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In this book Ralph Schoolcraft explores the extraordinary career of the modern French author, film director, and diplomata romantic and tragic figure whose fictions extended well beyond his books. Born Roman Kacew, he overcame an impoverished boyhood to become a French Resistance hero and win the coveted Goncourt Prize under the pseudonymand largely invented personaRomain Gary. Although he published such acclaimed works as The Roots of Heaven and Promise at Dawn, the Gaullist traditions that he defended in the world of French letters fell from favor, and his critical fortunes suffered at the hands of a hostile press. Schoolcraft details Gary's frustrated struggle to evolve as a writer in the eye of a public that now considered him a known quantity. Identifying the daring strategies used by this mysterious character as he undertook an elaborate scheme to reach a new readership, Schoolcraft offers new insight into the dynamics of authorship and fame within the French literary institutions.

In the early 1970s Gary made his departure from the conservative literary establishment, publishing works that boasted a quirky, elliptical style under a variety of pseudonymous personae, the most successful of which was that of an Algerian immigrant by the name of Emile Ajar. Moving behind the mask of his new creation, Gary was able to win critical and popular acclaim and a second Goncourt in 1975. But as Schoolcraft suggests, Gary may have "sold his shadow"that is, lost his authorial personaby marketing himself too effectively. Going so far as to recruit a cousin to stand in as the public face of this phantom author, Gary kept the secret of his true authorship until his violent death in 1980 from a self-inflicted gunshot wound. The press reacted with resentment over the scheme, and he was shunned into the ranks of literary oddities.

Schoolcraft draws from archives of the several thousand documents related to Gary housed at the French publishing firms of Gallimard and Mercure de France, as well as the Butler Library at Columbia University. Exploring the depths of a story that has long remained shrouded in mystery, Romain Gary: The Man Who Sold His Shadow is as much a fascinating biographical sketch as it is a thought-provoking reflection on the assumptions made about identities in the public sphere.

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Exemplarity and Female Saints' Lives in Late Medieval England

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Her Life Historical offers a major reconsideration of one of the most popular narrative forms in late medieval Englandthe lives of female saintsand one of the period's primary modes of interpretationexemplarity. With lucidity and insight, Catherine Sanok shows that saints' legends served as vehicles for complex considerations of historical difference and continuity in an era of political crisis and social change. At the same time, they played a significant role in women's increasing visibility in late medieval literary culture by imagining a specifically feminine audience.

Sanok proposes a new way to understand exemplaritythe repeated injunction to imitate the saintsnot simply as a prescriptive mode of reading but as an encouragement to historical reflection. With groundbreaking originality, she argues that late medieval writers and readers used religious narrative, and specifically the legends of female saints, to think about the historicity of their own ethical lives and of the communities they inhabited. She explains how these narratives were used in the fifteenth century to negotiate the urgent social concerns occasioned by political instability and dynastic conflict, by the threat of heresy and the changing status of public religion, and by new kinds of social mobility and forms of collective identity.

Her Life Historical also offers a fresh account of how women came to be visible participants in late medieval literary culture. The expectation that they formed a distinct audience for saints' lives and moral literature allowed medieval women to surface in the historical record as book owners, patrons, and readers. Saints' lives thereby helped to invent the idea of a gendered audience with a privileged affiliation and a specific response to a given narrative tradition.

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Domesticity, Professionalism, and American Writing, 189-195

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Focusing on literary authors, social reformers, journalists, and anthropologists, Francesca Sawaya demonstrates how women intellectuals in early twentieth-century America combined and criticized ideas from both the Victorian "cult of domesticity" and the modern "culture of professionalism" to shape new kinds of writing and new kinds of work for themselves.

Sawaya challenges our long-standing histories of modern professional work by elucidating the multiple ways domestic discourse framed professional culture. Modernist views of professionalism typically told a racialized story of a historical break between the primitive, feminine, and domestic work of the Victorian past and the modern, masculine, professional expertise of the present. Modern Women, Modern Work historicizes this discourse about the primitive labor of women and racial others and demonstrates how it has been adopted uncritically in contemporary accounts of professionalism, modernism, and modernity.

Seeking to recuperate black and white women's contestations of the modern professions, Sawaya pairs selected novels with a broad range of nonfiction writings to show how differing narratives about the transition to modernity authorized women's professionalism in a variety of fields. Among the figures considered are Jane Addams, Ruth Benedict, Willa Cather, Pauline Hopkins, Zora Neale Hurston, Sarah Orne Jewett, Josephine St. Pierre Ruffin, and Ida Tarbell. In mapping out the constraints women faced in their writings and their work, and in tracing the slippery compromises they embraced and the brilliant adaptations they made, Modern Women, Modern Work boldly reenvisions the history of modern professionalism in the United States.

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The Black Experience in New York City Before World War I

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In the years between 1880 and 1915, New York City and its environs underwent a tremendous demographic transformation with the arrival of millions of European immigrants, native whites from the rural countryside, and people of African descent from both the American South and the Caribbean. While all groups faced challenges in their adjustment to the city, hardening racial prejudices set the black experience apart from that of other newcomers. Through encounters with each other, blacks and whites, both together and in opposition, forged the contours of race relations that would affect the city for decades to come.

Before Harlem reveals how black migrants and immigrants to New York entered a world far less welcoming than the one they had expected to find. White police officers, urban reformers, and neighbors faced off in a hostile environment that threatened black families in multiple ways. Unlike European immigrants, who typically struggled with low-paying jobs but who often saw their children move up the economic ladder, black people had limited employment opportunities that left them with almost no prospects of upward mobility. Their poverty and the vagaries of a restrictive job market forced unprecedented numbers of black women into the labor force, fundamentally affecting child-rearing practices and marital relationships.

Despite hostile conditions, black people nevertheless claimed New York City as their own. Within their neighborhoods and their churches, their night clubs and their fraternal organizations, they forged discrete ethnic, regional, and religious communities. Diverse in their backgrounds, languages, and customs, black New Yorkers cultivated connections to others similar to themselves, forming organizations, support networks, and bonds of friendship with former strangers. In doing so, Marcy S. Sacks argues, they established a dynamic world that eventually sparked the Harlem Renaissance. By the 1920s, Harlem had become both a tragedy and a triumphundeniably a ghetto replete with problems of poverty, overcrowding, and crime, but also a refuge and a haven, a physical place whose very name became legendary.

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In 1970, a sixty-five-year-old Philadelphian named Maggie Kuhn began vocally opposing the notion of mandatory retirement. Taking inspiration from the civil rights and anti-Vietnam War movements, Kuhn and her cohorts created an activist organization that quickly gained momentum as the Gray Panthers. After receiving national publicity for her effortsshe even appeared on the Tonight Show with Johnny Carsonshe gained thousands of supporters, young and old. Their cause expanded to include universal health care, nursing home reform, affordable and accessible housing, defense of Social Security, and elimination of nuclear weapons.

Gray Panthers traces the roots of Maggie Kuhn's social justice agenda to her years as a YWCA and Presbyterian Church staff member. It tells the nearly forty-year story of the intergenerational grassroots movement that Kuhn founded and its scores of local groups. During the 1980s, more than one hundred chapters were tackling local and national issues. By the 1990s the ranks of older members were thinning and most young members had departed, many to pursue careers in public service. But despite its challenges, including Kuhn's death in 1995, the movement continues today.

Roger Sanjek examines Gray Panther activism over four decades. Here the inner workings and dynamics of the movement emerge: the development of network leadership, local projects and tactics, conflict with the national office, and the intergenerational political ties that made the group unique among contemporary activist groups. Part ethnography, part history, part memoir, Gray Panthers draws on archives and interviews as well as the author's thirty years of personal involvement. With the impending retirement of the baby boomers, Sanjek's book will surely inform the debates and discussions to follow: on retirement, health care, and many other aspects of aging in a society that has long valued youth above all.

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Culture and Belonging in Divided Societies

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From cartoons of Muhammad in a Danish newspaper to displays of the Confederate battle flag over the South Carolina statehouse, acts of cultural significance have set off political conflicts and sometimes violence. These and other expressions and enactments of culturewhether in music, graffiti, sculpture, flag displays, parades, religious rituals, or filmregularly produce divisive and sometimes prolonged disputes. What is striking about so many of these conflicts is their emotional intensity, despite the fact that in many cases what is at stake is often of little material value. Why do people invest so much emotional energy and resources in such conflicts? What is at stake, and what does winning or losing represent? The answers to these questions explored in Culture and Belonging in Divided Societies view cultural expressions variously as barriers to, or opportunities for, inclusion in a divided society's symbolic landscape and political life.

Though little may be at stake materially, deep emotional investment in conflicts over cultural acts can have significant political consequences. At the same time, while cultural issues often exacerbate conflict, new or redefined cultural expressions and enactments can redirect long-standing conflicts in more constructive directions and promote reconciliation in ways that lead to or reinforce formal peace agreements. Encompassing work by a diverse group of scholars of American studies, anthropology, art history, religion, political science, and other fields, Culture and Belonging in Divided Societies addresses the power of cultural expressions and enactments in highly charged settings, exploring when and how changes in a society's symbolic landscape occur and what this tells us about political life in the societies in which they take place.

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The International and Comparative Law Casebook

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According to Susan Deller Ross, many human rights advocates still do not see women's rights as human rights. Yet women in many countries suffer from laws, practices, customs, and cultural and religious norms that consign them to a deeply inferior status. Advocates might conceive of human rights as involving torture, extrajudicial killings, or cruel and degrading treatmentall clearly in violation of international human rightsand think those issues irrelevant to women. Yet is female genital mutilation, practiced on millions of young girls and even infants, not a gross violation of human rights? When a family decides to murder a daughter in the name of "honor," is that not an extrajudicial killing? When a husband rapes or savagely beats his wife, knowing the legal authorities will take no action on her behalf, is that not cruel and degrading treatment?

Women's Human Rights is the first human rights casebook to focus specifically on women's human rights. Rich with interdisciplinary material, the book advances the study of the deprivation and violence women suffer due to discriminatory laws, religions, and customs that deny them their most fundamental freedoms. It also provides present and future lawyers the legal tools for change, demonstrating how human rights treaties can be used to obtain new laws and court decisions that protect women against discrimination with respect to employment, land ownership, inheritance, subordination in marriage, domestic violence, female genital mutilation, polygamy, child marriage, and the denial of reproductive rights.

Ross examines international and regional human rights treaties in depth, including treaty language and the jurisprudence and general interpretive guidelines developed by human rights bodies. By studying how international human rights law has been and can be implemented at the domestic level through local courts and legislatures, readers will understand how to call upon these newly articulated human rights to help bring about legislation, court decisions, and executive action that protect women from human rights violations.

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Being the True and Spectacular History of Edinburgh's Notorious Burke and Hare and of the Man of Science Who Abetted Them in the Commission of Their Most Heinous Crimes

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Up the close and down the stair,
Up and down with Burke and Hare.
Burke's the butcher, Hare's the thief,
Knox the man who buys the beef.
anonymous children's song

On Halloween night 1828, in the West Port district of Edinburgh, Scotland, a woman sometimes known as Madgy Docherty was last seen in the company of William Burke and William Hare. Days later, police discovered her remains in the surgery of the prominent anatomist Dr. Robert Knox. Docherty was the final victim of the most atrocious murder spree of the century, outflanking even Jack the Ripper's. Together with their accomplices, Burke and Hare would be accused of killing sixteen people over the course of twelve months in order to sell the corpses as "subjects" for dissection. The ensuing criminal investigation into the "Anatomy Murders" raised troubling questions about the common practices by which medical men obtained cadavers, the lives of the poor in Edinburgh's back alleys, and the ability of the police to protect the public from cold-blooded murder.

Famous among true crime aficionados, Burke and Hare were the first serial killers to capture media attention, yet The Anatomy Murders is the first book to situate their story against the social and cultural forces that were bringing early nineteenth-century Britain into modernity. In Lisa Rosner's deft treatment, each of the murder victims, from the beautiful, doomed Mary Paterson to the unfortunate "Daft Jamie," opens a window on a different aspect of this world in transition. Tapping into a wealth of unpublished materials, Rosner meticulously portrays the aspirations of doctors and anatomists, the makeshift existence of the so-called dangerous classes, the rudimentary police apparatus, and the half-fiction, half-journalism of the popular press.

The Anatomy Murders resurrects a tale of murder and medicine in a city whose grand Georgian squares and crescents stood beside a maze of slums, a place in which a dead body was far more valuable than a living laborer.

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The Scandalous Life of Alexander Lesassier

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1833, Catherine Jane Hamilton returned from India to Edinburgh to seek a divorce from her husband, the physician Alexander Lesassier. The charge was adultery, and proof for it lay in a trunk containing her husband's personal papers. Catherine won her suit without difficulty and the trunk was deposited in the library of the Royal College of Physicians of Edinburgh. Alexander Lesassier died in 1839 during the First Afghan War; his trunk and its contents remained untouched for the next century and a half.

It has now been opened and a remarkable tale, told in remarkable detail, has spilled forth. The life of Alexander Lesassier, as expertly reconstructed by Lisa Rosner, affords startling insight into the sensibilities of an era and of the man who, in his own eyes and those of the women who adored him, was its most perfect creation.

Affable and self-absorbed, engaging and ignoble Lesassier was a physician, military surgeon, and novelist, who was also a shameless opportunist, charming scoundrel, seducer, and survivor. His is the story of a failed medical man who wanted to be something different and saw himself as entitled to more than he had; someone who can always be guaranteed to make the wrong choice, and then protest that he has done well.

This fascinating and deeply absorbing book offers rare insights into Georgian, Regency, and early Victorian Britain through the fortunes and misfortunes, hopes and whims, of "the most beautiful man in existence."

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Transnational Justice in the Age of Human Rights

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The 1998 arrest of General Augusto Pinochet in London and subsequent extradition proceedings sent an electrifying wave through the international community. This legal precedent for bringing a former head of state to trial outside his home country signaled that neither the immunity of a former head of state nor legal amnesties at home could shield participants in the crimes of military governments. It also allowed victims of torture and crimes against humanity to hope that their tormentors might be brought to justice. In this meticulously researched volume, Naomi Roht-Arriaza examines the implications of the litigation against members of the Chilean and Argentine military governments and traces their effects through similar cases in Latin American and Europe.

Roht-Arriaza discusses the difficulties in bringing violators of human rights to justice at home, and considers the role of transitional justice in transnational prosecutions and investigations in the national courts of countries other than those where the crimes took place. She traces the roots of the landmark Pinochet case and follows its development and those of related cases, through Spain, the United Kingdom, elsewhere in Europe, and then through Chile, Argentina, Mexico, and the United States. She situates these transnational cases within the context of an emergent International Criminal Court, as well as the effectiveness of international law and of the lawyers, judges, and activists working together across continents to make a new legal paradigm a reality. Interviews and observations help to contextualize and dramatize these compelling cases.

These cases have tremendous ramifications for the prospect of universal jurisdiction and will continue to resonate for years to come. Roht-Arriaza's deft navigation of these complicated legal proceedings elucidates the paradigm shift underlying this prosecution as well as the traction gained by advocacy networks promoting universal jurisdiction in recent decades.

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Reading Gender in Medieval Hebrew Literature

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Selected by Choice magazine as an Outstanding Academic Title

Unveiling Eve is the first feminist inquiry into the Hebrew poetry and prose forms cultivated in Muslim and Christian Spain, Italy, and Provence in the eleventh through fourteenth centuries. In the Jewish Middle Ages, writing was an exclusively male competence, and textual institutions such as the study of scripture, mysticism, philosophy, and liturgy were men's sanctuaries from which women were banished. These domains of male expertisealongside belles lettres, on which Rosen's book focusesserved as virtual laboratories for experimenting with concepts of femininity and masculinity, hetero- and homosexuality, feminization and virilization, transvestism and transsexuality. Reviewing texts as varied as love lyric, love stories, marriage debates, rhetorical contests, and liturgical and moralistic pieces, Tova Rosen considers the positions and positioning of female figures and female voices within Jewish male discourse.

The idolization and demonization of women present in these texts is read here against the background of scripture and rabbinic literature as well as the traditions of chivalry and misogyny in the hosting Islamic and Christian cultures. Unveiling Eve unravels the literary evidence of a patriarchal tradition in which women are routinely rendered nonentities, often positioned as abstractions without bodies or reified as bodies without subjectivities. Without rigidly following any one school of feminist thinking, Rosen creatively employs a variety of methodologies to describe and assess the texts' presentation of male sexual politics and delineate how women and concepts of gender were manipulated, fictionalized, fantasized, and poeticized. Inaugurating a new era of critical thinking in Hebrew literature, Unveiling Eve penetrates a field of medieval literary scholarship that has, until now, proven impervious to feminist criticism.

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The Black Folk Hero in Slavery and Freedom

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To protect their identity and values, Africans enslaved in America transformed various familiar character types to create folk heroes who offered models of behavior both recognizable to them as African people and adaptable to their situation in America.

Roberts specifically examines the Afro-American trickster and the trickster tale tradition, the conjurer as folk hero, the biblical heroic tradition, and the badman as outlaw hero.

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What Anthropologists Can Teach Us About the War

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The Iraq War has cost innumerable lives, caused vast material destruction, and inflicted suffering on millions of people. Iraq at a Distance: What Anthropology Can Teach Us About the War focuses on the plight of the Iraqi people, caught since 2003 in the carnage between U.S. and British troops on one side and, on the other, Iraqi insurgents, militias, and foreign al Qaeda operatives.

The volume is a bold attempt by six distinguished anthropologists to study a war zone too dangerous for fieldwork. They break new ground by using their ethnographic imagination as a research tool to analyze the Iraq War through insightful comparisons with previous and current armed conflicts in Cambodia, Israel, Palestine, Northern Ireland, Afghanistan, and Argentina. This innovative approach extends the book's relevance beyond a critical understanding of the devastating war in Iraq. More and more parts of the world of long-standing ethnographic interest are becoming off-limits to researchers because of the war on terror. This book serves as a model for the study of other inaccessible regions, and it shows that the impossibility of conducting ethnographic fieldwork does not condemn anthropologists to silence.

Essays analyze the good-versus-evil framework of the war on terror, the deterioration of women's rights in Iraq under fundamentalist coercion, the ethnic-religious partitioning of Baghdad through the building of security walls, the excessive use of force against Iraqi civilians by U.S. counterinsurgency units, and the loss of popular support for U.S. and British forces in Iraq and Afghanistan after the brutal regimes of the Taliban and Saddam Hussein had been toppled.

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Political Violence and Trauma in Argentina

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For decades, Argentina's population was subject to human rights violations ranging from the merely disruptive to the abominable. Violence pervaded Argentine social and cultural life in the repression of protest crowds, a ruthless counterinsurgency campaign, massive numbers of abductions, instances of torture, and innumerable assassinations. Despite continued repression, thousands of parents searched for their disappeared children, staging street protests that eventually marshaled international support. Challenging the notion that violence simply breeds more violence, Antonius C. G. M. Robben's provocative study argues that in Argentina violence led to trauma, and that trauma bred more violence.

In this work of superior scholarship, Robben analyzes the historical dynamic through which Argentina became entangled in a web of violence spun out of repeated traumatization of political adversaries. This violence-trauma-violence cycle culminated in a cultural war that "disappeared" more than ten thousand people and caused millions to live in fear. Political Violence and Trauma in Argentina demonstrates through a groundbreaking multilevel analysis the process by which different historical strands of violence coalesced during the 1970s into an all-out military assault on Argentine society and culture.

Combining history and anthropology, this compelling book rests on thorough archival research; participant observation of mass demonstrations, exhumations, and reburials; gripping interviews with military officers, guerrilla commanders, human rights leaders, and former disappeared captives. Robben's penetrating analysis of the trauma of Argentine society is of great importance for our understanding of other societies undergoing similar crimes against humanity.

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The Revolution and Its Legacy in the Mid-Atlantic

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The richly diverse population of the mid-Atlantic region distinguished it from the homogeneity of Puritan New England and the stark differences of the plantation South that still dominate our understanding of early America. In Many Identities, One Nation, Liam Riordan explores how the American Revolution politicized religious, racial, and ethnic identities among the diverse inhabitants of Pennsylvania, Delaware, and New Jersey. Attending to individual experiences through a close comparative analysis, Riordan explains the transformation from British subjects to U.S. citizens in a region that included Quakers, African Americans, and Pennsylvania Germans.

In the face of a gradually emerging sense of nationalism, varied forms of personal and group identities took on heightened public significance in the Revolutionary Delaware Valley. While Quakers in Burlington, New Jersey, remained suspect after the war because of their pacifism, newly freed slaves in New Castle, Delaware, demanded full inclusion, and bilingual Pennsylvania Germans in Easton, Pennsylvania, successfully struggled to create a central place for themselves in the new nation. By placing the public contest over the proper expression of group distinctiveness in the context of local life, Riordan offers a new understanding of how cultural identity structured the early Jacksonian society of the 1820s as a culmination of the American Revolution in this region.

This compelling story brings to life the popular culture of the Revolutionary Delaware Valley through analysis of wide-ranging evidence, from architecture, folk art, clothing, and music to personal papers, newspapers, and local church, tax, and census records. The study's multilayered local perspective allows us to see how the Revolutionary upheaval of the colonial status quo penetrated everyday life and stimulated new understandings of the importance of cultural diversity in the Revolutionary nation.

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The romance novel has the strange distinction of being the most popular but least respected of literary genres. While it remains consistently dominant in bookstores and on best-seller lists, it is also widely dismissed by the critical community. Scholars have alleged that romance novels help create subservient readers, who are largely women, by confining heroines to stories that ignore issues other than love and marriage.

Pamela Regis argues that such critical studies fail to take into consideration the personal choice of readers, offer any true definition of the romance novel, or discuss the nature and scope of the genre. Presenting the counterclaim that the romance novel does not enslave women but, on the contrary, is about celebrating freedom and joy, Regis offers a definition that provides critics with an expanded vocabulary for discussing a genre that is both classic and contemporary, sexy and entertaining.

Taking the stance that the popular romance novel is a work of literature with a brilliant pedigree, Regis asserts that it is also a very old, stable form. She traces the literary history of the romance novel from canonical works such as Richardson's Pamela through Austen's Pride and Prejudice, Bronte's Jane Eyre, and E. M. Hull's The Sheik, and then turns to more contemporary works such as the novels of Georgette Heyer, Mary Stewart, Janet Dailey, Jayne Ann Krentz, and Nora Roberts.

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Incest and Agency in Elizabeth's England

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Maureen Quilligan explores the remarkable presence in the Renaissance of what she calls "incest schemes" in the books of a small number of influential women who claimed an active female authority by writing in high canonical genres and who, even more transgressively for the time, sought publication in print.

It is no accident for Quilligan that the first printed work of Elizabeth I was a translation done at age eleven of a poem by Marguerite de Navarre, in which the notion of "holy" incest is the prevailing trope. Nor is it coincidental that Mary Wroth, author of the first sonnet cycle and prose romance by a woman printed in English, described in these an endogamous, if not legally incestuous, illegitimate relationship with her first cousin. Sir Philip Sidney and his sister, the Countess of Pembroke, translated the psalms together, and after his death she finished his work by revising it for publication; the two were the subject of rumors of incest. Isabella Whitney cast one of her most important long poems as a fictive legacy to her brother, arguably because such a relationship resonated with the power of endogamous female agency. Elizabeth Carey's closet drama about Mariam, the wife of Herod, spends important energy on the tie between sister and brother. Quilligan also reads male-authored meditations on the relationship between incest and female agency and sees a far different Cordelia, Britomart, and Eve from what traditional scholarship has heretofore envisioned.

Incest and Agency in Elizabeth's England makes a signal contribution to the conversation about female agency in the early modern period. While contemporary anthropological theory deeply informs her understanding of why some Renaissance women writers wrote as they did, Quilligan offers an important corrective to modern theorizing that is grounded in the historical texts themselves.

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Indians, English, and the Contest for Authority in Colonial New England

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Selected by Choice magazine as an Outstanding Academic Title

Land ownership was not the sole reason for conflict between Indians and English, Jenny Pulsipher writes in Subjects unto the Same King, a book that cogently redefines the relationship between Indians and colonists in seventeenth-century New England. Rather, the story is much more complicatedand much more interesting. It is a tale of two divided cultures, but also of a host of individuals, groups, colonies, and nations, all of whom used the struggle between and within Indian and English communities to promote their own authority.

As power within New England shifted, Indians appealed outside the regionto other Indian nations, competing European colonies, and the English crown itselffor aid in resisting the overbearing authority of such rapidly expanding societies as the Massachusetts Bay Colony. Thus Indians were at the centerand not always on the losing endof a contest for authority that spanned the Atlantic world. Beginning soon after the English settled in Plymouth, the power struggle would eventually spawn a devastating conflictKing Philip's Warand draw the intervention of the crown, resulting in a dramatic loss of authority for both Indians and colonists by century's end.

Through exhaustive research, Jenny Hale Pulsipher has rewritten the accepted history of the Indian-English relationship in colonial New England, revealing it to be much more complex and nuanced than previously supposed.

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Rainforest Warriors is a historical, ethnographic, and documentary account of a people, their threatened rainforest, and their successful attempt to harness international human rights law in their fight to protect their way of lifepart of a larger story of tribal and indigenous peoples that is unfolding all over the globe.

The Republic of Suriname, in northeastern South America, contains the highest proportion of rainforest within its national territory, and the most forest per person, of any country in the world. During the 1990s, its government began awarding extensive logging and mining concessions to multinational companies from China, Indonesia, Canada, and elsewhere. Saramaka Maroons, the descendants of self-liberated African slaves who had lived in that rainforest for more than 300 years, resisted, bringing their complaints to the Inter-American Commission on Human Rights.

In 2008, when the Inter-American Court of Human Rights delivered its landmark judgment in their favor, their efforts to protect their threatened rainforest were thrust into the international spotlight. Two leaders of the struggle to protect their way of life, Saramaka Headcaptain Wazen Eduards and Saramaka law student Hugo Jabini, were awarded the Goldman Prize for the Environment (often referred to as the environmental Nobel Prize), under the banner of "A New Precedent for Indigenous and Tribal Peoples."

Anthropologist Richard Price, who has worked with Saramakas for more than forty years and who participated actively in this struggle, tells the gripping story of how Saramakas harnessed international human rights law to win control of their own piece of the Amazonian forest and guarantee their cultural survival.

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Literature and Modernity in the Nineteenth Century

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American historians have typically argued that a shared experience of time worked to bind the antebellum nation together. Trains, technology, and expanding market forces catapulted the United States into the future on a straight line of progressive time. The nation's exceedingly diverse population could cluster around this common temporality as one forward-looking people.

In a bold revision of this narrative, Archives of American Time examines American literature's figures and forms to disclose the competing temporalities that in fact defined the antebellum period. Through discussions that link literature's essential qualities to social theories of modernity, Lloyd Pratt asserts that the competition between these varied temporalities forestalled the consolidation of national and racial identity. Paying close attention to the relationship between literary genre and theories of nationalism, race, and regionalism, Archives of American Time shows how the fine details of literary genres tell against the notion that they helped to create national, racial, or regional communities. Its chapters focus on images of invasive forms of print culture, the American historical romance, African American life writing, and Southwestern humor. Each in turn revises our sense of how these images and genres work in such a way as to reconnect them to a broad literary and social history of modernity. At precisely the moment when American authors began self-consciously to quest after a future in which national and racial identity would reign triumphant over all, their writing turned out to restructure time in a way that began foreclosing on that particular future.