# data[].attributes.description
Many scholars have tried to assess Adolf Hitler's influence on the German people, usually focusing on university towns and industrial communities, most of them predominately Protestant or religiously mixed. This work by Walter Rinderle and Bernard Norling, however, deals with the impact of the Nazis on Oberschopfheim, a small, rural, overwhelmingly Catholic village in Baden-Wuerttemberg in southwestern Germany.This incisively written book raises fundamental questions about the nature of the Third Reich. The authors portray the Nazi regime as considerably less "totalitarian" than is commonly assumed, hardly an exemplar of the efficiency for which Germany is known, and neither revered nor condemned by most of its inhabitants. The authors suggest that Oberschopfheim merely accepted Nazi rule with the same resignation with which so many ordinary people have regarded their governments throughout history.Based on village and county records and on the direct testimony of Oberschopfheimers, this book will interest anyone concerned with contemporary Germany as a growing economic power and will appeal to the descendants of German immigrants to the United States because of its depiction of several generations of life in a German village.

# data[].attributes.description
Ben Hecht called him "White Fang," and director Charles Vidor took him to court for verbal abuse. The image of Harry Cohn as vulgarian is such a part of Hollywood lore that it is hard to believe there were other Harry Cohns: the only studio president who was also head of production; the ex-song plugger who scrutinized scripts and grilled writers at story conferences; a man who could see actresses as either "broads" or goddesses. Drawing on personal interviews as well as previously unstudied source material (conference notes, memos, and especially the teletypes between Harry and his brother, Jack), Bernard Dick offers a radically different portrait of the man who ran Columbia Picturesand who "had to be boss"from 1932 to 1958.

# data[].attributes.description
Milton's poems invariably depict the decisive instant in a story, a moment of crisis that takes place just before the action undergoes a dramatic change of course. Such instants look backward to a past that is about to be superseded or repudiated and forward, at the same time, to a future that will immediately begin to unfold. Martin Evans identifies this moment of transition as "the Miltonic Moment." This provocative new study focuses primarily on three of Milton's best known early poems: "On the Morning of Christ's Nativity," "A Mask Presented at Ludlow Castle (Comus)," and "Lycidas." These texts share a distinctive perceptual and cognitive structure, which Evans defines as characteristically Miltonic, embracing a single moment that is both ending and beginning.The poems communicate a profound sense of intermediacy because they seem to take place between the boundaries that separate events. The works illuniated here, which also include Samson Agonistes and Paradise Regained, are all about transition from one form to another: from paganism to Christianity, from youthful inexperience to moral maturity, and from pastoral retirement to heroic engagement. This transformation is often ideological as well as historical or biographical.Evans shows that the moment of transition is characteristic of all Milton's poetry, and he proposes a new way of reading one of the seminal writers of the seventeenth century. Evans concludes that the narrative reversals in Milton's poetry suggest his constant attempts to bring about an intellectual revolution that, at a time of religious and political change in England, would transform an age.

# data[].attributes.name
The Louisville and Nashville Railroad, 1850-1963

# data[].attributes.description
When the Louisville and Nashville Railroad was founded in 1850, it was the first major railroad in the west, and the only one headquartered in Kentucky. In the twentieth century, the L&N; grew into one of the nation's major rail systems, reaching from the Great Lakes to the Ohio River Valley and down to Florida and the Gulf Coast. Kincaid Herr worked for the Louisville and Nashville for more than forty years, and this book originated as a series of articles that he wrote for L&N; Magazine between 1939 and 1942. After various printings through the 1940s and '50s, this fifth edition, completely revised and updated, was released in 1964. The 1950s saw the reluctant abandonment of the old steam engine (the L&N; was a major coal-carrying railroad) in favor of the diesel. During the late 1950s and early 60s, the railroad experienced significant expansion in the South, where the economy was being fueled by new industry. Coal, automobiles, mail, and passengers all counted on the L&N to get them around the region. Herr traces the development and expansion of the L&N system over a century and profiles important company figures, such as longtime L&N president Milton Smith. Confederate raider John Hunt Morgan and railroad bandit Morris Slater also find their place in this entertaining history. Four appendices on topics ranging from the materials used to build trains to passenger equipment to motive power round out the complete, but accessible, account. Even after all these years, this volume remains the concise, illustrated history of "The Old Reliable" for its many fans around the world.

# data[].attributes.description
In the years following the Revolutionary War, the young American nation was in a state of chaos. Citizens pleaded with government leaders to reorganize local infrastructures and heighten regulations, but economic turmoil, Native American warfare, and political unrest persisted. By 1784, one group of North Carolina frontiersmen could no longer stand the unresponsiveness of state leaders to their growing demands. This ambitious coalition of Tennessee Valley citizens declared their region independent from North Carolina, forming the state of Franklin.The Lost State of Franklin: America's First Secession chronicles the history of this ill-fated movement from its origins in the early settlement of East Tennessee to its eventual violent demise. Author Kevin T. Barksdale investigates how this lost state failed so ruinously, examining its history and tracing the development of its modern mythology. The Franklin independence movement emerged from the shared desires of a powerful group of landed elite, yeoman farmers, and country merchants. Over the course of four years they managed to develop a functioning state government, court system, and backcountry bureaucracy.Cloaking their motives in the rhetoric of the American Revolution, the Franklinites aimed to defend their land claims, expand their economy, and eradicate the area's Native American population. They sought admission into the union as America's fourteenth state, but their secession never garnered support from outside the Tennessee Valley. Confronted by Native American resistance and the opposition of the North Carolina government, the state of Franklin incited a firestorm of partisan and Indian violence. Despite a brief diplomatic flirtation with the nation of Spain during the state's final days, the state was never able to recover from the warfare, and Franklin collapsed in 1788.East Tennesseans now regard the lost state of Franklin as a symbol of rugged individualism and regional exceptionalism, but outside the region the movement has been largely forgotten. The Lost State of Franklin presents the complete history of this defiant secession and examines the formation of its romanticized local legacy. In reevaluating this complex political movement, Barksdale sheds light on a remarkable Appalachian insurrection and reminds readers of the extraordinary, fragile nature of America's young independence.

# data[].attributes.description
Few institutions have been held in such fond regard and recalled in such nostalgic terms as the little red schoolhouse. It ranks with the old oaken bucket, the little brown church in the vale, and the pictures of the old home place that millions of people have carried in that "inward eye" mentioned by Wordsworth on that long-past spring day. But the Kentucky common schoolhouses were not painted red as were those of New England; they were mostly white, if not of unpainted log construction.It was not the simple little boxlike schoolhouse itself that earned all that fond affection. What happened on the way to and from school, on the playground, and within the school walls are all treasured in the memory banks of former pupils in much the same manner as families recall their happy evenings around the fireside or those trips to grandmother's house for Thanksgiving.But the little white schoolhouse is gone, along with the simple agrarian way of life that characterized the people of the neighborhood to which it belonged. To ensure that this era of education is not forgotten Ellis F. Hartford has presented the history of one-room schoolhouses in the Commonwealth, showing what has been lost in the passing of this institution of the values that best characterized its time and place. Americans might well seek some of the same strengths and values in their diverse communities that were enjoyed by our ancestors of the old rural-agrarian way of life. We might also strive to obtain schools that fit and belong to their respective communities as did the little white schoolhouse.

# data[].attributes.description
On the first Saturday in May every year in Louisville, Kentucky, shortly after 5:30 PM, a new horse attains racing immortality. The Kentucky Derby is like no other race, and its winners are the finest horses in the world. Covered in rich red roses, surrounded by flashing cameras and admiring crowds, these instant celebrities bear names like Citation, Secretariat, Spectacular Bid, and Seattle Slew. They're worth hundreds of thousands of dollars. But in 1992, a funny thing happened on the way to the roses. The rattling roar of 130,000 voices tailed off into a high, hollow shriek as the horses crossed the finish line.Lil E. Tee? ABC broadcasters knew nothing about him, but they weren't alone. Who knew about Lil E. Tee? A blacksmith in Ocala, Florida, a veterinary surgeon in Ringoes, New Jersey, a trainer a Calder Race Course, and a few other people used to dealing with average horses knew this horseand realized what a long shot Lil E. Tee really was.On a Pennsylvania farm that raised mostly trotting horses, a colt with a dime-store pedigree was born in 1989. His odd gait and tendency to bellow for his mother earned him the nickname "E.T." Suffering from an immune deficiency and a bad case of colic, he survived surgery that usually ends a horse's racing career. Bloodstock agents dismissed him because of his mediocre breeding, and once he was sold for only $3,000. He'd live in five barns in seven states by the time he turned two. Somehow, this horse became one of the biggest underdogs to appear on the American sporting landscape.Lil E. Tee overcame his bleak beginnings to reach the respected hands of trainer Lynn Whiting, jockey Pat Day, and owner Cal Partee. After winning the Jim Beam stakes and finishing second in the Arkansas Derby, Lil E. Tee arrived at Churchill Downs to face a field of seventeen horses, including the highly acclaimed favorite, Arazi, a horse many people forecast to become the next Secretariat. A 17-to-1 longshot, Lil E. Tee won the Derby with a classic rally down the home stretch, and finally Pat Day had jockeyed a horse to Derby victory.John Eisenberg draws on more than fifteen years of sports writing experience and a hundred interviews throughout Pennsylvania, Kentucky, Florida, and Arkansas to tell the story almost nobody knew in 1992. Eisenberg is a sports columnist for the Baltimore Sun and has won more than twenty awards for his sports writing, including several Associated Press sports editors' first places."

# data[].attributes.subtitle
Gentile-Jewish Relations in Three Hessian Towns, 1919-1945

# data[].attributes.description
The Lion and the Star not only offers an informed glimpse into the intricacies of daily German life but also confirms the continuing danger of making sweeping generalizations about German Jews and non-Jews. In the aftermath of World War II, many viewed the Third Reich as an aberration in German history and laid blame with Hitler and his followers. Since the 1960s, historians have widened their focus, implicating "ordinary" Germans in the demise of German Jewry.Jonathan Friedman addresses this issue by investigation everyday relations between German Jews and their Gentile neighbors. Friedman examines three German communities of different sizesFrankfurt am Main, Giessen, and Geisenheim. Symbolized by the Hessian heraldic lion, these communities represent a cross-section of both Gentile and Jewish society in Germany during the Weimar and Nazi years. Researching in the United States, Germany, England, and Israel, he gleaned information from interviews, memoirs, diaries, letters, newspapers, church and synagogue records, censuses, government documents, and reports from Nazi and resistance organizations. Friedman's comparative analysis offers a balanced response to recent scholarly works condemning the entire German people for their complicity in the Holocaust.

# data[].attributes.description
Southern-style politics was one of those peculiar institutions that differentiated the South from other American regions. This systemlong referred to as the Solid Southembodied a distinctive regional culture and was perpetuated through an undemocratic distribution of power and a structure based on disfranchisement, malapportioned legislatures, and one-party politics. It was the mechanism that determined who would govern in the states and localities, and in national politics it was the means through which the South's politicians defended their region's special interests and political autonomy. The history of this remarkable institution can be traced in the gradual rise, long persistence, and ultimate decline of the Democratic Party dominance in the land below the Potomac and the Ohio.This is the story that Dewey W. Grantham tells in his fresh and authoritative account of the South's modern political experience. The distillation of many years of research and reflection, is both a synthesis of the extensive literature on politics in the recent South and a challenging reinterpretation of the region's political history.

# data[].attributes.subtitle
A Study of the Mountain People of Appalachia

# data[].attributes.description
This charming account of life in Appalachia at the turn of the century is one of the three most important books from the early twentieth century that, as Dwight Billings writes in his foreword, have "had a profound and lasting impact on how we think about Appalachia and, indeed, on the fact that we commonly believe that such a place and people can be readily identified." Originally published in 1924, it was advertised as a "racy book, full of the thrill of mountain adventure and the delicious humor of vigorously human people." James Watt Raine provides eyewitness accounts of mountain speech and folksinging, education, religion, community, politics, and farming. In a conscious effort to dispel the negative stereotype of the drunken, slothful, gun-toting hillbilly prone to violence, Raine presents positive examples from his own experiences among the region's native inhabitants.

# data[].attributes.description
In 1805, at the height of the period of early religious excitement in Kentucky, three members of the Shaker community in New Lebanon, New York, came to the Commonwealth of Kentucky to recruit converts. Soon there were little communities of Believers at Pleasant Hill in Mercer County and at South Union in Logan County. These settlements survived into the twentieth century as centers of worship and communal life; the buildings the Shakers erected here and many of their tools and artifacts remain to delight the eye today. But it is the life of the Shakers as well as the monuments they left that Julia Neal explores. Using the detailed journals and other records kept at both communities, she recounts the early struggles against poverty and persecution, the high hopes of the 1850s when the Shaker idea of communal life seemed to have borne fruit at last, and the hardship and violence of Civil War and Reconstruction days, from which the Kentucky Shakers were never to recover. This absorbing account of the Shakers at Pleasant Hill and South Union is, like so much else associated with the Shakers, simple, functional, and beautiful.

# data[].attributes.description
The many dimensions of the Irish Question, 18001922, constituted the most emotion-laden problem in British politics, often to the detriment of other imperial interestsa Gordian knot only severed by the establishment of the Irish Free State in 1922. In this volume Lawrence J. McCaffrey presents a coherent view of the evolution of Irish nationalism since 1800 and the impact of the Irish Question on British culture, politics, and institutions.The emotional nexus of the Irish Question was the religious issue, but McCaffrey believes that nationalism emerged from the attempt of the Irish Protestant minority, supported by Britain, to maintain religious, political, economic, and social ascendancy over a deprived and resentful majority. Although British concessions to Irish agitation removed many grievancesgranting to Ireland virtual religious equality, along with substantial social, economic, and political reformsnationalism, often frustrated in its attempts to secure reform and freedom, assumed an increasingly rigid position. Nationalists were not willing to settle for less than self-government, and as constitutional methods failed to achieve this goal, violence seemed the only other alternative.The bitter dissensions created by the Irish Question left permanent marks upon British politics and institutions. The efforts of two Prime Ministers, Peel and Gladstone, to resolve the conflict split their parties, thus contributing to political confusion and instability. But the Irish nationalistBritish Liberal alliance achieved improvement in the condition of Ireland and speeded advancement of democracy in Britain. And the attempt of British politicians to deal with the economic and social aspects of the Irish Question undermined laissez faire and encouraged the progress of the welfare state in both islands. On the other hand, the challenge of Irish nationalism sustained and stimulated the no-Popery roots of British nativism, making it an influential factor in politics until early in the twentieth century.The Irish Question, McCaffrey believes, has particular relevance in our contemporary world of emerging nations, wars of liberation, and tensions between majorities and minorities. Ireland offers an early example of the dreams of cultural nationalists becoming realities and of the sobering fact that ideological revolutionaries often make poor practical politicians.

# data[].attributes.name
The Irish Play on the New York Stage, 1874-1966

# data[].attributes.description
Over the years Americanespecially New Yorkaudiences have evolved a consistent set of expectations for the "Irish play." Traditionally the term implied a specific subject matter, invariably rural and Catholic, and embodied a reductive notion of Irish drama and society. This view continues to influence the types of Irish drama produced in the United States today. By examining seven different opening nights in New York theaters over the course of the last century, John Harrington considers the reception of Irish drama on the American stage and explores the complex interplay between drama and audience expectations. All of these productions provoked some form of public disagreement when they were first staged in New York, ranging from the confrontation between Shaw and the Society for the Suppression of Vice to the intellectual outcry provoked by billing Waiting for Godot as "the laugh sensation of two continents." The inaugural volume in the series Irish Literature, History, and Culture, The Irish Play on the New York Stage explores the New York premieres of The Shaughraun (1874), Mrs. Warren's Profession (1905), The Playboy of the Western World (1911), Exiles (1925), Within the Gates (1934), Waiting for Godot (1956), and Philadelphia, Here I Come! (1966).

# data[].attributes.description
Mention southern drama at a cocktail party or in an American literature survey, and you may hear cries for "Stella!" or laments for "gentleman callers." Yet southern drama depends on much more than a menagerie of highly strung spinsters and steel magnolias.Charles Watson explores this field from its eighteenth- and nineteenth-century roots through the southern Literary Renaissance and Tennessee Williams's triumphs to the plays of Horton Foote, winner of the 1994 Pulitzer Prize. Such well known modern figures as Lillian Hellman and DuBose Heyward earn fresh looks, as does Tennessee Williams's changing depiction of the Southfrom sensitive analysis to outraged indictmentin response to the Civil Rights Movement.Watson links the work of the early Charleston dramatists and of Espy Williams, first modern dramatist of the South, to later twentieth-century drama. Strong heroines in plays of the Confederacy foreshadow the spunk of Tennessee Williams's Amanda Wingfield. Claiming that Beth Henley matches the satirical brilliance of Eudora Welty and Flannery O'Connor, Watson connects her zany humor to 1840s New Orleans farces.With this work, Watson has at last answered the call for a single-volume, comprehensive history of the South's dramatic literature. With fascinating detail and seasoned perception, he reveals the rich heritage of southern drama.

# data[].attributes.description
The History of Sir George Ellison (1766) is an important novel, both utopian and dystopian. Sir George, a man of benevolence, follows the pattern of the female utopia set forth in Scott's first novel, A Description of Millenium Hall (1762). In this sequel, Scott addresses issues of slavery, marriage, education, law and social justice, class pretensions, and the position of women in society, consistently emphasizing the importance, for both genders and all classes and ages, of devoting one's life to meaningful work. Although she adopted a gradualist approach to reform, Scott's uncompromising revelation of the corruption of English society in her day is clear-sighted, arresting, and hard-hitting.

# data[].attributes.description
The oral tradition of Kentucky is one of the most rich and interesting in the nation and has attracted a number of outstanding men and womenscholars and writers, teachers and singerswho have devoted their energies to Kentucky's folk and their ways. Some have collected examples of the state's unique speech patterns and word usages. Others have recorded local place names and the legends that surround them, or the yarns and tall tales transmitted from one generation to the next. Musicians have sought the authentic mountain folk songs, both old and new, and gifted writers have woven details of their Kentucky upbringing into poems, novels, and stories. The Harvest and the Reapers illuminates the work of those who labor tirelessly to preserve Kentucky's oral history and traditions.

# data[].attributes.description
Now for the first time, the complete expose of the most daring and successful forgery of all time. For seven days in April 1983, the sensational discovery of Hitler's sixty-two volumes of secret diaries dominated the news headlines of the world. Scholars hailed the diaries as the greatest find of the century, a historical bonanza that would entirely alter our views of Hitler and the Third Reich. Shocked readers followed daily installments showing that Hitler knew nothing about the Holocaust. Then, in an abrupt reversal, the diaries were proved to be bogus!

# data[].attributes.subtitle
A Cultural Symbol in Nineteenth-Century American Fiction

# data[].attributes.description
The half-bloodhalf Indian, half whiteis a frequent figure in the popular fiction of nineteenth-century America, for he (or sometimes she) served to symbolize many of the conflicting cultural values with which American society was then wrestling. In literature, as in real life the half-blood was a product of the frontier, embodying the conflict between wilderness and civilization that haunted and stirred the American imagination. What was his identity? Was he indeed "half Indian, half white, and half devil"or a bright link between the races from which would emerge a new American prototype? In this important first study of the fictional half-blood, William J. Scheick examines works ranging from the enormously popular "dime novels" and the short fiction of such writers as Bret Harte to the more sophisticated works of Irving, Cooper, Poe, Hawthorne, and others. He discovers that ambivalence characterized nearly all who wrote of the half-blood. Some writers found racial mixing abhorrent, while others saw more benign possibilities. The use of a "half-blood in spirit"a character of untainted blood who joined the virtues of the two races in his manner of lifewas one ingenious literary strategy adopted by a number of writers, Scheick also compares the literary portrayal of the half-blood with the nineteenth-century view of the mulatto. This pioneering examination of an important symbol in popular literature of the last century opens up a previously unexplored repository of attitudes toward American civilization. An important book for all those concerned with the course of American culture and literature.

# data[].attributes.subtitle
Dimensions of Culture in a Calendar Festival in Northern Ireland

# data[].attributes.description
In Northern Ireland, Halloween is such a major celebration that it is often called the Irish Christmas. A day of family reunions, meals, and fun, Halloween brings people of all ages together with rhyming, storytelling, family fireworks, and community bonfires. Perhaps most important, it has become a day that transcends the social conflict found in this often troubled nation. Through the extensive use of interviews, The Hallowed Eve offers a fascinating look at the various customs, both past and present, that mark the celebration of the holiday. Looking through the lenses of gender, ethnicity, and religious affiliation, Jack Santino examines how the traditions exist in a nonthreatening, celebratory way to provide a model of how life could be in Northern Ireland. Halloween, concludes Santino, is a marriage of death and life, a joining of cultural opposites: indoor and outdoor, domesticity and wildness, male and female, old and young. Although current folk and popular traditions can be divisive, Halloween in Northern Ireland is universally considered to belong to everyone, regardless of their background or political leanings. The holiday is a dramatic example of how a community comes together one day a year, and these Northern Irish traditions capture the fundamental and everyday dimensions of life in Ulster.

# data[].attributes.name
The History and Practice of College Health

# data[].attributes.description
This volume is the first definitive reference and textbook in the one-hundred-fifty year history of college health. Written for professionals and for those working in student services and higher education administration, it covers the history of college health, administrative matters including financing and accreditation, and clinical issues such as women's health, HIV/AIDS, and mental health. The book also focuses on prevention, including immunization and tuberculin testing. The contributors are well respected in the field and are actively working in the specific areas on which they write.