Product List
GET /services/catalog/products?format=api&page=77821
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Doenecke examines the clash of opinions over the war during this transformative period and offers a fresh perspective on America's decision to enter World War I.Doenecke reappraises the public and private diplomacy of President Woodrow Wilson and his closest advisors and explores in great depth the response of Congress to the war. He also investigates the debates that raged in the popular media and among citizen groups that sprang up across the country as the U.S. economy was threatened by European blockades and as Americans died on ships sunk by German U-boats.The decision to engage in battle ultimately belonged to Wilson, but as Doenecke demonstrates, Wilson's choice was not made in isolation. Nothing Less Than War provides a comprehensive examination of America's internal political climate and its changing international role during the seminal period of 19141917.", "author": "Justus D. Doenecke", "slug": "nothing-less-than-war-58728-9780813130033-justus-d-doenecke", "thumbnail_image": "//redshelf-images.s3-external-1.amazonaws.com/thumbnail/9780813130033.jpg", "default_thumbnail_image": "//redshelf-images.s3-external-1.amazonaws.com/thumbnail/default_book_thumbnail.jpg", "product_type": "book", "product_id": "58728", "product_url": "/app/ecom/book/58728/nothing-less-than-war-58728-9780813130033-justus-d-doenecke", "bisac_codes": [ "HIS036060", "HIS027090" ], "items_count": null, "identifiers": { "EISBN13": "9780813130033", "EISBN10": "0813130034" }, "drm": null, "cover_image": null, "default_cover_image": null, "book_type": null }, "relationships": { "lowest_offering": { "data": { "type": "offerings", "id": "00010015332303" } } } }, { "type": "Product", "id": "00010000058727", "attributes": { "name": "Surface and Destroy", "subtitle": "The Submarine Gun War in the Pacific", "description": "World War II submariners rarely experienced anything as exhilarating or horrifying as the surface gun attack. Between the ocean floor and the rolling whitecaps above, submarines patrolled a dark abyss in a fusion of silence, shadows, and steel, firing around eleven thousand torpedoes, sinking Japanese men-of-war and more than one thousand merchant ships. But the anonymity and simplicity of the stealthy torpedo attack hid the savagery of warfarea stark difference from the brutality of the surface gun maneuver. As the submarine shot through the surface of the water, confined sailors scrambled through the hatches armed with large-caliber guns and met the enemy face-to-face. Surface and Destroy: The Submarine Gun War in the Pacific reveals the nature of submarine warfare in the Pacific Ocean during World War II and investigates the challenges of facing the enemy on the surface.The surface battle amplified the realities of war, bringing submariners into close contact with survivors and potential prisoners of war. As Japan's larger ships disappeared from the Pacific theater, American submarines turned their attention to smaller craft such as patrol boats, schooners, sampans, and junks. Some officers refused to attack enemy vessels of questionable value, while others attacked reluctantly and tried to minimize casualties. Michael Sturma focuses on the submariners' reactions and attitudes toward their victims, exploring the sailors' personal standards of morality and their ability to wage total war. Surface and Destroy is a thorough analysis of the submariner experience and the effects of surface attacks on the war in the Pacific, offering a compelling study of the battles that became \"intolerably personal.\"", "author": "Michael Sturma", "slug": "surface-and-destroy-58727-9780813129990-michael-sturma", "thumbnail_image": "//redshelf-images.s3-external-1.amazonaws.com/thumbnail/9780813129990.jpg", "default_thumbnail_image": "//redshelf-images.s3-external-1.amazonaws.com/thumbnail/default_book_thumbnail.jpg", "product_type": "book", "product_id": "58727", "product_url": "/app/ecom/book/58727/surface-and-destroy-58727-9780813129990-michael-sturma", "bisac_codes": [ "HIS027100" ], "items_count": null, "identifiers": { "EISBN13": "9780813129990", "EISBN10": "0813129990" }, "drm": null, "cover_image": null, "default_cover_image": null, "book_type": null }, "relationships": { "lowest_offering": { "data": { "type": "offerings", "id": "00010015332291" } } } }, { "type": "Product", "id": "00010000058726", "attributes": { "name": "Constructing Affirmative Action", "subtitle": "The Struggle for Equal Employment Opportunity", "description": "Between 1965, when President Lyndon B. Johnson defined affirmative action as a legitimate federal goal, and 1972, when President Richard M. Nixon named one of affirmative action's chief antagonists the head of the Department of Labor, government officials at all levels addressed racial economic inequality in earnest. Providing members of historically disadvantaged groups an equal chance at obtaining limited and competitive positions, affirmative action had the potential to alienate large numbers of white Americans, even those who had viewed school desegregation and voting rights in a positive light. Thus, affirmative action wasand continues to becontroversial. Novel in its approach and meticulously researched, David Hamilton Golland's Constructing Affirmative Action: The Struggle for Equal Employment Opportunity bridges a sizeable gap in the literature on the history of affirmative action. Golland examines federal efforts to diversify the construction trades from the 1950s through the 1970s, offering valuable insights into the origins of affirmative actionrelated policy. Constructing Affirmative Action analyzes how community activism pushed the federal government to address issues of racial exclusion and marginalization in the construction industry with programs in key American cities.", "author": "David Hamilton Golland", "slug": "constructing-affirmative-action-58726-9780813129983-david-hamilton-golland", "thumbnail_image": "//redshelf-images.s3-external-1.amazonaws.com/thumbnail/9780813129983.jpg", "default_thumbnail_image": "//redshelf-images.s3-external-1.amazonaws.com/thumbnail/default_book_thumbnail.jpg", "product_type": "book", "product_id": "58726", "product_url": "/app/ecom/book/58726/constructing-affirmative-action-58726-9780813129983-david-hamilton-golland", "bisac_codes": [ "HIS036060", "SOC001000" ], "items_count": null, "identifiers": { "EISBN13": "9780813129983", "EISBN10": "0813129982" }, "drm": null, "cover_image": null, "default_cover_image": null, "book_type": null }, "relationships": { "lowest_offering": { "data": { "type": "offerings", "id": "00010015331372" } } } }, { "type": "Product", "id": "00010000058725", "attributes": { "name": "The Philosophy of David Lynch", "subtitle": "", "description": "From his cult classic television series Twin Peaks to his most recent film Inland Empire (2006), David Lynch is best known for his unorthodox narrative style. An award-winning director, producer, and writer, Lynch distorts and disrupts traditional storylines and offers viewers a surreal, often nightmarish perspective. His unique approach to filmmaking has made his work familiar to critics and audiences worldwide, and he earned Academy Award nominations for Best Director for The Elephant Man (1980), Blue Velvet (1986), and Mulholland Drive (2001). Lynch creates a new reality for both characters and audience by focusing on the individual and embracing existentialism. In The Philosophy of David Lynch, editors William J. Devlin and Shai Biderman have compiled an impressive list of contributors to explore the philosophy at the core of the filmmaker's work. Lynch is examined as a postmodern artist, and the themes of darkness, logic, and time are discussed in depth. Other prominent issues in Lynch's films, such as Bad faith and freedom, ethics, politics, and religion, are also considered. Investigating myriad aspects of Lynch's influential and innovative work, The Philosophy of David Lynch provides a fascinating look at the philosophical underpinnings of the famous cult director.", "author": "William J. 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McVey and the University of Kentucky", "subtitle": "A Progressive President and the Modernization of a Southern University", "description": "In 1917, fifty-two years after its founding, the University of Kentucky faced stagnation, financial troubles, and disturbing reports of nepotism, resulting in a leadership crisis. A special committee investigated the institution and issued a report calling for a massive transformation of the university, including the hiring of a new president who could execute the report's suggested initiatives. The Board of Trustees hired Frank L. McVey. McVey labored tirelessly for more than two decades to establish Kentucky as one of the nation's most respected institutions of higher learning, which brought him recognition as one of the leading progressive educators in the South. In Frank L. McVey and the University of Kentucky, Eric A. Moyen chronicles McVey's triumphs and challenges as the president sought to transform the university from a small state college into the state's flagship institution. McVey recruited an exceptional faculty, expanded graduate programs, promoted research, oversaw booming enrollments and campus construction, and defended academic freedom during the nation's first major antievolution controversy. Yet he faced challenges related to the development of modern collegiate athletics, a populace suspicious of his remarkable new conception of a state university, and the Great Depression. This authoritative biography not only details an important period in the history of the university and the commonwealth, but also tells the story of the advancement of education reform in early-twentieth-century America.", "author": "Eric A. 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Porter of the Ninth Kentucky Cavalry", "description": "John Marion Porter (18391898) grew up working at his family's farm and dry goods store in Butler County, Kentucky. The oldest of Reverend Nathaniel Porter's nine children, he was studying to become a lawyer when the Civil War began. As the son of a family of slave owners, Porter identified with the Southern cause and wasted little time enlisting in the Confederate army. He and his lifelong friend Thomas Henry Hines served in the Ninth Kentucky Calvary under John Hunt Morgan, the \"Thunderbolt of the Confederacy.\"When the war ended, Porter and Hines opened a law practice together, but Porter was concerned that the story of his service during the Civil War and his family's history would be lost with the collapse of the Confederacy. In 1872, Porter began writing detailed memoirs of his experiences during the war years, including tales of scouting behind enemy lines, sabotaging a Union train, being captured and held as a prisoner of war, and searching for an army to join after his release.Editor Kent Masterson Brown spent several years preparing Porter's memoir for publication, clarifying details and adding annotations to provide historical context. One of Morgan's Men: Memoirs of Lieutenant John M. Porter of the Ninth Kentucky Cavalry is a fascinating firsthand account of the life of a remarkable Confederate soldier. In this unique volume, Porter's insights on Morgan and the Confederacy are available to readers for the first time.", "author": "John M. Porter, Kent Masterson Brown", "slug": "one-of-morgans-men-58723-9780813129907-john-m-porter", "thumbnail_image": "//redshelf-images.s3-external-1.amazonaws.com/thumbnail/9780813129907.jpg", "default_thumbnail_image": "//redshelf-images.s3-external-1.amazonaws.com/thumbnail/default_book_thumbnail.jpg", "product_type": "book", "product_id": "58723", "product_url": "/app/ecom/book/58723/one-of-morgans-men-58723-9780813129907-john-m-porter", "bisac_codes": [ "BIO008000", "HIS036050" ], "items_count": null, "identifiers": { "EISBN13": "9780813129907", "EISBN10": "0813129907" }, "drm": null, "cover_image": null, "default_cover_image": null, "book_type": null }, "relationships": { "lowest_offering": { "data": { "type": "offerings", "id": "00010015104864" } } } }, { "type": "Product", "id": "00010000058722", "attributes": { "name": "After the Dream", "subtitle": "Black and White Southerners since 1965", "description": "Martin Luther King's 1965 address from Montgomery, Alabama, the center of much racial conflict at the time and the location of the well-publicized bus boycott a decade earlier, is often considered by historians to be the culmination of the civil rights era in American history. In his momentous speech, King declared that segregation was \"on its deathbed\" and that the movement had already achieved significant milestones. Although the civil rights movement had won many battles in the struggle for racial equality by the mid-1960s, including legislation to guarantee black voting rights and to desegregate public accommodations, the fight to implement the new laws was just starting. In reality, King's speech in Montgomery represented a new beginning rather than a conclusion to the movement, a fact that King acknowledged in the address. After the Dream: Black and White Southerners since 1965 begins where many histories of the civil rights movement end, with King's triumphant march from the iconic battleground of Selma to Montgomery. Timothy J. Minchin and John Salmond focus on events in the South following the passage of the 1964 Civil Rights Act and the 1965 Voting Rights Act. After the Dream examines the social, economic, and political implications of these laws in the decades following their passage, discussing the empowerment of black southerners, white resistance, accommodation and acceptance, and the nation's political will. The book also provides a fascinating history of the often-overlooked period of race relations during the presidential administrations of Ford, Carter, Reagan, and both George H. W. and George W. Bush. Ending with the election of President Barack Obama, this study will influence contemporary historiography on the civil rights movement.", "author": "Timothy J. Minchin, John A. 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Kennedy established the Peace Corps on March 1, 1961. In the fifty years since, nearly 200,000 Americans have served in 139 countries, providing technical assistance, promoting a better understanding of American culture, and bringing the world back to the United States. In Voices from the Peace Corps: Fifty Years of Kentucky Volunteers, Angene Wilson and Jack Wilson, who served in Liberia from 1962 to 1964, follow the experiences of Peace Corps volunteers as they make the decision to join, attend training, adjust to the job and living overseas, make friends, and eventually return home to serve in their communities. They also describe how the volunteers made a difference in their host countries and how they became citizens of the world for the rest of their lives. Among many others, the interviewees include a physics teacher who served in Nigeria in 1961, a nineteen-year-old Mexican American who worked in an agricultural program in Guatemala in the 1970s, a builder of schools and relationships who served in Gabon from 1989 to 1992, and a retired office administrator who taught business in Ukraine from 2000 to 2002. Voices from the Peace Corps emphasizes the value of practical idealism in building meaningful cultural connections that span the globe.", "author": "Angene Wilson, Jack Wilson, Christopher J. Dodd", "slug": "voices-from-the-peace-corps-58721-9780813129822-angene-wilson-jack-wilson", "thumbnail_image": "//redshelf-images.s3-external-1.amazonaws.com/thumbnail/9780813129822.jpg", "default_thumbnail_image": "//redshelf-images.s3-external-1.amazonaws.com/thumbnail/default_book_thumbnail.jpg", "product_type": "book", "product_id": "58721", "product_url": "/app/ecom/book/58721/voices-from-the-peace-corps-58721-9780813129822-angene-wilson-jack-wilson", "bisac_codes": [ "HIS036120", "HIS036060" ], "items_count": null, "identifiers": { "EISBN13": "9780813129822", "EISBN10": "0813129826" }, "drm": null, "cover_image": null, "default_cover_image": null, "book_type": null }, "relationships": { "lowest_offering": { "data": { "type": "offerings", "id": "00010015331533" } } } }, { "type": "Product", "id": "00010000058718", "attributes": { "name": "What Comes Down to Us", "subtitle": "25 Contemporary Kentucky Poets", "description": "What Comes Down To Us features twenty-five of Kentucky's most accomplished contemporary poets. Together they serve to illustrate the diversity and richness of poetry being written today in the Commonwealth. The poems were collected by Jeff Worley, a poet who has lived in Kentucky for more than two decades. Although the subject matter of the poems transcends the state's borders, the collection communicates a strong sense of Kentucky as a place. Worley's introduction places contemporary Kentucky poetry in the context of the state's rich literary tradition, and the poet biographies include their reflections and, often, their poetic approach and technique.", "author": "Ed McClanahan, Jeff Worley", "slug": "what-comes-down-to-us-58718-9780813173511", "thumbnail_image": "//redshelf-images.s3-external-1.amazonaws.com/thumbnail/9780813173511.jpg", "default_thumbnail_image": "//redshelf-images.s3-external-1.amazonaws.com/thumbnail/default_book_thumbnail.jpg", "product_type": "book", "product_id": "58718", "product_url": "/app/ecom/book/58718/what-comes-down-to-us-58718-9780813173511", "bisac_codes": [ "POE001000" ], "items_count": null, "identifiers": { "EISBN13": "9780813173511", "EISBN10": "0813173515" }, "drm": null, "cover_image": null, "default_cover_image": null, "book_type": null }, "relationships": { "lowest_offering": { "data": { "type": "offerings", "id": "00010015261090" } } } }, { "type": "Product", "id": "00010000058717", "attributes": { "name": "A Political Companion to Walt Whitman", "subtitle": "", "description": "The works of Walt Whitman have been described as masculine, feminine, postcolonial, homoerotic, urban, organic, unique, and democratic, yet arguments about the extent to which Whitman could or should be considered a political poet have yet to be fully confronted. Some scholars disregard Whitman's understanding of democracy, insisting on separating his personal works from his political works. A Political Companion to Walt Whitman is the first full-length exploration of Whitman's works through the lens of political theory. Editor John E. Seery and a collection of prominent theorists and philosophers uncover the political awareness of Whitman's poetry and prose, analyzing his faith in the potential of individuals, his call for a revolution in literature and political culture, and his belief in the possibility of combining heroic individualism with democratic justice. A Political Companion to Walt Whitman reaches beyond literature into political theory, revealing the ideology behind Whitman's call for the emergence of American poets of democracy.", "author": "John E. Seery", "slug": "a-political-companion-to-walt-whitman-58717-9780813126555", "thumbnail_image": "//redshelf-images.s3-external-1.amazonaws.com/thumbnail/9780813126555.jpg", "default_thumbnail_image": "//redshelf-images.s3-external-1.amazonaws.com/thumbnail/default_book_thumbnail.jpg", "product_type": "book", "product_id": "58717", "product_url": "/app/ecom/book/58717/a-political-companion-to-walt-whitman-58717-9780813126555", "bisac_codes": [ "POL000000", "4.0.1.0.0.0.0" ], "items_count": null, "identifiers": { "EISBN13": "9780813126555", "EISBN10": "081312655X" }, "drm": null, "cover_image": null, "default_cover_image": null, "book_type": null }, "relationships": { "lowest_offering": { "data": { "type": "offerings", "id": "00010015330375" } } } }, { "type": "Product", "id": "00010000058716", "attributes": { "name": "Why We Fought", "subtitle": "America's Wars in Film and History", "description": "Film moves audiences like no other medium; both documentaries and feature films are especially remarkable for their ability to influence viewers. Best-selling author James Brady remarked that he joined the Marines to fight in Korea after seeing a John Wayne film, demonstrating how a motion picture can change the course of a human lifein this case, launching the career of a major historian and novelist. In Why We Fought: America's Wars in Film and History, editors Peter C. Rollins and John E. O'Connor explore the complexities of war films, describing the ways in which such productions interpret history and illuminate American values, politics, and culture. This comprehensive volume covers representations of war in film from the American Revolution in the 18th century to today's global War on Terror. The contributors examine iconic battle films such as The Big Parade (1925), All Quiet on the Western Front (1930), From Here to Eternity (1953), and Platoon (1986), considering them as historical artifacts. The authors explain how film shapes our cultural understanding of military conflicts, analyzing how war is depicted on television programs, through news media outlets, and in fictional and factual texts. With several essays examining the events of September 11, 2001, and their aftermath, the book has a timely relevance concerning the country's current military conflicts. Jeff Chown examines controversial documentary films about the Iraq War, while Stacy Takacs considers Jessica Lynch and American gender issues in a post-9/11 world, and James Kendrick explores the political messages and aesthetic implications of United 93. From filmmakers who reshaped our understanding of the history of the Alamo, to Ken Burns's popular series on the Civil War, to the uses of film and media in understanding the Vietnam conflict, Why We Fought offers a balanced outlook one of the book's editors was a combat officer in the United States Marines, the other an antiwar activiston the conflicts that have become touchstones of American history. As Air Force veteran and film scholar Robert Fyne notes in the foreword, American war films mirror a nation's past and offer tangible evidence of the ways millions of Americans have become devoted, as was General MacArthur, to \"Duty, honor, and country.\" Why We Fought chronicles how, for more than half a century, war films have shaped our nation's consciousness.", "author": "Peter C. Rollins, John E. 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Far from being simplistic, flag-waving propaganda designed to evoke emotional reactions, these films offered audiences narrative structures that formed a foundation for grasping the nuances of war. These films asked audiences to consider the implications of the Nazi threat, they put a face on both our enemies and allies, and they explored changing wartime gender roles. We'll Always Have the Movies reveals how film after film repeated the narratives, character types, and rhetoric that made the war and each American's role in it comprehensible.Robert L. McLaughlin and Sally E. Parry have screened more than 600 movies made between 1937 and 1946including many never before discussed in this contextand have analyzed the cultural and historical importance of these films in explaining the war to moviegoers. Pre-Pearl Harbor films such as Sergeant York, Foreign Correspondent, and The Great Dictator established the rationale for the war in Europe. After the United States entered the war, films such as Air Force, So Proudly We Hail! and Back to Bataan conveyed reasons for U.S. involvement in the Pacific. The Hitler Gang, Sahara, and Bataan defined our enemies; and Mrs. Miniver, Mission to Moscow, and Dragon Seed defined our allies. Some moviesThe Miracle of Morgan's Creek, Hail the Conquering Hero, and Lifeboat among themexplored homefront anxieties about the war's effects on American society.Of the many films that sought to explain the politics behind and the social impact of the warand why it concerned AmericansCasablanca is perhaps one of the most widely recognized. McLaughlin and Parry argue that Rick's Cafe Americain serves as a United Nations, sheltering characters who represent countries being oppressed by Germany. At Rick's, these characters learn that they share a common love of freedom, which is embodied in patriotism; from this commonality, they overcome their differences and work together to solve a conflict that affects them all. As the representative American, Rick Blain (Humphrey Bogart) cannot idly stand by in the face of injustice, and he ultimately sides with those being oppressed. Bogart's character is a metaphor for America, which could also come out of its isolationism to be a true world leader and unite with its allies to defeat a common enemy.Collectively, Hollywood's war-era films created a mythic history of the war that, even today, has more currency than the actual events of World War II.", "author": "Robert L. McLaughlin, Sally E. 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The director who strutted onto the set in a turban, riding breeches, or a silk robe embraced his new persona as a world traveller, collected modern art, drove a Rolls Royce, and earned three times as much as the president. Von Sternberg traces the choices that carried the unique director from poverty in Vienna to power in Hollywood, including his eventual ostracism in Japan. Historian John Baxter reveals an artist few people knew: the aesthete who transformed Marlene Dietrich into an international star whose ambivalent sexuality and contradictory allure on-screen reflected an off-screen romance with the director. In his classic films The Blue Angel (1930), Morocco (1930), and Blonde Venus (1932), von Sternberg showcased his trademark visual style and revolutionary representations of sexuality. 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His films touch on a wide range of topics rife with questions about human life, behavior, and emotions: love and sex, war, crime, madness, social conditioning, and technology. Within this great variety of subject matter, Kubrick examines different sides of reality and unifies them into a rich philosophical vision that is similar to existentialism. Perhaps more than any other philosophical concept, existentialismthe belief that philosophical truth has meaning only if it is chosen by the individualhas come down from the ivory tower to influence popular culture at large. In virtually all of Kubrick's films, the protagonist finds himself or herself in opposition to a hard and uncaring world, whether the conflict arises in the natural world or in human institutions. Kubrick's war films (Fear and Desire, Paths of Glory, Dr. Strangelove, and Full Metal Jacket) examine how humans deal with their worst fearsespecially the fear of deathwhen facing the absurdity of war. Full Metal Jacket portrays a world of physical and moral change, with an environment in continual flux in which attempting to impose order can be dangerous. The film explores the tragic consequences of an unbending moral code in a constantly changing universe. Essays in the volume examine Kubrick's interest in morality and fate, revealing a Stoic philosophy at the center of many of his films. Several of the contributors find his oeuvre to be characterized by skepticism, irony, and unfettered hedonism. In such films as A Clockwork Orange and 2001: A Space Odyssey, Kubrick confronts the notion that we will struggle against our own scientific and technological innovations. Kubrick's films about the future posit that an active form of nihilism will allow humans to accept the emptiness of the world and push beyond it to form a free and creative view of humanity. 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His portrayal of the child murderer in Fritz Lang's masterpiece M (1931) catapulted him to international fame. Lang said of Lorre: \"He gave one of the best performances in film history and certainly the best in his life.\" Today, the Hungarian-born actor is also recognized for his riveting performances in The Man Who Knew Too Much (1934), The Maltese Falcon (1941), and Casablanca (1942). Lorre arrived in America in 1934 expecting to shed his screen image as a villain. He even tried to lose his signature accent, but Hollywood repeatedly cast him as an outsider who hinted at things better left unknown. Seeking greater control over his career, Lorre established his own production company. His unofficial \"graylisting\" by the House Committee on Un-American Activities, however, left him with little work. He returned to Germany, where he co-authored, directed, and starred in the film Der Verlorene (The Lost One) in 1951. German audiences rejected Lorre's dark vision of their recent past, and the actor returned to America, wearily accepting roles that parodied his sinister movie personality.The first biography of this major actor, The Lost One: A Life of Peter Lorre draws upon more than three hundred interviews, including conversations with directors Fritz Lang, Alfred Hitchcock, Billy Wilder, John Huston, Frank Capra, and Rouben Mamoulian, who speak candidly about Lorre, both the man and the actor. Author Stephen D. 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Poindexter, who painted charming children's portraits in western Kentucky, Reason Croft, a recently discovered itinerant in the Louisville area, and Oliver Frazer, the last resident portrait artist in Lexington during the romantic era. Pennington's study offers a captivating history of portraiture not only as a cherished possession but also representing a period of cultural and artistic transitions in the history of the Ohio River Valley region.", "author": "Estill Curtis Pennington, Ellen G. 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