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GET /services/catalog/products?format=api&page=76158
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Beginning with Rossellini's work within the fascist cinema, it discusses his invention of neorealism, a new cinematic style that resulted in several classics during the immediate postwar period. Almost immediately, however, Rossellini's continually evolving style moved beyond mere social realism to reveal other aspects of the camera's gaze, as is apparent in the films he made with Ingrid Bergman during the 1950s; though unpopular, these works had a tremendous impact on the French New Wave critics and directors. Rossellini's late career marks a return to his nonrealist period, now critically reexamined, in such works as the commercially successful General della Rovere, and his eventual turn to the creation of didactic films for television.", "author": "Peter Bondanella", "slug": "the-films-of-roberto-rossellini-192057-9780511877896-peter-bondanella", "thumbnail_image": "//redshelf-images.s3-external-1.amazonaws.com/thumbnail/9780511877896.jpg", "default_thumbnail_image": "//redshelf-images.s3-external-1.amazonaws.com/thumbnail/default_book_thumbnail.jpg", "product_type": "book", "product_id": "192057", "product_url": "/app/ecom/book/192057/the-films-of-roberto-rossellini-192057-9780511877896-peter-bondanella", "bisac_codes": [ "SOC052000" ], "items_count": null, "identifiers": { "ISBN13": "9780521392365", "EISBN13": "9780511877896", "EISBN10": "0511877897" }, "drm": null, "cover_image": null, "default_cover_image": null, "book_type": null }, "relationships": { "lowest_offering": { "data": { "type": "offerings", "id": "00010033301767" } } } }, { "type": "Product", "id": "00010000192056", "attributes": { "name": "Haydn: String Quartets, Op. 50", "subtitle": "", "description": "The Op. 50 string quartets contain some of the purest writing Haydn ever accomplished. 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With an updated preface and supplementary bibliography by Michael Lapidge, the book is based almost entirely on primary sources, particularly Bede's own writings. The book surveys the fragmented state of Britain after the Anglo-Saxon conquests, tracing the - sometimes faltering - rebirth of Christianity from the time of St. Augustine through to the glories of the golden age of Northumbria in the eighth century. What was Bede's contribution to the growth of scholarship? Why is his famous Ecclesiastical History of the English Church and People still so highly regarded? How did Bede see his own age? What traditions most influenced him? 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In an illuminating discussion, Jim Samson combines history and analysis to provide the reader with a comprehensive picture of these popular piano works. He begins by investigating the social and musical background to Chopin's unique style. He describes the manuscript sources and evaluates the many subsequent printed editions, then considers the critical reception of the ballades and the differing interpretations of well-known nineteenth- and twentieth-century pianists. The final two chapters examine the music of all four works analytically. 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The author compares the grammar of American English with that of Yucatec Maya, an indigenous language spoken in south-eastern Mexico, focusing on differences in the number marking patterns of the two languages. He then identifies distinctive patterns of thought relating to these differences by means of a systematic assessment of memory and classification preferences among speakers of both languages. The study illustrates the distinct approach to empirical research on the linguistic relativity hypothesis which Lucy develops in a companion volume Language Diversity and Thought.", "author": "John A. 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