Product List
GET /services/catalog/products?format=api&page=77863
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Through Mobility We Conquer recounts the evolution and development of the U.S. Army's modern mechanized cavalry and the doctrine necessary to use it effectively. The book also explores the debates over how best to use cavalry and how these discussions evolved during the first half of the century. During World War I, the first cavalry theorist proposed combining arms coordination with a mechanized force as an answer to the stalemate on the Western Front. Hofmann brings the story through the next fifty years, when a new breed of cavalrymen became cold war warriors as the U.S. Constabulary was established as an occupation security-police force. Having reviewed thousands of official records and manuals, military journals, personal papers, memoirs, and oral historiesmany of which were only recently declassifiedGeorge F. Hofmann now presents a detailed study of the doctrine, equipment, structure, organization, tactics, and strategy of U.S. mechanized cavalry during the changing international dynamics of the first half of the twentieth century. Illustrated with dozens of photographs, maps, and charts, Through Mobility We Conquer examines how technology revolutionized U.S. forces in the twentieth century and demonstrates how perhaps no other branch of the military underwent greater changes during this time than the cavalry.", "author": "George F. 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All but lost in an era of corporate law firms and specialized practice, this charismatic figure was once at the political center of a community and was the holder of its many secrets. A small town attorney's only specialization was the town itself. Serving as both defender and accuser, these lawyers witnessed communities and individuals at their best and worst. Men and women of the legal profession often exert influence in seemingly small realms, but they play an important role in the lives of many people and help shape the American legal system. Veteran oral historian and folklorist William Lynwood Montell has brought together a fascinating collection of tales gathered from lawyers and judges throughout the Volunteer State. Montell searched small towns and cities across Tennessee for the law's older and middle age practitioners, and he shares the wealth of their experience in Tales from Tennessee Lawyers. These stories are recorded exactly as told by the lawyers themselves, and they reveal candid and unusual snapshots of the legal systemboth past and present. With a tape recorder and an ear for detail, Montell uncovers events and lives ranging from the commonplace to the extraordinary. A man resorts to prostitution to alleviate the debt brought about by divorce proceedings. Identical twins are tried for a string of murders. A convict flees his trial by stealing the judge's car. A prosecutor tries the nation's first school-shooting case. Judge George Balitsaris, a former University of Tennessee football player, escorts a special prosecutor out of a notorious rape trial as a precaution after the defendant's family issues threats. These and similar stories illustrate the strange, complex cases argued daily from Tennessee's largest cities to its smallest towns. Far more than just a collection of lawyer jokes, these recollections shed light on the tense and often dangerous lives of those who work to see that all receive fair representation and treatment in court.", "author": "William Lynwood Montell", "slug": "tales-from-tennessee-lawyers-58808-9780813171784-william-lynwood-montell", "thumbnail_image": "//redshelf-images.s3-external-1.amazonaws.com/thumbnail/9780813171784.jpg", "default_thumbnail_image": "//redshelf-images.s3-external-1.amazonaws.com/thumbnail/default_book_thumbnail.jpg", "product_type": "book", "product_id": "58808", "product_url": "/app/ecom/book/58808/tales-from-tennessee-lawyers-58808-9780813171784-william-lynwood-montell", "bisac_codes": [ "HUM010000", "SOC011000" ], "items_count": null, "identifiers": { "EISBN13": "9780813171784", "EISBN10": "0813171784" }, "drm": null, "cover_image": null, "default_cover_image": null, "book_type": null }, "relationships": { "lowest_offering": { "data": { "type": "offerings", "id": "00010015021395" } } } }, { "type": "Product", "id": "00010000058807", "attributes": { "name": "Style and Status", "subtitle": "Selling Beauty to African American Women, 1920-1975", "description": "Between the 1920s and the 1970s, American economic culture began to emphasize the value of consumption over production. At the same time, the rise of new mass media such as radio and television facilitated the advertising and sales of consumer goods on an unprecedented scale. In Style and Status: Selling Beauty to African American Women, 19201975, Susannah Walker analyzes an often-overlooked facet of twentieth-century consumer society as she explores the political, social, and racial implications of the business devoted to producing and marketing beauty products for African American women. Walker examines African American beauty culture as a significant component of twentieth-century consumerism, and she links both subjects to the complex racial politics of the era. The efforts of black entrepreneurs to participate in the American economy and to achieve self-determination of black beauty standards often caused conflict within the African American community. Additionally, a prevalence of white-owned firms in the African American beauty industry sparked widespread resentment, even among advocates of full integration in other areas of the American economy and culture. Concerned African Americans argued that whites had too much influence over black beauty culture and were invading the market, complicating matters of physical appearance with questions of race and power. Based on a wide variety of documentary and archival evidence, Walker concludes that African American beauty standards were shaped within black society as much as they were formed in reaction to, let alone imposed by, the majority culture. Style and Status challenges the notion that the civil rights and black power movements of the 1950s through the 1970s represents the first period in which African Americans wielded considerable influence over standards of appearance and beauty. Walker explores how beauty culture affected black women's racial and feminine identities, the role of black-owned businesses in African American communities, differences between black-owned and white-owned manufacturers of beauty products, and the concept of racial progress in the postWorld War II era. Through the story of the development of black beauty culture, Walker examines the interplay of race, class, and gender in twentieth-century America.", "author": "Susannah Walker", "slug": "style-and-status-58807-9780813172194-susannah-walker", "thumbnail_image": "//redshelf-images.s3-external-1.amazonaws.com/thumbnail/9780813172194.jpg", "default_thumbnail_image": "//redshelf-images.s3-external-1.amazonaws.com/thumbnail/default_book_thumbnail.jpg", "product_type": "book", "product_id": "58807", "product_url": "/app/ecom/book/58807/style-and-status-58807-9780813172194-susannah-walker", "bisac_codes": [ "HIS054000", "SOC028000" ], "items_count": null, "identifiers": { "EISBN13": "9780813172194", "EISBN10": "0813172195" }, "drm": null, "cover_image": null, "default_cover_image": null, "book_type": null }, "relationships": { "lowest_offering": { "data": { "type": "offerings", "id": "00010015329770" } } } }, { "type": "Product", "id": "00010000058805", "attributes": { "name": "Southern Political Party Activists", "subtitle": "Patterns of Conflict and Change, 1991-2001", "description": "\" The South continues to be the most distinctive region in American politics. Over the last half century, Democratic dominance in the South has given way to the emergence of a truly competitive two-party system that leans Republican in presidential elections. In some ways, the region is increasingly like the rest of the country, yet even the degree of change and the speed with which it occurred give the South a distinctive air. The contributors to Southern Political Party Activists examine both the development of American political party organizations and the changing political character of the South, focusing on grassroots party activists-those who are involved in party organizations at the county level. John A. Clark is associate professor of political science at Western Michigan University. Charles L. Prysby is professor of political science at the University of North Carolina at Greensboro.", "author": "John A. Clark, Charles L. 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Early writers used theater to communicate human experiences and to display reverence for the gods governing daily life. Playwrights from Euripides onward sought inspiration from this interplay between the worldly and the occult, using human belief in the divine to govern characters' actions within a dramatic arena. The constant adherence to the supernatural, despite changing religious ideologies over the centuries, testifies to a deep and continuing belief in the ability of a higher power to interfere in human life. Stages of Evil is the first book to examine the representation and relationship of evil and the occult from the prehistoric origins of drama through to the present day. Drawing on examples of magic, astronomy, demonology, possession, exorcism, fairies, vampires, witchcraft, hauntings, and voodoo, author Robert Lima explores how theater shaped American and European perceptions of the occult and how the dramatic works studied here reflect society back upon itself at different points in history. From representations of Dionysian rites in ancient Greece, to the Mouth of Hell in the Middle Ages, to the mystical cabalistic life of the Hasidic Jews, to the witchcraft and magic of the Elizabethan and Jacobean stage, Lima traces the recurrence of supernatural motifs in pivotal plays and performance works of the Western tradition. Considering numerous myths and cultural artifacts, such as the \"wild man,\" he describes the evolution and continual representation of supernatural archetypes on the modern stage. He also discusses the sociohistorical implications of Christian and pagan representations of evil and the theatrical creativity that occultism has engendered. Delving into his own theatrical, literary, folkloric, and travel experiences to enhance his observations, Lima assays the complex world of occultism and examines diverse works of Western theater and drama. A unique and comprehensive bibliography of European and American plays concludes the study and facilitates further research into the realm of the social and literary impact of the occult.", "author": "Robert Lima", "slug": "stages-of-evil-58804-9780813171760-robert-lima", "thumbnail_image": "//redshelf-images.s3-external-1.amazonaws.com/thumbnail/9780813171760.jpg", "default_thumbnail_image": "//redshelf-images.s3-external-1.amazonaws.com/thumbnail/default_book_thumbnail.jpg", "product_type": "book", "product_id": "58804", "product_url": "/app/ecom/book/58804/stages-of-evil-58804-9780813171760-robert-lima", "bisac_codes": [ "LIT013000" ], "items_count": null, "identifiers": { "EISBN13": "9780813171760", "EISBN10": "0813171768" }, "drm": null, "cover_image": null, "default_cover_image": null, "book_type": null }, "relationships": { "lowest_offering": { "data": { "type": "offerings", "id": "00010015331848" } } } }, { "type": "Product", "id": "00010000058803", "attributes": { "name": "Southern Farmers and Their Stories", "subtitle": "Memory and Meaning in Oral History", "description": "The industrial expansion of the twentieth century brought with it a profound shift away from traditional agricultural modes and practices in the American South. The forces of economic modernityspecialization, mechanization, and improved efficiencyswept through southern farm communities, leaving significant upheaval in their wake. In an attempt to comprehend the complexities of the present and prepare for the uncertainties of the future, many southern farmers searched for order and meaning in their memories of the past. In Southern Farmers and Their Stories, Melissa Walker explores the ways in which a diverse array of farmers remember and recount the past. The book tells the story of the modernization of the South in the voices of those most affected by the decline of traditional ways of life and work. Walker analyzes the recurring patterns in their narratives of change and loss, filling in gaps left by more conventional political and economic histories of southern agriculture. Southern Farmers and Their Stories also highlights the tensions inherent in the relationship between history and memory. Walker employs the concept of \"communities of memory\" to describe the shared sense of the past among southern farmers. History and memory converge and shape one another in communities of memory through an ongoing process in which shared meanings emerge through an elaborate alchemy of recollection and interpretation. In her careful analysis of more than five hundred oral history narratives, Walker allows silenced voices to be heard and forgotten versions of the past to be reconsidered. Southern Farmers and Their Stories preserves the shared memories and meanings of southern agricultural communities not merely for their own sake but for the potential benefit of a region, a nation, and a world that has much to learn from the lessons of previous generations of agricultural providers.", "author": "Melissa Walker", "slug": "southern-farmers-and-their-stories-58803-9780813171500-melissa-walker", "thumbnail_image": "//redshelf-images.s3-external-1.amazonaws.com/thumbnail/9780813171500.jpg", "default_thumbnail_image": "//redshelf-images.s3-external-1.amazonaws.com/thumbnail/default_book_thumbnail.jpg", "product_type": "book", "product_id": "58803", "product_url": "/app/ecom/book/58803/southern-farmers-and-their-stories-58803-9780813171500-melissa-walker", "bisac_codes": [ "HIS054000", "HIS036120" ], "items_count": null, "identifiers": { "EISBN13": "9780813171500", "EISBN10": "0813171504" }, "drm": null, "cover_image": null, "default_cover_image": null, "book_type": null }, "relationships": { "lowest_offering": { "data": { "type": "offerings", "id": "00010015330558" } } } }, { "type": "Product", "id": "00010000058802", "attributes": { "name": "Salvator Rosa in French Literature", "subtitle": "From the Bizarre to the Sublime", "description": "Salvator Rosa (16151673) was a colorful and controversial Italian painter, talented musician, a notable comic actor, a prolific correspondent, and a successful satirist and poet. His paintings, especially his rugged landscapes and their evocation of the sublime, appealed to Romantic writers, and his work was highly influential on several generations of European writers. James S. Patty analyzes Rosa's tremendous influence on French writers, chiefly those of the nineteenth century, such as Stendhal, Honore de Balzac, Victor Hugo, George Sand, and Theophile Gautier. Arranged in chronological order, with numerous quotations from French fiction, poetry, drama, art criticism, art history, literary history, and reference works, Salvator Rosa in French Literature forms a narrative account of the reception of Rosa's life and work in the world of French letters.", "author": "James S. 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The contributors to Rural Life and Culture in the Upper Cumberland discuss an extensive array of subjects, including popular music, movies, architecture, folklore, religion, and literature. Seventeen original essays by prominent scholars such as Lynwood Montell, Charles Wolfe, Allison Ensor, and Jeannette Keith uncover fascinating stories and personalities as they explore topics including wartime hero Alvin C. York, Socialist Party Tennessee gubernatorial candidate Kate Brockford Stockton, and even a thriving nudist colony, the Timberline Lodge.", "author": "Michael E. Birdwell, W. 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Acting on their conviction that American methods had a better chance of building a stable, noncommunist South Vietnamese nation, Eisenhower administration officials systematically ejected French military, economic, political, bureaucratic, and cultural institutions from Vietnam. Kathryn C. Statler examines diplomatic maneuvers in Paris, Washington, London, and Saigon to detail how Western alliance members sought to transform South Vietnam into a modern, westernized, and democratic ally but ultimately failed to counter the Communist threat. Abetted by South Vietnamese prime minister Ngo Dinh Diem, Americans in Washington, D.C., and Saigon undermined their French counterparts at every turn, resulting in the disappearance of a French presence by the time Kennedy assumed office. Although the United States ultimately replaced France in South Vietnam, efforts to build South Vietnam into a nation failed. Instead, it became a dependent client state that was unable to withstand increasing Communist aggression from the North. Replacing France is a fundamental reassessment of the origins of U.S. involvement in Vietnam that explains how Franco-American conflict led the United States to pursue a unilateral and ultimately imperialist policy in Vietnam.", "author": "Kathryn C. 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E. Smyth dramatically departs from the traditional understanding of the relationship between film and history. By looking at production records, scripts, and contemporary reviews, Smyth argues that certain classical Hollywood filmmakers were actively engaged in a self-conscious and often critical filmic writing of national history. Her volume is a major reassessment of American historiography and cinematic historians from the advent of sound to the beginning of wartime film production in 1942. Focusing on key films such as Cimarron (1931), The Public Enemy (1931), Scarface (1932), Ramona (1936), A Star Is Born (1937), Jezebel (1938), Young Mr. Lincoln (1939), Gone with the Wind (1939), Stagecoach (1939), and Citizen Kane (1941), Smyth explores historical cinema's connections to popular and academic historigraphy, historical fiction, and journalism, providing a rich context for the industry's commitment to American history. Rather than emphasizing the divide between American historical cinema and historical writing, Smyth explores the continuities between Hollywood films and history written during the first four decades of the twentieth century, from Carl Becker's famous \"Everyman His Own Historian\" to Howard Hughes's Scarface to Margaret Mitchell and David O. Selznick's Gone with the Wind. Hollywood's popular and often controversial cycle of historical films from 1931 to 1942 confronted issues as diverse as frontier racism and women's experiences in the nineteenth-century South, the decline of American society following the First World War, the rise of Al Capone, and the tragic history of Hollywood's silent era. Looking at rarely discussed archival material, Smyth focuses on classical Hollywood filmmakers' adaptation and scripting of traditional historical discourse and their critical revision of nineteenth- and twentieth-century American history. Reconstructing American Historical Cinema uncovers Hollywood's diverse and conflicted attitudes toward American history. This text is a fundamental challenge the prevailing scholarship in film, history, and cultural studies.", "author": "J.E. 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He proposes that in order to write reliable opinions, these men and women must have a deeper understanding of the enduring principles upon which the law naturally tends to draw. In the study of constitutional law, Anastaplo argues that it is more important to weigh what the Supreme Court has said and how that is saidwhat considerations it weighed and howthan it is to know what it is recorded that the Court \"decided.\"In Reflections on Constitutional Law, Anastaplo makes the case for a renewed focus on a now often-overlooked aspect of the study of law. 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Stone. The modern churches resulting from the union are known collectively to religious scholars as part of the Stone-Campbell movement. If Stone and Campbell are considered the architects of the Disciples of Christ and America's first nondenominational movement, then Kentucky's Raccoon John Smith is their builder and mason. Raccoon John Smith: Frontier Kentucky's Most Famous Preacher is the biography of a man whose work among the early settlers of Kentucky carries an important legacy that continues in our own time. The son of a Revolutionary War soldier, Smith spent his childhood and adolescence in the untamed frontier country of Tennessee and southern Kentucky. A quick-witted, thoughtful, and humorous youth, Smith was shaped by the unlikely combination of his dangerous, feral surroundings and his Calvinist religious indoctrination. The dangers of frontier life made an even greater impression on John Smith as a young man, when several instances of personal tragedy forced him to question the philosophy of predeterminism that pervaded his religious upbringing. From these crises of faith, Smith emerged a changed man with a new vocation: to spread a Christian faith wherein salvation was available to all people. Thus began the long, ecclesiastical career of Raccoon John Smith and the germination of a religious revolution. Exhaustively researched, engagingly written, Raccoon John Smith is the first objective and painstakingly accurate treatment of the legendary frontier preacher. The intricacies behind the development of both Smith's personal religious beliefs and the founding of the Christian Church are treated with equal care. Raccoon John Smith is the story of a single man, but in carefully examining the events and people that influenced Elder Smith, this book also serves as a formative history for several Christian denominations, as well as an account of the wild, early years of the Commonwealth of Kentucky.", "author": "Elder John Sparks", "slug": "raccoon-john-smith-58797-9780813171821-elder-john-sparks", "thumbnail_image": "//redshelf-images.s3-external-1.amazonaws.com/thumbnail/9780813171821.jpg", "default_thumbnail_image": "//redshelf-images.s3-external-1.amazonaws.com/thumbnail/default_book_thumbnail.jpg", "product_type": "book", "product_id": "58797", "product_url": "/app/ecom/book/58797/raccoon-john-smith-58797-9780813171821-elder-john-sparks", "bisac_codes": [ "BIO000000", "BIO018000" ], "items_count": null, "identifiers": { "EISBN13": "9780813171821", "EISBN10": "0813171822" }, "drm": null, "cover_image": null, "default_cover_image": null, "book_type": null }, "relationships": { "lowest_offering": { "data": { "type": "offerings", "id": "00010015330908" } } } }, { "type": "Product", "id": "00010000058795", "attributes": { "name": "Profiles from the Kitchen", "subtitle": "What Great Cooks Have Taught Us about Ourselves and Our Food", "description": "In an age where convenience often ranks above quality, many Americans have abandoned traditional recipes and methods of cooking for fast solutions to their hunger and nourishment needs. Modern families are busier than ever, juggling hectic schedules that send them to fast-food restaurant drive-through windows and to grocery stores crowded with pre-processed and ready-to-eat foods. With parents frequently working during the daytime, efficient food preparation in the evenings has become the number one priority in kitchens across the country. This trend began during the postWorld War II years, which heralded the arrival of \"fast foods\" and innovative technological advancements that sought to simplify the cooking process. These products were marketed as quick and convenient alternatives that transformed the concept of cooking from a cultural activity and a means of bonding with one's family to a chore that should occupy as little time and energy as possible. Profiles from the Kitchen: What Great Cooks Have Taught Us about Ourselves and Our Food is Charles A. Baker-Clark's call to abandon the \"homogenization of food and dining experiences\" by encouraging us to reclaim knowledge of cooking and eating and reconnect with our ethnic, familial, and regional backgrounds. Baker-Clark profiles fifteen individuals who have shaped our experiences with food and who have gone beyond popular trends to promote cooking as a craft worth learning and sustaining. The cooks and food critics he writes about emphasize the appreciation of good cooking and the relationship of food to social justice, spirituality, and sustainability. Profiles from the Kitchen highlights prominent figures within the food industry, from nationally and internationally known individuals such as Paul and Julia Child, James Beard, and M.F.K. Fisher to regional food experts such as John T. Edge and Dennis Getto. 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I Love You", "subtitle": "The Story of the Singing Hilltoppers", "description": "In 1953, the same year that Elvis Presley cut his first demo, Cash Box magazine named the Hilltoppers the top vocal group of the year. Hits such as \"Trying\" and \"P.S. I Love You\" raced up the charts and kept the group in Billboard's Top 40. The four fresh-faced singers appeared on The Toast of the Town with Ed Sullivan, who introduced them to the nation. On weekends the Hilltoppers performed in cities across the country, but on Monday mornings they were better known as Western Kentucky State College students Jimmy Sacca, Seymour Spiegelman, Don McGuire, and Billy Vaughn. The Korean War, military drafts, and changing public tastes in music, however, cut short singing careers that should have lasted much longer. Sacca was drafted in 1953, mere months before the end of the war. Vaughn left the group shortly after that for a career at Dot Records and found fame elsewhere with his orchestra. McGuire and Spiegelman were drafted as well, and despite a set of temporary replacement members, the group eventually called it quits. Fifty years later, historian Carlton Jackson revisits the Kentucky college kids who made it big between classes. He follows the group from their first hit, recorded in Western's Van Meter Auditorium, to their brief 1970s reunion. 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Today, political strategists view the South as an essential region to cultivate if political hopefuls are to have a chance of winning elections at the national level. Although operating within the context of a secular government, American politics is decidedly marked by a Christian influence. In the mostly Protestant South, religion and politics have long been nearly inextricable. Politics and Religion in the White South skillfully examines the powerful role that religious considerations and influence have played in American political discourse. This collection of thirteen essays from prominent historians and political scientists explores the intersection in the South of religion, politics, race relations, and southern culture from postCivil War America to the present, when the Religious Right has exercised a profound impact on the course of politics in the region as well as the nation. 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Although best known for his movies about gangsters and violence, such as Mean Streets, Goodfellas, Casino, and Taxi Driver, Scorsese has addressed a much wider range of themes and topics in the four decades of his career. In The Philosophy of Martin Scorsese, an impressive cast of contributors explores the complex themes and philosophical underpinnings of Martin Scorsese's films. The essays concerning Scorsese's films about crime and violence investigate the nature of friendship, the ethics of vigilantism, and the nature of unhappiness. The authors delve deeply into the minds of Scorsese's tortured characters and explore how the men and women he depicts grapple with moral codes and their emotions. Several of the essays explore specific themes in individual films. The authors describe how Scorsese addresses the nuances of social mores and values in The Age of Innocence, the nature of temptation and self-sacrifice in The Last Temptation of Christ and Bringing Out the Dead, and the complexities of innovation and ambition in The Aviator. Other chapters in the collection examine larger philosophical questions. In a world where everything can be interpreted as meaningful, Scorsese at times uses his films to teach audiences about the meaning in life beyond the everyday world depicted in the cinema. For example, his films touching on religious subjects, such as Kundun and The Last Temptation of Christ, allow the director to explore spiritualism and peaceful ways of responding to the chaos in the world.Filled with penetrating insights on Scorsese's body of work, The Philosophy of Martin Scorsese shows the director engaging with many of the most basic questions about our humanity and how we relate to one another in a complex world.", "author": "Mark T. 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This long-awaited work provides identification keys for Kentucky's 2,600 native and naturalized vascular plants, with notes on wildlife/human uses, poisonous plants, and medicinal herbs. The common name, flowering period, habitat, distribution, rarity, and wetland status are given for each species, and about 80 percent are illustrated with line drawings. The inclusion of 250 additional species from outside the state (these species are \"to be expected\" in Kentucky) broadens the regional coverage, and most plants occurring from northern Alabama to southern Ohio to the Mississippi River (an area of wide similarity in flora) are examined, including nearly all the plants of western and central Tennessee. The author also describes prehistoric and historical changes in the flora, natural regions and plant communities, significant botanists, current threats to plant life, and a plan for future studies. 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Sharply critical of the United States' policies in Afghanistan and Iraq and concerned about our nation's declining credibility throughout the world, Bronner examines the unexplored possibilities and recurrent roadblocks in the struggle for peace. Whether visiting academics in Iran, refugees in Palestine, or the president of Syria, Bronner seeks to listen and learn. These experiences have shaped Bronner's understanding of how the political crises in the Middle East have dramatically influenced Western politics and culture. Peace Out of Reach also investigates the extraordinary controversies generated by the publication of blasphemous cartoons of the prophet Mohammed, the religious conservatism of Pope Benedict XVI, the character of contemporary anti-Semitism, and the connection between human rights and personal faith. Peace Out of Reach is both a study in foreign policy and a philosophical inquiry that raises profound ethical questions about the world and the United States' role in it. It links experience with erudition and objective analysis with strategic proposals for change. This book will undoubtedly resonate with all people seeking an alternative to the discredited policies of the past. It contributes mightily to the cultivation of a cosmopolitan and democratic politics.", "author": "Stephen Eric Bronner", "slug": "peace-out-of-reach-58790-9780813172576-stephen-eric-bronner", "thumbnail_image": "//redshelf-images.s3-external-1.amazonaws.com/thumbnail/9780813172576.jpg", "default_thumbnail_image": "//redshelf-images.s3-external-1.amazonaws.com/thumbnail/default_book_thumbnail.jpg", "product_type": "book", "product_id": "58790", "product_url": "/app/ecom/book/58790/peace-out-of-reach-58790-9780813172576-stephen-eric-bronner", "bisac_codes": [ "HIS027110", "POL011000" ], "items_count": null, "identifiers": { "EISBN13": "9780813172576", "EISBN10": "0813172578" }, "drm": null, "cover_image": null, "default_cover_image": null, "book_type": null }, "relationships": { "lowest_offering": { "data": { "type": "offerings", "id": "00010015035148" } } } }, { "type": "Product", "id": "00010000058789", "attributes": { "name": "Out of the Inkwell", "subtitle": "Max Fleischer and the Animation Revolution", "description": "Max Fleischer (18831972) was for years considered Walt Disney's only real rival in the world of cartoon animation. The man behind the creation of such legendary characters as Betty Boop and the animation of Popeye the Sailor and Superman, Fleischer asserted himself as a major player in the development of Hollywood entertainment. Out of the Inkwell: Max Fleischer and the Animation Revolution is a vivid portrait of the life and world of a man who shaped the look of cartoon animation. Also interested in technical innovation, Fleischer invented the rotoscopea device that helped track live action and allowed his cartoons to revolutionize the way animated characters appeared and moved on-screen. In the 1920s, Fleischer created a series of \"Out of the Inkwell\" films, which led to a deal with Paramount. Their character KoKo the Clown introduced new animation effects by growing out of Fleischer's pen on-screen. 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Though temperance quickly gained support in the antebellum North, Southerners cast a skeptical eye on the movement, because of its ties with antislavery efforts. Postwar evangelicals quickly realized they had to make temperance appealing to the South by transforming the Yankee moral reform movement into something compatible with southern values and culture. In Liquor in the Land of the Lost Cause: Southern White Evangelicals and the Prohibition Movement, Joe L. Coker examines the tactics and results of temperance reformers between 1880 and 1915. Though their denominations traditionally forbade the preaching of politics from the pulpit, an outgrowth of evangelical fervor led ministers and their congregations to sound the call for prohibition. Determined to save the South from the evils of alcohol, they played on southern cultural attitudes about politics, race, women, and honor to communicate their message. 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