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Or, Methodical Cook: A Facsimile of an Authentic Early American Cookbook

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Originally published in 1824, this influential, classic guide by a noted Virginia hostess is widely regarded as the first truly Southern cookbook. Compiled and written by Mary Randolph (reputed to have been the best cook in Richmond), it contains a treasury of cooking instructions for everything from hearty soups to exotic cordials. Included are time-honored recipes for a wide range of beef, veal, lamb and pork dishes, along with fish, poultry, sauces, vegetables, pudding, cakes, preserves, and more. In addition to such traditional Southern fare as okra soup, curry of catfish, barbequed shoat (a fat young hog), field peas, beaten biscuits and sweet potato buns, readers will also find scores of recipes for dishes, condiments and beverages rarely seen on today's dinner table: sweetbread and oyster pie, grilled calf's head, shoulder of mutton with celery sauce, fried calf's feet, pheasant "a-la-daub," tansy pudding, gooseberry fool (cold stewed gooseberries with custard and whipped cream), pickled nasturtiums, walnut catsup, vinegar of the four thieves, ginger wine, and many other edibles from a bygone era.More than just a collection of recipes, however, this comprehensive cook's reference also provides a fascinating introduction to the food and customs of the antebellum South, as well as handy instructions for making soap, starch and cologne water, cleaning silver, drying herbs, and much other useful advice.For this edition, Jan Longone, a specialist in antiquarian wine and food books, has contributed an informative new introduction that outlines the singular qualities of Mrs. Randolph's book and its preeminent place in American culinary history. Any cook, antiquarian or lover of Americana will enjoy this rare glimpse into the kitchens of the past.

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Designs and Patterns for Embroiderers and Craftspeople

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Have you ever wanted to create your own embroidery and crewel designs but given up the idea just because you can't draw? Here is a book containing over 500 patterns and designs from the finest Victorian source. Just transfer the designs to cloth, select a color scheme, use your favorite stitches, and soon your very own personal "noodle painting" will begin to form.These designs are classified according to type so that they are easier for you to use. You will find large motifs for big areas and dainty motifs for smaller projects; borders (narrow, medium, and wide) for pillows, sheets, and anything wanting a decorative edge; centers and corners for tablecloths and upholstery; insects, birds, and flowers for adding color to shirts and jeans; and even scenes perfect for sewing and framing.A wide variety of flowers, sprays, and greenery is included in this book, usually in various combinations: daisies, tulips, peonies, dahlias, cornflowers, lilies, rosebuds, poppies, violets, and forget-me-nots, plus shamrocks, heather, and flowers with ribbons, in baskets, etc. There are also butterflies, bluebirds, bumblebees, owls, dragonflies, and insects of all sorts. For those whose tastes are more unconventional or avant-garde, there are geometric designs, dramatic sunbursts, and unusual beasts.Complete instructions explain how to transfer these designs to cloth, and imaginative crafters will find this book suitable to a variety of other media, including metalwork, woodwork leather craft, and more.

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An Introduction to the Mathematical Theory of Finite Elements

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This introduction to the theory of Sobolev spaces and Hilbert space methods in partial differential equations is geared toward readers of modest mathematical backgrounds. It offers coherent, accessible demonstrations of the use of these techniques in developing the foundations of the theory of finite element approximations.J. T. Oden is Director of the Institute for Computational Engineering & Sciences (ICES) at the University of Texas at Austin, and J. N. Reddy is a Professor of Engineering at Texas A&M University. They developed this essentially self-contained text from their seminars and courses for students with diverse educational backgrounds. Their effective presentation begins with introductory accounts of the theory of distributions, Sobolev spaces, intermediate spaces and duality, the theory of elliptic equations, and variational boundary value problems. The second half of the text explores the theory of finite element interpolation, finite element methods for elliptic equations, and finite element methods for initial boundary value problems. Detailed proofs of the major theorems appear throughout the text, in addition to numerous examples.

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The Fifteen Decisive Battles of the World

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Ranging from Marathon to Waterloo, this classic of military history chronicles battles that changed the course of history. Originally published in 1851, at the zenith of British imperial power, it found an eager audience of readers who wanted to understand how Britain had achieved its tremendous influence and how long it would last. Since then, these chronicles of ancient and modern military confrontations have informed and inspired generations of students and armchair historians.Educated at Eton College and the University of Cambridge, Sir Edward Shepherd Creasy was called to the Bar in 1837, appointed to the faculty of the University of London in 1840, and served as Chief Justice of Ceylon from 1860 to 1870. Creasy's scholarship and literary skill are complemented by his judicial attitude, which endows this book with a fair-minded, nonpartisan approach. He prefaces each battle with an introduction that explains the circumstances surrounding the war, as well as an afterword that considers how history might have changed had victory gone to the other side. Linking passages offer valuable insights into historical events that occurred between the major encounters. Influential and ever-popular, this book offers authoritative and entertaining analyses of the conflicts that shaped world history.

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If you're one of the many people who like to buy and restore antique furniture, then this is the book for you! Brimming with tips and advice from a skilled craftsman and teacher, this profusely illustrated woodworking guide will enable you to determine the age of an antique, assess its quality, and learn how to restore and preserve it effectively and profitably.Focusing on American furniture made between 1750 and 1850, the author explains how to repair construction joints, replace lost hardware, strengthen fractured parts, cover damaged areas, and much more. In addition, readers will find clear, step-by-step instructions for restoring an early rocker and chest of drawers, repairing a table leg, constructing a drawer using a dovetail joint, replacing the swing rail on a gateleg table, forming a molding, and more. Numerous examples, with over 250 illustrations and photographs, include such restored pieces of furniture as a Shaker tilt-top table, c. 1810; a cherry chest of drawers, c. 180020; an American Empire secretary, c. 1825; a primitive chest, c. 1840; and a country cupboard, c. 1850.Hobbyists, collectors, dealers, and woodworkers will find this excellent guide contains not only the clear, practical directions they need, but also indispensable advice on avoiding mistakes commonly made in the restoration process.

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This advanced-level study approaches mathematical foundations of three-dimensional elasticity using modern differential geometry and functional analysis. It is directed to mathematicians, engineers and physicists who wish to see this classical subject in a modern setting with examples of newer mathematical contributions. Prerequisites include a solid background in advanced calculus and the basics of geometry and functional analysis.The first two chapters cover the background geometry  developed as needed  and use this discussion to obtain the basic results on kinematics and dynamics of continuous media. Subsequent chapters deal with elastic materials, linearization, variational principles, the use of functional analysis in elasticity, and bifurcation theory. Carefully selected problems are interspersed throughout, while a large bibliography rounds out the text.

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This book by a well-known handicrafts instructor will teach you the fine art of leather tooling and carving so that you will now be able to make the handsomely crafted leather of handbags, belts, watchbands, and billfolds you have often admired. You will find that custom-crafted leather items are not only easier to make than you may have expected but also offer quite an enjoyable hobby.Many books deal with leatherwork in general but this book is one of the few that concentrate on tooling and carving. The author first introduces the various types of leather and tools, giving complete information on how to identify the superior sections of a hide and how to decide on which kind of leather is best for your purpose: kidskin for gloves, steerhide for billfolds, etc. Twenty-six different leather tools are depicted along with an illustration of the impressions the different kinds of stamping tools make. After this necessary background, the author covers the basic processes of leather crafting from start to finish: cutting and preparing the leather, transferring the design, tooling, carving, lacing, cleaning, dyeing, and finishing. This section is profusely illustrated with line drawings and photographs to make each step easy to master. You are now ready to begin the special projects, for which complete instructions and patterns are provided: bookmarks, key cases, coin purses, watchbands, billfolds, belts, shaving kits, camera bags, handbags, and cowboy accessories are just a few of the things you will be able to make.Hand-tooled leather items are quite expensive on the market, but you will find yourself with substantial savings when you make them yourself. What is more important, however, is that leather tooling and carving is an enjoyable craft that anyone can become adept at  and this book will provide you with all you need to do just that.

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361 Full-Color Allover Patterns for Artists and Craftspeople

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This excellent volume presents a dazzling assortment of copyright-free, full-color allover patterns. Carefully selected for their eye-catching appeal and suitability for practical use, the 361 patterns in this volume offer artists, designers, and craftspeople an extensive and convenient archive of colorful patterns for use in a virtually unlimited number of projects.Ranging from 15th- through 20th-century sources, the collection encompasses a rich variety of subjects and styles: geometrics, florals and foliates, animal and nature motifs, and other attractive repeat patterns. Ideally suited for reproduction with a color copier, these patterns are also perfect for scanning into a computer, where the images can be reduced or enlarged and altered in color as well.A splendid resource for use in designing catalogs, book covers and jackets, stationery and greeting cards, packaging, wallpaper, textiles, and many other art and craft projects, this volume will prove invaluable to anyone in need of a quick and easy archive of outstanding designs for permission-free use.

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"The history of the sword is the history of humanity." With these words, British author, Victorian scholar, and world traveler Richard Burton begins his eloquent and exceptionally erudite history of the "Queen of Weapons." Spanning the centuries and a wide range of cultures, Burton's rich and elegant prose illuminates the sword as both armament and potent symbol. For nearly all peoples of the world, the sword embodied the spirit of chivalry, symbolized justice and martyrdom and represented courage and freedom. In battle, it served universally as a deadly offensive weapon. Drawing on a wealth of literary, archaeological, anthropological, linguistic, and other sources, the author traces the sword's origins, from its birth as a charred and sharpened stick, through its diverse stages of development, to its full growth in the early Roman Empire. Recounting man's long association with this weapon, the author describes in brilliant detail:  The ages of wood, bone and born  The appearance of stone swords and exotic weapons such as the boomerang  The ages of copper and alloys such as bronze and brass  used in producing the long, narrow blades of rapiers  The Iron Age during which the Viking sword of carbonized iron took shape  a weapon whose form would set the standard for the next thousand years. Enhanced by nearly 300 excellent line drawings, the text provides an incredible wealth of detailed data about the sword and its variations: sabre, broadsword, cutlass, scimitar, rapier, foil, and a host of other arms, including dirks, daggers, throwing knives, flails, and much more. Military and social historians, scholars and students of weaponry, as well as armchair adventurers will find this volume a fascinating, abundantly illustrated and highly readable account of this potent symbol of power.

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In this stimulating, thought-provoking guide, a noted sculptor and teacher demonstrates how to discover a rich new design source in the abstractions inherent in natural forms. Through systematic study of such properties as line, form, shape, mass, pattern, light and dark, space, proportion, scale, perspective, and color as they appear in nature, students can learn to utilize the infinite variety and diversity of those elements as a wellspring of creative abstraction. The author invites students to learn the necessary techniques through a series of projects devoted to exploring and drawing plants, animals, birds, landscapes, seascapes, skies, and more. Lines of growth and structure, water and liquid forms, weather and atmospheric patterns, luminosity in plants and animals, earth colors and lightning are among the sources of abstraction available to the artist who is aware of them. This book will train you to see and use these elements and many more. An intriguing blend of art, psychology, and the natural sciences, Abstraction in Art and Nature is profusely illustrated with over 370 photographs, scientific illustrations, diagrams, and reproductions of works by the great masters. It not only offers a mind-stretching new way of learning and teaching basic design, but deepens our awareness of the natural environment. In short, Mr. Hale's book is an indispensable guide that artists, teachers, and students will want to have close at hand for instruction, inspiration, and practical guidance.

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A Study of the Religion, Laws, and Institutions of Greece and Rome

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With this influential study, French historian Numa Denis Fustel de Coulanges initiated a new approach to Greek and Roman city organization. Fustel de Coulanges' 1864 masterpiece, La Cite antique, drew upon physical evidence as well as ancient documents rather than the usual post-Classical histories. The result is a fresh, accurate, and detailed portrait of the religious, family, and civic life of Periclean Athens and Rome during the time of Cicero.This fascinating sociological account reveals the significance of kinship and the cult of the family hearth and ancestors to ancient Hellenic and Latin urban culture. It chronicles the rise of family-centered pagan belief systems, tracing their gradual decline to the spread of Christianity. Fustel cites ancient Indian and Hebrew texts as well as Greek and Roman sources. The ingenuity of his interpretations, along with his striking prose style, offer readers a vital and enduring historic survey.

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Numa Denis Fustel de Coulanges, Willard Small

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Chicago at the Turn of the Century in Photographs

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122 Historic Views from the Collections of the Chicago Historical Society

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Remarkable collection of 122 vintage views, most dating from 1904 to 1913. Rare large-format prints offer detailed views of the city's architecture and street life, including City Hall, State Street, the Loop, Hull House, Union Station, Comiskey Park, Lincoln Park Zoo, and many other landmarks. Introduction. Captions. Maps.

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This work deals with every aspect of the traditional Japanese home, from its general plan and major structural features to such ceremonial and traditional appointments as the tatami mats (which actually determine the size of the house), lamps, hibachi (braziers), fusuma and shoji screens, candlesticks, pillows, and tokonoma (places where art objects or flowers are displayed). It covers details of both construction and architectural ornamentation, and it points out the many ways in which the traditional Japanese house achieved the almost ideal blend of art and nature, decoration, and stark simplicity that is its hallmark. It shows in detail such things as how natural irregularities (such as in logs) are used to advantage, how partitions change the shape of the interior, and how the garden with its bridges, lanterns, and natural forms (sometimes artfully wrought) complements the severity of the house itself. More than 300 drawings by the author illustrate the text. Morse was one of the first to try to see and understand a dwelling in terms of the culture and tradition of the people who live in it. As a result, this work, which for three generations has remained the most informative and exhaustive discussion in English of the Japanese home, is equally honored for its strikingly modern conception of architecture and, more particularly, of the Japanese home as a place where people live.Since this work was first published, many of the traditional features of the Japanese home have altered under the impact of Western ideas. The work, consequently, should be particularly valuable to contemporary architects, artists, structural engineers, and scholars who want a purer view of the traditional Japanese dwelling. Because of its wealth of suggestion, it will also prove valuable to designers and craftsmen. For laymen, it continues to offer insight into a type of architecture (and a way of life) that is having an increasing impact on Western ideas.

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A Comprehensive Guide with 264 Illustrations

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A revolutionary reaction to traditional nineteenth-century art, the turn-of-the-century Art Nouveau movement drew much of its inspiration from nature. Applying its sinuous, curvilinear motifs to the decorative arts, graphics, architecture, sculpture, and painting, artists and craftspeople attempted to create a style suitable for a "modern" age. In this absorbing, exceptionally detailed, and well-researched book (one of the first scholarly works to revive interest in the style after World War II), a noted Norwegian authority on the subject examines the movement in depth. Stephan Madsen offers a wealth of facts and insights about the origins and development of the style; trends leading up to Art Nouveau, including the influence of Blake and the Pre-Raphaelites; early Art Nouveau posters and book illustrations; and its use in architectural ornamentation, furniture, jewelry, wrought-iron, glass, and other applied arts. A magnificent selection of 264 photographs and line drawings accompanies the text, which gives broad coverage to the movement, as well as insightful discussions of such important artists as Emile Galle, Alphonse Mucha, Walter Crane, Charles Rennie Mackintosh, Aubrey Beardsley, Henry Van de Velde, Victor Horta, William Morris, and Eugene Grasset.Artists and students, admirers of Art Nouveau, and anyone interested in this enduring and influential style will welcome Professor Madsen's expert, fully documented study.

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Celebrity, art merchant, socialite, publisher, and writer, Ambroise Vollard (18671939) was one of the most extraordinary figures in 20th-century art. He possessed an uncanny ability to recognize genius in painters  dozens of important artists received valuable commissions and gallery space with his help, and his galleries presented the first one-man shows for such luminaries as Matisse, Cezanne, and Picasso. Vollard's warmth, candor, and intelligence earned him the friendship of a generation of artists and make this memoir an enthralling and often hilarious account of an exciting Golden Age of painting.Vollard's anecdotal recollections transport the reader to Paris at the turn of the 20th century and the legendary "Street of Pictures," the rue Laffitte, where Vollard lived and worked. Rather than critiquing artists or esthetic movements, Vollard focuses on the human sidelights that made his life as picture dealer so rich and fascinating: his early efforts to sell the works of Cezanne, despite incredible opposition to Impressionism; his dinner parties, whose guests included Renoir, Forain, Degas, Redon, and Rodin; his many portrait sittings for Cezanne, Renoir, Rouault, Bonnard, Forain, and Picasso; his observation on the studios, habits, and personalities of Manet, Matisse, Picasso, de Groux, Signac, and Rousseau; and his encounters with Gertrude Stein, Alfred Jarry, Guillaume Apollinaire, Mallarme, and Zola.

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The combined training and experience of the authors of this classic in the varied activities of painting conservation, cultural research, chemistry, physics, and paint technology ideally suited them to the task they attempted. Their book, written when they were both affiliated with the Department of Conservation at Harvard's Fogg Art Museum, is not a handbook of instruction. It is, instead, an encyclopedic collection of specialized data on every aspect of painting and painting research.The book is divided into five sections: Mediums, Adhesives, and Film Substances (amber, beeswax, casein, cellulose, nitrate, dragon's blood, egg tempera, paraffin, lacquer, gum Arabic, Strasbourg turpentine, water glass, etc.); Pigments and Inert Materials (over 100 entries from alizarin to zinnober green); Solvents, Diluents, and Detergents (acetone, ammonia, carbon tetrachloride, soap, water, etc.); Supports (academy board, dozens of different woods, esparto grass, gesso, glass, leather, plaster, silk, vellum, etc.); and Tools and Equipment.Coverage within each section is exhaustive. Thirteen pages are devoted to items related to linseed oil; eleven to the history and physical and chemical properties of pigments; two to artificial ultramarine blue; eleven to wood; and so on with hundreds of entries. Much of the information  physical behavior, earliest known use, chemical composition, history of synthesis, refractive index, etc.  is difficult to find elsewhere. The rest was drawn from such a wide range of fields and from such a long span of time that the book was immediately hailed as the best organized, most accessible work of its kind.That reputation hasn't changed. The author's new preface lists some recent discoveries regarding pigments and other materials and the pigment composition chart has been revised, but the text remains essentially unchanged. It is still invaluable not only for museum curators and conservators for whom it was designed, but for painters themselves and for teachers and students as well.

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One of England's most respected and influential architects, James Gibbs was born in Scotland, studied in Rome, and left a legacy of design the world will treasure forever. His legendary 1728 folio, a sprawling gallery of Gibbs's magnificent drawings, perspectives, and blueprints, is a brilliant testimony to his remarkable talent. Profusely illustrated, the volume features such notable commissions as London's St. Martin in the Fields  the inspiration for many steeple churches of the colonial period in America; St. Mary le Strand, his first public building; Marybone Chapel; The Church of Allhallows in Derby; plus Gibbs's first commission, an addition for King's College at Cambridge. His most outstanding accomplishment may be the circular Radcliffe Library at Oxford, for which he received a Master of Arts. Also included here are detailed floor plans, plus fine drawings of decorative marble cisterns, ornamental iron gates, stately funeral monuments, and much more. Essential for an understanding of classic architecture, this stunning edition should grace the bookshelf of every architect, as well as architectural students, teachers, and historians.

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In this classic, engrossing text, a distinguished historian explores the mind and manifold interests of the greatest personality of the Renaissance. More than just a biography, the book presents a detailed investigation of Leonardo da Vinci's genius. Its colorful, evocative prose offers numerous demonstrations of the master's achievements, not only in sculpture and painting, but also in music, engineering, and even experimental aviation. A renowned authority on the works and personality of Leonardo, author Edward McCurdy translated many of the artist's writings. "In the thousands of pages of his manuscript he has left the mirror of his thought," McCurdy observes, "and there his mind may be seen at work, moving among the phenomena of nature and the inherited knowledge of antiquity, trying all things, expounding all things, proving all things." McCurdy begins by tracing the artist's travels, from his native Florence to Milan, Venice, Rome, and France. Part Two examines the manuscripts and their philosophical revelations, and the third section assesses the paintings and sculpture. First published in 1928, this book remains one of the best introductions to Leonardo and his extraordinary versatility.

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Drawing is "the very essence of all pictorial art," and this book approaches the challenging art of animal painting from the point of view of accurate representation of animal subjects on canvas. Combining useful information on important anatomical features with direction on how to handle the subjects and how to express their forms and postures, the author has produced a complete, inexpensive, at-home course in animal painting and anatomy.All aspects of animal drawing and painting are covered: drawing from life; anatomy in relation to drawing (not surgical anatomy, but a precise knowledge of the visible structure and movements of animals); characteristic movements of animals and suggestions on how to capture them in your picture; composition (design, restraint, rhythm, balance of light and shade, relative scale of animals and landscape, foregrounds); painting and color. 36 illustrations, mostly sketches by the author, depict horses, pigs, cows, dogs, and other animals in various life positions and movements.  A long, detailed discussion of the anatomy of animals completes the book. Here Mr. Calderon describes all the structures of animals that are of significance to the artist: the vertebral skeleton, the bones and muscles of the head, the muscles of the vertebral skeleton, the fore-limb and its muscles, the muscles attaching the shoulder blade to the trunk, and the bones and muscles of the hind limb. 208 drawings accompany these discussions and show you how anatomy is related to surface contours and techniques of shading.

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This book contains the entire contents of four fine volumes of monogram and allied devices published between 1830 and 1881. Over 2,500 monogrammatic and alphabetic designs are displayed in plates from "Dictionnaire du Chiffre-monogramme," etc., by Charles Demengeot (1881); "Monograms and Ciphers," by H. Renoir (187074); "Knight's New Book of Seven Hundred & Fifty Eight Plain, Ornamented & Reversed Cyphers" (1830); and "Monograms in Three and Four Letters," by J. Gordon Smith (n.d.).There are monograms in every two-letter combination and extensive selections of three and four letters; name devices ("Alice," "Theodore," etc.), crowns, crests, coats of arms and helmets. There are heavy, intricately entwined monograms that appear as though engraved on metal; lighter, thick-and-thin script styles; fanciful and formal designs; monograms in circles, ovals, square shapes, and free outline; and an immense variety of letter styles, including many designed for the particular device.A notable feature of this volume is the Index of Monograms and Ciphers, listing alphabetically every letter combination shown and the page or pages on which each appears ("S W", for example, is drawn in three different styles; "A L" in five; but "F N H W" in only one); and an Index of Names and Devices. Both features add greatly to the usefulness of the book. Importantly, every device shown may be reproduced by the purchaser free of charge.Artists, designers, engravers, and craftspeople will find this book a prolific source of inspiration and unusual styles; typographers, calligraphers, draftspeople , and students will use it as an aid in creating their own letter designs; while those in the printing, publishing, advertising, and allied fields will call upon it whenever a distinctive monogram or decoration is needed.