Product List
GET /services/catalog/products?format=api&page=77035
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Miki is thrilled to finally belong to a family, however odd it may be. When the gorgeous Davin is assigned to be her partnerand seems as if he may be interested in being moreMiki is ready to follow the Theater of the Dead anywhere. But whenever Miki dances with them, she feels as if they are putting her under a spell with their sensuous movement and hypnotic eyes. Is it possible that these strange people are more than what they seem? 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Although they have yet to meet, Catherine Carlsen already hates the man who just bought the beloved Iowa farm that has been in her family for generations. The dedicated elementary school teacher believed the Carlsens would always own this special piece of land, and marriage to her distant cousin and childhood sweetheart would guarantee their future. But Cathies sprawling home on the Boyer River now belongs to Robert Douglas, a big-city businessman whose arrival in their Midwestern town creates a huge stir. The divorced single father came west to start over with the little boy with whom he has just been reunited. Robs devotion to his child isnt the only thing that draws Cathie to him. Her attraction to the new owner of Homeplace is impossible to ignore. As their relationship deepens, can Cathie and Robs dreams expand to include a family and promise of a love that could give them all a place to belong? 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Novelist Clifford Irvings no-holds-barred account of his faked autobiography of Howard Hughesone of the greatest literary hoaxes of the twentieth centuryis the ultimate caper story. The plan was concocted in the early 1970s, when eccentric billionaire Hughes was already living as a recluse in the Bahamas. An American author, Irving pitched the scheme to his friend, fellow writer Richard Suskind: Through forged letters and fake interviews, they would recount Hughess life in his own words. Meanwhile, Irvings wife would open a Swiss bank account in the name of Helga R. Hughes using a fake passport. Their success hinged on the assumption that Hughes would never resurface to challenge the book, as he had not spoken to the press in over ten years. Conning Irvings own publisher of nearly a decade out of a six-figure advance, the three conspirators embarked on a hoax that would fool journalists, handwriting experts, and even a lie-detector test. It was not until Hughes himself emerged from seclusion to denounce Irving that the book was exposed as fraud. This madcap, bestselling memoir is a story which reads like the best thriller fiction and which contains the seeds of a dozen movie scripts. Mysterious meetings, false passports, a beautiful Danish baroness, Swiss bank accounts . . . The Hoax is a masterpiece of international intrigue and startling revelations (The Tatler, England). Brilliant! Newsday A masterpiece! CBS Radio \"Spellbinding! Publishers Weekly Sensational! 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When Hugh frogmarches his family into the garage, it looks as if he has really gone mad, and they are due to perish even before the plague wipes out all life on Earth. But the machine Hugh has been working on hurls them allnot forgetting their dog Ferdyever further into the future, and the escapade doesn't stop until the very end of time and space. 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Combining terrors both psychological and supernatural with the mystical secrets of Native American shamans and Nazi butchers alike, the award-winning, critically acclaimed author of The Manitou spins a web of darkness guaranteed to ensnare fans of Stephen King, Peter Straub, and other masters of first-class horror. 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His writings treat an extraordinary range of subjects, including politics, economics, ecology, farming, work, marriage, religion, and education. But as this enlightening new book shows, such diverse writings are united by a humane vision that finds its inspiration in the great moral and literary tradition of the West.In The Humane Vision of Wendell Berry, Mark T. Mitchell and Nathan Schlueter bring together a distinguished roster of writers to critically engage Berrys ideas. The volume features original contributions from Rod Dreher, Anthony Esolen, Allan Carlson, Richard Gamble, Jason Peters, Anne Husted Burleigh, Patrick J. Deneen, Caleb Stegall, Luke Schlueter, Matt Bonzo, Michael Stevens, D. G. Hart, Mark Shiffman, and William Edmund Fahey, as well as a classic piece by Wallace Stegner.Together, these authors situation Berrys ideas within the larger context of conservative thought. 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But take a longer viewlook beyond and below politicsand it is the unchallenged triumph of liberalism and its philosophical assumptions that ought to command our attention.The triumph of liberalism means the tyranny of liberalism, explains James Kalb in this illuminating book, for liberalism is the extension into the sociopolitical realm of modern scientific thought and technological rationality. These modes of thinking are regarded by nearly everyone today as uniquely authoritative; those institutions and beliefs which do not conform are regarded at best as annoyances, and at worst as evil. 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At last, historians Donald T. Critchlow and W. J. Rorabaugh supply the answer. As the authors show, it is a mistake to see the Obama administrations agenda as a single mans vision. Equally flawed, they reveal, is the now-common argument that todays liberalism is simply a continuation of early-twentieth-century progressivism. Todays Left has embraced a more radical vision for transformative change: to remake all aspects of American life. Takeover delineates the sharp break in the history of modern liberalism that began in the 1960s. Critchlow and Rorabaugh show how leftists in pursuit of social justice went from protest rallies to the halls of power by rewriting the Democratic Partys presidential nominating rules for their own benefit and using the courts to advance their radical agenda. 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Follow the supreme adventurer, Tristan Jones, as he takes a solitary and intrepid six-year voyage on his small craft, The Sea Dart. Covering a distance twice the circumference of the globe, from the lowest body of water in the worldthe Dead Seato the highestLake Titicaca in the AndesJones finds himself \"a thousand times beyond the limit of endurance.\" With tenacity stronger than any obstacle, Jones refuses to give up his adventure, even after falling prey to several disasters that could have killed him. Struggling against the mighty current of the Amazon, hauling his boat over the Andes Mountains and capsizing off the Cape of Good Hope do not discourage him. 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