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1419 Royalty-Free Illustrations of Mammals, Birds, Fish, Insects, etc.

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Contemporary artists and designers are finding the wood engraving one of the most highly desirable sources of illustration for many design purposes. Simple and bold or capable of the most exquisite effects of tonal gradation, this elegant black-and-white artwork sustains no loss in reproduction and is a perfect complement to typography. 1,419 clear wood engravings present, in natural, lifelike poses, over 1,000 species of animals. Included are many different versions of the familiar animals most wanted and used by commercial artists and craftsmen. Arranged according to the following seven categories, the illustrations portray mammals, birds, reptiles, amphibians, fish, insects, and other invertebrates. Selected for their visual impact and usability by artist-collagist Jim Harter, these illustrations form one of the most extensive, royalty-free pictorial sourcebooks of animals ever assembled for the specific use of illustrators, graphic designers, craftspeople, decoupeurs, and collagists. Captions give modern common-name identifications, and a thorough index provides immediate access to individual animal pictures. Because of the accuracy and detail of most of the renderings, naturalists will also enjoy browsing through this volume and using it for illustrative purposes.

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The Polyphonic Vocal Style of the Sixteenth Century

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This classic introductory text focuses on the polyphonic vocal style perfected by Palestrina. Unlike many other texts, it maintains a careful balance between theoretical and practical problems, between historical and systematic methodology. The result is an exceptionally useful resource, ideal for classroom use in teaching modal counterpoint. In Part One, Knud Jeppesen (18921974), the world-renowned musicologist and leading authority on Palestrina, offers a superb outline history of contrapuntal theory. He begins by exploring the beginnings of contrapuntal theory from the ninth to the fourteenth centuries. This is followed by separate discussions of each succeeding century, the styles of Palestrina and Bach, the "Palestrina Movement" after Fux, and more. The section ends with illuminating coverage of notation, the ecclesiastical modes, melody, and harmony. The second part of the book contains an extended treatment of "species" counterpoint in two, three, and four parts, as well as counterpoint in more than four parts, and specific discussions of the canon, the motet, and the Mass. Throughout, the text is generously supplied with musical examplesexercises, solutions, and illustrations, including many by the great composers. For this edition, the distinguished scholar Alfred Mann has contributed a new foreword to Jeppesen's classic study. Now available in paperback for the first time, it will be welcomed by musicians, composers, theorists, musicologistsany student of counterpoint and the Western musical tradition.

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This beautiful, enthralling book represents the rarest of human achievements: a work of great scientific merit that is a magnificent work of art as well. Bernard Siegfried Albinus was the greatest descriptive anatomist of the eighteenth century. Over a period of twenty years, he produced two volumes of drawings, Tables of the Skeleton and Muscles of the Human Body and Tables of the Human Bones, that have long been revered for their beauty, skill, artistry, and anatomical accuracy. This finely made edition makes them available to the general public at an easily affordable price for the first time since their publication in 1747. All 80 of the original copperplate engravings, containing over 230 individual illustrations, have been painstakingly reproduced for this edition. The muscles and bones of the human body are rendered individually and in related groups from varying perspectives, enabling art students to compare the forms; to analyze their size, shape, direction, and attachments; and to observe with absolute clarity the shape and position of bodily forms. Eighty modern diagrams matching each plate identify each bone and muscle in the most common medical terms. The eminent medical historian Charles Singer praised Albinus' brilliant accomplishment: "He introduced a new standard of accuracy into practical anatomy and of accuracy and beauty into anatomical illustrations." Singer adds: "These illustrations, with their finely wrought ornamental backgrounds, were intended for artists as well as for physicians, and no finer work of their type has ever been executed."Introductory essays by the well-known artist and art educator Terence Coyle  including a new introduction to the Dover edition  engagingly explore Albinus' life and work. Following these, Robert Beverly Hale, one of America's best-known teachers of figure drawing and anatomy, brilliantly appraises Albinus' technique and demonstrates how artists today can use his anatomical studies to draw from life, a special feature that makes this magnificent book truly indispensable for artists and art students at every level.

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Quintet and Quartets for Piano and Strings

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By 1853 Brahms had emerged as a force in music and would afterward be acknowledged as the greatest master of the symphonic form of the last half of the century. In that generation of composers, only Dvorak (for whom he had a special regard and to whom he gave invaluable aid) produced as much chamber music as the prolific Brahms. This prodigious outpouring, perhaps more than any other aspect of Brahms's oeuvre, provides a clear and uninterrupted view of his artistic development.Here reproduced in this handsome, inexpensive volume is a superb selection of chamber works  masterful compositions by Brahms, written for violin, viola, cello, and piano. Reprinted from the reliable Breitkopf & Hartel edition, they include Quintet in F Minor, Op. 34; the Quartet in C Minor, Op. 25; and Quartet in A Major, Op. 26, distinguished by their variety of moods, gypsy coloring, and richness of ideas; and the Quartet in C Minor, Op. 60, with its somber and foreboding atmosphere.Standards of the repertoire, these four compositions are strongly dramatic, richly inventive, and filled with ingenious thematic transformations. Musicians, music lovers, and any admirer of Brahms will welcome their appearance in this convenient, affordable edition. Large, readable noteheads and ample margins for notations make this excellent volume an important addition to the library of every serious student of chamber music.

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and to the Methodology of Deductive Sciences

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First published in Polish in 1936, this classic work was originally written as a popular scientific book  one that would present to the educated lay reader a clear picture of certain powerful trends of thought in modern logic. According to the author, these trends sought to create a unified conceptual apparatus as a common basis for the whole of human knowledge.Because these new developments in logical thought tended to perfect and sharpen the deductive method, an indispensable tool in many fields for deriving conclusions from accepted assumptions, the author decided to widen the scope of the work. In subsequent editions he revised the book to make it also a text on which to base an elementary college course in logic and the methodology of deductive sciences. It is this revised edition that is reprinted here.Part One deals with elements of logic and the deductive method, including the use of variables, sentential calculus, theory of identity, theory of classes, theory of relations and the deductive method. The Second Part covers applications of logic and methodology in constructing mathematical theories, including laws of order for numbers, laws of addition and subtraction, methodological considerations on the constructed theory, foundations of arithmetic of real numbers, and more. The author has provided numerous exercises to help students assimilate the material, which not only provides a stimulating and thought-provoking introduction to the fundamentals of logical thought, but is the perfect adjunct to courses in logic and the foundation of mathematics.

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With Rubinstein considered Liszt's only possible rival on the concert stage, and Carreno as the foremost woman pianist of the late nineteenth century, it is an unexpected gift that both have left behind insights into that supremely important  but grossly neglected  aspect of performance called "the soul of the piano": the art of piano pedaling. Their treatment of pedaling is of the utmost importance, not only from a historical standpoint, but for what it can still teach even the most sophisticated player. Rubinstein's pedaling technique is explored using specific examples from a vast repertoire of works he performed in 1885-6. Carreno's observations  written in a warm, non-academic style  explore her sensitivity to the most subtle keyboard colorings made possible through combinations of touch and pedal.

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Burnham's Celestial Handbook, Volume One

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An Observer's Guide to the Universe Beyond the Solar System

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While there are many books on stars, there is only one Celestial Handbook. Now completely revised through 1977, this unique and necessary reference is available once again to guide amateur and advanced astronomers in their knowledge and enjoyment of the stars.Volume I of this comprehensive three-part guide to the thousands of celestial objects outside our solar system ranges from Andromeda through Cetus. Objects are grouped according to constellation, and their definitions feature names, coordinates, classifications, and physical descriptions. After an extensive introduction in Volume I, which gives the beginner enough information to follow about 80 percent of the body of the material, the author gives comprehensive coverage to the thousands of celestial objects outside our solar system that are within the range of telescopes in the two- to twelve-inch range.The objects are grouped according to the constellations in which they appear. Each constellation is divided into four subject sections: list of double and multiple stars; list of variable stars; list of star clusters, nebulae and galaxies; and descriptive notes. For each object the author gives names, celestial coordinates, classification, and full physical description. These, together with a star atlas, will help you find and identify almost every object of interest.But the joy of the book is the descriptive notes that follow. They cover history, unusual movements or appearance, and currently accepted explanations of such visible phenomena as white dwarfs, novae and super novae, cepheids, mira-type variables, dark nebulae, gaseous nebulae, eclipsing binary stars, the large Magellanic cloud, the evolution of a star cluster, and hundreds of other topics, many of which are difficult to find in one place. Hundreds of charts and other visual aids are included to help in identification. Over 300 photographs capture the objects and are works of beauty that reflect the enthusiasm that star gazers have for their subject.Robert Burnham, Jr., who was on the staff of the Lowell Observatory, Flagstaff, Arizona, conceived the idea of The Celestial Handbook decades ago, when he began assembling a notebook of all the major facts published about each celestial object. In its former, privately printed edition, this handbook was acclaimed as one of the most helpful books for astronomers on any level.

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This comprehensive text, featuring the integration of numerous theoretical developments, offers a complete, consistent description of the linear theory of the viscoelastic behavior of materials. Relevant theoretical formulations are derived from a continuum mechanics viewpoint, followed by discussions of problem-solving techniques.Topics cover viscoelastic stress strain constitutive relations, isothermal boundary value problems, thermoviscoelasticity, mechanical properties and approximate transform inversion, problems of a nontransform type, wave propagation, general theorems and formulations, nonlinear viscoelasticity, and nonlinear mechanical behavior. The text, which is ideal for graduate-level students, also includes Appendixes and an Index.

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97 Foolproof Tricks with Everyday Objects

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The quickest, most certain path toward achieving a reputation as a magician is to be able to perform at a moment's notice with borrowed objects. If you are handed a coin, handkerchief, pencil, or rubber band, you should be able to do at least one amazing trick with that object. This book deals exclusively with just such tricks. It is a collection of some of the best tricks with ordinary objects.The approach throughout the book is simple. No unusual dexterity, gimmicks, or special sleights are required. The only props needed are simple, everyday objects  eggs, cards, dice, rubber bands, balloons, apples, whisk brooms, etc. Nor are long hours of practice necessary. Step-by-step instructions and over 180 helpful illustrations insure quick and effective mastery of each trick. Nearly 100 tricks in 10 categories include Money Magic, Elastic Illusions, Magic Show in a Matchbox, Hanky Panky, Dice Dexterity, Close-up Illusions, Conjuror's Collection, The Linking Pins, Psychic Tricks, and Pen-Ultimate MagicSome chapters have been designed to provide the reader with a complete act of close-up magic. For example, the chapter entitled "Magic Show in a Matchbox," gives you about 15 minutes of excellent tricks and stunts to amaze and amuse your audience. Master the tricks in this book and you will be ready to entertain anytime, anywhere, with some of the finest of all close-up mysteries.Karl Fulves, one of the most renowned modern writers in the field of magic, has selected these tricks from both old and new magic stunts. Some are classic feats of time-tested wizardry, while others are new and inventive techniques. All, however, are easy-to-learn, foolproof routines that will enable you to dazzle and delight your audience.

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During his remarkable lifetime, Harold Gatty became one of the world's great navigators (in 1931, he and Wiley Post flew around the world in a record-breaking eight days) and, to the benefit of posterity, recorded in this book much of his accumulated knowledge about pathfinding both on land and at sea.Applying methods used by primitive peoples and early explorers, the author shows how to determine location, study wind directions and reflections in the sky, even how to use the senses of smell and hearing to find your way in the wilderness, in a desert, in snow-covered areas, and on the ocean. By observing birds and other animals, weather patterns, vegetation, shifting sands, patterns of snow fields, and the positions of the sun, moon, and stars, would-be explorers can learn to estimate distances and find their way without having to rely on a map or a compass.The wealth of valuable data and advice in this volume  much of it unavailable elsewhere  makes it indispensable for hikers, bikers, scouts, sailors, and outdoorsmen  all those who might find themselves stranded or lost in an unfamiliar area. Through careful study of this book and its lessons, pathfinders can learn to interpret signs in the natural world to find their way in almost any kind of terrain.

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Turn-of-the-Century Classic of Crafts and Activities

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As timely as it is timeless, this instructive book has captured the interest and imagination of boys for well over a century. Chapters on kite flying and fishing, rigging and sailing small boats, camping out without a tent, knot-tying for mountain climbing and other activities, as well as training dogs, raising wild birds, and other projects will appeal as much to today's youngsters as they did to children in the late 1800s. This classic includes scores of projects that will keep children occupied all year long  from sculpting snowmen and making sleds to stocking aquariums and performing puppet shows. Many of these enterprises have also been known to compete effectively with TV and video games! Best of all, the projects have the power to inspire the imagination and help youngsters master new skills and experience the satisfaction of personal accomplishment.

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This magnificent sourcebook of animal illustrations, meticulously reproduced from cuts taken from rare eighteenth-century publications, features a wondrous panorama of the animal kingdom  from long-whiskered rabbits and stately reindeer to plumed pigeons, spiny-finned fish, and magnificently patterned conchs.A comprehensive volume containing more than 600 accurately detailed reproductions of copperplate engravings, this collection depicts the full spectrum of the animal world. In addition to a broad sampling of mammals, birds, reptiles, amphibians, fish, crustaceans, and insects, the editor has also included a small but choice selection of plant specimens. Captions identify individual illustrations and a complete index provides users with immediate access to individual subjects.Reproduced directly from rare nineteenth-century sources, this extensive collection of royalty-free illustrations will prove extremely useful to graphic designers, illustrators, and craftspeople looking for material that adds immediate interest and impact to any project.

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"The most intelligent and brilliantly researched book on the food of the American Indian." Craig Claiborne, The New York TimesThis wonderful book is not just a recipe collection, but a passport to foraging and to surviving close to nature. It will tell you how to prepare familiar foods such as stuffed clams and corn chowder, but also how to fix clover soup, purslane salad, young milkweed spears, wild rice with hazelnuts and blueberries, fiddlehead stew, meadow mushroom pie, stewed wild rabbit with dumplings, spoon bread, acorn coffee, and witch hazel tea. Beautifully illustrated by the author (herself of American Indian descent), this book is also an invaluable manual on herbal medicines and ceremonial, sacred, and poisonous plants  all written with acute sensitivity to and appreciation of Native American ways.

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Treasury of Fantastic and Mythological Creatures

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Drawing on centuries of history, this work is an encyclopedic collection  undoubtedly the largest royalty-free collection of its kind  of devils, dragons, mythical creatures, fanciful beasts, animal-gods, totemic figures, and other supernatural beasts from the darker regions of man's imagination. Spanning many cultures and eras, the collection ranges from prehistoric rock paintings to the drawings of Max Ernst, from the masks of black Africa to the gargoyles of Notre Dame.This volume incudes over 1,000 renderings of designs from ancient Egypt, Greece, and the Middle East: winged lions, harpies, griffins, satyrs, dragons, and more. Medieval centuries are represented by a wealth of monsters, demons, centaurs, and other creatures from The Book of Kells, anonymous Viking artists, and the works of Hieronymus Bosch, Durer, and others. Global in scope, this vast trove also includes hundreds of non-European imagery: papier-mache masks from Latin America, Oriental deities and demons, feathered serpents from pre-Columbian Aztec and Mayan sources, Navajo sand paintings, and more.

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Rackham's Color Illustrations for Wagner's "Ring"

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"His pictures, which seemed to me then [aged 13] to be the very music made visible, plunged me a few fathoms deeper into my delight. I have seldom coveted anything as I coveted that book."  C.S. LewisBefore portraying Wagner's "Ring," Arthur Rackham (18671939) had become England's leading illustrator through his interpretations of fairy and fantastic books: Grimm's Fairy Tales, Rip van Winkle, Peter Pan in Kensington Gardens, A Midsummer-Night's Dream. With his insight into elves, twisted oaks, and bearded heroes, Wagner was the logical step: with the "Ring," Rackham brought his talent for ethereal watercolor and line into new realms of adult mythology.This edition reproduces, in full color, all 64 watercolor illustrations from Siegfried & The Twilight of the Gods (1911) and The Rhinegold & The Valkyrie (1912). The original English and American editions also contained black-and-white vignettes and tailpieces, a selection of which appear here: the original text, a dated English translation of the libretto, has been replaced by comprehensive descriptive captions and an introduction by James Spero.Rackham poured all his mature fancy into the "Ring." The gnarled Nibelung Alberich sports with teasing Rhinemaidens, fiery Loge and lordly Wotan tussle with giants and serpents. An ecstatic Brunnhilde is finally consumed on Siegfried's funeral pyre in perhaps the most successful representation of this scene anywhere, either graphically or theatrically. Wagner's Teutonic forests and caves give Rackham free reign for his brooding, haunting nature backgrounds; characters, costumes, and all the tiny details are painted with such textual accuracy and empathy that today's opera companies who wish to return to staging the "Ring" in the traditional manner turn to Rackham's paintings for guidance.The painstaking reproduction of these artworks brings Arthur Rackham's most heroic visions to the many collectors and admirers who cannot obtain the expensive out-of-print editions. With the aid of the clear captions, the Wagnerian cycle may be followed once again in its most time-honored and rich interpretation.

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Zurich International Chess Tournament, 1953

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The book of a strong tournament is more than just a games collection. When its participants are the world's strongest players . . . the tournament as a whole represents a step forward in the development of chess creativity. We may take as examples of such tournaments the events at Hastings 1895, St. Petersburg 1914, New York 1924, Moscow 1935, and Groningen 1946. Beyond doubt, Zurich-Neuhausen 1953 deserves a place among them.David Bronstein ventured this evaluation of Zurich 1953 just three years after the event, in the preface to the first Russian edition of this book. Since that time the 210 games of the legendary tournament have only grown in stature. Most knowledgeable chess players now rate it the greatest tournament since World War II, and possibly the greatest tournament of all time.In the 1920s Jim Marfia, a talented amateur player, became determined to provide an authoritative English translation of Bronstein's book, a task which occupied him for several years. The complete record of the famous Zurich International Chess Tournament, 1953, is available in English for the first time.Held to determine a challenger for then World Champion Botvinnik, Zurich 1953 attracted fifteen of the strongest players in the world: Smyslov; Geller; Boleslavsky; Bronstein; Najdorf; Szabo; Keres; Kotov; Gligoric; Reshevsky; Taimanov; Euwe; Petrosian; Averbakh; and Stahlberg.Almost all the games were hotly contested, and many are masterpieces of the first rank. To mention Euwe-Smylov (round 3), Taimanov-Najdorf (round 4, winner of a brilliancy prize), and Keres-Reshevsky (round 11, one of the most reproduced and analyzed games in chess), is just to touch the tip of the iceberg; there are literally dozens of memorable, innovative games in this volume, including a substantial portion by the author, one of the game's greatest players, who finished tied for second with Keres and Reshevsky, behind the winner Smyslov.Advanced players will want this book for the games alone. Beginning and intermediate players, concerned more immediately with instruction, will find David Bronstein's annotations not only perceptive and thorough, but also a veritable textbook on how to play the middle game.

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Suitable for advanced undergraduates and graduate students, this text introduces theoretical and practical aspects of adaptive control. It offers an excellent perspective on techniques as well as an active knowledge of key approaches. Readers will acquire a well-developed sense of when to use adaptive techniques and when other methods are more appropriate.Starting with a broad overview, the text explores real-time estimation, self-tuning regulators and model-reference adaptive systems, stochastic adaptive control, and automatic tuning of regulators. Additional topics include gain scheduling, robust high-gain control and self-oscillating controllers, and suggestions for implementing adaptive controllers. Concluding chapters feature a summary of applications and a brief review of additional areas closely related to adaptive control.Both authors are Professors at the Lund Institute of Technology in Sweden, and this text has evolved from their many years of research and teaching. Their insights into properties, design procedures, and implementation of adaptive controllers are complemented by the numerous examples, simulations, and problems that appear throughout the book.

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"I consider him a genius," remarked Arnold Schoenberg of the progressive early modernist Max Reger (18731916). In addition to his international renown as a teacher, conductor, and pianist, Reger wrote more than 1,000 works in virtually every musical genre. Many scholars and musicians credit him with emancipating dissonance to a level that assisted Schoenberg's development of serialism in the 1920s. Reger's influence extends to other 20th-century composers, including Bela Bartok, Alban Berg, Arthur Honegger, Paul Hindemith, and Sergei Prokofiev.Modulation  the change from one key to another  is a subject of critical importance to performers and composers in their study of harmony. Reger wrote this concise guide to modulation while teaching composition at Leipzig Conservatory, and the work continues to provide valuable insights and instruction for musicians at all levels. This new edition features newly engraved musical examples.

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The 746 designs contained in this volume represent some of the most ingenious and attractive applications of geometrical and optical motifs to be found today. Taken from an authentic, modern Japanese work, they are an intriguing new source of unique design elements for artists, designers, and illustrators.The designs employ circles, dots, squares, ellipses, curves, lines, angles, complete alphabets, and numbers in a seeming infinitude of balance, asymmetry, repetition, harmony, swirl, and mathematical exactitude. Some seem to recede, advance, shimmer, and dazzle in the manner of Op Art; others fool the eye with wholly unexpected shifts in focus; still others start with a basic theme and either develop remarkable variations or repeat the same element almost endlessly. But all, from the smallest design to those that take a full page, fascinate and delight.This book is an inexhaustible source of novel, appealing, and striking design elements for advertising campaigns, packaging, display, industrial use, crafts, textiles, and similar fields. These designs may be used as they are, or cropped, enlarged, reduced, repeated, rearranged, combined, screened, superimposed, cut apart, overlaid, or otherwise employed. All illustrators, designers, crafters, and commercial and graphic artists will find this collection immensely usable and the individual designs extremely effective.

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Is blacksmithing a lost art? Not according to this master craftsman. It might be one of the world's most ancient crafts, but it remains an exciting and essential one today. Percy W. Blandford presents twenty-four different projects: some are for novices, requiring only a few tools, improvised equipment, and a single propane torch; others call for the skill and equipment of an experienced smith. Projects include:Punches and chisels Traditional candlestickDoor latches and boltsGarden toolsWeather vanesFences and railingsTablesWheelbarrow... and many more! A book of ideas and suggestions, rather than an instruction manual on blacksmithing techniques, this volume features eighty detailed figures and diagrams. It also includes lists of materials, step-by-step instructions, and suggestions for variations in design.