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Quilts and Sewing Accessories Inspired by the Era

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Kathleen Tracy, popular author of Prairie Children and Their Quilts and Remembering Adelia, has outdone herself with this combination of lovely projects and fascinating historical tidbits. Patterned after quilts made during the Civil War era, this collection is ideal for nineteenth-century reproduction fabrics.Choose from 16 easy projects, including large and small quilts, plus a pincushion, sewing box, and needle caseLearn how women's efforts during the Civil War era led to increased civil and political involvement among womenSee historical photos and read eloquent excerpts from letters written to and from soldiers during the Civil War

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Margaret Walker (19151998) has been described as the most famous person nobody knows. This is a shocking oversight of an award-winning poet, novelist, essayist, educator, and activist as well as friend and mentor to many prominent African American writers. Song of My Life reintroduces Margaret Walker to readers by telling her story, one that many can relate to as she overcame certain obstacles related to race, gender, and poverty.

Walker was born in 1915 in Birmingham, Alabama, to two parents who prized education above all else. Obtaining that education was not easy for either her parents or herself, but Walker went on to earn both her master's and doctorate degrees from the University of Iowa. Walker's journey to become a nationally known writer and educator is an incredible story of hard work and perseverance. Her years as a public figure connected her to Richard Wright, Langston Hughes, Alex Haley, and a host of other important literary and historical figures.

This biography opens with her family and those who inspired herher parents, her grandmother, her most important teachers and mentorsall significant influences on her reading and writing life. Chapters trace her path over the course of the twentieth century as she travels to Chicago and becomes a member of the South Side Writers' Group with Richard Wright. Then she is accepted into the newly created Master of Fine Arts Program at the University of Iowa. Back in the South, she pursued and achieved her dream of becoming a writer and college educator as well as wife and mother. Walker struggled to support herself, her sister, and later her husband and children, but she overcame financial hardships, prejudice, and gender bias and achieved great success. She penned the acclaimed novel Jubilee, received numerous lifetime achievement awards, and was a beloved faculty member for three decades at Jackson State University in Jackson, Mississippi.

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Living Simply in the World's Fastest City

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Burned-out after years of doing development work around the world, William Powers spent a season in a 12-foot-by-12-foot cabin off the grid in North Carolina, as recounted in his award-winning memoir Twelve by Twelve. Could he live a similarly minimalist life in the heart of New York City? To find out, Powers and his wife jettisoned 80 percent of their stuff, left their 2,000-square-foot Queens townhouse, and moved into a 350-square-foot micro-apartment in Greenwich Village. Downshifting to a two-day workweek, Powers explores the viability of Slow Food and Slow Money, technology fasts and urban sanctuaries. Discovering a colorful cast of New Yorkers attempting to resist the culture of Total Work, Powers offers an inspiring exploration for anyone trying to make urban life more people- and planet-friendly.

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An Introduction to W.R. Bion's A Memoir of the Future

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Volume One: Authoritative, Not Authoritarian, Psychoanalysis

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In the last years of his life Bion gathered unusual manuscripts handwritten in his tidy lettering that assumed the form of a trilogy. Finely typed and edited by his dedicated wife, they were named A Memoir of the Future. Many of the themes of this book were already evident in Transformations and Attention and Interpretation. These earlier books provide many of the theories whose practical counterpart finally found a form in the trilogy: as Bion himself noted, "the criteria for a psychoanalytic paper are that it should stimulate in the reader the emotional experience that the writer intends, that its power to stimulate should be durable, and that the emotional experience thus stimulated should be an accurate representation of the psychoanalytic experience that stimulated the writer in first place." Was Bion true to his word? It is perhaps left to the reader to answer this question. The present book is an attempt to indicate the view that Bion's attempt was to present the burning flame itself - rather than presenting static photographs of the fire.

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From the trolley scene in Meet Me in St. Louis (1944) to Fred Astaire and Ginger Rogers's last dance on the silver screen (The Barkleys of Broadway, 1949) to Judy Garland's timeless, tuxedo-clad performance of "Get Happy" (Summer Stock, 1950), Charles Walters staged the iconic musical sequences of Hollywood's golden age. During his career, this Academy Awardnominated director and choreographer showcased the talents of stars such as Gene Kelly, Doris Day, Debbie Reynolds, and Frank Sinatra. However, despite his many critical and commercial triumphs, Walters's name often goes unrecognized today.In the first full-length biography of Walters, Brent Phillips chronicles the artist's career, from his days as a featured Broadway performer and protege of theater legend Robert Alton to his successes at Metro-Goldwyn-Mayer. He takes readers behind the scenes of many of the studio's most beloved musicals, including Easter Parade (1948), Lili (1953), High Society (1956), and The Unsinkable Molly Brown (1964). In addition, Phillips recounts Walters's associations with Lucille Ball, Joan Crawford, and Gloria Swanson, examines the director's uncredited work on several films, including the blockbuster Gigi (1958), and discusses his contributions to musical theater and American popular culture.This revealing book also considers Walters's personal life and explores how he navigated the industry as an openly gay man. Drawing on unpublished oral histories, correspondence, and new interviews, this biography offers an entertaining and important new look at an exciting era in Hollywood history.

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Though he has made only five films in two decadesStrictly Ballroom, William Shakespeare's Romeo + Juliet, and the Oscar-nominated films Moulin Rouge!, Australia, and The Great GatsbyAustralian writer-director Baz Luhrmann is an internationally known brand name. His name has even entered the English language as a verb, as in to Baz things up, meaning to decorate them with an exuberant flourish. Celebrated by some, loathed by others, his work is underscored by what has been described as an aesthetic of artifice and is notable for both its glittering surfaces and recurring concerns.

In this collection of interviews, Luhrmann discusses his methods and his motives, explaining what has been important to him and his collaborators from the start and how he has been able to maintain an independence from the studios that have backed his films. He also speaks about his other artistic endeavors, including stage productions of La Boheme and A Midsummer Night's Dream, and his wife and collaborative partner Catherine Martin, who has received two Academy Awards for her work with Luhrmann.

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Taking as her focus a body of writings in poetic, didactic, and legal modes that circulated in England's capital between the 1380sjust a generation after the Black Deathand the first decade of the English reformation in the 1530s, Amy Appleford offers the first full-length study of the Middle English "art of dying" (ars moriendi). An educated awareness of death and mortality was a vital aspect of medieval civic culture, she contends, critical not only to the shaping of single lives and the management of families and households but also to the practices of cultural memory, the building of institutions, and the good government of the city itself.

In fifteenth-century London in particular, where an increasingly laicized reformist religiosity coexisted with an ambitious program of urban renewal, cultivating a sophisticated attitude toward death was understood as essential to good living in the widest sense. The virtuous ordering of self, household, and city rested on a proper attitude toward mortality on the part both of the ruled and of their secular and religious rulers. The intricacies of keeping death constantly in mind informed not only the religious prose of the period, but also literary and visual arts. In London's version of the famous image-text known as the Dance of Death, Thomas Hoccleve's poetic collection The Series, and the early sixteenth-century prose treatises of Tudor writers Richard Whitford, Thomas Lupset, and Thomas More, death is understood as an explicitly generative force, one capable (if properly managed) of providing vital personal, social, and literary opportunities.

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An Uncanny History of the Shakespearean Text

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In 1823, Sir Henry Bunbury discovered a badly bound volume of twelve Shakespeare plays in a closet of his manor house. Nearly all of the plays were first editions, but one stood out as extraordinary: a previously unknown text of Hamlet that predated all other versions. Suddenly, the world had to grapple with a radically newor rather, oldHamlet in which the characters, plot, and poetry of Shakespeare's most famous play were profoundly and strangely transformed.

Q1, as the text is known, has been declared a rough draft, a shorthand piracy, a memorial reconstruction, and a pre-Shakespearean "ur-Hamlet," among other things. Flickering between two historical momentsits publication in Shakespeare's early seventeenth century and its rediscovery in Bunbury's early nineteenthQ1 is both the first and last Hamlet. Because this text became widely known only after the familiar version of the play had reached the pinnacle of English literature, its reception has entirely depended on this uncanny temporal oscillation; so too has its ongoing influence on twentieth- and twenty-first-century ideas of the play.

Zachary Lesser examines how the improbable discovery of Q1 has forced readers to reconsider accepted truths about Shakespeare as an author and about the nature of Shakespeare's texts. In telling the story of this mysterious quarto and tracing the debates in newspapers, London theaters, and scholarly journals that followed its discovery, Lesser offers brilliant new insights on what we think we mean when we talk about Hamlet.

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Division, Reconstruction, and Reconciliation in Contemporary Europe

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Civil war inevitably causes shifts in state boundaries, demographics, systems of rule, and the bases of legitimate authoritymany of the markers of national identity. Yet a shared sense of nationhood is as important to political reconciliation as the reconstruction of state institutions and economic security. After Civil War compares reconstruction projects in Bosnia, Cyprus, Finland, Greece, Kosovo, Northern Ireland, the Republic of Ireland, Spain, and Turkey in order to explore how former combatants and their supporters learn to coexist as one nation in the aftermath of ethnopolitical or ideological violence.

After Civil War synthesizes research on civil wars, reconstruction, and nationalism to show how national identity is reconstructed over time in different cultural and socioeconomic contexts, in strong nation-states as well as those with a high level of international intervention. Chapters written by anthropologists, historians, political scientists, and sociologists examine the relationships between reconstruction and reconciliation, the development of new party systems after war, and how globalization affects the processes of peacebuilding. After Civil War thus provides a comprehensive, comparative perspective to a wide span of recent political history, showing postconflict articulations of national identity can emerge in the long run within conducive institutional contexts.

Contributors: Risto Alapuro, Vesna Bojicic-Dzelilovic, Chares Demetriou, James Hughes, Joost Jongerden, Bill Kissane, Denisa Kostovicova, Michael Richards, Ruth Seifert, Riki van Boeschoten.

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Robert J. Tilley's THE DARK CORNERS collects 7 classic fantastic crime stories, including: "The Dark Corners," "Fiends and Neighbors," "The Devil and Mr. Wooler," "The Other Man," "The Great Golf Mystery," "Mirror, Mirror," and "Dark Dilemma." Classic work from a British master!

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It was perhaps natural, after a thousand years of celibacy, that the Immortal Jade Lady should petition the Moon Goddess for a lover. The trouble was that he was a mortal and she was a spirit--which made for certain difficulties. Then she had to fall in love with him!

Ju-hai had troubles enough without spirit entanglements. He had a powerful enemy, seeking to destroy his family to seize their lands. Somehow, Ju-hai had to rescue his father, illegally impressed to fight a distant war, even though success meant outlawry. Then he had to win justice and vengeance against the enemy. It was a task to confound a mighty warrior and magician. And, of course, there was the matter of Hsi-feng, the little slave-girl...

But the Jade Lady meant to save him and to make him an Immortal, too--whether he wanted to be on not!

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Building Pathways of Compassion and Coexistence

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In wildlife conservation, rewilding refers to restoring habitats and creating corridors between preserved lands to allow declining populations to rebound. Marc Bekoff, one of the worlds leading animal experts and activists, here applies rewilding to human attitudes. Rewilding Our Hearts invites readers to do the essential work of becoming reenchanted with the world, acting from the inside out, and dissolving false boundaries to truly connect with both nature and themselves.

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Gay Voluntary Associations in New York is a sensitive and insightful ethnography of social groups that have gathered around common interests in an urban LGBT population from the time of the AIDS crisis to the present. Anthropologist Moshe Shokeid examines the social discourse of sex, love, friendship, and spiritual life in which these communities are passionately engaged.

Drawn from long-term anthropological research in New York City, Gay Voluntary Associations in New York uses participant observation to explore such diverse social associations and religious organizations as seniors groups, interracials, bisexuals, sexual compulsives, gay bears, and Catholic, Protestant, and Jewish gay congregations. As an outside observerneither gay nor American-bornShokeid examines the social discourse within these voluntary associations from a critical vantage point. In addition to the personal information and intimate expressions of empathy freely shared in the company of strangers at social gatherings, individual stories and experiences are woven into the narrative to illustrate the existential conditions and emotional template of gay life in the city. Shokeid's nuanced portrait of the affective relationships within these groups offers deeper comprehension of the social dynamics and emotional realities of gay urban communities in the United States.

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A Sequel to Mary Shelley's "Frankenstein"

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In his stunning tour-de-force sequel to Mary Shelley's novel FRANKENSTEIN, horror master Marvin Kaye (author of A Cold Blue Light and The Masters of Solitude) breathes new life into the Creature, offering a glimpse into the soul behind the monster -- and redemption to not only Victor Frankenstein, but the life he created. From the snow-swept wastes of the Frozen North to the gaslit streets of Edinburgh (where Burke & Hare are just starting their body-snatching ways), THE PASSION OF FRANKENSTEIN is a horror event not to be missed!

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Ray Lum's Tales of Horses, Mules, and Men

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Readers captivated by this book will be happy that Bill Ferris found Ray Lum and that he thought to turn on a tape recorder. Lum (1891-1977) was a mule skinner, a livestock trader, an auctioneer, and an American original.

This delightful book, first published in 1992 as You Live and Learn. Then You Die and Forget It All, preserves Lum's colorful folk dialect and captures the essence of this one-of-a-kind figure who seems to have stepped full-blooded from the pages of Mark Twain. This riveting tale-spinner was tall, heavy-set, and full of body rhythm as he talked. In his special world, he was famous for trading, for tale-telling, and for common-sense lessons that had made him a savvy bargainer and a shrewd businessman. His home and his auction barn were in Vicksburg, Mississippi, where mules were his main interest, but in trading he fanned out over twenty states and even into Mexico. A west Texas newspaper reported his fame this way, He is known all over cow country for his honest, fair dealing and gentlemanly attitude. . . . A letter addressed to him anywhere in Texas probably would be delivered.

Over several years, Ferris recorded Lum's many long conversations that detail livestock auctioneering, cheery memories of rustic Deep South culture, and a philosophy of life that is grounded in good horse sense. Even among the most spellbinding talkers, Lum is a standout both for what he has to say and for the way he says it. Ferris's lucky, protracted encounters with him turn out to be the best of good fortune for everybody.

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The concept of "screen memories" was introduced by Freud for the first time in his 1899 paper, reprinted here in its entirety. Although the clinical interest in "screen memories" has perhaps diminished in recent analytic discussion, there is much to be gained from revisiting and re-examining both the phenomenon and Freud's original paper within a contemporary context. To this end, Gail S. Reed and Howard B. Levine have invited contributions from eight leading psychoanalysts on the current meaning and value to them of the screen memory concept. These comments come from contemporary psychoanalysts practicing in Italy, Francophone Switzerland, Argentina, Israel, and the United States of America, each of whom has been trained in one or another of a variety of psychoanalytic traditions, among which are ego psychology, a French version of Freud, an American version of Lacan and at least two variants of Kleinian thought - one British and one Latin American. Their comments range from advocating that screen memories are an important, even central, feature of contemporary analytic work (LaFarge, Cohen), to finding the concept less universally applicable, but nonetheless compelling (Ahumada). The editors hope that the encounter with these creative and thought-provoking commentaries will  give new meaning to our appreciation of this important clinical phenomenon and stimulate further research and clinical observation into its origins and uses. Contributors: Jorge L. Ahumada, Franco De Masi, Rivka R. Eifermann, Lucy LaFarge, Nellie Thompson, Shlomith Cohen, Florence Guignard, Howard B. Levine, Gail S. Reed, and John P. Muller.

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Quietly step into a group therapy meeting and listen to the members and the celebrated group therapist struggle to connect in true relationship. Witness the Russian Revolution and famine through the eyes of a boy. Watch two Jewish children in East L.A. in the 50's, trying to make sense of their world. Go deep into the Social Unconscious and discover how these adventures are not only connected to each other but to YOU as well.

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Thomas Sankara, often called the African Che Guevara, was president of Burkina Faso, one of the poorest countries in Africa, until his assassination during the military coup that brought down his government. Although his tenure in office was relatively short, Sankara left an indelible mark on his countrys history and development. An avowed Marxist, he outspokenly asserted his countrys independence from France and other Western powers while at the same time seeking to build a genuine pan-African unity.
Ernest Harsch traces Sankaras life from his student days to his recruitment into the military, early political awakening, and increasing dismay with his countrys extreme poverty and political corruption. As he rose to higher leadership positions, he used those offices to mobilize people for change and to counter the influence of the old, corrupt elites. Sankara and his colleagues initiated economic and social policies that shifted away from dependence on foreign aid and toward a greater use of the countrys own resources to build schools, health clinics, and public works. Although Sankaras sweeping vision and practical reforms won him admirers both in Burkina Faso and across Africa, a combination of domestic opposition groups and factions within his own government and the army finally led to his assassination in 1987.
This is the first English-language book to tell the story of Sankaras life and struggles, drawing on the authors extensive firsthand research and reporting on Burkina Faso, including interviews with the late leader. Decades after his death, Sankara remains an inspiration to young people throughout Africa for his integrity, idealism, and dedication to independence and self-determination.

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A History of Girlhood, Labor, and Social Development in Colonial Lagos

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In Making Modern Girls, Abosede A. George examines the influence of African social reformers and the developmentalist colonial state on the practice and ideology of girlhood as well as its intersection with child labor in Lagos, Nigeria. It draws from gender studies, generational studies, labor history, and urban history to shed new light on the complex workings of African cities from the turn of the twentieth century through the nationalist era of the 1950s.
The two major schemes at the center of this study were the modernization project of elite Lagosian women and the salvationist project of British social workers. By approaching children and youth, specifically girl hawkers, as social actors and examining the ways in which local and colonial reformers worked upon young people, the book offers a critical new perspective on the uses of African children for the production and legitimization of national and international social development initiatives.
Making Modern Girls demonstrates how oral sources can be used to uncover the social history of informal or undocumented urban workers and to track transformations in practices of childhood over the course of decades. George revises conventional accounts of the history of development work in Africa by drawing close attention to the social welfare initiatives of late colonialism and by highlighting the roles that African women reformers played in promoting sociocultural changes within their own societies.

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Patrice Lumumba was a leader of the independence struggle in what is today the Democratic Republic of the Congo, as well as the countrys first democratically elected prime minister. After a meteoric rise in the colonial civil service and the African political elite, he became a major figure in the decolonization movement of the 1950s. Lumumbas short tenure as prime minister (19601961) was marked by an uncompromising defense of Congolese national interests against pressure from international mining companies and the Western governments that orchestrated his eventual demise.
Cold war geopolitical maneuvering and well-coordinated efforts by Lumumbas domestic adversaries culminated in his assassination at the age of thirty-five, with the support or at least the tacit complicity of the U.S. and Belgian governments, the CIA, and the UN Secretariat. Even decades after Lumumbas death, his personal integrity and unyielding dedication to the ideals of self-determination, self-reliance, and pan-African solidarity assure him a prominent place among the heroes of the twentieth-century African independence movement and the worldwide African diaspora.
Georges Nzongola-Ntalajas short and concise book provides a contemporary analysis of Lumumbas life and work, examining both his strengths and his weaknesses as a political leader. It also surveys the national, continental, and international contexts of Lumumbas political ascent and his swift elimination by the interests threatened by his ideas and practical reforms.