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Uranium Mining Communities in the American West

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Michael Amundson presents a detailed analysis of the four mining communities at the hub of the twentieth-century uranium booms: Moab, Utah; Grants, New Mexico; Uravan, Colorado; and Jeffrey City, Wyoming. He follows the ups and downs of these "Yellowcake Towns" from uranium's origins as the crucial element in atomic bombs and the 1950s boom to its use in nuclear power plants, the Three Mile Island accident, and the 1980s bust. Yellowcake Towns provides a look at the supply side of the Atomic Age and serves as an important contribution to the growing bibliography of atomic history.

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The 2015 theme for Manifest Wests annual anthology is Western Weird. The works in this collection reflect both myths and suspected truths about the part of the United States we call the West. But this years edition focuses entirely on the tradition of the strange. To borrow from Jeff VanderMeers definition for speculative fictions New Weird, this volume creates a new parallel genre for work that subverts the traditional romanticized ideas about place, playing with cliches about the West in order to put these elements to discomfiting, rather than consoling, ends. Topics included in this collection of poetry, fiction, and creative nonfiction range from the Wests numinous fascination with E.T., Bigfoot, and ghosts and its celebration of its indigenous fauna and deadly landscapes to its uncomfortable relationships with its own marginalized peoples and its unforgiving and sometimes violent traditions. The tone of these works ranges from lighteven campyto chilling, but all allow readers to gaze straight into the many faces of what makes the West a weird place.  For the first time in the series, this volume includes solicited work as well as open submissions, including a number of established and award-winning writers and serving its mission by giving voice to brand-new writers.   Western Weird is the fourth volume in Western Press Books literary anthology series, Manifest West. The press, affiliated with Western State Colorado University, annually produces one anthology focused on Western regional writing  Contributors: Bredt Bredthauer, Bartholomew Brinkman, Amy Brunvand, George David Clark, Michael Luis Dauro, Carol V. Davis, Russell Davis, Joe DiBuduo, Michael Engelhard, Daniel Ervin, Mel Goldberg, R. S. Gwynn, Aline Kaplan, Don Kunz , Nate Liederbach, Ellaraine Lockie, Nathan Alling Long, Robert McBrearty, Teresa Milbrodt, Lance Nizami, William Notter, Marlene Olin, C. R. Resetarits, Kate Robinson, Michaela Roessner, David J. Rothman, Matt Schumacher, Renee Thompson, Wendy Videlock, Vivian Wagner, Kirby Wright

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Their Geology, Ecology, and Human History

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The San Juan Skyway winds its way up, over, and through canyons, mesas, plateaus, mountains, plains, and valleys. The sheer variety of landforms makes the Skyway a veritable classroom for the amateur naturalist and historian. The most complete work published on the natural history of southwest Colorado's majestic mountain system, The Western San Juan Mountains: Their Geology, Ecology, and Human History is designed to be used while exploring the scenic 235-mile paved San Juan Skyway, which passes through Durango, Silverton, Ouray, Telluride, Dolores, and Cortez. The Western San Juan Mountains covers the physical environment, the biological communities, the human history, and points of interest represented on milepost signs along the highway. Some of the many topics covered include: how the San Juan Mountains were formed; why the landscape is so rugged and picturesque; why the vegetation changes from the lowlands to the alpine heights; energy and mineral resources of the area; why these mountains intrigued early explorers; factors that influence the unpredictable weather; and the first-known inhabitants. The contributions to this guide include Fort Lewis College geologists, biologists, archaeologists, historians, and other specialists. Together they have amassed more than one hundred years of study based not only on previous work but on their own research. This generously illustrated guidebook is aimed at all those who wish to understand this intricate mountain system in much greater detail than provided by most picture books.

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Published by the Center for Literary Publishing at Colorado State University  Winner of the 2015 Colorado Prize for Poetry   What does it mean to work in the age of the cubicle? The Business takes on the modern workplace with sharp-witted poems that sting like a paper cut. A former secretary, Stephanie Lenox positions herself as a poetic note-taker of the mundane. Organized by the classical components of Greek tragedy, these poems enact the relationships, heartbreaks, and small heroic efforts that make up our working lives. Think there's nothing poetic about annoying coworkers, endless meetings, and stained coffee mugs? Think again. While tragedy provides the organizational structure for this collection, humor plays a central role. This collection transforms office politics and paper clips into a funny and critical examination of the mortal rat race. If you've ever been fired, let go, unemployed, underemployed, or overlooked, these poems are for you. Begun on stolen reams of printer paper, this book reclaims the hours of our lives we give, out of necessity, to others in order to survive.

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The Inca Empire's immense territory spanned more than 2,000 miles - from Ecuador to Chile - at the time of the Spanish invasion, yet Inca culture remains largely a mystery. The Incas did not leave pictorial codices and documents in their native language as the Maya and Aztec did and they narrated to Spanish chroniclers just a few of the multiple alternative histories maintained by descendants of various rulers.  In this classic work, Nigel Davies offers a clear view into Inca political history, economy, governance, religion, art, architecture, and daily life. The Incas has become a classic in its many years in print; readers and scholars interested in ancient American cultures will relish this paperback edition.

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Human habitation in Colorado's San Luis Valley stretches back to distant times. Ancient peoples lived there thousands of years ago, as did the Utes, who claim the valley has been theirs forever. Others, both native peoples and Europeans, knew the valley-Don Juan de Onate claimed the valley for King Phillip II of Spain in 1598. Consequently, the San Luis Valley has many stories, told in many voices. In this sparkling new edition of The San Luis Valley: Land of the Six-Armed Cross, Virginia McConnell Simmons lays before the reader the stories and voices of this multicultural land. Ranging from prehistoric peoples and historic Indians to early Spanish settlers, trappers, American explorers, railroads, and Euro-American pioneers, this book is a comprehensive volume covering the geography and social history of Colorado's San Luis Valley. New to the second edition is additional material on Hispanic culture (in particular a description of their fiber arts) and a lengthy appendix cataloging and describing all of the San Luis Valley's Hispanic place names. In addition, the notes and bibliography have been expanded, and the book contains a new introduction by David Fridtjof Halaas, Chief Historian of the Colorado Historical Society. Acclaimed as the standard history for the south-central region of Colorado, The San Luis Valley: Land of the Six-Armed Cross is a book for students, scholars, and others interested in the history of this fascinating and culturally rich corner of the state.

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Judge Benjamin Barr Lindseys expose of big businesss influence on Colorado and Denver politics, a best seller when it was originally published in 1911, is now back in print. The Beast reveals the plight of working-class Denver citizensin particular those Denver youths who ended up in Lindseys court day after day. These encounters led him to create the juvenile court, one of the first courts in the country set up to deal specifically with young delinquents. In addition, Lindsey exposes the darker side of many well-known figures in Colorado history, including Mayor Robert W. Speer, Governor Henry Augustus Buchtel, Will Evans, and many others. When first published, The Beast was considered every bit the equal Upton Sinclairs The Jungle and sold over 500,000 copies. More than just a fascinating slice of Denver history, this bookand Lindseys court offered widespread social change in the United States.

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Benjamin B. Lindsey, Harvey J. O'Higgins

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Co-Winner of the 2004 Colorado Endowment for the Humanities Publication Prize. In these eighteen illuminating essays, some of Colorado's most accomplished novelists, essayists, and poets write in intimate detail about their most poignant experiences in the Colorado wilderness. Readers are given access - both physically and spiritually - to settings that inspire reverence for and contemplation about one's relationship to the land. From above tree line in the Rawah Mountains down into the broad San Luis Valley, from the Western Slope to the high plains in the east, the reader is taken on a vivid journey through a rich assortment of Colorado's awe-inspiring landscapes. Essays by Tom Noel, Fred Baca, Kristen Iversen, and Reyes Garcia are historical in makeup, while those by Sangeeta Reddy, Merrill Gilfillan, and Amy England feature engaging spiritual and philosophical explorations, even epiphanies. Reg Saner and Nick Sutcliffe share experiences of pitting themselves against nature. And in the tradition of Thoreau, John Muir, and Annie Dillard, all of these essayists explore the intense and vibrant relationships people have with the wilderness. Sites of Insight belongs on the bookshelves of tourists, outdoor enthusiasts, and Coloradoans - both longtime residents and newcomers - who seek to apprehend something in nature that is larger than themselves.

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American Indian Culture and Economic Development in the Twentieth Century

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How has American Indians' participation in the broader market - as managers of casinos, negotiators of oil leases, or commercial fishermen - challenged the U.S. paradigm of economic development? Have American Indians paid a cultural price for the chance at a paycheck? How have gender and race shaped their experiences in the marketplace? Contributors to Native Pathways ponder these and other questions, highlighting how indigenous peoples have simultaneously adopted capitalist strategies and altered them to suit their own distinct cultural beliefs and practices. Including contributions from historians, anthropologists, and sociologists, Native Pathways offers fresh viewpoints on economic change and cultural identity in twentieth-century Native American communities. Foreword by Donald L. Fixico.

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Enduring Images of Northern New Mexican Village Churches

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Richly illustrated with examples of eighteenth- and nineteenth-century art from northern New Mexico's village churches, Santos is an in-depth investigation into the artistic heritage of the New Mexican santero (saint maker). It is also an important study of northern New Mexican artisans and their craft.
Along with photographer Jack Parsons, Marie Romero Cash visited every church in the region and documented, identified, and measured each santos. Together they photographed more than 500 pieces, including 19 moradas (places of worship for Penitentes) and the Archdiocese of Santa Fe Collection housed at the Museum of International Folk Art.
Cash's extensive research into these formerly "anonymous" artisans fills a gap in the study of this unique form, making Santos indispensable for art historians and the general reader interested in the culture and art of the American Southwest.

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This systematic treatment of Colorado grasses will help students, naturalists, botanists, ecologists, agronomists, range scientists, and other interested readers identify and learn about this unique and economically important plant family. Grasses of Colorado describes all grasses known to occur in the state outside of cultivation: more than 300 native, introduced, naturalized, and adventive species. Colorado's elevation range of more than 11,000 feet creates a wide variety of habitats that supports a spectacular diversity of grasses. With 335 known species, Colorado has one of the most diverse and extensive grass floras in the United States. Comprehensive coverage, useful keys, and detailed species descriptions in Grasses of Colorado will make this volume the standard reference for years to come. Robert B. Shaw provides overviews of Colorado's physiography and ecoregions and introduces the grass plant in plain, enjoyable text. He includes a checklist of Colorado grasses, a bibliography, and a glossary of terms that may be unfamiliar to nonspecialists. Line drawings, state distribution maps, and habitat notes for each species enable accurate plant identification, familiarity with regional ecogeography, and increased understanding of plant ecology of the Rocky Mountains. A monumental accomplishment certain to become the standard work on the subject, Grasses of Colorado synthesizes existing literature and incorporates recent scientific findings to offer a complete, current reference.

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In essays that combine memoir with biography of place, Kevin Holdsworth creates a public history of the land he calls home: Good Water, Utah. The high desert of south-central Utah is at the heart of the stories he tells hereabout the people, the survivors and casualties of the small, remote townand is at the heart of his own story.  Holdsworth also explores history at a personal level: how Native American history is preserved by local park officials; how Mormon settlers adapted to remote, rugged places; how small communities attract and retain those less likely to thrive closer to population centers; and how he became involved in local politics. He confronts the issues of land use and misuse in the West, from the lack of water to greed and corruption over natural resources, but also considers lifes simple pleasures like the value of scenery and the importance of occasionally tossing a horseshoe.  Good Waters depiction of modern-day Utah and exploration of friendships and bonding on the Western landscape will fascinate and entice readers in the West and beyond.

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Like any legendary figure, the cowboy is part myth and part reality, memorialized by history and Hollywood, envied by those who spend days at desks and dream of trading swivel chairs for saddles. The writings in this anthology serve as testament to the cultural love, bordering on obsession, of the American cowboy. These works cover the gamut, from the romanticized movie cowboy to ranchers, freelancers, and contemporary wranglers who wear hoodies and work in massive feedlot pens. The cowboy that emerges from this collection is multifaceted, as the book juxtaposes cowboys spraying longhorns at a car wash to cowboys advertising services on Craigslist and Pepsi-drinking cowboys riding Amtrak trains. There are portraits of the old cowboys, crotchety coffee-swigging men with too many stories about how things were better four decades ago. However, the figure remains one constructed of loyaltiesloyalty to work, loyalty to family, loyalty to animals, loyalty to the land. The image of the cowboy is vivid in our imagination, insperable from Western mythology, a means to connect ourselves with the wild and rugged individuals we dream we used to be. In this age of computers and cubicles we want to touch and preserve that history, but we must allow for shifting traditions. As the thirty-five authors in this collection will remind you, even cowboys carry cell phones.

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Herndon Davis, an artist and journalist, dedicated his life to depicting the major landmarks and personalities of Colorado in watercolor, oil, and pen and pencil. Best known for the Face on the Barroom Floor, the portrait of an alluring woman on the floor of the Teller House Hotel barroom in Central City, Colorado, Davis was a prolific artist whose murals, sketches, and portraits can be found all over the state, from the Sage Room of the Oxford Hotel on Seventeenth Street to the Denver Press Club poker room. Despite his numerous contributions, his work was never showcased or exhibited in the traditional manner. In this biography and first-ever collection featuring most of his lifes work, authors Craig Leavitt and Thomas J. Noel provide a detailed look into Daviss life and career and include a catalog of almost 200 of his paintings and drawings from Colorado and around the country. They also put his work into the broader context of the time through comparison with such contemporary Colorado artists as Muriel Sibell Wolle, Allen Tupper True, Charles Waldo Love, and Juan Menchaca. Published to coincide with the Denver Public Librarys 2016 exhibitionthe only public display of Daviss work to dateand bringing deserved attention to this overlooked figure, Herndon Davis: Painting Colorado History, 1901-1962 is an important contribution to Colorados cultural history. This book and the accompanying exhibit are sponsored by the Western History/Genealogy Department at the Denver Public Library.

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Emily Perezs House of Sugar, House of Stone weaves Grimms Fairy Tales into the business of modern lifelaptops and late nights with sleepless childrento explore an undercurrent of terror about living in a family. These poems slip between the worlds of the wolf-haunted forest and the harried house of the contemporary artist/parent, until the two blend and bleed into each other. Children learn not to trust their parents, while simultaneously yearning to win back their affections. Parents similarly question their own trustworthiness as protectors. They are devoured by children, which leaves them equally apt to dismember a lion to protect their young as they are to leave those children alone in the woods. These musical, emotionally ruthless pieces occasionally find respite, but Perez reminds us that despite our best efforts to map our way to safety: Either way / youre lost. Either way / youll wander into deeper woods.  

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The Japanese American National Museum and the Culture of Collaborations

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Los Angeles's Japanese American National Museum, established in 1992, remains the only museum in the United States expressly dedicated to sharing the story of Americans of Japanese ancestry. The National Museum is a unique institution that operates in collaboration with other institutions, museums, researchers, audiences, and funders. In this collection of seventeen essays, anthropologists, art historians, museum curators, writers, designers, and historians provide case studies exploring collaboration with community-oriented partners in order to document, interpret, and present their histories and experiences and provide a new understanding of what museums can and should be in the United States. Current scholarship in museum studies is generally limited to interpretations by scholars and curators. Common Ground brings descriptive data to the intellectual canon and illustrates how museum institutions must be transformed and recreated to suit the needs of the twenty-first century.

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Akemi Kikumura-Yano, Lane Ryo Hirabayashi, James A. Hirabayashi

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A vivid account of the prehistory and history of Denver as revealed in its archaeological record, Denver: An Archaeological History invites us to imagine Denver as it once was. Around 12,000 B.C., groups of leather-clad Paleoindians passed through the juncture of the South Platte River and Cherry Creek, following the herds of mammoth or buffalo they hunted. In the Archaic period, people rested under the shade of trees along the riverbanks, with baskets full of plums as they waited for rabbits to be caught in their nearby snares. In the early Ceramic period, a group of mourners adorned with yellow pigment on their faces and beads of eagle bone followed Cherry Creek to the South Platte to attend a funeral at a neighboring village. And in 1858, the area was populated by the crude cottonwood log shacks with dirt floors and glassless windows, the homes of Denver's first inhabitants. For at least 10,000 years, Greater Denver has been a collection of diverse lifeways and survival strategies, a crossroads of interaction, and a locus of cultural coexistence. Setting the scene with detailed descriptions of the natural environment, summaries of prehistoric sites, and archaeologists' knowledge of Denver's early inhabitants, Nelson and her colleagues bring the region's history to life. From prehistory to the present, this is a compelling narrative of Denver's cultural heritage that will fascinate lay readers, amateur archaeologists, professional archaeologists, and academic historians alike.

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In Colorado's Japanese Americans, renowned journalist and author Bill Hosokawa pens the first history of this significant minority in the Centennial State. From 1886, when the young aristocrat Matsudaira Tadaatsu settled in Denver, to today, when Colorado boasts a population of more than 11,000 people of Japanese ancestry, Japanese Americans have worked to build homes, businesses, families, and friendships in the state. Hosokawa traces personal histories, such as Bob Sakata's journey from internment in a relocation camp to his founding of a prosperous truck farm; the conviction of three sisters for assisting the escape of German POWs; and the years of initiative and determination behind Toshihiro Kizaki's ownership of Sushi Den, a beloved Denver eatery. In addition to personal stories, the author also relates the larger history of the interweave of cultures in Colorado, from the founding of the Navy's Japanese language school at the University of Colorado to the merging of predominantly white and Japanese American congregations at Arvada's Simpson United Methodist Church. With the author's long view and sharp eye, Colorado's Japanese Americans creates a storied document of lasting legacy about the Issei and Nisei in Colorado.

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City of Life, City of Death: Memories of Riga is Max Michelson's stirring and haunting personal account of the Soviet and German occupations of Latvia and of the Holocaust. Michelson had a serene boyhood in an upper middle-class Jewish family in Riga, Latvia--at least until 1940, when the fifteen-year old Michelson witnessed the annexation of Latvia by the Soviet Union. Private properties were nationalized, and Stalin's terror spread to Soviet Latvia. Soon after, Michelson's family was torn apart by the 1941 Nazi invasion of the Soviet Union. He quickly lost his entire family, while witnessing the unspeakable brutalities of war and genocide. Michelson's memoir is an ode to his lost family; it is the speech of their muted voices and a thank you for their love. Although badly scarred by his experiences, like many other survivors he was able to rebuild his life and gain a new sense of what it means to be alive. His experiences will be of interest to scholars of both the Holocaust and Eastern European history, as well as the general reader.

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Winner of a 2002 American Book Award Winner of the 2002 Colorado Book Award in Poetry "The natural voice at work in the poetry sings of one human life as if it were our own. I loved listening." Rita Kiefer, author of Nesting Doll "This just may be one of the best books of poetry I have ever read. . . . This is the kind of writing that give poetry a good name." Mike Nobles, Tulsa World "Abeyta's poetry amazingly captures this struggle with poems that are simultaneously tortured and thankful, celebratory and melancholy, earthly and ethereal. . . . Poet Abeyta beautifully captures the hardships of living in rural Colorado." Blue Sky Quarterly "Abeyta writes about family, friends, and famous (and infamous) locals. His approach is intimate and daring while avoiding the self-absorbed, coffee-house cliches we fear. Yes, death plays a role in the connection of community and the land, but these poems are sly rather than dark, modulated rather than graphic, sweet rather than maudlin." Wayne Sheldrake, Colorado Central Magazine  In Colcha, Aaron Abeyta blends the contrasting rhythms of the English and Spanish languages, finding music in a simple yet memorable lyricism without losing the complexity and mystery of personal experience. His forty-two poems take the reader on a journey through a contemplative personal history that explores communal, political and societal issues as well as the individual experiences of family and friends. With his distinctive voice, Abeyta invites people of all cultures to enter his poems by exploring the essence of humanity as expressed by his particular Hispanic culture and heritage. Marked by intimacy and deep sentiment, Colcha not only acquaints us with the land of Abeyta's people, but also reveals the individuals from his life and family history in the most colorful and delicate detail. We meet his abuelitos (grandparents) in poems such as "colcha" and "3515 Wyandot," and hear of their connection to the tierra and its seasons, their labor and its bounty presented both viscerally and lovingly. We also meet the nameless people: the rancheros and the herders and the farmers, the locals in their pick-up trucks, and the women who make the tortillas. Abeyta's reflections on the plight, loves, joys, failures, and exploitation of the common person in such poems as "cuando se secan las acequias," "untitled (verde)," and "cinco de mayo" belong to the literary heritage of such poets as Pablo Neruda, Federico Garcia Lorca, and Walt Whitman. Colcha is not just for those who love poetry, but for all people who wish to be moved by the music of language and, while listening, perhaps to gain some personal insight into their own lives and cultural traditions.