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                "description": "<p>Between the two world wars, at a time when both sexual repression and sexual curiosity were commonplace, New York was the center of the erotic literature trade in America. The market was large and contested, encompassing not just what might today be considered pornographic material but also sexually explicit fiction of authors such as James Joyce, Theodore Dreiser, and D.H. Lawrence; mail-order manuals; pulp romances; and \"little dirty comics.\"<br><br>Bookleggers and Smuthounds vividly brings to life this significant chapter in American publishing history, revealing the subtle, symbiotic relationship between the publishers of erotica and the moralists who attached themand how the existence of both groups depended on the enduring appeal of prurience. By keeping intact the association of sex with obscenity and shameful silence, distributors of erotica simultaneously provided the antivice crusaders with a public enemy.<br><br>Jay Gertzman offers unforgettable portrayals of the \"pariah capitalists\" who shaped the industry, and of the individuals, organizations, and government agencies that sought to control them. Among the most compelling personalities we meet are the notorious publisher Samuel Roth, \"the Prometheus of the Unprintable,\" and his nemesis, John Sumner, head of the New York Society for the Suppression of Vice, a man aggressive in his pursuit of pornographers and in his quest for a morally unitedand ethnically homogeneousAmerica.</p>",
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                "description": "<p>Originally appearing at the same time as the pacifist novel All Quiet on the Western Front, this powerful collection provides a glimpse into the hearts and minds of an enemy that had been thoroughly demonized by the Allied press. Composed by German students who had left their university studies in order to participate in World War I, these letters reveal the struggles and hardships that all soldiers face.<br><br>The stark brutality and surrealism of war are revealed as young men from Germany describe their bitter combat and occasional camaraderie with soldiers from many nations, including France, Great Britain, and Russia. Like its companion volume, War Letters of Fallen Englishmen, these letters were carefully selected for their depth of perception, the intensity of their descriptions, and their messages to future generations. \"Should these letters help towards the establishment of justice and better understanding between nations,\" the editor reflects in his introduction, \"their deaths will not have been in vain.\" This edition contains a new foreword by the distinguished World War I historian Jay Winter.</p>",
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                "description": "<p>The seventeen essays in Women and Power in the Middle East analyze the social, political, economic, and cultural forces that shape gender systems in the Middle East and North Africa. Published at different times in Middle East Report, the journal of the Middle East Research and Information Project, the essays document empirically the similarities and differences in the gendering of relations of power in twelve countriesMorocco, Algeria, Tunisia, Egypt, Sudan, Palestine, Lebanon, Turkey, Kuwait, Saudi Arabia, Yemen, and Iran. Together they seek to build a framework for understanding broad patterns of gender in the Arab-Islamic world.<br><br>Challenging questions are addressed throughout. What roles have women played in politics in this region? When and why are women politically mobilized, and which women? Does the nature and impact of their mobilization differ if it is initiated by the state, nationalist movements, revolutionary parties, or spontaneous revolt? And what happens to women when those agents of mobilization win or lose? In investigating these and other issues, the essays take a look at the impact of rapid social change in the Arab-Islamic world. They also analyze Arab disillusionment with the radical nationalisms of the 1950s and 1960s and with leftist ideologies, as well as the rise of political Islamist movements. Indeed the essays present rich new approaches to assessing what political participation has meant for women in this region and how emerging national states there have dealt with organized efforts by women to influence the institutions that govern their lives.<br><br>Designed for courses in Middle East, women's, and cultural studies, Women and Power in the Middle East offers to both students and scholars an excellent introduction to the study of gender in the Arab-Islamic world.</p>",
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                "description": "<p>Pain is the most frequent cause of disability in America. And pain specialists estimate that as many as thirty to sixty million Americans suffer from chronic pain. Chronic pain is a complex phenomenonoften extremely difficult to treat, and surprisingly difficult to define.<br><br>Just as medical literature in general neglects the experience of illness, so the clinical literature on pain neglects the experience of pain. \"Camp Pain\" takes an approach different from most studies of chronic pain, which are typically written from a medical or social perspective. Based on a year's fieldwork in a pain treatment center, this book focuses on patients' perspectiveson their experiences of pain, what these experiences mean to them, and how this meaning is socially constructed.<br><br>Jackson explores the psychological burden imposed on many sufferers when they are judged not to have \"real\" pain, and by harsh moral judgments that sufferers are weak, malingering, or responsible in some way for their pain. Jackson also looks at the ways in which severe pain erodes and destroys personal identity, studying in particular the role of language.<br><br>While keeping her focus on patients' experiences, Jackson explores Western concepts of disease, health, mind, and body; assumptions about cause and effect; and notions of shame, guilt, and stigma. \"Camp Pain\" does not attempt to resolve the uncertainties and misperceptions associated with pain but rather aims at enhancing our understanding of the wider implications of chronic pain by focusing on the sufferers themselves.</p>",
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                "description": "<p>Las Siete Partidas, or Seven Divisions, is the major law code of thirteenth-century Spain, compiled by Alfonso X the Learned of Castile. Seven centuries later, this compendium of legal and customary information remains the foundation of modern Spanish law. In addition, its influence is notable in the law of Spain's former colonies, including Texas, California, and Louisiana. The work's extraordinary scope offers unparalleled insight into the social, intellectual, and cultural history of medieval Spain. Built on the armature of a law code, it is in effect an encyclopedia of medieval life.<br><br>Long out of print, the English translation of Las Siete Partidasfirst commissioned in 1931 by the American Bar Associationreturns in a superior new edition. Editor and distinguished medieval historian Robert I. Burns, S.J., provides critical historical material in a new general Introduction and extensive introductions to each Partida. Jerry Craddock of the University of California, Berkeley, provides updated bibliographical notes, and Joseph O'Callaghan of Fordham University contributes a section on law in Alfonso's time.<br><br>Las Siete Partidas is presented in five volumes, each available separately:<br><br>The Medieval Church, Volume 1: The World of Clerics and Laymen (Partida I)<br><br>Medieval Government, Volume 2: The World of Kings and Warriors (Partida II)<br><br>The Medieval World of Law, Volume 3: Lawyers and Their Work (Partida III)<br><br>Family, Commerce, and the Sea, Volume 4: The Worlds of Women and Merchants (Partidas IV and V)<br><br>Underworlds, Volume 5: The Dead, the Criminal, and the Marginalized (Partidas VI and VII)</p>",
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                "description": "<p>Depictions of rape on television have evolved dramatically, from hard-boiled stories about male detectives to more insightful shows focusing on rape victims. Rape on Prime Time is the first book to examine those changing depictions of rape.<br><br>Lisa M. Cuklanz reveals that prime-time television programs during the 1970susually detective showsreflected traditional ideas that \"real\" rape is perpetrated by brutal strangers upon passive victims. Beginning in 1980, depictions of rape began to include attacks by known assailants, and victims began to address their feelings. By 1990, scripts portrayed date and marital rape and paid greater attention to the trial process, reflecting legal reformers' concerns.<br><br>While previous studies have examined one series or genre, Cuklanz examines programs as dissimilar as Barney Miller, Dallas, The Cosby Show, and Quincy. She outlines the \"basic plot\" for rape episodes, then traces the historical development of rape themes. In each chapter she includes close analyses of episodes that add depth to findings derived from scripts and taped episodes.<br><br>Rape on Prime Time provides important insight into the social construction of rape in mainstream mass media since the inception of rape law reform in 1974.</p>",
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                "name": "Unraveling Somalia",
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                "description": "<p>Dil Das was a poor farmeran untouchableliving near Mussoorie, a colonial hill station in the Himalayas. As a boy he became acquainted with a number of American missionary children attending a boarding school in town and, over the years, developed close friendships with them and, eventually, with their sons. The basis for these friendships was a common passion for hunting. This passion and the friendships it made possible came to dominate Dil Das's life.<br><br>When Joseph S. Alter, one of the boys who had hunted with Dil Das, became an adult and a scholar, he set out to write the life history of Dil Das as a way of exploring Garhwali peasant culture. But Alter found his friend uninterested in talking about traditional ethnographic subjects, such as community life, family, or work. Instead, Dil Das spoke almost exclusively about hunting with his American friendstelling endless tales about friendship and hunting that seemed to have nothing to do with peasant culture.<br><br>When Dil Das died in 1986, Alter put the project away. Years later, he began rereading Dil Das's stories, this time from a completely new perspective. Instead of looking for information about peasant culture, he was able to see that Dil Das was talking against culture. From this viewpoint Dil Das's narrative made sense for precisely those reasons that had earlier seemed to render it uselesshis apparent indifference toward details of everyday life, his obsession with hunting, and, above all, his celebration of friendship.<br><br>To a degree in fact, but most significantly in Dil Das's memory, hunting served to merge his and the missionary boys' identities and, thereby, to supersede and render irrelevant all differences of class, caste, and nationality. For Dil Das the intimate experience of hunting together radically decentered the prevailing structure of power and enabled him to redefine himself outside the framework of normal social classification.<br><br>Thus, Knowing Dil Das is not about peasant culture but about the limits of culture and history. And it is about the moral ambiguity of writing and living in a field of power where, despite intimacy, self and other are unequal.</p>",
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