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                "description": "A fascinating personal memoir of underwater combat in World War II, told by a man who played a major role in those dangerous operations. Frank and beautifully written, Submarine Commander's breezy style and irrepressible humor place it in a class by itself. This book will be of lasting value as a submarine history by an expert and as an enduring military and political analysis. In early 1943 the submarine USS Scorpion, with Paul R. Schratz as torpedo officer, slipped into the shallow waters east of Tokyo, laid a minefield, and made successful torpedo attacks on merchant shipping. Schratz participated in many more patrols in heavily mined Japanese waters as executive officer of the Sterlet and the Atule. At war's end he participated in the Japanese surrender, aided the release of American POWs, and had a key role in the disarming of enemy suicide submarines. He then took command of the revolutionary new Japanese submarine I-203 and returned it to Pearl Harbor. But this was far from the end of Schratz's submarine career. In 1949 he commissioned the ultramodern USS Pickerel, the most deadly submarine then afloat, and set a world's record in a 21-day, 5,200-mile submerged passage from Hong Kong to Honolulu. With the outbreak of the Korean War, the Pickerel was immediately sent to Korea to participate in secret intelligence operations only recently declassified and never before revealed in print. Schratz's broad military experience makes this a far from ordinary memoir.",
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                "description": "\" When the first American tax on distilled spirits was established in 1791, violence broke out in Pennsylvania. The resulting Whiskey Rebellion sent hundreds of families down the Ohio River by flatboat, stills on board, to settle anew in the fertile bottomlands of Kentucky. Here they used cold limestone spring water to make bourbon and found that corn produced even better yields of whiskey than rye. Thus, the licit and illicit branches of the distilling industry grew up side by side in the state. This is the story of the illicit sidethe moonshiners' craft and craftsmanship, as practiced in Kentucky. A glossary of moonshiner argot sheds light on such colorful terms as \"puker,\" \"slop,\" and \"weed-monkey.\" David Maurer's tone is tongue-in-cheek, but he provides a realistic look at the Kentucky moonshiner and the moonshining industry.",
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                "description": "\" The 1943 invasion of Bougainville, largest and northernmost of the Solomon Islands, and the naval battles during the campaign for the island, contributed heavily to the defeat of the Japanese in the Pacific War. Here Harry Gailey presents the definitive account of the long and bitter fighting that took place on that now all-but-forgotten island. A maze of swamps, rivers, and rugged hills overgrown with jungle, Bougainville afforded the Allies a strategic site for airbases from which to attack the Japanese bastion of Rabaul. By February of 1944 the Japanese air strength at Rabaul had indeed been wiped out and their other forces there had been isolated and rendered ineffective. The early stages of the campaign were unique in the degree of cooperation among Allied forces. The overall commander, American Admiral Halsey, marshaled land, air, and naval contingents representing the United States, Australia, and New Zealand. Unlike the other island campaigns in the Pacific, the fighting on Bougainville was a protracted struggle lasting nearly two years. Although the initial plan was simply to seize enough area for three airbases and leave the rest in Japanese hands, the Australian commanders, who took over in November 1944, decided to occupy the entire island. The consequence was a series of hard-fought battles that were still going on when Japan's surrender finally brought them to an end. For the Americans, a notable aspect of the campaign was the first use of black troops. Although most of these troops did well, the poor performance of one black company was greatly exaggerated in reports and in the media, which led to black soldiers in the Pacific theater begin relegated to non-combat roles for the remainder of the war. Gailey brings again to life this long struggle for an island in the far Pacific and the story of the tens of thousands of men who fought and died there.",
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                "description": "The roots of American globalization can be found in the War of 1898. Then, as today, the United States actively engaged in globalizing its economic order, itspolitical institutions, and its values. Thomas Schoonover argues that this drive to expand political and cultural reachthe quest for wealth, missionary fulfillment, security, power, and prestigewas inherited by the United States from Europe, especially Spain and Great Britain. Uncle Sam's War of 1898 and the Origins of Globalization is a pathbreaking work of history that examines U.S. growth from its early nationhood to its first major military conflict on the world stage, also known as the Spanish-American War. As the new nation's military, industrial, and economic strength developed, the United States created policies designed to protect itself from challenges beyond its borders. According to Schoonover, a surge in U.S. activity in the Gulf-Caribbean and in Central America in the late nineteenth and early twentieth centuries was catalyzed by the same avarice and competitiveness that motivated the European adventurers to seek a route to Asia centuries earlier. Addressing the basic chronology and themes of the first century of the nation's expansion, Schoonover locates the origins of the U.S. goal of globalization. U.S. involvement in the War of 1898 reflects many of the fundamental patterns in our national historyexploration and discovery, labor exploitation, violence, racism, class conflict, and concern for securitythat many believe shaped America's course in the twentieth and twenty-first century.",
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                "description": "Film stocks are vanishing, but the iconic images of the silver screen remainalbeit in new, sleeker formats. Today, viewers can instantly stream movies on televisions, computers, and smartphones. Gone are the days when films could only be seen in theaters or rented at video stores: movies are now accessible at the click of a button, and there are no reels, tapes, or discs to store. Any film or show worth keeping may be collected in the virtual cloud and accessed at will through services like Netflix, Hulu, and Amazon Instant.The movies have changed, and we are changing with them. The ways we communicate, receive information, travel, and socialize have all been revolutionized. In Streaming, Wheeler Winston Dixon reveals the positive and negative consequences of the transition to digital formatting and distribution, exploring the ways in which digital cinema has altered contemporary filmmaking and our culture. Many industry professionals and audience members feel that the new format fundamentally alters the art, while others laud the liberation of the moving image from the \"imperfect\" medium of film, asserting that it is both inevitable and desirable. Dixon argues that the change is neither good nor bad; it's simply a fact.Hollywood has embraced digital production and distribution because it is easier, faster, and cheaper, but the displacement of older technology will not come without controversy. This groundbreaking book illuminates the challenges of preserving media in the digital age and explores what stands to be lost, from the rich hues of traditional film stocks to the classic movies that are not profitable enough to offer in streaming formats. Dixon also investigates the financial challenges of the new distribution model, the incorporation of new content such as webisodes, and the issue of ownership in an age when companies have the power to pull purchased items from consumer devices at their own discretion.Streaming touches on every aspect of the shift to digital production and distribution. It explains not only how the new technology is affecting movies, music, books, and games, but also how instant access is permanently changing the habits of viewers and influencing our culture.",
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