Product List
GET /services/catalog/products?format=api&page=77060
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Together, his Paris Diary, first published in 1966, and The New York Diary,which followed a year later, paint a colorful landscape of Rorems world and its famous inhabitants, as well as a fascinating self-portrait of a footloose young artist unabashedly drinking deeply of life. In this amalgam of forthright personal reflections and cogent social commentary, unprecedented for its time, Rorems anecdotal recollections of the decade from 1951 to 1961 represent Gay Liberation in its infancy as the author freely expresses his open sexuality not as a revelation but as a simple fact of life. At once blisteringly honest and exquisitely entertaining, Rorems diaries expound brilliantly on the creative process, following their peripatetic author from Paris to Morocco to Italy and back home to America as he crosses paths with Picasso, Cocteau, Gide, Boulez, and other luminaries of the era. 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In 1966, he revealed another side of his remarkable talent when The Paris Diary was published, and a year later, The New York Diary, both to wide critical acclaim. In The Later Diaries,Rorem continues to explore his world and his music in intimate journal form, covering the years 1961 to 1972, one of his most artistically productive decades. The Ned Rorem revealed in The Later Diaries is somewhat more mature and worldly than the young artist of the earlier works, but no less candid or daring, as he reflects on his astonishing life, loves, friendships, and rivalries during an epoch of staggering, sometimes volatile change. 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Despite this claim, Rorems published diaries, memoirs, essay collections, and other nonfiction works have all received resounding acclaim for their lyricism, bold honesty, and insightful social commentary. His Nantucket Diary, covering the years 1973 through 1985, reveals a more mature and graceful Ned Rorem, a man who has experienced great loss and serious illness yet has lost none of his acute observational skills and keenly opinionated nature. His wit remains bracing and his candor refreshing as he offers sharp critiques on the state of modern classical music and its creators. His accounts of times shared with luminaries and legends, musical and otherwise (including Leonard Bernstein, Edward Albee, Virgil Thomson, and Stephen Sondheim) are consistently enthralling and delightful. 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After more than a decade of skipping out on their debts, Lola and Barry owe a lot of money to the wrong people. To escape the loan sharks, Barry decides its time for one of them to dieor at least to pretend to. As the venue for this insurance fraud, they choose Lolas home country, Guerrera, where death certificates come cheap and government record-keeping is sketchy at best. There is only one problem: la familia. After Barrys death, Lola returns to the US, leaving her husband in the hands of her family as he begins to assume her brothers identity. But the South-American hospitality of Lolas relatives soon wears thin as they realize that their lives might be easier if Barrys death werent just an act. Conning an insurance company is tricky enough, but no matter the country, no one is more dangerous than the in-laws.", "author": "Donald E. 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His literary works have been hailed as scintillating (Time magazine) and extraordinary (The Washington Post). Rorems remarkable twin talents are brilliantly intertwined in Settling the Score, a masterful collection of essays on music, composers, and the state of the art. Selected by Rorem himself, these enthralling and provocative pieces examine the works of the great and (in the authors lively, unabashed opinion) the not-so-great masters of twentieth-century classical musicDebussy, Ravel, Copland, Gershwin, Barber, Cage, Bernstein, Britten, Stravinsky, and others. With keen precision, he dissects the so-called serious music of our time while predicting where the form is bound in the future. Never lacking in intelligence or wit, each essay in Settling the Score sings in a voice that is clear and true.", "author": "Ned Rorem", "slug": "settling-the-score-124528-9781480427877-ned-rorem", "thumbnail_image": "//redshelf-images.s3-external-1.amazonaws.com/thumbnail/9781480427877.jpg", "default_thumbnail_image": "//redshelf-images.s3-external-1.amazonaws.com/thumbnail/default_book_thumbnail.jpg", "product_type": "book", "product_id": "124528", "product_url": "/app/ecom/book/124528/settling-the-score-124528-9781480427877-ned-rorem", "bisac_codes": [ "MUS020000", "LCO010000" ], "items_count": null, "identifiers": { "EISBN13": "9781480427877", "EISBN10": "148042787X" }, "drm": null, "cover_image": null, "default_cover_image": null, "book_type": null }, "relationships": { "lowest_offering": { "data": { "type": "offerings", "id": "00010014380316" } } } }, { "type": "Product", "id": "00010000124526", "attributes": { "name": "Setting the Tone", "subtitle": "Essays and a Diary", "description": "A sterling collection of essays, commentary, reviews, and personal recollections on art, love, and the musical life, from Ned Rorem, award-winning composer and author extraordinaireNed Rorem, the acclaimed American composer and writer, displays his incisive, sometimes outrageous genius for artistic critique and social commentary with a grand flourish in this engaging collection of essays and diary entries. Fearlessly offering opinions on a wealth of subjectsfrom the lives of the famous and infamous to popular culture to the state of contemporary artRorem proves once again that he is an artist who tells unforgettable stories not only through music, but with a pen, as well. Setting the Tone gathers together essays and commentary previously published elsewhere and combines them with pages from Rorems ongoing diary, offering readers a vivid and enlightening view of Rorems world along with an honest portrait of the author himself. 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Drawing on his firsthand experiences as a diplomat and military commander in the Florentine Republic, Machiavelli disregards the rhetorical flourishes and sentimentality typically found in sixteenth-century mirrors for princesguides instructing noblemen in the fine art of rulingand gets straight to practical matters: how to eliminate rivals, when to use force, whether it is better to be loved or feared. For its cold-blooded candor and unrepentant assertion that immorality can be a political virtue, The Prince was censured and Machiavellis name became synonymous with evil. Yet five centuries worth of political thinkers and leaders, from Thomas Cromwell to Francis Bacon to Napoleon Bonaparte to John Adams to Joseph Stalin, have turned to this slim volume for guidance and inspiration, because its advice on the acquisition and preservation of power contains the wisdom of experienceand, most importantly of all, because it works. 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