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Introducing the essential companion for dental imaging success! Dental Radiography: A Workbook and Laboratory Manual is a concise, comprehensive solution for both dental assisting and dental hygiene students. Joen Iannucci and Laura Jansen Howerton have written this exciting new resource as the perfect companion to the bestselling Dental Radiography: Principles and Techniques text. This unique hybrid product is organized into two distinct sections (1) a student workbook with review questions and activities that reinforce core knowledge and (2) a laboratory manual with step-by-step instructions and competency evaluations for essential hands-on skills.. Combined with the bestselling textbook, the content review exercises and laboratory procedures help you link theory and technique to promote the mastery of clinical skills necessary for professional practice success.
UNIQUE! Hybrid approach combines workbook-like review with step-by-step procedures Comprehensive coverage of all major dental radiography topics Straightforward writing style focused on need-to-know content, practice, and application Case studies and critical thinking questions Hands-on activities Written exercises, including identification/labeling, short-answer, fill-in-the-blank, matching, crossword puzzles, and more Peer and self-assessments in each laboratory exercise Team activities More than 350 illustrations and photographs UNIQUE! Spiral binding for easy chairside use

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A dark, addictive thriller, ingeniously plotted with a twist that will make you gasp, LIE IN WAIT is perfect for readers of Angela Marsons or Rachel Abbott.

A man is dead. A woman is missing. And the police have already found their prime suspect...

Owen Hall drives into a petrol station to let his passenger use the facilities. She never comes back - and what's more, it seems she never even made it inside.

When Owen raises a fuss, the police are called - and soon identify Owen himself as a possible culprit - not least because they already have him in the frame for another more sinister crime.

Owen's always been a little different, and before long others in the community are baying for his blood. But this is a case where nothing is as it seems - least of all Owen Hall...

See what readers are already saying about LIE IN WAIT

"An exciting, twisty read that had me hooked from the first page . . . a brilliant summer read." Lisa Hall, #1 Bestselling author of Between You and Me

"This is one incredibly clever novel" Bibliomaniac

"A psychological thriller in the purest sense . . . Deeply satisfying" Cleopatra Loves Books

"Deserves to be read in one sitting . . . His books are some of the best I've ever had the pleasure to read" The Quiet Knitter

"A really clever and complex story. Immensely entertaining" Goodreads review

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To read a sample chapter, visit www.uapress.com.  Baltimore is the birthplace of Francis Scott Keys The Star-Spangled Banner, the incomparable Babe Ruth, and the gold medalist Michael Phelps. Its a one-of-a-kind town with singular stories, well-publicized challenges, and also a rich sporting history. Baltimore Sports: Stories from Charm City chronicles the many ways that sports are an integral part of Baltimores history and identity and part of what makes the city unique, interesting, and, for some people, loveable. Wide ranging and eclectic, the essays included here cover not only the Orioles and the Ravens, but also lesser-known Baltimore athletes and teams. Toots Barger, known as the Queen of the Duckpins, makes an appearance. So do the Dunbar Poets, considered by some to be the greatest high-school basketball team ever. Bringing together the work of both historians and journalists, including Michael Olesker, former Baltimore Sun columnist, and Rafael Alvarez, who was named Baltimores Best Writer by Baltimore Magazine in 2014, Baltimore Sports illuminates Charm City through this fascinating exploration of its teams, fans, and athletes.

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The Jihad for Democracy, Freedom and Womens Rights

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In Rethinking Islam, Katajun Amirpur argues that the Wests impression of Islam as a backward-looking faith, resistant to post-Enlightenment thinking, is misleading anddue to its effects on political discoursedamaging. Introducing readers to key thinkers and activistssuch as Abu Zaid, a free-thinking Egyptian Quran scholar; Abdolkarim Soroush, an academic and former member of Khomeinis Cultural Revolution Committee; and Amina Wadud, an American feminist who was the first woman to lead the faithful in Friday PrayerAmirpur reveals a powerful yet lesser-known tradition of inquiry and dissent within Islam, one that is committed to democracy and human rights. By examining these and many other similar figures ideas, she reveals the many ways they reject fundamentalist assertions and instead call for a diversity of opinion, greater freedom, and equality of the sexes. 

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As the Egyptian revolution unfolded throughout 2011 and the ensuing years, no one was better positioned to comment on itand try to push it in productive directionsthan best-selling novelist and political commentator Alaa Al-Aswany. For years a leading critic of the Mubarak regime, Al-Aswany used his weekly newspaper column for Al-Masry Al-Youm to propound the revolutions ideals and to confront the increasingly troubled politics of its aftermath.  This book presents, for the first time in English, all of Al-Aswanys columns from the period, a comprehensive account of the turmoil of the post-revolutionary years, and a portrait of a country and a people in flux. Each column is presented along with a context-setting introduction, as well as notes and a glossary, all designed to give non-Egyptian readers the background they need to understand the events and figures that Al-Aswany chronicles. The result is a definitive portrait of Egypt todayhow it got here, and where it might be headed.

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Alaa Al Aswany, Sarah Cleave, Russell Harris, Aran Byrne, Paul Naylor

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Essays on Literature and Philosophy: The Non-Fiction of Naguib Mahfouz

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The nonfiction writing of Naguib Mahfouz, presented in English for the first time.  The first Arabic language writer to win the Nobel Prize for Literature, Naguib Mahfouz, helped bring Arabic writing to an international readership. This collection of his early writing, from his time as a philosophy student, reveals the intellectual ferment of the young author, grappling with two millennia of philosophers and writers and establishing his own voice among them.  Available in English for the first time, these essays tackle a vast array of subjects, from Presocratic Philosophy to love and the sexual impulse. The intellectual development demonstrated here forms the foundation of Mahfouzs literary work, granting insight into the mind behind such famed works as the Cairo Trilogy and Children of The Alley.

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Naguib Mahfouz, Rasheed El-Enany, Aran Byrne

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A century ago, as World War I got underway, the Middle East was dominated, as it had been for centuries, by the Ottoman Empire. But by 1923, its political shape had changed beyond recognition, as the collapse of the Ottoman Empire and the insistent claims of Arab and Turkish nationalism and Zionism led to a redrawing of borders and shuffling of alliancesa transformation whose consequences are still felt today.             This fully revised and updated second edition of The Makers of the Modern Middle East traces those changes and the ensuing history of the region through the rest of the twentieth century and on to the present. Focusing in particular on three leadersEmir Feisal, Mustafa Kemal, and Chaim Weizmannthe book offers a clear, authoritative account of the region seen from a transnational perspective, one that enables readers to understand its complex history and the way it affects present-day events.

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T. G. Fraser, Andrew Mango, Robert McNamara, T. G Fraser

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The Fiction and Photography of Eudora Welty and Rosamond Purcell

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Serious Daring is the story of the complementary journeys of two American women artists, celebrated fiction writer Eudora Welty and internationally acclaimed photographer Rosamond Purcell, each of whom initially practiced, but then turned from, the art form ultimately pursued by the other. For both Welty and Purcell, the art realized is full of the art seemingly abandoned. Weltys short stories and novels use images of photographs, photographers, and photography. Purcell photographed books, texts, and writing. Both women make compelling art out of the seeming tension between literary and visual cultures. Purcell wrote a memoir in which photographs became endnotes. Welty re-emerged as a photographer through the publication of four volumes of what she called her snapshots, magnificent black-and-white photographs of small-town Mississippi and New York City life. Serious Daring is a fascinating look at how the road not taken can stubbornly accompany the chosen path, how what is seemingly left behind can become a haunting and vital presence in life and art.

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Provence today is a state of mind as much as a region of France, promising clear skies and bright sun, gentle breezes scented with lavender and wild herbs, scenery alternately bold and intricate, and delicious foods served alongside heady wines. Yet in the mid-twentieth century, a travel guide called the region a mostly dry, scrubby, rocky, arid land. How, then, did Provence become a land of desirean alluring landscape for the American holiday?  In A Taste for Provence, historian Helen Lefkowitz Horowitz digs into this question and spins a wonderfully appealing tale of how Provence became Provence. The region had previously been regarded as a backwater and known only for its Roman ruins, but in the postwar era authors, chefs, food writers, visual artists, purveyors of goods, and travel magazines crafted a new, alluring image for Provence. Soon, the travel industry learned that there were many ways to roamand some even involved sitting still. The promise of longer stays where one cooked fresh food from storied outdoor markets became desirable as American travelers sought new tastes and unadulterated ingredients.  Even as she revels in its atmospheric, cultural, and culinary attractions, Horowitz demystifies Provence and the perpetuation of its image today. Guiding readers through books, magazines, and cookbooks, she takes us on a tour of Provence pitched as a new Eden, and she dives into the records of a wide range of visual mediapaintings, photographs, television, and filmdemonstrating what fueled American enthusiasm for the region. Beginning in the 1970s, Provencefor a summer, a month, or even just a week or twobecame a dream for many Americans. Even today as a road well traveled, Provence continues to enchant travelers, armchair and actual alike.

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In 1960, renowned Nevada writer Robert Laxalt moved himself and his family to a small Basque village in the French Pyrenees. The son of Basque emigrants, Laxalt wanted to learn as much as he could about the ancient and mysterious people from which he was descended and about the country from which his parents came. Thanks to his Basque surname and a wide network of family connections, Laxalt was able to penetrate the traditional reserve of the Basques in a way that outsiders rarely can. In the process, he gained rare insight into the nature of the Basques and the isolated, beautiful mountain world where they have lived for uncounted centuries. Based on Laxalts personal journals of this and a later sojourn in 1965, The Land of My Fathers is a moving record of a people and their homeland. Through Laxalts perceptive eyes and his wife Joyces photographs, we observe the Basques market days and festivals, join their dove hunts and harvests, share their humor and history, their deep sense of nationalism, their abiding pride in their culture and their homes, and discover the profound sources of the Basques strength and their endurance as a people. Photography by Joyce Laxalt.

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The New Babel: Toward a Poetics of the Mid-East Crises evokes and investigatesfrom a Jewish American perspective and in the forms of poetry, essays, and interviewsthe Israeli-Palestinian conflict, Americas involvement as both perpetrator and victim of events in the Middle East and Afghanistan, and the multiple ways that poetics can respond to political imperatives. The poems range from the immediately lyrical to the experimental forms of the Apple Anyone Sonnets series, which relies heavily on the Arabic but has Shakespeare as its scaffolding. In the essays, Schwartz calls on the power of poetryand of some of the great poets in the Arabic, Jewish, and American traditionsto help rethink the battle lines of the contemporary Mid-East, with the Jewish philosopher Martin Buber looming large. The interviews provide Schwartzs discussions with Israeli poet and activist Aharon Shabtai, political philosopher Michael Hardt, and the late, great American poet Amiri Baraka. In these creative, analytical, and conversational moments, Leonard Schwartz rethinks the battle lines of the contemporary Middle East and calls on the power of language as the essence of our humanity, endlessly fluid, but also the source of an intentional confusion there is a necessity to counter.

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The Great Central Valley In Life And Letters

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Oildale native, Gerald Haslam, doesnt like it when folks dismiss the Central Valley as boring and flat. In this collection of essays, he argues that it is Californias heartland and economic hub. In addition, the valley has produced a crop of gifted writers. These nineteen essays range from reminiscences of childhood and adolescence to a portrait of Mexican-Americans and their position in the Valleys society to a moving essay about having the authors aging father come to live with the family. Even if you have never lived in the Valley, reading this book will give you an entirely new perspective the next time you drive into it.

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Imaging the 1930s California Labor Movement

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A study of the artistic and literary responses to the Depression-era labor crises of the Golden State. Anne Loftis focuses on the work and activities of John Steinbeck, Carey McWilliams, Paul Taylor, and Dorothea Lange, who brought the story of California's labor struggles to the rest of the country. The realism and documentary expression of their art grew out of their personal involvement in the problems of society, and Loftis explores the lasting influence of their work. One of Steinbeck's unintended legacies was his treatment of California farm workers as victimsthe simple pawns of larger forces. In her balanced and intriguing study Loftis reveals that the workers were not victims, but rather the strong and resourceful creators of their own histories.

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Sand In a Whirlwind, 30th Anniversary Edition

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Sand in a Whirlwind is a dramatic account of the events surrounding hostilities between settlers and Pyramid Paiutes in the spring of 1860. Thirty years after its publication Ferol Egans now classic tale continues to enlighten and engage readers.

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An Obscure History of Modern Art and Media

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Darkness has a history and a uniquely modern form. Distinct from night, shadows, and artificial light, artificial darkness has been overlookeduntil now. In fact, controlled darkness was essential to the rise of photography and cinema, science and spectacle, and a century of advanced art and film. Artificial Darkness is the first book to historicize and theorize this phenomenon and map its applications across a range of media and art forms.  In exploring how artificial darkness shaped modern art, film, and media, Noam M. Elcott addresses seminal and obscure works alongside their sites of productionsuch as photography darkrooms, film studios, and laboratoriesand their sites of reception, including theaters, cinemas, and exhibitions. He argues that artists, scientists, and entertainers like Etienne-Jules Marey, Richard Wagner, Georges Melies, and Oskar Schlemmer revolutionized not only images but also everything surrounding them: the screen, the darkness, and the experience of bodies and space. At the heart of the book is the black screen, a technology of darkness that spawned todays blue and green screens and has undergirded numerous advanced art and film practices to this day.  Turning familiar art and film narratives on their heads, Artificial Darkness is a revolutionary treatment of an elusive, yet fundamental, aspect of art and media history.

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The Chicago Guide to Grammar, Usage, and Punctuation

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Few people can write on the English language with the authority of Bryan A. Garner. The author of The Chicago Manual of Styles popular Grammar and Usage chapter, Garner explains the vagaries of English with absolute precision and utmost clarity. With The Chicago Guide to Grammar, Usage, and Punctuation, he has written the definitive guide for writers who want their prose to be both memorable and correct.  Throughout the book Garner describes standard literary Englishthe forms that mark writers and speakers as educated users of the language. He also offers historical context for understanding the development of these forms. The section on grammar explains how the canonical parts of speech came to be identified, while the section on syntax covers the nuances of sentence patterns as well as both traditional sentence diagramming and transformational grammar. The usage section provides an unprecedented trove of empirical evidence in the form of Google Ngrams, diagrams that illustrate the changing prevalence of specific terms over decades and even centuries of English literature. Garner also treats punctuation and word formation, and concludes the book with an exhaustive glossary of grammatical terms and a bibliography of suggested further reading and references.  The Chicago Guide to Grammar, Usage, and Punctuation is a magisterial work, the culmination of Garners lifelong study of the English language. The result is a landmark resource that will offer clear guidelines to students, writers, and editors alike.

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A History of Tennis, from Victorian Pastime to Global Phenomenon

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Tennis has never been played better than it is today. To watch Rafael Nadal spin a forehand at 4000 rpm, Maria Sharapova arabesque out of a serve, Serena Williams utterly destroy a short ball, or Roger Federer touch a volley into an impossibly angled winner is to watch not only the best players with the best coaching hitting with the best racquets, it is to watch the culmination of an entire history. Love Game is different from most tennis booksit isnt a ghostwritten biography, and it wont teach you how to slice your serve. Its a book about tenniss grand culture, one that unveils the sports long history as it lives and breathes (or grunts) in the modern game.             No one is better equipped to tell this story than novelist and historian Elizabeth Wilson. With a penchant for tenniss inherent drama, she finds its core: a psychological face off between flamboyant personalities navigating the ebbs and flows of fortune in the confines of a 78 x 36foot boxwhether of clay, grass, or DecoTurf. Walking the finely kempt lawns of Victorian England, she shows how tenniss early role as a social pastime that included both men and womenand thus, lots of sexual tensionset it apart from most other sports and their dominant masculine appeal. Even today, when power and endurance are more important than ever, tennis still demands that the body behave gracefully and with finesse. In this way, Wilson shows, tennis has retained the vibrant spectacle of human drama and beauty that have always made it special, not just to sports fans but to popular culture.             Telling the stories of all the greats, from the Renshaw brothers to Novak Djokovic, and of all the advances, from wooden racquets to network television schedules, Wilson offers a tennis book like no other, keeping the court square in our sights as history is illuminated around it.    

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Food makes the world go around, according to this absorbing account of how the search for food has shaped human nature. It is more important than love or sex for the simple reason that food is harder to find than a mate. Think of it this way, says Allport, who draws on the research of anthropologists and biologists in presenting her fascinating and provocative theories: Mates are often willing accomplices in the act of mating; food is never a willing accomplice in the act of eating.

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The Literary Legacy of Rebecca West is the first book to explore the entire corpus of her extraordinary seventy-one year writing career. The general introductory studies of West are outdated and do not take into account her posthumous publications, or her large literary archive of unpublished letters and manuscripts. Previous scholarly books have chopped West up into categories and genres instead of following the evolution of her career.

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Immigration has become an increasingly popular topic often leading to passionate and powerful debate. The visceral emotions that stem from such debates transcends fact and paves the way for value conflicts over what it means to be an American. For most of our history, one of our most important narratives has been that we are a country that was built by and for immigrants. Indeed, the inscription on the Statue of Liberty reads, in part, Give me your tired, your poor, your huddled masses yearning to breathe free. For many generations we welcomed new generations of immigrants who added new levels of richness and possibility to our nation. This certainly influenced U.S. policy on the handling of immigrants, refugees, and asylum seekers. Yet, at the same time, a coexisting argument threatened this discourse. In this story, America is a country for Americans, and is threatened by others. While this part of the story is certainly not new, it has resurfaced in the wake of September 11th and, even more recently, has become a political tool utilized to serve the interests of those in power.  

The Criminalization of Immigration: Contexts and Consequences explores these competing narratives and the consequences of criminalizing immigration in the United States and abroad. It examines the impact of national, state, and local legislation on the psychosocial well being of immigrants. The book explores key ways in which immigration is criminalized, and examines how the problematization of immigration becomes a political tool. The first chapters of the book explore the criminalization of immigration through the lens of pacification and the theater of cruelty. In both chapters, the authors seek to understand the process of othering members of the immigrant population to exact social control and to mollify the public. These front chapters set the tone for remainder of the book. They provide the impetus for why states have enacted, or have attempted to enact state level immigration laws that make it nearly impossible for the undocumented to live within the boundaries of these states. In section two, three U.S. states are highlighted: Arizona, Alabama, and Indiana. While the chapters on Arizona and Alabama summarize key aspects of state laws, author Sujey Vega highlights the life of one undocumented immigrant as she navigates life in the Heartland.
 
The book then turns its focus to the criminalization of immigration in a socio-political context. Here, four chapters provide explorations of the criminalization of immigration on labor standards enforcement, immigrant detention, the right wing perspective in the United States and in Europe, and white supremacy. Labor standards impact the rate by which undocumented immigrants are paid, which in turn impacts their health and safety within and outside the workplace, protections from workplace discrimination, and collective activity protections. The criminalization of immigration erodes many of the workplace and labor protections that we have come to view as essential. Similarly, the privatization of corrections has influenced the incarceration and detention of many undocumented immigrants and has even influenced the very laws described in section two of this book. If not for the possibility of profiting off of the detention of the undocumented, many of immigration related laws would not have come to fruition. 
 
The next section of the book provides a transnational and international context to the criminalization of immigration. With chapters focusing on human rights violations, the transnational dimensions of Mexican migration, the making of the Maras, and the criminalization of immigration in the United Kingdom, these chapters ask the reader to examine the criminalization of immigration from a broader perspective. The reader learns how national issues become international and, likewise how international immigration issues influence national policy. 
 
The final chapters of the book put the human face on the criminalization of immigration. Each chapter represents a case study of a specific aspect of the criminalization of immigration. They approach the issue from the viewpoint of a day laborer, an undocumented woman who has become a victim of domestic violence, a child whose parents are undocumented, and a detention officer who wrestles with his decisions to continue his job. Regardless of which chapters one reads, the raw emotion felt by placing oneself in each context is overwhelming. 
 
Overall, The Criminalization of Immigration: Contexts and Consequences provides a complete examination of an issue that cuts through emotional value conflicts. It provides the facts and knowledge essential for a fair and balanced debate.