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GET /services/catalog/products?format=api&page=76401
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Here a distinguished and diverse group of musicologists, literary critics, and feminist scholars address a wide range of fascinating topicsfrom Salome's striptease to hysteria to jazz and genderin Italian, English, German, and French operas from the eighteenth to the twentieth centuries. The authors combine readings of specific scenes with efforts to situate these musical moments within richly and precisely observed historical contexts. Challenging both formalist categories of musical analysis and the rhetoric that traditionally pits a male composer against the female characters he creates, many of the articles work toward inventing a language for the study of gender and opera.<br><br>The collection opens with Mary Ann Smart's introduction, which provides an engaging reflection on the state of gender topics in operatic criticism and musicology. It then moves on to a foundational essay on the complex relationships between opera and history by the renowned philosopher and novelist Catherine Clement, a pioneer of feminist opera criticism. Other articles examine the evolution of the \"trouser role\" as it evolved in the lesbian subculture of fin-de-siecle Paris, the phenomenon of opera seria's \"absent mother\" as a manifestation of attitudes to the family under absolutism, the invention of a \"hystericized voice\" in Verdi's Don Carlos, and a collaborative discussion of the staging problems posed by the gender politics of Mozart's operas.<br><br>The contributors are Wye Jamison Allanboork, Joseph Auner, Katherine Bergeron, Philip Brett, Peter Brooks, Catherine Clement, Martha Feldman, Heather Hadlock, Mary Hunter, Linda Hutcheon and Michael Hutcheon, M.D., Lawrence Kramer, Roger Parker, Mary Ann Smart, and Gretchen Wheelock.</p>", "author": "Mary Ann Smart", "slug": "siren-songs-180166-9781400866717", "thumbnail_image": "//redshelf-images.s3-external-1.amazonaws.com/thumbnail/9781400866717.jpg", "default_thumbnail_image": "//redshelf-images.s3-external-1.amazonaws.com/thumbnail/default_book_thumbnail.jpg", "product_type": "book", "product_id": "180166", "product_url": "/app/ecom/book/180166/siren-songs-180166-9781400866717", "bisac_codes": [ "MUS028000", "AVLF" ], "items_count": null, "identifiers": { "ISBN13": "9780691058139", "EISBN13": "9781400866717", "EISBN10": "1400866715" }, "drm": null, "cover_image": null, "default_cover_image": null, "book_type": null }, "relationships": { "lowest_offering": { "data": { "type": "offerings", "id": "00010030538082" } } } }, { "type": "Product", "id": "00010000180165", "attributes": { "name": "Surveys on Surgery Theory: Volume 1. Papers Dedicated to C. T. C. Wall. (AM-145)", "subtitle": "Volume 1. Papers Dedicated to C. T. C. Wall. (AM-145)", "description": "Surgery theory, the basis for the classification theory of manifolds, is now about forty years old. There have been some extraordinary accomplishments in that time, which have led to enormously varied interactions with algebra, analysis, and geometry. Workers in many of these areas have often lamented the lack of a single source that surveys surgery theory and its applications. Indeed, no one person could write such a survey. The sixtieth birthday of C. T. C. Wall, one of the leaders of the founding generation of surgery theory, provided an opportunity to rectify the situation and produce a comprehensive book on the subject. Experts have written state-of-the-art reports that will be of broad interest to all those interested in topology, not only graduate students and mathematicians, but mathematical physicists as well. Contributors include J. Milnor, S. Novikov, W. Browder, T. Lance, E. Brown, M. Kreck, J. Klein, M. Davis, J. Davis, I. Hambleton, L. Taylor, C. Stark, E. Pedersen, W. Mio, J. Levine, K. Orr, J. Roe, J. Milgram, and C. Thomas.", "author": "Andrew Ranicki, Jonathan Rosenberg, Sylvain Cappell", "slug": "surveys-on-surgery-theory-volume-1-papers-dedicated-to-c-t-c-wall-am-145-180165-9781400865192", "thumbnail_image": "//redshelf-images.s3-external-1.amazonaws.com/thumbnail/9781400865192.jpg", "default_thumbnail_image": "//redshelf-images.s3-external-1.amazonaws.com/thumbnail/default_book_thumbnail.jpg", "product_type": "book", "product_id": "180165", "product_url": "/app/ecom/book/180165/surveys-on-surgery-theory-volume-1-papers-dedicated-to-c-t-c-wall-am-145-180165-9781400865192", "bisac_codes": [ "MAT038000", "PBPD" ], "items_count": null, "identifiers": { "ISBN13": "9780691049380", "ISBN10": "1400865190", "EISBN13": "9781400865192", "EISBN10": "1400865190" }, "drm": null, "cover_image": null, "default_cover_image": null, "book_type": null }, "relationships": { "lowest_offering": { "data": { "type": "offerings", "id": "00010023606652" } } } }, { "type": "Product", "id": "00010000180162", "attributes": { "name": "Frontier Fictions", "subtitle": "Shaping the Iranian Nation, 1804-1946", "description": "<p>In Frontier Fictions, Firoozeh Kashani-Sabet looks at the efforts of Iranians to defend, if not expand, their borders in the nineteenth and early twentieth centuries, and explores how their conceptions of national geography influenced cultural and political change. The \"frontier fictions,\" or the ways in which the Iranians viewed their often fluctuating borders and the conflicts surrounding them, played a dominant role in defining the nation. On these borderlands, new ideas of citizenship and nationality were unleashed, refining older ideas of ethnicity.<br><br><br> Kashani-Sabet maintains that land-based conceptions of countries existed before the advent of the modern nation-state. Her focus on geography enables her to explore and document fully a wide range of aspects of modern citizenship in Iran, including love of homeland, the hegemony of the Persian language, and widespread interest in archaeology, travel, and map-making. While many historians have focused on the concept of the \"imagined community\" in their explanations of the rise of nationalism, Kashani-Sabet is able to complement this perspective with a very tangible explanation of what connects people to a specific place. Her approach is intended to enrich our understanding not only of Iranian nationalism, but also of nationalism everywhere.</p>", "author": "Firoozeh Kashani-Sabet", "slug": "frontier-fictions-180162-9781400865079-firoozeh-kashani-sabet", "thumbnail_image": "//redshelf-images.s3-external-1.amazonaws.com/thumbnail/9781400865079.jpg", "default_thumbnail_image": "//redshelf-images.s3-external-1.amazonaws.com/thumbnail/default_book_thumbnail.jpg", "product_type": "book", "product_id": "180162", "product_url": "/app/ecom/book/180162/frontier-fictions-180162-9781400865079-firoozeh-kashani-sabet", "bisac_codes": [ "HIS026000", "NHG" ], "items_count": null, "identifiers": { "ISBN13": "9780691004976", "EISBN13": "9781400865079", "EISBN10": "1400865077" }, "drm": null, "cover_image": null, "default_cover_image": null, "book_type": null }, "relationships": { "lowest_offering": { "data": { "type": "offerings", "id": "00010033831495" } } } }, { "type": "Product", "id": "00010000180161", "attributes": { "name": "Metaphysical Song: An Essay on Opera", "subtitle": "An Essay on Opera", "description": "In this bold recasting of operatic history, Gary Tomlinson connects opera to shifting visions of metaphysics and selfhood across the last four hundred years. The operatic voice, he maintains, has always acted to open invisible, supersensible realms to the perceptions of its listeners. In doing so, it has articulated changing relations between the self and metaphysics. Tomlinson examines these relations as they have been described by philosophers from Ficino through Descartes, Kant, and Nietzsche, to Adorno, all of whom worked to define the subject's place in both material and metaphysical realms. The author then shows how opera, in its own cultural arena, distinct from philosophy, has repeatedly brought to the stage these changing relations of the subject to the particular metaphysics it presumes. Covering composers from Jacopo Peri to Wagner, from Lully to Verdi, and from Mozart to Britten, Metaphysical Song details interactions of song, words, drama, and sounds used by creators of opera to fill in the outlines of the subjectivities they envisioned. The book offers deep-seated explanations for opera's enduring fascination in European elite culture and suggests some of the profound difficulties that have unsettled this fascination since the time of Wagner.", "author": "Gary Tomlinson", "slug": "metaphysical-song-an-essay-on-opera-180161-9781400866700-gary-tomlinson", "thumbnail_image": "//redshelf-images.s3-external-1.amazonaws.com/thumbnail/9781400866700.jpg", "default_thumbnail_image": "//redshelf-images.s3-external-1.amazonaws.com/thumbnail/default_book_thumbnail.jpg", "product_type": "book", "product_id": "180161", "product_url": "/app/ecom/book/180161/metaphysical-song-an-essay-on-opera-180161-9781400866700-gary-tomlinson", "bisac_codes": [ "MUS028000", "mus" ], "items_count": null, "identifiers": { "ISBN13": "9780691004099", "ISBN10": "1400866707", "EISBN13": "9781400866700", "EISBN10": "1400866707" }, "drm": null, "cover_image": null, "default_cover_image": null, "book_type": null }, "relationships": { "lowest_offering": { "data": { "type": "offerings", "id": "00010023606681" } } } }, { "type": "Product", "id": "00010000180159", "attributes": { "name": "Leonora's Last Act: Essays in Verdian Discourse", "subtitle": "Essays in Verdian Discourse", "description": "In these essays, Roger Parker brings a series of valuable insights to bear on Verdian analysis and criticism, and does so in a way that responds both to an opera-goer's love of musical drama and to a scholar's concern for recent critical trends. As he writes at one point: \"opera challenges us by means of its brash impurity, its loose ends and excess of meaning, its superfluity of narrative secrets.\" Verdi's works, many of which underwent drastic revisions over the years and which sometimes bore marks of an unusual collaboration between composer and librettist, illustrate in particular why it can sometimes be misleading to assign fixed meanings to an opera. Parker instead explores works like Rigoletto, Il trovatore, La forza del destino, and Falstaff from a variety of angles, and addresses such contentious topics as the composer's involvement with Italian politics, the possibilities of an \"authentic\" staging of his work, and the advantages and pitfalls of analyzing his operas according to terms that his contemporaries might have understood. Parker takes into account many of the interdisciplinary influences currently engaging musicologists, in particular narrative and feminist theory. But he also demonstrates that close attention to the documentary evidence--especially that offered by autograph scores--can stimulate equal interpretive activity. This book serves as a model of research and critical thinking about opera, while nevertheless retaining a deep respect for opera's continuing power to touch generations of listeners.", "author": "Roger Parker", "slug": "leonoras-last-act-essays-in-verdian-discourse-180159-9781400866687-roger-parker", "thumbnail_image": "//redshelf-images.s3-external-1.amazonaws.com/thumbnail/9781400866687.jpg", "default_thumbnail_image": "//redshelf-images.s3-external-1.amazonaws.com/thumbnail/default_book_thumbnail.jpg", "product_type": "book", "product_id": "180159", "product_url": "/app/ecom/book/180159/leonoras-last-act-essays-in-verdian-discourse-180159-9781400866687-roger-parker", "bisac_codes": [ "MUS028000", "mus" ], "items_count": null, "identifiers": { "ISBN13": "9780691015576", "ISBN10": "1400866685", "EISBN13": "9781400866687", "EISBN10": "1400866685" }, "drm": null, "cover_image": null, "default_cover_image": null, "book_type": null }, "relationships": { "lowest_offering": { "data": { "type": "offerings", "id": "00010023606680" } } } }, { "type": "Product", "id": "00010000180156", "attributes": { "name": "Renormalization and 3-Manifolds Which Fiber over the Circle", "subtitle": "", "description": "<p>Many parallels between complex dynamics and hyperbolic geometry have emerged in the past decade. Building on work of Sullivan and Thurston, this book gives a unified treatment of the construction of fixed-points for renormalization and the construction of hyperbolic 3- manifolds fibering over the circle.<br><br><br> Both subjects are studied via geometric limits and rigidity. This approach shows open hyperbolic manifolds are inflexible, and yields quantitative counterparts to Mostow rigidity. In complex dynamics, it motivates the construction of towers of quadratic-like maps, and leads to a quantitative proof of convergence of renormalization.</p>", "author": "Curtis T. 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The invariants are gauge-theoretic in nature and are close cousins of the much-studied SU(2)-invariants defined over fifteen years ago by Donaldson. On a practical level, the new invariants have proved to be more powerful and have led to a vast generalization of earlier results. This book is an introduction to the Seiberg-Witten invariants.<br><br><br> The work begins with a review of the classical material on Spin c structures and their associated Dirac operators. Next comes a discussion of the Seiberg-Witten equations, which is set in the context of nonlinear elliptic operators on an appropriate infinite dimensional space of configurations. It is demonstrated that the space of solutions to these equations, called the Seiberg-Witten moduli space, is finite dimensional, and its dimension is then computed. In contrast to the SU(2)-case, the Seiberg-Witten moduli spaces are shown to be compact. The Seiberg-Witten invariant is then essentially the homology class in the space of configurations represented by the Seiberg-Witten moduli space. The last chapter gives a flavor for the applications of these new invariants by computing the invariants for most Kahler surfaces and then deriving some basic toological consequences for these surfaces.</p>", "author": "John W. 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It is well known that any closed oriented 3-manifold can be obtained by surgery on a framed link in S<br> 3. In Global Surgery Formula for the Casson-Walker Invariant, a function F of framed links in S<br> 3 is described, and it is proven that F consistently defines an invariant, lamda (l), of closed oriented 3-manifolds. l is then expressed in terms of previously known invariants of 3-manifolds. For integral homology spheres, l is the invariant introduced by Casson in 1985, which allowed him to solve old and famous questions in 3-dimensional topology. l becomes simpler as the first Betti number increases.<br><br><br> As an explicit function of Alexander polynomials and surgery coefficients of framed links, the function F extends in a natural way to framed links in rational homology spheres. It is proven that F describes the variation of l under any surgery starting from a rational homology sphere. Thus F yields a global surgery formula for the Casson invariant.</p>", "author": "Christine Lescop", "slug": "global-surgery-formula-for-the-casson-walker-invariant-180152-9781400865154-christine-lescop", "thumbnail_image": "//redshelf-images.s3-external-1.amazonaws.com/thumbnail/9781400865154.jpg", "default_thumbnail_image": "//redshelf-images.s3-external-1.amazonaws.com/thumbnail/default_book_thumbnail.jpg", "product_type": "book", "product_id": "180152", "product_url": "/app/ecom/book/180152/global-surgery-formula-for-the-casson-walker-invariant-180152-9781400865154-christine-lescop", "bisac_codes": [ "MAT038000", "PBP" ], "items_count": null, "identifiers": { "ISBN13": "9780691021331", "EISBN13": "9781400865154", "EISBN10": "1400865158" }, "drm": null, "cover_image": null, "default_cover_image": null, "book_type": null }, "relationships": { "lowest_offering": { "data": { "type": "offerings", "id": "00010030540399" } } } }, { "type": "Product", "id": "00010000180151", "attributes": { "name": "Puccini's \"Turandot\": The End of the Great Tradition", "subtitle": "The End of the Great Tradition", "description": "Unfinished at Puccini's death in 1924, Turandot was not only his most ambitious work, but it became the last Italian opera to enter the international repertory. In this colorful study two renowned music scholars demonstrate that this work, despite the modern climate in which it was written, was a fitting finale for the centuries-old Great Tradition of Italian opera. Here they provide concrete instances of how a listener might encounter the dramatic and musical structures of Turandot in light of the Italian melodramma, and firmly establish Puccini's last work within the tradition of Rossini, Bellini, Donizetti, and Verdi. In a summary of the sounds, sights, and symbolism of Turandot, the authors touch on earlier treatments of the subject, outline the conception, birth, and reception of the work, and analyze its coordinated dramatic and musical design. Showing how the evolution of the libretto documents Puccini's reversion to large musical forms typical of the Great Tradition in the late nineteenth century, they give particular attention to his use of contrasting Romantic, modernist, and two kinds of orientalist coloration in the general musical structure. They suggest that Puccini's inability to complete the opera resulted mainly from inadequate dramatic buildup for Turandot's last-minute change of heart combined with an overly successful treatment of the secondary character.", "author": "William Ashbrook, Harold Powers", "slug": "puccinis-turandot-the-end-of-the-great-tradition-180151-9781400866670-william-ashbrook-harold-powers", "thumbnail_image": "//redshelf-images.s3-external-1.amazonaws.com/thumbnail/9781400866670.jpg", "default_thumbnail_image": "//redshelf-images.s3-external-1.amazonaws.com/thumbnail/default_book_thumbnail.jpg", "product_type": "book", "product_id": "180151", "product_url": "/app/ecom/book/180151/puccinis-turandot-the-end-of-the-great-tradition-180151-9781400866670-william-ashbrook-harold-powers", "bisac_codes": [ "MUS028000", "mus" ], "items_count": null, "identifiers": { "ISBN13": "9780691027128", "ISBN10": "1400866677", "EISBN13": "9781400866670", "EISBN10": "1400866677" }, "drm": null, "cover_image": null, "default_cover_image": null, "book_type": null }, "relationships": { "lowest_offering": { "data": { "type": "offerings", "id": "00010023606679" } } } }, { "type": "Product", "id": "00010000180148", "attributes": { "name": "Cambodia, 1975-1978", "subtitle": "Rendezvous with Death", "description": "One of the most devastating periods in twentieth-century history was the rule of Pol Pot and the Khmer Rouge over Cambodia. From April 1975 to the beginning of the Vietnamese occupation in late December 1978, the country underwent perhaps the most violent and far-reaching of all modern revolutions. These six essays search for what can be explained in the ultimately inexplicable evils perpetrated by the Khmer Rouge. Accompanying them is a photo essay that provides shocking visual evidence of the tragedy of Cambodia's autogenocide. \"The most important examination of the subject so far.... Without in any way denying the horror and brutality of the Khmers Rouges, the essays adopt a principle of detached analysis which makes their conclusion far more significant and convincing than the superficial images emanating from the television or cinema screen.\" --Ralph Smith, The Times Literary Supplement \"A book that belongs on the shelf of every scholar interested in Cambodia, revolution, or communism.... Answers to questions such as `What effect did Khmer society have on the reign of the Khmer Rouge?' focus on understanding, rather than merely describing.\" --Randall Scott Clemons, Perspectives on Political Science", "author": "Karl D. 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