained momentum as the Gray Panthers. After receiving national publicity for her effortsshe even appeared on the Tonight Show with Johnny Carsonshe gained thousands of supporters, young and old. Their cause expanded to include universal health care, nursing home reform, affordable and accessible housing, defense of Social Security, and elimination of nuclear weapons.

Gray Panthers traces the roots of Maggie Kuhn's social justice agenda to her years as a YWCA and Presbyterian Church staff member. It tells the nearly forty-year story of the intergenerational grassroots movement that Kuhn founded and its scores of local groups. During the 1980s, more than one hundred chapters were tackling local and national issues. By the 1990s the ranks of older members were thinning and most young members had departed, many to pursue careers in public service. But despite its challenges, including Kuhn's death in 1995, the movement continues today.

Roger Sanjek examines Gray Panther activism over four decades. Here the inner workings and dynamics of the movement emerge: the development of network leadership, local projects and tactics, conflict with the national office, and the intergenerational political ties that made the group unique among contemporary activist groups. Part ethnography, part history, part memoir, Gray Panthers draws on archives and interviews as well as the author's thirty years of personal involvement. With the impending retirement of the baby boomers, Sanjek's book will surely inform the debates and discussions to follow: on retirement, health care, and many other aspects of aging in a society that has long valued youth above all.

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Culture and Belonging in Divided Societies

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From cartoons of Muhammad in a Danish newspaper to displays of the Confederate battle flag over the South Carolina statehouse, acts of cultural significance have set off political conflicts and sometimes violence. These and other expressions and enactments of culturewhether in music, graffiti, sculpture, flag displays, parades, religious rituals, or filmregularly produce divisive and sometimes prolonged disputes. What is striking about so many of these conflicts is their emotional intensity, despite the fact that in many cases what is at stake is often of little material value. Why do people invest so much emotional energy and resources in such conflicts? What is at stake, and what does winning or losing represent? The answers to these questions explored in Culture and Belonging in Divided Societies view cultural expressions variously as barriers to, or opportunities for, inclusion in a divided society's symbolic landscape and political life.

Though little may be at stake materially, deep emotional investment in conflicts over cultural acts can have significant political consequences. At the same time, while cultural issues often exacerbate conflict, new or redefined cultural expressions and enactments can redirect long-standing conflicts in more constructive directions and promote reconciliation in ways that lead to or reinforce formal peace agreements. Encompassing work by a diverse group of scholars of American studies, anthropology, art history, religion, political science, and other fields, Culture and Belonging in Divided Societies addresses the power of cultural expressions and enactments in highly charged settings, exploring when and how changes in a society's symbolic landscape occur and what this tells us about political life in the societies in which they take place.