Product List
GET /services/catalog/products?format=api&page=78183
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It also captures the excitement of the neighborhood theatres of the 1930s and 1940s, including the Alabama, Tower, and River Oaks; the theatres of the 1950s and early 1960s, including the Windsor and its Cinerama roadshows; and the multicinemas and megaplexes that have come to dominate the movie scene since the late 1960s. While preserving the glories of Houston's lost movie palacesonly a few of these historic theatres still surviveCinema Houston also vividly re-creates the moviegoing experience, chronicling midnight movie madness, summer nights at the drive-in, and, of course, all those tasty snacks at the concession stand. Sure to appeal to a wide audience, from movie fans to devotees of Houston's architectural history, Cinema Houston captures the bygone era of the city's movie houses, from the lowbrow to the sublime, the hi-tech sound of 70mm Dolby and THX to the crackle of a drive-in speaker on a cool spring evening.", "author": "David Welling, Jack Valenti", "slug": "cinema-houston-42929-9780292773981-david-welling", "thumbnail_image": "//redshelf-images.s3-external-1.amazonaws.com/thumbnail/9780292773981.jpg", "default_thumbnail_image": "//redshelf-images.s3-external-1.amazonaws.com/thumbnail/default_book_thumbnail.jpg", "product_type": "book", "product_id": "42929", "product_url": "/app/ecom/book/42929/cinema-houston-42929-9780292773981-david-welling", "bisac_codes": [ "ARC014000", "PER004030" ], "items_count": null, "identifiers": { "ISBN13": "9780292717008", "EISBN13": "9780292773981" }, "drm": null, "cover_image": null, "default_cover_image": null, "book_type": null }, "relationships": { "lowest_offering": { "data": { "type": "offerings", "id": "00010023521958" } } } }, { "type": "Product", "id": "00010000042928", "attributes": { "name": "A Tribal Order", "subtitle": "Politics and Law in the Mountains of Yemen", "description": "2008 British-Kuwait Friendship Prize in Middle Eastern Studies British Society for Middle Eastern Studies A Tribal Order describes the politico-legal system of Jabal Razih, a remote massif in northern Yemen inhabited by farmers and traders. Contrary to the popular image of Middle Eastern tribes as warlike, lawless, and invariably opposed to states, the tribes of Razih have stable structures of governance and elaborate laws and procedures for maintaining order and resolving conflicts with a minimum of physical violence. Razihi leaders also historically cooperated with states, provided the latter respected their customs, ideals, and interests. Weir considers this system in the context of the rugged environment and productive agricultural economy of Razih, and of centuries of continuous rule by Zaydi Muslim regimes and (latterly) the republican governments of Yemen. The book is based on Weir's extended anthropological fieldwork on Jabal Razih, and on her detailed study of hundreds of handwritten contracts and treaties among and between the tribes and rulers of Razih. These documents provide a fascinating insight into tribal politics and law, as well as state-tribe relations, from the early seventeenth to the late twentieth century. A Tribal Order is also enriched by case histories that vividly illuminate tribal practices. Overall, this unusually wide-ranging work provides an accessible account of a remarkable Arabian society through time.", "author": "Shelagh Weir", "slug": "a-tribal-order-42928-9780292773974-shelagh-weir", "thumbnail_image": "//redshelf-images.s3-external-1.amazonaws.com/thumbnail/9780292773974.jpg", "default_thumbnail_image": "//redshelf-images.s3-external-1.amazonaws.com/thumbnail/default_book_thumbnail.jpg", "product_type": "book", "product_id": "42928", "product_url": "/app/ecom/book/42928/a-tribal-order-42928-9780292773974-shelagh-weir", "bisac_codes": [ "HIS026000" ], "items_count": null, "identifiers": { "ISBN13": "9780292714236", "EISBN13": "9780292773974" }, "drm": null, "cover_image": null, "default_cover_image": null, "book_type": null }, "relationships": { "lowest_offering": { "data": { "type": "offerings", "id": "00010023724263" } } } }, { "type": "Product", "id": "00010000042927", "attributes": { "name": "The Wrecking of La Salle's Ship Aimable and the Trial of Claude Aigron", "subtitle": "", "description": "When Robert Cavelier, sieur de La Salle, landed on the Texas coast in 1685, bent on founding a French colony, his enterprise was doomed to failure. Not only was he hundreds of miles from his intended landfallthe mouth of the Mississippibut his supply ship, Aimable, was wrecked at the mouth of Matagorda Bay, leaving the colonists with scant provisions and little protection against local Indian tribes. In anger and disgust, he struck out at the ship's captain, Claude Aigron, accusing him of wrecking the vessel purposely and maliciously. Captain Aigron and his crew escaped the doomed colony by returning to France on the warship that had escorted the expedition on its ocean crossing. Soon after reaching France, Aigron found himself defendant in a civil suit filed by two of his officers seeking recompense for lost salary and personal effects, and then imprisoned on order of King Louis XIV while La Salle's more serious accusations were being investigated. In this book, Robert Weddle meticulously recounts, through court documents, the known history of Aigron and the Aimable, and finds that despite La Salle's fervent accusations, the facts of the case offer no clear indictment. The court documents, deftly translated by Francois Lagarde, reveal Captain Aigron's successful defense and illuminate the circumstances of the wreck with Aigron's testimony. Much is also revealed about the French legal system and how the sea laws of the period were applied through the French government's L'Ordonnance de la Marine.", "author": "Robert S. Weddle, François Lagarde", "slug": "the-wrecking-of-la-salles-ship-aimable-and-the-trial-of-claude-aigron-42927-9780292773967-robert-s-weddle", "thumbnail_image": "//redshelf-images.s3-external-1.amazonaws.com/thumbnail/9780292773967.jpg", "default_thumbnail_image": "//redshelf-images.s3-external-1.amazonaws.com/thumbnail/default_book_thumbnail.jpg", "product_type": "book", "product_id": "42927", "product_url": "/app/ecom/book/42927/the-wrecking-of-la-salles-ship-aimable-and-the-trial-of-claude-aigron-42927-9780292773967-robert-s-weddle", "bisac_codes": [ "HIS036010" ], "items_count": null, "identifiers": { "ISBN13": "9780292719408", "EISBN13": "9780292773967" }, "drm": null, "cover_image": null, "default_cover_image": null, "book_type": null }, "relationships": { "lowest_offering": { "data": { "type": "offerings", "id": "00010023725169" } } } }, { "type": "Product", "id": "00010000042926", "attributes": { "name": "Displaced", "subtitle": "Life in the Katrina Diaspora", "description": "Hurricane Katrina forced the largest and most abrupt displacement in U.S. history. About 1.5 million people evacuated from the Gulf Coast preceding Katrinas landfall. New Orleans, a city of 500,000, was nearly emptied of life after the hurricane and flooding. Katrina survivors eventually scattered across all fifty states, and tens of thousands still remain displaced. Some are desperate to return to the Gulf Coast but cannot find the means. Others have chosen to make their homes elsewhere. Still others found a way to return home but were unable to stay due to the limited availability of social services, educational opportunities, health care options, and affordable housing. The contributors to Displaced have been following the lives of Katrina evacuees since 2005. In this illuminating book, they offer the first comprehensive analysis of the experiences of the displaced. Drawing on research in thirteen communities in seven states across the country, the contributors describe the struggles that evacuees have faced in securing life-sustaining resources and rebuilding their lives. They also recount the impact that the displaced have had on communities that initially welcomed them and then later experienced Katrina fatigue as the ongoing needs of evacuees strained local resources. Displaced reveals that Katrina took a particularly heavy toll on households headed by low-income African American women who lost the support provided by local networks of family and friends. It also shows the resilience and resourcefulness of Katrina evacuees who have built new networks and partnered with community organizations and religious institutions to create new lives in the diaspora.", "author": "Lynn Weber, Lori Peek", "slug": "displaced-42926-9780292747456", "thumbnail_image": "//redshelf-images.s3-external-1.amazonaws.com/thumbnail/9780292747456.jpg", "default_thumbnail_image": "//redshelf-images.s3-external-1.amazonaws.com/thumbnail/default_book_thumbnail.jpg", "product_type": "book", "product_id": "42926", "product_url": "/app/ecom/book/42926/displaced-42926-9780292747456", "bisac_codes": [ "SOC040000" ], "items_count": null, "identifiers": { "ISBN13": "9780292735774", "EISBN13": "9780292747456" }, "drm": null, "cover_image": null, "default_cover_image": null, "book_type": null }, "relationships": { "lowest_offering": { "data": { "type": "offerings", "id": "00010023724068" } } } }, { "type": "Product", "id": "00010000042925", "attributes": { "name": "Naturally . . . South Texas", "subtitle": "Nature Notes from the Coastal Bend", "description": "The Golden Crescent of South Texas, a fifteen-county region along and inland from the middle Gulf Coast, is often called \"the Crossroads\" because of its natural diversity. Located in the heart of the Gulf Coast Prairie and Marshes, the area also encompasses the trailing edges of the South Texas Plains, Post Oak Savannah, and Blackland Prairie. This confluence of ecological zones makes it a wonderful place for birding and for observing the changing face of nature, especially during seasonal transitions. In this book, Ro Wauer describes a typical year in the natural life of South Texas. Using selected entries from his weekly column in the Victoria Advocate newspaper, he discusses numerous topics for each month, from the first appearance of butterflies in January, to alligators making a comeback in July, to the Christmas bird count in December. His observations are filled with intriguing natural history lore, from what sounds mockingbirds will imitate (almost any noise in their neighborhood) to how armadillos swim (by inflating themselves to increase their buoyancy).", "author": "Roland H. Wauer, Mimi Hoppe Wolf", "slug": "naturally-south-texas-42925-9780292786707-roland-h-wauer", "thumbnail_image": "//redshelf-images.s3-external-1.amazonaws.com/thumbnail/9780292786707.jpg", "default_thumbnail_image": "//redshelf-images.s3-external-1.amazonaws.com/thumbnail/default_book_thumbnail.jpg", "product_type": "book", "product_id": "42925", "product_url": "/app/ecom/book/42925/naturally-south-texas-42925-9780292786707-roland-h-wauer", "bisac_codes": [ "NAT024000" ], "items_count": null, "identifiers": { "ISBN13": "9780292791442", "EISBN13": "9780292786707" }, "drm": null, "cover_image": null, "default_cover_image": null, "book_type": null }, "relationships": { "lowest_offering": { "data": { "type": "offerings", "id": "00010023724992" } } } }, { "type": "Product", "id": "00010000042924", "attributes": { "name": "For All Seasons", "subtitle": "A Big Bend Journal", "description": "Something about Big Bend National Park draws visitors again and again. Maybe it's the spare beauty of the mountains and desert, the dawn chorus of birds, or the vivid stars in the velvet night. All of these things have made it Roland Wauer's favorite place. In this book, he shares his love of the Big Bend through journal entries that chronicle a year in the life of the park. Wauer worked as Chief Park Naturalist from 1966 to 1972 and has visited the park frequently ever since. His journal entries span these thirty years, providing not only a composite portrait of a typical year but also a clear sense of how the park's natural history has changed over three decades. He spices his account with anecdotes, often humorous, ranging from stumbling across a herd of javelinas to being trailed by a mountain lion in the dark to discovering new species of plants and animals. Few authors know the Big Bend as Roland Wauer does or have written about it in a more engaging way. This beautifully illustrated book is the perfect companion for a visit to the park, whether in person or by armchair.", "author": "Roland H. Wauer, Nancy McGowan", "slug": "for-all-seasons-42924-9780292785632-roland-h-wauer", "thumbnail_image": "//redshelf-images.s3-external-1.amazonaws.com/thumbnail/9780292785632.jpg", "default_thumbnail_image": "//redshelf-images.s3-external-1.amazonaws.com/thumbnail/default_book_thumbnail.jpg", "product_type": "book", "product_id": "42924", "product_url": "/app/ecom/book/42924/for-all-seasons-42924-9780292785632-roland-h-wauer", "bisac_codes": [ "NAT010000" ], "items_count": null, "identifiers": { "ISBN13": "9780292791176", "EISBN13": "9780292785632" }, "drm": null, "cover_image": null, "default_cover_image": null, "book_type": null }, "relationships": { "lowest_offering": { "data": { "type": "offerings", "id": "00010023725656" } } } }, { "type": "Product", "id": "00010000042923", "attributes": { "name": "William Faulkner", "subtitle": "Self-Presentation and Performance", "description": "In his life and writings, William Faulkner continually created and \"performed\" selves. Even in letters, he often played a partgentleman dandy, soldier, farmerwhile in his fictions these and other personae are counterpoised against one another to create a world of controlled chaos, made in Faulkner's own protean image and reflective of his own multiple sense of self. In this groundbreaking book, James Watson draws on the entire Faulkner canon, including letters and photographs, to decipher the complicated ways in which Faulkner put himself forth as the artist he felt himself to be through written performances and displays based on the life he actually lived and the ones he imagined living. The topics Watson treats include the overtly performative aspects of The Sound and the Fury, self-presentation and performance in private records of Faulkner's life, the ways in which his complicated marriage and his relationships to male mentors underlie his fictions' recurring motifs of marriages and fatherhood, Faulkner's readings of Melville, Hawthorne, and Thoreau and the problematics of authorial sovereignty, his artist-as-God creation of a fictional cosmos, and the epistolary relationships with women that lie in the correspondence behind Requiem for a Nun.", "author": "James G. Watson", "slug": "william-faulkner-42923-9780292757882-james-g-watson", "thumbnail_image": "//redshelf-images.s3-external-1.amazonaws.com/thumbnail/9780292757882.jpg", "default_thumbnail_image": "//redshelf-images.s3-external-1.amazonaws.com/thumbnail/default_book_thumbnail.jpg", "product_type": "book", "product_id": "42923", "product_url": "/app/ecom/book/42923/william-faulkner-42923-9780292757882-james-g-watson", "bisac_codes": [ "LIT004020" ], "items_count": null, "identifiers": { "ISBN13": "9780292791312", "EISBN13": "9780292757882" }, "drm": null, "cover_image": null, "default_cover_image": null, "book_type": null }, "relationships": { "lowest_offering": { "data": { "type": "offerings", "id": "00010023724869" } } } }, { "type": "Product", "id": "00010000042922", "attributes": { "name": "Horton Foote", "subtitle": "A Literary Biography", "description": "Winner of the Pulitzer Prize for Drama for The Young Man from Atlanta and Academy Awards for the screen adaptation of To Kill a Mockingbird and the original screenplay Tender Mercies, as well as the recipient of an Academy Award nomination for the screenplay of The Trip to Bountiful and the William Inge Lifetime Achievement Award, Horton Foote is one of America's most respected writers for stage and screen. The deep compassion he shows for his characters, the moral vision that infuses his social commentary, and the kindness and humanity that Foote himself radiates have also made him one of our most revered artiststhe father-figure who understands our longings for home, for human connections, and for certainty in a world largely bereft of these. This literary biography thoroughly investigates how Horton Foote's life and worldview have shaped his works for stage, television, and film. Tracing the whole trajectory of Foote's career from his small-town Texas upbringing to the present day, Charles Watson demonstrates that Foote has created a fully imagined mythical world from the materials supplied by his own and his family's and friends' lives in Wharton, Texas, in the early twentieth century. Devoting attention to each of Foote's major works in turn, he shows how this world took shape in Foote's writing for the New York stage, Golden Age television, Hollywood films, and in his nine-play masterpiece, The Orphan's Home Cycle. Throughout, Watson's focus on Foote as a master playwright and his extensive use of the dramatist's unpublished correspondence make this literary biography required reading for all who admire the work of Horton Foote.", "author": "Charles S. Watson", "slug": "horton-foote-42922-9780292773950-charles-s-watson", "thumbnail_image": "//redshelf-images.s3-external-1.amazonaws.com/thumbnail/9780292773950.jpg", "default_thumbnail_image": "//redshelf-images.s3-external-1.amazonaws.com/thumbnail/default_book_thumbnail.jpg", "product_type": "book", "product_id": "42922", "product_url": "/app/ecom/book/42922/horton-foote-42922-9780292773950-charles-s-watson", "bisac_codes": [ "BIO007000" ], "items_count": null, "identifiers": { "ISBN13": "9780292791602", "EISBN13": "9780292773950" }, "drm": null, "cover_image": null, "default_cover_image": null, "book_type": null }, "relationships": { "lowest_offering": { "data": { "type": "offerings", "id": "00010023724782" } } } }, { "type": "Product", "id": "00010000042921", "attributes": { "name": "Veni, Vidi, Video", "subtitle": "The Hollywood Empire and the VCR", "description": "A funny thing happened on the way to the movies. Instead of heading downtown to a first-run movie palace, or even to a suburban multiplex with the latest high-tech projection capabilities, many people's first stop is now the neighborhood video store. Indeed, video rentals and sales today generate more income than either theatrical releases or television reruns of movies. This pathfinding book chronicles the rise of home video as a mass medium and the sweeping changes it has caused throughout the film industry since the mid-1970s. Frederick Wasser discusses Hollywood's initial hostility to home video, which studio heads feared would lead to piracy and declining revenues, and shows how, paradoxically, video revitalized the film industry with huge infusions of cash that financed blockbuster movies and massive marketing campaigns to promote them. He also tracks the fallout from the video revolution in everything from changes in film production values to accommodate the small screen to the rise of media conglomerates and the loss of the diversity once provided by smaller studios and independent distributors.", "author": "Frederick Wasser", "slug": "veni-vidi-video-42921-9780292773943-frederick-wasser", "thumbnail_image": "//redshelf-images.s3-external-1.amazonaws.com/thumbnail/9780292773943.jpg", "default_thumbnail_image": "//redshelf-images.s3-external-1.amazonaws.com/thumbnail/default_book_thumbnail.jpg", "product_type": "book", "product_id": "42921", "product_url": "/app/ecom/book/42921/veni-vidi-video-42921-9780292773943-frederick-wasser", "bisac_codes": [ "PER004000" ], "items_count": null, "identifiers": { "ISBN13": "9780292791459", "EISBN13": "9780292773943" }, "drm": null, "cover_image": null, "default_cover_image": null, "book_type": null }, "relationships": { "lowest_offering": { "data": { "type": "offerings", "id": "00010023724576" } } } }, { "type": "Product", "id": "00010000042920", "attributes": { "name": "Missing Mila, Finding Family", "subtitle": "An International Adoption in the Shadow of the Salvadoran Civil War", "description": "In the spring of 1983, a North American couple who were hoping to adopt a child internationally received word that if they acted quickly, they could become the parents of a boy in an orphanage in Honduras. Layers of red tape dissolved as the American Embassy there smoothed the way for the adoption. Within a few weeks, Margaret Ward and Thomas de Witt were the parents of a toddler they named Nelsonan adorable boy whose prior life seemed as mysterious as the fact that government officials in two countries had inexplicably expedited his adoption. In Missing Mila, Finding Family, Margaret Ward tells the poignant and compelling story of this international adoption and the astonishing revelations that emerged when Nelson's birth family finally relocated him in 1997. After recounting their early years together, during which she and Tom welcomed the birth of a second son, Derek, and created a family with both boys, Ward vividly recalls the upheaval that occurred when members of Nelson's birth family contacted them and sought a reunion with the boy they knew as Roberto. She describes how their sense of family expanded to include Nelson's Central American relatives, who helped her piece together the lives of her son's birth parents and their clandestine activities as guerrillas in El Salvador's civil war. In particular, Ward develops an internal dialogue with Nelson's deceased mother Mila, an elusive figure whose life and motivations she tries to understand.", "author": "Margaret E. Ward", "slug": "missing-mila-finding-family-42920-9780292742222-margaret-e-ward", "thumbnail_image": "//redshelf-images.s3-external-1.amazonaws.com/thumbnail/9780292742222.jpg", "default_thumbnail_image": "//redshelf-images.s3-external-1.amazonaws.com/thumbnail/default_book_thumbnail.jpg", "product_type": "book", "product_id": "42920", "product_url": "/app/ecom/book/42920/missing-mila-finding-family-42920-9780292742222-margaret-e-ward", "bisac_codes": [ "BIO026000", "SOC026010" ], "items_count": null, "identifiers": { "ISBN13": "9780292726680", "EISBN13": "9780292742222" }, "drm": null, "cover_image": null, "default_cover_image": null, "book_type": null }, "relationships": { "lowest_offering": { "data": { "type": "offerings", "id": "00010023723888" } } } }, { "type": "Product", "id": "00010000042919", "attributes": { "name": "Max Ernst and Alchemy", "subtitle": "A Magician in Search of Myth", "description": "Surrealist artist Max Ernst defined collage as the \"alchemy of the visual image.\" Students of his work have often dismissed this comment as simply a metaphor for the transformative power of using found images in a new context. Taking a wholly different perspective on Ernst and alchemy, however, M. E. Warlick persuasively demonstrates that the artist had a profound and abiding interest in alchemical philosophy and often used alchemical symbolism in works created throughout his career. A revival of interest in alchemy swept the artistic, psychoanalytic, historical, and scientific circles of the late nineteenth and early twentieth centuries, and Warlick sets Ernst's work squarely within this movement. Looking at both his art (many of the works she discusses are reproduced in the book) and his writings, she reveals how thoroughly alchemical philosophy and symbolism pervade his early Dadaist experiments, his foundational work in surrealism, and his many collages and paintings of women and landscapes, whose images exemplify the alchemical fusing of opposites. This pioneering research adds an essential key to understanding the multilayered complexity of Ernst's works, as it affirms his standing as one of Germany's most significant artists of the twentieth century.", "author": "M. E. Warlick, Franklin Rosemont", "slug": "max-ernst-and-alchemy-42919-9780292756540-m-e-warlick", "thumbnail_image": "//redshelf-images.s3-external-1.amazonaws.com/thumbnail/9780292756540.jpg", "default_thumbnail_image": "//redshelf-images.s3-external-1.amazonaws.com/thumbnail/default_book_thumbnail.jpg", "product_type": "book", "product_id": "42919", "product_url": "/app/ecom/book/42919/max-ernst-and-alchemy-42919-9780292756540-m-e-warlick", "bisac_codes": [ "ART016000" ], "items_count": null, "identifiers": { "ISBN13": "9780292791350", "EISBN13": "9780292756540" }, "drm": null, "cover_image": null, "default_cover_image": null, "book_type": null }, "relationships": { "lowest_offering": { "data": { "type": "offerings", "id": "00010023725668" } } } }, { "type": "Product", "id": "00010000042917", "attributes": { "name": "Mouse Morality", "subtitle": "The Rhetoric of Disney Animated Film", "description": "2004 Clifford G. Christians Ethics Research Award The Carl Couch Center for Social and Internet Research Kids around the world love Disney animated films, and many of their parents trust the Disney corporation to provide wholesome, moral entertainment for their children. Yet frequent protests and even boycotts of Disney products and practices reveal a widespread unease with the sometimes mixed and inconsistent moral values espoused in Disney films as the company attempts to appeal to the largest possible audience. In this book, Annalee R. Ward uses a variety of analytical tools based in rhetorical criticism to examine the moral messages taught in five recent Disney animated filmsThe Lion King, Pocahontas, The Hunchback of Notre Dame, Hercules, and Mulan. Taking the films on their own terms, she uncovers the many mixed messages they purvey: for example, females can be leadersbut male leadership ought to be the norm; stereotyping is wrongbut black means evil; historical truth is valuedbut only tell what one can sell, etc. Adding these messages together, Ward raises important questions about the moral ambiguity of Disney's overall worldview and demonstrates the need for parents to be discerning in letting their children learn moral values and life lessons from Disney films.", "author": "Annalee R. 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In this pathfinding book, Raul Villa explores how California Chicano/a activists, journalists, writers, artists, and musicians have used expressive culture to oppose the community-destroying forces of urban renewal programs and massive freeway development and to create and defend a sense of Chicano place-identity. Villa opens with a historical overview that shows how Chicano communities and culture have grown in response to conflicts over space ever since the United States' annexation of Mexican territory in the 1840s. Then, turning to the work of contemporary members of the Chicano intelligentsia such as Helena Maria Viramontes, Ron Arias, and Lorna Dee Cervantes, Villa demonstrates how their expressive practices re-imagine and re-create the dominant urban space as a community enabling place. 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This mission, along with a handful of others in south Texas, was established by the Spaniards in an effort to Christianize and civilize the local Native American tribes in the hopes that they would become loyal Spanish citizens who would protect this new frontier from foreign incursions. With written historical records scarce for Espiritu Santo, Tamra Walter relies heavily on material culture recovered at this site through a series of recent archaeological investigations to present a compelling portrait of the Franciscan mission system. By examining findings from the entire mission site, including the compound, irrigation system, quarry, and kiln, she focuses on questions that are rarely, if ever, answered through historical records alone: What was daily life at the mission like? What effect did the mission routine have on the traditional lifeways of the mission Indians? How were both the Indians and the colonizers changed by their frontier experiences, and what does this say about the missionization process? Walter goes beyond simple descriptions of artifacts and mission architecture to address the role these elements played in the lives of the mission residents, demonstrating how archaeology is able to address issues that are not typically addressed by historians. In doing so, she presents an accurate portrait of life in South Texas at this time. 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Ancient Mesoamericans conducted most of their communal life in outdoor public spaces, and today the plaza is still the public living room in every Mexican neighborhood, town, and citythe place where friends meet, news is shared, and personal and communal rituals and celebrations happen. The site of a communitys most important architecturechurch, government buildings, and marketplacethe plaza is both sacred and secular space and thus the very heart of the community. This extensively illustrated book traces the evolution of the Mexican plaza from Mesoamerican sacred space to modern public gathering place. The authors led teams of volunteers who measured and documented nearly one hundred traditional Mexican town centers. The resulting plans reveal the layers of Mesoamerican and European history that underlie the contemporary plaza. The authors describe how Mesoamericans designed their ceremonial centers as embodiments of creation mythsthe plaza as the primordial sea from which the earth emerged. They discuss how Europeans, even though they sought to eradicate native culture, actually preserved it as they overlaid the Mesoamerican sacred plaza with the Renaissance urban concept of an orthogonal grid with a central open space. 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Film noir was a staple of classical Hollywood filmmaking during the years 1941-1958 and has enjoyed a resurgence in popularity since the 1990s. Dames in the Driver's Seat offers new views of both classical-era and contemporary noirs through the lenses of gender, class, and race. Jans Wager analyzes how changes in film noir's representation of women's and men's roles, class status, and racial identities mirror changes in a culture that is now often referred to as postmodern and postfeminist. Following introductory chapters that establish the theoretical basis of her arguments, Wager engages in close readings of the classic noirs The Killers, Out of the Past, and Kiss Me Deadly and the contemporary noirs L. A. Confidential, Mulholland Falls, Fight Club, Twilight, Fargo, and Jackie Brown. Wager divides recent films into retro-noirs (made in the present, but set in the 1940s and 1950s) and neo-noirs (made and set in the present but referring to classic noir narratively or stylistically). Going beyond previous studies of noir, her perceptive readings of these films reveal that retro-noirs fulfill a reactionary social function, looking back nostalgically to outdated gender roles and racial relations, while neo-noirs often offer more revisionary representations of women, though not necessarily of people of color.", "author": "Jans B. 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From these key sources, Maria F. Wade has compiled this first comprehensive ethnohistory of the Native groups that inhabited the Texas Edwards Plateau and surrounding areas during most of the Spanish colonial era. Much of the book deals with events that took place late in the seventeenth century, when Native groups and Europeans began to have their first sustained contact in the region. Wade identifies twenty-one Native groups, including the Jumano, who inhabited the Edwards Plateau at that time. She offers evidence that the groups had sophisticated social and cultural mechanisms, including extensive information networks, ladino cultural brokers, broad-based coalitions, and individuals with dual-ethnic status. 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But talking to people who actually live on either side of the border reveals no single commonly shared sense of identity, as Pablo Vila demonstrated in his book Crossing Borders, Reinforcing Borders: Social Categories, Metaphors, and Narrative Identities on the U.S.-Mexico Frontier. Instead, people living near the border, like people everywhere, base their sense of identity on a constellation of interacting factors that includes regional identity, but also nationality, ethnicity, and race. In this book, Vila continues the exploration of identities he began in Crossing Borders, Reinforcing Borders by looking at how religion, gender, and class also affect people's identifications of self and \"others\" among Mexican nationals, Mexican immigrants, Mexican Americans, Anglos, and African Americans in the Cuidad Juarez-El Paso area. Among the many fascinating issues he raises are how the perception that \"all Mexicans are Catholic\" affects Mexican Protestants and Pentecostals; how the discourse about proper gender roles may feed the violence against women that has made Juarez the \"women's murder capital of the world\"; and why class consciousness is paradoxically absent in a region with great disparities of wealth. 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With nearly 1,000 gangs and 200,000 gang members, Los Angeles holds the dubious distinction of being the youth gang capital of the United States. The process of street socialization that leads to gang membership now cuts across all ethnic groups, as evidenced by the growing numbers of gangs among recent immigrants from Asia and Latin America. This cross-cultural study of Los Angeles gangs identifies the social and economic factors that lead to gang membership and underscores their commonality across four ethnic groupsChicano, African American, Vietnamese, and Salvadorian. James Diego Vigil begins at the community level, examining how destabilizing forces and marginalizing changes have disrupted the normal structures of parenting, schooling, and policing, thereby compelling many youths to grow up on the streets. He then turns to gang members' life stories to show how societal forces play out in individual lives. 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Not only does the U.S. Border Patrol strive to \"hold the line\" against illegal immigrants, but many residents on both sides of the border seek to define and bound themselves apart from groups they perceive as \"others.\" This pathfinding ethnography charts the social categories, metaphors, and narratives that inhabitants of El Paso and Ciudad Juarez use to define their group identity and distinguish themselves from \"others.\" Pablo Vila draws on over 200 group interviews with more than 900 area residents to describe how Mexican nationals, Mexican immigrants, Mexican Americans, African Americans, and Anglos make sense of themselves and perceive their differences from others. This research uncovers the regionalism by which many northern Mexicans construct their sense of identity, the nationalism that often divides Mexican Americans from Mexican nationals, and the role of ethnicity in setting boundaries among Anglos, Mexicans, and African Americans. 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