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                "description": "<p>Nobel Prize-winning economist explains why we need to reclaim finance for the common good<br><br>The reputation of the financial industry could hardly be worse than it is today in the painful aftermath of the 2008 financial crisis. New York Times best-selling economist Robert Shiller is no apologist for the sins of financehe is probably the only person to have predicted both the stock market bubble of 2000 and the real estate bubble that led up to the subprime mortgage meltdown. But in this important and timely book, Shiller argues that, rather than condemning finance, we need to reclaim it for the common good. He makes a powerful case for recognizing that finance, far from being a parasite on society, is one of the most powerful tools we have for solving our common problems and increasing the general well-being. We need more financial innovationnot lessand finance should play a larger role in helping society achieve its goals.<br><br>Challenging the public and its leaders to rethink finance and its role in society, Shiller argues that finance should be defined not merely as the manipulation of money or the management of risk but as the stewardship of society's assets. He explains how people in financial careersfrom CEO, investment manager, and banker to insurer, lawyer, and regulatorcan and do manage, protect, and increase these assets. He describes how finance has historically contributed to the good of society through inventions such as insurance, mortgages, savings accounts, and pensions, and argues that we need to envision new ways to rechannel financial creativity to benefit society as a whole.<br><br>Ultimately, Shiller shows how society can once again harness the power of finance for the greater good.</p>",
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                "description": "<p>An intimate look at war through the lives of soldiers and their families at Fort Hood<br><br>Making War at Fort Hood offers an illuminating look at war through the daily lives of the people whose job it is to produce it. Kenneth MacLeish conducted a year of intensive fieldwork among soldiers and their families at and around the US Army's Fort Hood in central Texas. He shows how war's reach extends far beyond the battlefield into military communities where violence is as routine, boring, and normal as it is shocking and traumatic.<br><br>Fort Hood is one of the largest military installations in the world, and many of the 55,000 personnel based there have served multiple tours in Iraq and Afghanistan. MacLeish provides intimate portraits of Fort Hood's soldiers and those closest to them, drawing on numerous in-depth interviews and diverse ethnographic material. He explores the exceptional position that soldiers occupy in relation to violence--not only trained to fight and kill, but placed deliberately in harm's way and offered up to die. The death and destruction of war happen to soldiers on purpose. MacLeish interweaves gripping narrative with critical theory and anthropological analysis to vividly describe this unique condition of vulnerability. Along the way, he sheds new light on the dynamics of military family life, stereotypes of veterans, what it means for civilians to say \"thank you\" to soldiers, and other questions about the sometimes ordinary, sometimes agonizing labor of making war.<br><br>Making War at Fort Hood is the first ethnography to examine the everyday lives of the soldiers, families, and communities who personally bear the burden of America's most recent wars.</p>",
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                "description": "<p>A groundbreaking book that gathers key wartime intelligence reports<br><br>During the Second World War, three prominent members of the Frankfurt SchoolFranz Neumann, Herbert Marcuse, and Otto Kirchheimerworked as intelligence analysts for the Office of Strategic Services, the wartime forerunner of the CIA. This book brings together their most important intelligence reports on Nazi Germany, most of them published here for the first time.<br><br>These reports provide a fresh perspective on Hitler's regime and the Second World War, and a fascinating window on Frankfurt School critical theory. They develop a detailed analysis of Nazism as a social and economic system and the role of anti-Semitism in Nazism, as well as a coherent plan for the reconstruction of postwar Germany as a democratic political system with a socialist economy. These reports played a significant role in the development of postwar Allied policy, including denazification and the preparation of the Nuremberg Trials. They also reveal how wartime intelligence analysis shaped the intellectual agendas of these three important German-Jewish scholars who fled Nazi persecution prior to the war.<br><br>Secret Reports on Nazi Germany features a foreword by Raymond Geuss as well as a comprehensive general introduction by Raffaele Laudani that puts these writings in historical and intellectual context.</p>",
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                "description": "<p>How the United States became an imperial power by bowing to pressure to defend its citizens' overseas investments<br><br>Throughout the twentieth century, the U.S. government willingly deployed power, hard and soft, to protect American investments all around the globe. Why did the United States get into the business of defending its citizens' property rights abroad? The Empire Trap looks at how modern U.S. involvement in the empire business began, how American foreign policy became increasingly tied to the sway of private financial interests, and how postwar administrations finally extricated the United States from economic interventionism, even though the government had the will and power to continue.<br><br>Noel Maurer examines the ways that American investors initially influenced their government to intercede to protect investments in locations such as Central America and the Caribbean. Costs were smallat least at the outsetbut with each incremental step, American policy became increasingly entangled with the goals of those they were backing, making disengagement more difficult. Maurer discusses how, all the way through the 1970s, the United States not only failed to resist pressure to defend American investments, but also remained unsuccessful at altering internal institutions of other countries in order to make property rights secure in the absence of active American involvement. Foreign nations expropriated American investments, but in almost every case the U.S. government's employment of economic sanctions or covert action obtained market value or more in compensationdespite the growing strategic risks. The advent of institutions focusing on international arbitration finally gave the executive branch a credible political excuse not to act. Maurer cautions that these institutions are now under strain and that a collapse might open the empire trap once more.<br><br>With shrewd and timely analysis, this book considers American patterns of foreign intervention and the nation's changing role as an imperial power.</p>",
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                "description": "<p>A history of partition seen through the life and fiction of one of the subcontinent's most important modern writers<br><br>Saadat Hasan Manto (1912-1955) was an established Urdu short story writer and a rising screenwriter in Bombay at the time of India's partition in 1947, and he is perhaps best known for the short stories he wrote following his migration to Lahore in newly formed Pakistan. Today Manto is an acknowledged master of twentieth-century Urdu literature, and his fiction serves as a lens through which the tragedy of partition is brought sharply into focus. In The Pity of Partition, Manto's life and work serve as a prism to capture the human dimension of sectarian conflict in the final decades and immediate aftermath of the British raj.<br><br>Ayesha Jalal draws on Manto's stories, sketches, and essays, as well as a trove of his private letters, to present an intimate history of partition and its devastating toll. Probing the creative tension between literature and history, she charts a new way of reconnecting the histories of individuals, families, and communities in the throes of cataclysmic change. Jalal brings to life the people, locales, and events that inspired Manto's fiction, which is characterized by an eye for detail, a measure of wit and irreverence, and elements of suspense and surprise. In turn, she mines these writings for fresh insights into everyday cosmopolitanism in Bombay and Lahore, the experience and causes of partition, the postcolonial transition, and the advent of the Cold War in South Asia.<br><br>The first in-depth look in English at this influential literary figure, The Pity of Partition demonstrates the revelatory power of art in times of great historical rupture.</p>",
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                "description": "<p>The first collection of letters in English by one of the great writers of the twentieth century<br><br>This is the first collection in English of the extraordinary letters of one of the great writers of the twentieth century. Italy's most important postwar novelist, Italo Calvino (1923-1985) achieved worldwide fame with such books as Cosmicomics, Invisible Cities, and If on a Winters Night a Traveler. But he was also an influential literary critic, an important literary editor, and a masterful letter writer whose correspondents included Umberto Eco, Primo Levi, Gore Vidal, Leonardo Sciascia, Natalia Ginzburg, Michelangelo Antonioni, Pier Paolo Pasolini, and Luciano Berio. This book includes a generous selection of about 650 letters, written between World War II and the end of Calvinos life. Selected and introduced by Michael Wood, the letters are expertly rendered into English and annotated by well-known Calvino translator Martin McLaughlin.<br><br>The letters are filled with insights about Calvinos writing and that of others; about Italian, American, English, and French literature; about literary criticism and literature in general; and about culture and politics. The book also provides a kind of autobiography, documenting Calvinos Communism and his resignation from the party in 1957, his eye-opening trip to the United States in 1959-60, his move to Paris (where he lived from 1967 to 1980), and his trip to his birthplace in Cuba (where he met Che Guevara). Some lengthy letters amount almost to critical essays, while one is an appropriately brief defense of brevity, and there is an even shorter, reassuring note to his parents written on a scrap of paper while he and his brother were in hiding during the antifascist Resistance.<br><br>This is a book that will fascinate and delight Calvino fans and anyone else interested in a remarkable portrait of a great writer at work.</p>",
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                "description": "<p>How governmental failure led to the 2008 financial crisisand what needs to be done to avoid another similar event <br><br>Behind every financial crisis lurks a \"political bubble\"policy biases that foster market behaviors leading to financial instability. Rather than tilting against risky behavior, political bubblesarising from a potent combination of beliefs, institutions, and interestsaid, abet, and amplify risk. Demonstrating how political bubbles helped create the real estate-generated financial bubble and the 2008 financial crisis, this book argues that similar government oversights in the aftermath of the crisis undermined Washington's response to the \"popped\" financial bubble, and shows how such patterns have occurred repeatedly throughout US history.<br><br>The authors show that just as financial bubbles are an unfortunate mix of mistaken beliefs, market imperfections, and greed, political bubbles are the product of rigid ideologies, unresponsive and ineffective government institutions, and special interests. Financial market innovationsincluding adjustable-rate mortgages, mortgage-backed securities, and credit default swapsbecome subject to legislated leniency and regulatory failure, increasing hazardous practices. The authors shed important light on the politics that blinds regulators to the economic weaknesses that create the conditions for economic bubbles and recommend simple, focused rules that should help avoid such crises in the future.<br><br>The first full accounting of how politics produces financial ruptures, Political Bubbles offers timely lessons that all sectors would do well to heed.</p>",
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                "name": "The Leaderless Economy",
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                "description": "<p>A new way to understand financial crisesand a blueprint for tomorrow's recovery<br><br>The Leaderless Economy reveals why international financial cooperation is the only solution to today's global economic crisis. In this timely and important book, Peter Temin and David Vines argue that our current predicament is a catastrophe rivaled only by the Great Depression. Taking an in-depth look at the history of both, they explain what went wrong and why, and demonstrate why international leadership is needed to restore prosperity and prevent future crises.<br><br>Temin and Vines argue that the financial collapse of the 1930s was an \"end-of-regime crisis\" in which the economic leader of the nineteenth century, Great Britain, found itself unable to stem international panic as countries abandoned the gold standard. They trace how John Maynard Keynes struggled for years to identify the causes of the Great Depression, and draw valuable lessons from his intellectual journey. Today we are in the midst of a similar crisis, one in which the regime that led the world economy in the twentieth centurythat of the United Statesis ending. Temin and Vines show how America emerged from World War II as an economic and military powerhouse, but how deregulation and a lax attitude toward international monetary flows left the nation incapable of reining in an overleveraged financial sector and powerless to contain the 2008 financial panic. Fixed exchange rates in Europe and Asia have exacerbated the problem.<br><br><br>The Leaderless Economy provides a blueprint for how renewed international leadership can bring today's industrial nations back into financial balance--domestically and between each other.</p>",
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                "name": "The Battle of Bretton Woods",
                "subtitle": "John Maynard Keynes, Harry Dexter White, and the Making of a New World Order",
                "description": "<p>A sweeping history of the drama, intrigue, and rivalry behind the creation of the postwar economic order<br><br>When turmoil strikes world monetary and financial markets, leaders invariably call for 'a new Bretton Woods' to prevent catastrophic economic disorder and defuse political conflict. The name of the remote New Hampshire town where representatives of forty-four nations gathered in July 1944, in the midst of the century's second great war, has become shorthand for enlightened globalization. The actual story surrounding the historic Bretton Woods accords, however, is full of startling drama, intrigue, and rivalry, which are vividly brought to life in Benn Steil's epic account.<br><br>Upending the conventional wisdom that Bretton Woods was the product of an amiable Anglo-American collaboration, Steil shows that it was in reality part of a much more ambitious geopolitical agenda hatched within President Franklin D. Roosevelt's Treasury and aimed at eliminating Britain as an economic and political rival. At the heart of the drama were the antipodal characters of John Maynard Keynes, the renowned and revolutionary British economist, and Harry Dexter White, the dogged, self-made American technocrat. Bringing to bear new and striking archival evidence, Steil offers the most compelling portrait yet of the complex and controversial figure of Whitethe architect of the dollar's privileged place in the Bretton Woods monetary system, who also, very privately, admired Soviet economic planning and engaged in clandestine communications with Soviet intelligence officials and agents over many years.<br><br>A remarkably deft work of storytelling that reveals how the blueprint for the postwar economic order was actually drawn, The Battle of Bretton Woods is destined to become a classic of economic and political history.</p>",
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                "description": "<p>The skirmish between painting and poetryfrom Plato and Praxiteles to Rembrandt and Shakespeare<br><br>Why do painters sometimes wish they were poetsand why do poets sometimes wish they were painters? What happens when Rembrandt spells out Hebrew in the sky or Poussin spells out Latin on a tombstone? What happens when Virgil, Ovid, or Shakespeare suspend their plots to describe a fictitious painting? In Mute Poetry, Speaking Pictures, Leonard Barkan explores such questions as he examines the deliciously ambiguous history of the relationship between words and pictures, focusing on the period from antiquity to the Renaissance but offering insights that also have much to say about modern art and literature.<br><br>The idea that a poem is like a picture has been a commonplace since at least ancient Greece, and writers and artists have frequently discussed poetry by discussing painting, and vice versa, but their efforts raise more questions than they answer. From Plutarch (\"painting is mute poetry, poetry a speaking picture\") to Horace (\"as a picture, so a poem\"), apparent clarity quickly leads to confusion about, for example, what qualities of pictures are being urged upon poets or how pictorial properties can be converted into poetical ones.<br><br>The history of comparing and contrasting painting and poetry turns out to be partly a story of attempts to promote one medium at the expense of the other. At the same time, analogies between word and image have enabled writers and painters to think about and practice their craft. Ultimately, Barkan argues, this dialogue is an expression of desire: the painter longs for the rich signification of language while the poet yearns for the direct sensuousness of painting.</p>",
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                "description": "<p>The quotable Ai Weiwei<br><br>This collection of quotes demonstrates the elegant simplicity of Ai Weiwei's thoughts on key aspects of his art, politics, and life. A master at communicating powerful ideas in astonishingly few words, Ai Weiwei is known for his innovative use of social media to disseminate his views. The short quotations presented here have been carefully selected from articles, tweets, and interviews given by this acclaimed Chinese artist and activist. The book is organized into six categories: freedom of expression; art and activism; government, power, and moral choices; the digital world; history, the historical moment, and the future; and personal reflections.<br><br>Together, these quotes span some of the most revealing moments of Ai Weiwei's eventful careerfrom his risky investigation into student deaths in the 2008 Sichuan earthquake to his arbitrary arrest in 2011providing a window into the mind of one of the world's most electrifying and courageous contemporary artists.<br><br>Select Quotes from the Book:<br><br>On Freedom of Expression</p>\"Say what you need to say plainly, and then take responsibility for it.\"\"A small act is worth a million thoughts.\"\"Liberty is about our rights to question everything.\"<p><br>On Art and Activism</p>\"Everything is art. Everything is politics.\"\"The art always wins. Anything can happen to me, but the art will stay.\"\"Life is art. Art is life. I never separate it. I don't feel that much anger. I equally have a lot of joy.\"<p><br>On Government, Power, and Making Moral Choice</p>\"Once you've tasted freedom, it stays in your heart and no one can take it. Then, you can be more powerful than a whole country.\"\"I feel powerless all the time, but I regain my energy by making a very small difference that won't cost me much.\"\"Tips on surviving the regime: Respect yourself and speak for others. Do one small thing every day to prove the existence of justice.\"<p><br>On the Digital World</p>\"Only with the Internet can a peasant I have never met hear my voice and I can learn what's on his mind. A fairy tale has come true.\"\"The Internet is uncontrollable. And if the Internet is uncontrollable, freedom will win. It's as simple as that.\"\"The Internet is the best thing that could have happened to China.\"<p><br>On History, the Historical Moment, and the Future</p>\"If a nation cannot face its past, it has no future.\"\"We need to get out of the old language.\"\"The world is a sphere, there is no East or West.\"<p><br>Personal Reflection</p>\"I've never planned any part of my careerexcept being an artist. And I was pushed into that corner because I thought being an artist was the only way to have a little freedom.\"\"Anyone fighting for freedom does not want to totally lose their freedom.\"\"Expressing oneself is like a drug. I'm so addicted to it.\"",
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