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                "name": "The Courtship Novel, 1740-1820",
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                "description": "The period from her first London assembly to her wedding day was the narrow span of autonomy for a middle-class Englishwoman in the eighteenth and early nineteenth centuries. For many women, as Katherine Sobba Green shows, the new ideal of companionate marriage involved such thoroughgoing revisions in self-perception that a new literary form was needed to represent their altered roles.That the choice among suitors ideally depended on love and should not be decided on any other grounds was a principal theme among a group of heroine-centered novels published between 1740 and 1820. During these decades, some two dozen writers, most of them women, published such courtship novels. Specifically aiming them at young women readers, these novelists took as their common purpose the disruption of established ideas about how dutiful daughters and prudent young women should comport themselves during courtship. Reading a wide range of primary texts, Green argues that the courtship novel was a feminized genrewritten about, by, and for women.She challenges contemporary readers to appreciate the subtleties of early feminism in novels by Eliza Haywood, Mary Collyer, Charlotte Lennox, Samuel Richardson, Frances Brooke, Fanny Burney, Mary Wollstonecraft, Jane West, Mary Brunton, Maria Edgeworth, and Jane Austento recognize that these courtship novelists held in common a desire to reimagine the subject positions through which women understood themselves.",
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                "description": "In March 1913, labor agitator Mary Harris \"Mother\" Jones and forty-seven other civilians were tried by a military court on charges of murder and conspiracy to murdercharges stemming from violence that erupted during the long coal miners' strike in the Paint Creek and Cabin Creek areas of Kanawha County, West Virginia. Immediately after the trial, some of the convicted defendants received conditional pardons, but Mother Jones and eleven others remained in custody until early May.This arrest and conviction came in the latter years of Mother Jones's long career as a labor agitator. Eighty-one and feisty as ever, she was able to focus national attention on the miners' cause and on the governor's tactics for handling the dispute. Over the course of seven months, more than two hundred civilians were tried by courts-martial. Only during the Civil War and Reconstruction had the courts been used so extensively against private citizens, and the trial raised a number of civil rights issues.The national outcry over Mother Jones's imprisonment led the United States Senate to appoint a subcommittee to examine mining conditions in West Virginiathe first Senate subcommittee ever appointed to investigate a labor controversy. Public sentiment eventually forced a release of the prisoners and brought about a settlement of the strike. In the face of this overwhelmingly adverse publicity, the governor suppressed publication of the trial transcript, and it was long thought to have been destroyed.Edward M. Steel Jr., an authority on Mother Jones, uncovered the trial proceedings while searching for Jones's manuscripts amid private papers at the West Virginia and Regional Collection. This volume makes available for the first time the transcript of this landmark case in labor and legal history, including an introduction that provides background on the issues involved.",
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                "description": "Touted as an American Eden, Kentucky provides one of the most dramatic social histories of early America. In this collection, ten contributors trace the evolution of Kentucky from First West to Early Republic. The authors tell the stories of the state's remarkable settlers and inhabitants: Indians, African Americans, working-class men and women, wealthy planters and struggling farmers. Eager settlers built defensive forts across the countryside, while women and slaves used revivalism to create new opportunities for themselves in a white, patriarchal society. The world that this diverse group of people made was both a society uniquely Kentuckian and a microcosm of the unfolding American pageant. In the mid-1700s, the trans-Appalachian region gained a reputation for its openness, innocence, and rusticity- fertile ground for an agrarian republic founded on the virtue of the yeoman ideal. By the nineteenth century, writers of history would characterize the state as a breeding ground for an American culture of distinctly Anglo-Saxon origin. Modern historians, however, now emphasize exploring the entire human experience, rather than simply the political history, of the region. An unusual blend of social, economic, political, cultural, and religious history, this volume goes a long way toward answering the question posed by a Virginia clergyman in 1775: \"What a buzzel is this amongst people about Kentuck?\"",
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                "description": "Chains carved from a single block of wood, cages whittled with wooden balls rattling insideall \"made with just a pocketknife\"are among our most enduring folk designs. Who makes them and why? what is their history? what do they mean for their makers, for their viewers, for our society? Simon J. Bronner portrays four wood carvers in southern Indiana, men who had been transplanted from the rural landscapes of their youth to industrial towns. After retiring, they took up a skill they remembered from childhood. Bronner discusses how creativity helped these men adjust to change and how viewers' responses to carving reflect their own backgrounds. By recording the narratives of these men's lives, the stories and anecdotes that laced their conversation, Bronner finds new insight into the functions and symbolism of traditional craft. Including anew illustrated afterword in which the author discusses recent developments in the carver's art, this new edition will appeal to carvers, scholars, and anyone interested in traditional woodworking.",
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                "description": "In the nineteenth century, Kentucky was one of the nation's leading producers of racehorses, whiskey, tobaccoand new counties. By 1886 the three original Kentucky counties had been carved into 119 (belated 120th was to be formed in 1912). These small divisions commanded the fierce loyalty of their citizens and for most Kentuckians formed the center of political and community life.The County in Kentucky History shows the bitter strife of countywide feuds and the conviviality of court day, the sporadic outbreaks of ill-feeling between town and country and the high-spirited brawls that regularly accompanied elections. Robert M. Ireland traces the structural changes in county government from the days when justices of the peace made up a self-perpetuating county court to the more democratic period when the buying of votes replaced the buying of offices. The most beneficial change that could come to local governmentconsolidation into fewer unitsIreland sees as unlikely where the tradition of county loyalties and rivalries remains as strong as it does in Kentucky.",
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                "description": "The Big Sandy River and its two main tributaries, the Tug and Levisa forks, drain nearly two million mountainous acres in the easternmost part of Kentucky. For generations, the only practical means of transportation and contact with the outside world was the river, and, as The Big Sandy demonstrates, steamboats did much to shape the culture of the region. Carol Crowe-Carraco offers an intriguing and readable account of this region's history from the days of the venturesome Long Hunters of the eighteenth century, through the bitter struggles of the Civil War and its aftermath, up to the 1970s, with their uncertain promise of a new prosperity. The Big Sandy pictures these changes vividly while showing how the turbulent past of the valley lives on in the region's present.",
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                "name": "The British Foreign Service and the American Civil War",
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                "description": "During the American Civil War, the British legation and consuls experienced strained relations with both the Union and the Confederacy, to varying degrees and with different results. Southern consuls were cut off from the legation in Washington, D.C., and confronted their problems for the most part without direction from superiors. Consuls in the North sought assistance from the British foreign minister and followed the procedures he established. Diplomatic relations with Great Britain eased tensions in the North; the British consuls in the South were expelled in 1863.Eugene H. Berwanger uses archival sources in both Britain and the United States as a basis for his reevaluation of consular attitudes. Because much of this material was not available to earlier historians of British-American diplo-macy, the author expands upon their conclusions and suggests reinterpreta-tions in light of the new information.The first comprehensive investigation of Anglo-American relations during the Civil War, The British Foreign Service and the American Civil War will interest scholars of American history and diplomatic relations.",
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                "description": "African American cooks were not strangers in the kitchens of the Old South, but white southerners often failed to acknowledge their contributions. One of the first exceptions was Kentucky socialite Minnie C. Fox, who recognized the significant influence and importance of the African American cooks and wrote The Blue Grass Cook Book, first published in 1904. From biscuits and hams to ice creams and puddings, this cookbook is a collection of over three hundred recipes from family and friends, including black cooks, near Minnie Fox's Bourbon County, Kentucky, family estate and her Big Stone Gap, Virginia, home. In Fox's time, the culinary history of black women in the South was usually characterized by demoralizing portraits of servants toiling in \"big house\" kitchens. In contrast, The Blue Grass Cook Book, with its photographs of African American cooks at work and a passionate introduction by Fox's brother, respected Kentucky novelist John Fox Jr., offers insight into the complex bond between well-to-do mistresses and their cooks at the turn of the century. Toni Tipton-Martin's new introduction provides in-depth commentary on the social, cultural, and historical context of this significant cookbook. She presents background information on the Fox family and their apparently uncommon appreciation for the African Americans of their time. She reveals the vital role of the black cooks in the preparation and service required in establishing the well-known Southern hospitality tradition.",
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                "description": "For more than fifty years mountain-born Earl Palmer traveled the Southern Appalachians with his camera, recording his personal vision of the mountain people and their heritage. Over these year he created, in several thousand photographs, a distinctive body of work that affirms a traditional image of Appalachiaa region of great natural beauty inhabited by a self-sufficient people whose lives are notable for simplicity and harmony.For this book, Jean Haskell Speer has selected more than 120 representative photographs from Palmer's collection and has written a biographical and critical commentary based on extensive interviews with the photographer. Palmer's photographs, Speer argues, are significant cultural statements that depict not so much a geographical region as a particular idea of Appalachia.",
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                "description": "Blowup, says Armando Prats, is one of the necessary movies. It is a \"living expression of the transition into the new narrative domains\" in terms of man's \"new vision of himself as a narrative creature in a world whose very essense is cinematic narration.\" Prats' work on the new humanism inherent in postwar filmmaking is a rewarding work with implications for the fields of esthetics and axiology as well as film criticism. In his analyses of four films by three directorsFellini's Director's Notebook and The Clowns, Wertmiller's Seven Beauties, Antonioni's BlowupPrats shows the contrasts between the conventional, word-bound narrative methods of the past and the new narrative in which images are free to display their energies fully, to lead the eye beyond rational concepts of reality and illusion, truth and falsity, good an evil, beauty and ugliness. The autonomous visual event, Prats finds, offers one of the most direct ways of entering into adventures of ideas, particularly in the realm of human values. Movies have revolutionized art as well as thought about art, and inasmuch as art and life converge, they have revolutionized life itself.",
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                "description": "The Adventures of David Simple (1744), Sarah Fielding's first and most celebrated novel, went through several editions, the second of which was heavily revised by her brother Henry. This edition includes Henry's \"corrections\" in an appendix. In recounting the guileless hero's search for a true friend, the novel depicts the derision with which almost everyone treats his sentimental attitudes to human nature. Acclaimed as an accurate portrait of mid-eighteenth-century London, The Adventures of David Simple sets forth some provocative feminist ideas. Also included is Fielding's much darker sequel, Volume the Last (1753).",
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