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                "name": "Studies on the Origin of Harmonic Tonality",
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                "description": "<p>Carl Dahlhaus was without doubt the premier musicologist of the postwar generation, a giant whose recent death was mourned the world over. Translated here for the first time, this fundamental work on the development of tonality shows his complete mastery of the theory of harmony. In it Dahlhaus explains the modern concepts of harmony and tonality, reviewing in the process the important theories of Rameau, Sechter, Ftis, Riemann, and Schenker. He contrasts the familiar premises of chordal composition with the lesser known precepts of intervallic composition, the basis for polyphonic music in the late Middle Ages and Renaissance. Numerous quotations from theoretical treatises document how early music was driven forward not by progressions of chords but by simple progressions of intervals.<br><br>Exactly when did composers transform intervallic composition into chordal composition? Modality into tonality? Dahlhaus provides extensive analyses of motets by Josquin, frottole by Cara and Tromboncino, and madrigals by Monteverdi to demonstrate how, and to what degree, such questions can be answered. In his bold speculations, in his magisterial summaries, in his command of eight centuries of music and writings on music, and in his deep understanding of European history and culture, Carl Dahlhaus sets a standard that will seldom be equalled.<br><br>Originally published in 1990.<br><br>The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.</p>",
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                "name": "Hedayat's Blind Owl as a Western Novel",
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                "description": "<p>The Iranian writer Sadeq Hedayat is the most influential figure in twentieth-century Persian fiction--and the object of a kind of cult after his suicide in 1951. His masterpiece The Blind Owl is the most important novel of modern Iran. Its abrupt, tortured opening sentence, \"There are sores which slowly erode the mind in solitude like a kind of canker,\" is one of the best known and most frequently recited passages of modern Persian. But underneath the book's uncanniness and its narrative eccentricities, Michael Beard traces an elegant pastiche of familiar Western traditions. A work of advocacy for a disturbing and powerful piece of fiction, his comprehensive analysis reveals the significance of The Blind Owl as a milestone not only for Persian writing but also for world literature.<br><br>The international, decentered nature of modernist writing outside the West, typified by Hedayat's European education and wide reading in the Western canon, suggested to Beard the strategy of assessing The Blind Owl as if it were a Western novel. Viewed in this context, Hedayat's intricate chronicle challenges the very notion of a national literature, rethinking and reshaping our traditions until we are compelled, \"through its eyes,\" to see them in a new way.<br><br>Originally published in 1990.<br><br>The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.</p>",
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                "name": "Haunted Journeys",
                "subtitle": "Desire and Transgression in European Travel Writing",
                "description": "<p>Focusing on travel journals by writers, navigators, philosophers, scientists, and anthropologists--from the eighteenth-century grand tour to the modern period--Dennis Porter explores how male authors at different historical moments conceptualized and represented the lands they encountered. Efforts to portray unfamiliar peoples and cultures are shown to give rise to rich and complex works, in which individual psychic investments frequently subvert an inherited cultural discourse. In exploring the various uses and pleasures of travel, Porter interprets it as a transgressive activity animated by desire and haunted by different forms of guilt.<br><br>Broad in its historical scope and interdisciplinary in its approach, the book draws on literary theory, psychoanalysis, gender criticism, and the social history of ideas. Texts analyzed include works by Boswell, Diderot, Bougainville, Cook, Stendhal, Darwin, Flaubert, Freud, D. H. Lawrence, T. E. Lawrence, Gide, Lvi-Strauss, Barthes, and V. S. Naipaul.<br><br>Originally published in 1990.<br><br>The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.</p>",
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                "name": "A Specter is Haunting Europe",
                "subtitle": "A Sociohistorical Approach to the Fantastic",
                "description": "<p>Departing from established structuralist or psychological approaches to the fantastic, Jos Monlecn offers an ideological reading of this literary product of mass culture. In an exploration of the origins and development of the fantastic, Monlecn traces the relation of reason to unreason in light of three distinct events that influenced capitalist thinking: the French Revolution, the uprisings of 1848, and the Bolshevik Revolution. The fantastic, Monlecn argues, reflected social tensions and produced a cultural space in which to appropriate fears brought on by the revolutions--to tame the \"specter\" mentioned by Marx and Engels in The Communist Manifesto. At the same time the fantastic helped carve in Europe a defense of order through the introduction of unreason as a viable discourse.<br><br>Monlecn pays particular attention to the development of the fantastic in Spain, whose unique economic and cultural conditions form a distinct background against which to test his paradigm for the development of the genre in the rest of Europe. This study touches upon a wide range of works, including those by Bcquer, BazNBn, Galdcs, Alarccn, Maupassant, Shelley, Poe, and James, as well as etchings by Goya.<br><br>Originally published in 1990.<br><br>The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.</p>",
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                "name": "Into the Breach",
                "subtitle": "Samuel Beckett and the Ends of Literature",
                "description": "<p>Arguing that Beckett's understanding of subjectivity cannot be reduced to that of phenomenology or existential humanism, Thomas Trezise offers a major reinterpretation of Beckett in light of Freud and such post-modernists as Bataille, Blanchot, and Derrida. Through extended comparisons of Beckett's trilogy of novels with the writings of these thinkers, he emphasizes a \"general economy\" of signification that both produces and dispossesses the phenomenological self. Trezise shows how Beckett's work defines literature as an instance within this economy and in so doing challenges traditional conceptions of literature itself and of the subject.<br><br>The undoing of historical time in an abyssal repetition, the involvement of the subject with an impersonal alterity, the priority of error, the understanding of art as an inspired failure--at once an impossibility and an imperative rather than an act of freedom and power--all underscore Beckett's contribution to a form of thought radically irreducible to phenomenology as well as to existential humanism. Trezise suggests that Beckett's own literary corpus be considered an exploration of the breach that this artistic failure opens in traditional philosophical approaches to the human subject.<br><br>Originally published in 1990.<br><br>The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.</p>",
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                "name": "Holy Delight",
                "subtitle": "Typology, Numerology, and Autobiography in Donne's Devotions upon Emergent Occasions",
                "description": "<p>Composed on the occasion of the poet's near-fatal bout with typhus in 1623, the Devotions contains the essential germ of John Donne's mature thought, embodied in obscurely structured verse/prose divisions. Because of its seeming digressiveness, critics have struggled to understand this most significant of Renaissance texts as a whole. Kate Gartner Frost, however, shows that the Devotions, which combines odd bits of natural history, personal life-data, quotations from scripture, and descriptions of unpleasant medical nostrums with personal religious outpourings, is a unified work belonging to the tradition of English devotional literature and spiritual autobiography from Augustine onward. Frost examines how Donne patterned his work on models and structures that allowed the blending of chronology, experience, anecdote, and insight into the fullness of extended metaphor reflecting the human condition. Donne's use of biblical typology is treated, as well as his adherence to a poetics rooted in pre-Copernican cosmology, which relies on underlying spatial structures. Finally, Frost reveals the actual numerological structures present in the Devotions and addresses the problem of discursive reading in relation to spatially organized premodern works.<br><br>Originally published in 1991.<br><br>The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.</p>",
                "author": "Kate Gartner Frost",
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                "name": "Shelleyan Eros",
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                "description": "<p>In this work William Ulmer boldly advances our understanding of Shelley's concept of love by exploring eros as a figure for the poet's political and artistic aspirations. Applying a combination of deconstructive, historicist, and psychoanalytic approaches to six major poems, Ulmer follows the logic of the writing's rhetoric of love by tracing links between such elements as imagination, eros, metaphor, allegory, mirroring, repetition, death, and narcissism. Ulmer takes the mutual desire of self and antitype as a paradigm for rhetorical and social relations throughout Shelley and, in a significant departure from critical consensus, argues that his poetics were predominantly idealist.<br><br>Ulmer demonstrates how the idealism of Shelleyan eros centers on a symbiosis of contraries organized as a dialectical variation of metaphor. In so doing, he contends that this idealism is both a rhetorical construct and revolutionary agency, and traces the failure of Shelley's visionary humanism to the gradual emergence of contradictions latent in his idealism. What emerges are new readings of individual texts and a reconsideration of the poet's imaginative development.<br><br>Originally published in 1990.<br><br>The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.</p>",
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                "name": "The Severed Word",
                "subtitle": "Ovid's Heroides and the Novela Sentimental",
                "description": "<p>In this wide-ranging study Marina Scordilis Brownlee investigates the importance of the letter--often a complex interplay of objectivity and subjectivity--in the establishment of novelistic discourse. She shows how Ovid's Heroides explore the discourse of epistolarity in a way that exerted a lasting effect on Italian, French, and Spanish works of the Middle Ages and Renaissance, especially on the fifteenth-century Spanish novela sentimental, or \"sentimental romance.\" Presenting this proto-novelistic form as a highly original rewriting of Ovid, Brownlee demonstrates that its language model interrogates rather than affirms the linguistic referentiality implied by romance. Whereas the ambiguity of the sign had been articulated in fourteenth-century Spain (most notably by the Libro de buen amor), it is the fifteenth-century novela sentimental that fully grasps the existentially, novelistically dire consequences of this ambiguity. And in the process of deconstructing the referentiality that underlies romance, the novela sentimental reveals itself to be a discursively essential step in the evolution of the modern novel.<br><br>Originally published in 1990.<br><br>The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.</p>",
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                "name": "Divine and Poetic Freedom in the Renaissance",
                "subtitle": "Nominalist Theology and Literature in France and Italy",
                "description": "<p>The closely related problems of creativity and freedom have long been seen as emblematic of the Renaissance. Ullrich Langer, however, argues that French and Italian Renaissance literature can be profitably reconceived in terms of the way these problems are treated in late medieval scholasticism in general and nominalist theology in particular. Looking at a subject that is relatively unexplored by literary critics, Langer introduces the reader to some basic features of nominalist theology and uses these to focus on what we find to be \"modern\" in French and Italian literature of the fifteenth and sixteenth centuries.<br><br>Langer demonstrates that this literature, often in its most interesting moments, represents freedom from constraint in the figures of the poet and the reader and in the fictional world itself. In Langer's view, nominalist theology provides a set of concepts that helps us understand the intellectual context of that freedom: God, the secular sovereign, and the poet are similarly absolved of external necessity in their relationships to their worlds.<br><br>Originally published in 1990.<br><br>The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.</p>",
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                "name": "Chaucerian Theatricality",
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                "description": "<p>Whereas modern criticism has emphasized the unity and sense of permanence in The Canterbury Tales, John Ganim alerts us to a dialectically opposing dimension that Chaucer's poetics shares with the popular culture of the late Middle Ages: his celebration of the ephemeral and his sense of performance. Ganim uses the concept of theatricality to illuminate Chaucer's manipulations of the forms of popular culture and high literary discourse. He calls upon recent work in semiotics and social history to question Mikhail Bakhtin's notion of the \"carnivalesque\" and the \"dialogic,\" at the same time suggesting Bakhtin's usefulness in understanding Chaucer.<br><br>This book includes chapters on how Chaucer adopts the voice of such popular literary forms as chronicles and pious collections, on his equivalence between his own image making and dramatic performance, and on Chaucer's and Boccaccio's handling of the related issues of popular understanding and the creation of illusions. The book concludes by describing how Chaucer conflates \"noise\" and popular expression, simultaneously appropriating and distancing himself from his richest cultural context.<br><br>Originally published in 1990.<br><br>The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.</p>",
                "author": "John M. Ganim",
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                "name": "Modernist Anthropology",
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                "description": "<p>Recent insights into the nature of representation and power relations have signaled an important shift in perspective on anthropology: from a fieldwork-based \"science\" of culture to an interpretive activity bound to the discursive and ideological process called \"text-making.\" This collection of essays reflects the ongoing cross-fertilization between literary criticism and anthropology. Focusing on texts written or influenced by anthropologists between 1900 and 1945, the work relates current perspectives on anthropology's discursive nature to the literary period known as \"Modernism.\".<br><br>The essays, each demonstrating anthropology's profound influence on this important cultural movement, are organized according to discourse type: from the comparativist text of Frazer, to the ethnographies of Boas, Benedict, Mead, and Hurston, and on to the surrealist experiments of the College de Sociologie. Meanwhile the book's orientation shifts from essays that approach anthropology from the vantage points of literariness and textual power to those that contemplate what bearing the junction of cultural theory and anthropology can have upon present and future social institutions.<br><br>In addition to the editor, contributors include Vincent Crapanzano, Deborah Gordon, Richard Handler, Arnold Krupat, Francesco Loriggio, Michele Richman, Marty Roth, Marilyn Strathern, Robert Sullivan, John B. Vickery, and Steven Webster.<br><br>Originally published in 1990.<br><br>The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.</p>",
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                "description": "<p>Why did nuclear energy policies in France, Sweden, and the United States, very similar at the time of the oil crisis of 1973 and 1974, diverge so greatly in the following years? In answering this question, James Jasper challenges one of the most popular trends in political analysis: explanations relying exclusively on political and economic structures to account for public policies. Jasper proposes a new cultural and state-centered approach--one heeding not only structural factors but cultural meanings, individual biographies, and elite discretion. Surveying the period from the successful commercialization of light-water-reactor technology in the early 1960s to the present, he explains the events that occurred after 1973: France built even more reactors than it needed, the United States canceled most reactor orders, and Sweden completed planned nuclear plants but decided to phase out nuclear energy by 2010.<br><br>This work is based on one hundred interviews with managers, policymakers, and activists in the three countries. In addition to providing a unique theoretical perspective, it broadens our understanding of nuclear policy by looking at three countries in depth and over a long historical span.<br><br>Originally published in 1990.<br><br>The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.</p>",
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                "name": "Moral Foundations of Constitutional Thought",
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                "description": "<p>Graham Walker boldly recasts the debate over issues like constitutional interpretation and judicial review, and challenges contemporary thinking not only about specifically constitutional questions but also about liberalism, law, justice, and rights. Walker targets the \"skeptical\" moral nihilism of leading American judges and writers, on both the political left and right, charging that their premises undermine the authority of the Constitution, empty its moral words of any determinate meaning, and make nonsense of ostensibly normative theories. But he is even more worried about those who desire to conduct constitutional government by direct recourse to an authoritative moral truth. Augustine's political ethics, Walker argues, offers a solution--a way to embrace substantive goodness while relativizing its embodiment in politics and law.<br><br>Walker sees in Augustinian theory an understanding of the rule of law that prevents us from mistaking law for moral truth. Pointing out how the tensions in that theory resonate with the normative ambivalence of America's liberal constitutionalism, he shows that Augustine can provide successful but decidedly nonliberal grounds for the artifices and compromises characteristic of law in a liberal state.<br><br>Originally published in 1990.<br><br>The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.</p>",
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                "name": "The Poor in Court",
                "subtitle": "The Legal Services Program and Supreme Court Decision Making",
                "description": "<p>Focusing on the Supreme Court as an integral part of the policy-making process, Susan Lawrence examines how a change in who has access to the Court, and the nature of the institutions that structure that access, has affected its agenda setting and doctrinal development. In her analysis of cases sponsored by the Legal Services Program (LSP) before the Supreme Court during the 1966 through 1974 terms, she explores the effect of this agency in creating a voice for the poor in the judicial policy-making process. The Court's response to cases presented by the LSP--as exemplified in its decisions to invalidate residency requirements for welfare recipients (Shapiro v. Thompson, 1969) but uphold maximum family grants (Dandridge v. Williams, 1970)--is described as emerging from a timely combination of new litigant claims, available legal bases, and judicial values and role conceptions, all of which were shaped by the political climate of the era. Lawrence convincingly argues that litigation before the Court is a powerful method of political participation for the disadvantaged.<br><br>Originally published in 1990.<br><br>The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.</p>",
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                "name": "The American Revolution In the Law",
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                "description": "<p>In 1773 John Adams observed that one source of tension in the debate between England and the colonies could be traced to the different conceptions each side had of the terms \"legally\" and \"constitutionally\"--different conceptions that were, as Shannon Stimson here demonstrates, symptomatic of deeper jurisprudential, political, and even epistemological differences between the two governmental outlooks. This study of the political and legal thought of the American revolution and founding period explores the differences between late eighteenth-century British and American perceptions of the judicial and jural power.<br><br>In Stimson's book, which will interest both historians and theorists of law and politics, the study of colonial juries provides an incisive tool for organizing, interpreting, and evaluating various strands of American political theory, and for challenging the common assumption of a basic unity of vision of the roots of Anglo-American jurisprudence. The author introduces an original concept, that of \"judicial space,\" to account for the development of the highly political role of the Supreme Court, a judicial body that has no clear counterpart in English jurisprudence.<br><br>Originally published in 1990.<br><br>The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.</p>",
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                "name": "Speaking of Equality",
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                "description": "<p>Aristotle noted that \"equality\" is the plea not of those who are satisfied but of those who seek change, and the word has long been invoked in the name of social reform. It retains its force because arguments for equality put arguments for inequality on the defensive. But why is \"equality\" laudatory and \"inequality\" pejorative? In this first book-length analysis of the rhetorical force of equality arguments, Peter Westen argues that they derive their persuasiveness largely from the kind of word that \"equality\" is, rather than from the values it incorporates.<br><br>By focusing on ordinary language and using commonplace examples from law and morals, Westen argues that equality is a single concept that lends itself to a multiplicity of conceptions by virtue of its capacity to incorporate diverse standards of comparison by reference. Equality arguments draw rhetorical force in part from their tendency to mask the standards of comparison on which they are based, and in so doing to confound fact with value, premises with conclusions, and uncontested with contested norms.<br><br>Originally published in 1990.<br><br>The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.</p>",
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                "name": "Interpreting Political Responsibility",
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                "description": "<p>In this volume one of the leading political theorists of our time addresses what he believes is the major task of political theory: showing human beings how they have good reason to act in the historical situation in which they find themselves. Dunn argues that humans today depend more abjectly and extensively than ever before on the capacity of some of our number for skillful political action. There are many reasons for this dependence: closely linked nuclear-threat and financial systems, massive trade flows that sustain or imperil the well-being of all modern populations, and the awesome scale of the unintended ecological effects of human production. Why has modern political theory failed to relate these factors systematically to one another and to provide people with adequate reasons for action? To answer this twin query, Dunn brilliantly deploys the resources of the historical development of Western political thinking, in counterpoint with some of the main lessons of international political economy.<br><br>The concluding essay reasserts that the classical virtue of prudence has a central place in contemporary politics. The conditions of modern politics, it maintains, require the exercise of prudence not merely by political, military, and economic leaders, but also by the populace at large. Overall, this selection of Dunn's most influential work of the past decade reflects his remarkable range of interestsincluding Locke's ideological importance, the nature of trust in politics, rights, liberty, responsibility at a national level, postcolonial African politics, and political community. The book will be required reading for students from a variety of disciplines.<br><br>Originally published in 1990.<br><br>The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.</p>",
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                "name": "Politics and Excellence",
                "subtitle": "The Political Philosophy of Alfarabi",
                "description": "<p>Widely recognized as one of the most original and profound philosophers that the medieval Islamic world produced, Alfarabi (870-950) wrote many works of political philosophy addressing the issues that dominated Greek political thought as well as new questions raised by the advent of revealed religion. Taking into account Alfarabi's major political treatises, Miriam Galston develops a theory explaining how together they form a coherent philosophy of politics. Her inquiry centers on Alfarabi's discussions of the nature of happiness, the attributes of ideal rulers, the best form of government, and the relationship between political science and theoretical inquiry. Based upon a new interpretation of Alfarabi's method of writing, Galston explores his use of dialectic, which she traces, in part, to his belief that personal discovery is a condition of philosophic understanding and to his desire to create for the reader a dialogue between Plato and Aristotle.<br><br>Originally published in 1990.<br><br>The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.</p>",
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                "name": "Maxwell's Demon",
                "subtitle": "Entropy, Information, Computing",
                "description": "<p>About 120 years ago, James Clerk Maxwell introduced his now legendary hypothetical \"demon\" as a challenge to the integrity of the second law of thermodynamics. Fascination with the demon persisted throughout the development of statistical and quantum physics, information theory, and computer science--and linkages have been established between Maxwell's demon and each of these disciplines. The demon's seductive quality makes it appealing to physical scientists, engineers, computer scientists, biologists, psychologists, and historians and philosophers of science. Until now its important source material has been scattered throughout diverse journals.<br><br>This book brings under one cover twenty-five reprints, including seminal works by Maxwell and William Thomson; historical reviews by Martin Klein, Edward Daub, and Peter Heimann; information theoretic contributions by Leo Szilard, Leon Brillouin, Dennis Gabor, and Jerome Rothstein; and innovations by Rolf Landauer and Charles Bennett illustrating linkages with the limits of computation. An introductory chapter summarizes the demon's life, from Maxwell's illustration of the second law's statistical nature to the most recent \"exorcism\" of the demon based on a need periodically to erase its memory. An annotated chronological bibliography is included.<br><br>Originally published in 1990.<br><br>The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.</p>",
                "author": "Harvey S. Leff, Andrew F. Rex",
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