Product List
GET /services/catalog/products?format=api&page=72581
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This volume argues that the recent surge in such performances have raised significant questions about the need for, interest in, and value of such nontraditional theater. Many of these performances claim a greater or lesser degree of historical \"accuracy\" or \"authenticity,\" and the authors tease out the representational and historiographic issues related to these arguments. How, for instance, are issues of race, ethnicity, and gender dealt with at museums that purport to be accurate windows into the past? How are politics and labor issues handled in local- or state-funded institutions that rely on volunteer performers? How do tourists' expectations shape the choices made by would-be purveyors of the past? Where do matters of taste or censorship enter in when reconciling the archival evidence with a family-friendly mission? Essays in the collection address, among other subjects, reenactments of period cookery and cuisine at a Maryland renaissance festival; the roles of women as represented at Minnesota's premiere living history museum, Historic Fort Snelling; and the Lewis and Clark bicentennial play as cultural commemoration. The editors argue that historical performances like these-regardless of their truth-telling claims-are an important means to communicate, document, and even shape history, and allow for a level of participation and accessibility that is unique to performance. Enacting History is an entertaining and informative account of the public's fascination with acting out and watching history and of the diverse methods of fulfilling this need.", "author": "Patricia Ybarra, Richard L. Poole, Amy M. Tyson, Leigh Clemons, Catherine H. Hughes, Kimberly Tony Korol-Evans, Lindsay Adamson Livingston, Ailithir McGill, Rhona Justice-Malloy, Scott Magelssen", "slug": "enacting-history-384113-9780817385354", "thumbnail_image": "//redshelf-images.s3-external-1.amazonaws.com/thumbnail/9780817385354.jpg", "default_thumbnail_image": "//redshelf-images.s3-external-1.amazonaws.com/thumbnail/default_book_thumbnail.jpg", "product_type": "book", "product_id": "384113", "product_url": "/app/ecom/book/384113/enacting-history-384113-9780817385354", "bisac_codes": [ "SOC000000", "900" ], "items_count": null, "identifiers": { "ISBN13": "9780817317287", "EISBN13": "9780817385354" }, "drm": null, "cover_image": null, "default_cover_image": null, "book_type": null }, "relationships": { "lowest_offering": { "data": { "type": "offerings", "id": "00010010772054" } } } }, { "type": "Product", "id": "00010000384112", "attributes": { "name": "Enduring Motives", "subtitle": "The Archaeology of Tradition and Religion in Native America", "description": "Enduring Motives examines tradition and religious beliefs as they are expressed in landscape, the built environment, visual symbols, stories, and ritual. Bringing together archaeologists and Native American experts, this volume focuses on long-lived religious traditions of the native peoples of the Americas and how religion codifies, justifies, and reinforces these traditions by placing a high value on continuity of beliefs and practice. Using clues from the archaeological record to piece together the oldest religions of the Americas, Enduring Motives is organized into four parts. Part 1 creates continuity through structure, iconography, and sacred stories that correspond to culture-specific symbolic representations of the universe. Part 2 explores the encoding of tradition in place and object, or how people use objects to enliven tradition and pass it on to future generations. Part 3 examines stability and change and shows how traditions can evolve over time without losing their core cultural significance. The final part recognizes deep-time traditions through the evidence of ancient cosmology and religious tradition. Spanning cultures as diverse as the Aztec, Plains Indians, Hopi, Mississippian, and Southwest Pueblo, Enduring Motives brings to light new insights on ancient religious beliefs, practices, methods, and techniques, which allow otherwise intangible facets of culture to be productively explored. Contributors Wesley Bernardini / James S. Brown Jr. / Cheryl Claassen / John E. Clark / ArleneColman / Warren DeBoer / Robert L. Hall /Kelley Hays-Gilpin / Alice Beck Kehoe /John E. Kelly / Stephen H. Lekson / ColinMcEwan / John Norder / Jeffrey Quilter /Amy Roe / Peter G. Roe / Linea Sundstrom", "author": "Warren DeBoer, Linea Sundstrom, Cheryl Claassen, Warren DeBoer, James A. Brown, Wesley Bernardini, John E. Clark, Arlene Colman, John E. Kelly, Stephen H. Lekson, Colin McEwan, John Norder, Amy Roe, Jeffrey Quilter, Kelley Hays-Gilpin, Peter G. Roe, Alice Beck Kehoe, Robert L. Hall, Linea Sundstrom, Warren DeBoer, Linea Sundstrom", "slug": "enduring-motives-384112-9780817386214", "thumbnail_image": "//redshelf-images.s3-external-1.amazonaws.com/thumbnail/9780817386214.jpg", "default_thumbnail_image": "//redshelf-images.s3-external-1.amazonaws.com/thumbnail/default_book_thumbnail.jpg", "product_type": "book", "product_id": "384112", "product_url": "/app/ecom/book/384112/enduring-motives-384112-9780817386214", "bisac_codes": [ "SOC000000", "299.7" ], "items_count": null, "identifiers": { "ISBN13": "9780817357153", "EISBN13": "9780817386214" }, "drm": null, "cover_image": null, "default_cover_image": null, "book_type": null }, "relationships": { "lowest_offering": { "data": { "type": "offerings", "id": "00010010769670" } } } }, { "type": "Product", "id": "00010000384111", "attributes": { "name": "F. Scott Fitzgerald in the Twenty-First Century", "subtitle": "", "description": "This thought-provoking collection explores significant new facets of an American author of lasting international stature. Edited by three eminent Fitzgerald scholars, this fine book comprises nineteen incisive and provocative essays (most written for this collection) by . . . well-known Fitzgerald critics. The content is as varied as the international origins of its authors. Choice As the author of some of the most compelling short stories ever written, two of the central novels in American literature, and some of the most beautiful prose ever penned, F. Scott Fitzgerald is read and studied all over the world. Sixty-two years after his death, his worksprotean, provocative, multilayered, and richcontinue to elicit spirited responses. This collection grew out of the F. Scott Fitzgerald Conference that convened in Princeton at the centennial of this author's birth. Bringing together dozens of the world's leading scholars and commentators, the conference and the book celebrate the ever-growing legacy of Fitzgerald's art. The subjects of these 19 essays reflect the contributors' wish to shine new light on less-frequently discussed aspects of Fitzgerald's work. Topics include Fitzgerald's Princeton influences and his expression of Catholic romanticism; his treatments of youth culture, the devil, and waste; parallels in the work of Mencken, Cather, and Murakami; and the ways gender, pastoral mode, humor, and the Civil War are variously presented in his work. One illustrated summary examines Fitzgerald's effect on popular culture through his appearance in the comics. Two broad overviewsone on Fitzgerald's career and another on the final developments in the author's styleround out the collection. The international scope of the contributors to this volume reflects Fitzgerald's worldwide reputation and appeal. With extensive treatments of This Side of Paradise, The Beautiful and Damned, The Last Tycoon, and the Pat Hobby stories, this collection makes an unusual and significant contribution to the field of Fitzgerald studies. ", "author": "Frederick Wegener, Walter Raubicheck, David Stouck, Stephen L. Tanner, Milton R. Stern, Mary McAleer Balkun, M. T. Inge, Christopher Ames, Stanley Brodwin, Kirk Curnutt, Anne M. Daniel, Morris Dickstein, Edward Gillin, Janet Giltrow, D.G. Kehl, Horst H. Kruse, Veronica Makowsky, Toshifumi Miyawaki, Michael Nowlin, Tim Prchal, Ruth Prigozy, Milton R. Stern, Jackson R. 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The variability in the southeastern lithic landscape over space and through time makes it a dynamic and challenging region for archaeologists. Demonstrating a holistic approach and using a variety of methods, this volume aims to derive information regarding prehistoric lifeways from lithic assemblages. The contributors use data from a wide temporal span and a variety of sites across the Southeast, ranging from Texas to South Carolina and from Florida to Kentucky. Not merely cautionary tales, these case studies demonstrate the necessity of looking beyond the bag of lithic material sitting in the laboratory to address the key questions in the organization of prehistoric lithic technologies. How do field-collection strategies bias our interpretations? What is therelationship between technological strategies and tool design? How can inferences regarding social and economic strategies be made from lithic assemblages? Contributors William Andrefsky Jr. / Andrew P. Bradbury / Philip J. Carr / CarolynConklin / D. Randall Cooper / Jason L.Edmonds / Jay D. Franklin / Albert C.Goodyear III / Joel Hardison / Lucinda M. Langston / D. Shane Miller / George H.Odell / Charlotte D. Pevny / Tara L. Potts /Sarah E. Price / Douglas Sain / Sarah C.Sherwood / Ashley M. Smallwood /Paul Thacker", "author": "Sarah E. Price, George H. Odell, Philip J. Carr, Andrew P. Bradbury, D. Shane Miller, Ashley M. Smallwood, Douglas Sain, Albert C. Goodyear, III, Charlotte D. Pevny, Paul T. Thacker, Joël Hardison, Carolyn Conklin, Tara L. Potts, Jay D. Franklin, Maureen A. Hays, Sarah C. Sherwood, Lucinda M. Langston, D. Randall Cooper, Jason L. Edmonds, William Andrefsky, Jr., Andrew P. Bradbury, Sarah E. Price, Philip J. 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L. Mencken. Her experimental novels The Hard-Boiled Virgin (1926) and Dead Lovers Are Faithful Lovers (1928), have recently begun to receive serious critical attention, but this is the first book-length study to focus both on Newmans life and on her fiction. Frances Newman was born into a prominent Atlanta family and was educated at private schools in the South and the Northeast. Her first novel, The Hard-Boiled Virgin, was hailed by James Branch Cabell as the most brilliant, the most candid, the most civilized, and the most profound yet written by any American woman. Cabell and H. L. Mencken became Newmans literary mentors and loyally supported her satire of southern culture, which revealed the racism, class prejudice, and religious intolerance that reinforced the idealized image of the white southern lady. Writing within a nearly forgotten feminist tradition of southern womens fiction, Newman portrayed the widely acclaimed social change in the early part of the century in the South as superficial rather than substantial, with its continued restrictive roles for women in courtship and marriage and limited educational and career opportunities. Barbara Wade explores Newmans place in the feminist literary tradition by comparing her novels with those of her contemporaries Ellen Glasgow, Mary Johnston, and Isa Glenn. Wade draws from Newmans personal correspondence and newspaper articles to reveal a vibrant, independent woman who simultaneously defied and was influenced by the traditional southern society she satirized in her writing. ", "author": "Barbara Ann Wade", "slug": "frances-newman-384109-9780817386610-barbara-ann-wade", "thumbnail_image": "//redshelf-images.s3-external-1.amazonaws.com/thumbnail/9780817386610.jpg", "default_thumbnail_image": "//redshelf-images.s3-external-1.amazonaws.com/thumbnail/default_book_thumbnail.jpg", "product_type": "book", "product_id": "384109", "product_url": "/app/ecom/book/384109/frances-newman-384109-9780817386610-barbara-ann-wade", "bisac_codes": [ "LIT000000", "813/.52" ], "items_count": null, "identifiers": { "ISBN13": "9780817309022", "EISBN13": "9780817386610" }, "drm": null, "cover_image": null, "default_cover_image": null, "book_type": null }, "relationships": { "lowest_offering": { "data": { "type": "offerings", "id": "00010010799839" } } } }, { "type": "Product", "id": "00010000384108", "attributes": { "name": "Debt, Investment, Slaves", "subtitle": "Credit Relations in East Feliciana Parish, Louisiana, 1825-1885", "description": "\" . . . the only book-length study documenting the use of human collateral in the nineteenth century.\" The Journal of Southern History For his landmark Debt, Investment, Slaves, Louisiana attorney Richard Holcombe Kilbourne Jr. performed a thorough survey of parish mortgage records and other manuscripts to create a rich map of antebellum credit relationships in the region. He demonstrates that most credit relationships, collateralized and uncollateralized, were grounded in slave property and not, as a contemporary reader would assume, land or other forms of wealth. Antebellum slavery was thus not only an arrangement of labor, but also an arrangement of finance and economics that shaped all of Southern life and politics. For this reason, defeat in the Civil War and emancipation not only freed enslaved people to work and earn wages, it occasioned a monumental credit implosion from which the Southern economy did not recover for the remainder of the nineteenth century. To understand the antebellum South, it is necessary to set aside assumptions shared by modern Americans about the nature of borrowing, lending, banking, and investing. Kilbourne's seminal work reminds readers of the absence of banks outside of major cities like Charleston, New Orleans, and Mobile. He explains the defined and ad hoc roles that regional banks, intermediary lenders, and flexible agents (\"factors\") played in the absence of a robust banking system. He persuasively shows that this network of borrowers and lenders was based to an extent not well understood today on bondage. He then demonstrates how this fragile and improvised financial system had no ability to respond to the shocks and disruptions of war. Setting out to write a book of local history, Kilbourne achieved an enduring work that illuminated aspects of Southern life that are indispensable to understanding American history. ", "author": "Richard Holcombe Kilbourne, Jr., Gavin Wright", "slug": "debt-investment-slaves-384108-9780817387556-richard-holcombe-kilbourne-jr", "thumbnail_image": "//redshelf-images.s3-external-1.amazonaws.com/cover_image/9780817387556.jpg", "default_thumbnail_image": "//redshelf-images.s3-external-1.amazonaws.com/thumbnail/default_book_thumbnail.jpg", "product_type": "book", "product_id": "384108", "product_url": "/app/ecom/book/384108/debt-investment-slaves-384108-9780817387556-richard-holcombe-kilbourne-jr", "bisac_codes": [ "BUS000000", "332.7/0976316" ], "items_count": null, "identifiers": { "ISBN13": "9780817307301", "EISBN13": "9780817387556" }, "drm": null, "cover_image": null, "default_cover_image": null, "book_type": null }, "relationships": { "lowest_offering": { "data": { "type": "offerings", "id": "00010010797190" } } } }, { "type": "Product", "id": "00010000384107", "attributes": { "name": "Creekside", "subtitle": "An Archaeological Novel", "description": "Uncovering a frontier familys secrets before progress wipes them away. In Creekside, dedicated archaeologist Meg Harrington guides her students in a race against time to protect the legacy of the past before bulldozers rip it to shreds. The setting is a Kentucky pasture slated for developmentthe construction of the new Creekside subdivision. Once, that same beautiful stretch of land was home to three generations who experienced love, loss, and tragedy in their log cabin beside the creek. It was here during the late 18th century that Estelle Mullins struggled to build her home on the dangerous frontier. In Megs 21st-century world of archaeology we read about excavation techniques, daily experiences at a dig, tight construction deadlines, the use of heavy equipment, report writing, artifact analysis, damage from looters and collectors, and the reality of site destruction in the path of modern development. The depiction of Estelles frontier life includes Kentuckys early Euro-American settlement of the Cumberland Gap, encounters with Shawnee defending their land, Protestant fragmentation, the rise of religious fundamentalism, the immigrant stampede down the Ohio River, and the persistent issue of class-based land ownership. The two partially interwoven story lines link artifact and place, ancestors and descendants, the present and the past, and inspire us to explore the personal connections between them all in fresh and vital ways.", "author": "Kelli Carmean", "slug": "creekside-384107-9780817383503-kelli-carmean", "thumbnail_image": "//redshelf-images.s3-external-1.amazonaws.com/cover_image/9780817383503.jpg", "default_thumbnail_image": "//redshelf-images.s3-external-1.amazonaws.com/thumbnail/default_book_thumbnail.jpg", "product_type": "book", "product_id": "384107", "product_url": "/app/ecom/book/384107/creekside-384107-9780817383503-kelli-carmean", "bisac_codes": [ "FIC000000", "813/.6" ], "items_count": null, "identifiers": { "ISBN13": "9780817356613", "EISBN13": "9780817383503" }, "drm": null, "cover_image": null, "default_cover_image": null, "book_type": null }, "relationships": { "lowest_offering": { "data": { "type": "offerings", "id": "00010026680334" } } } }, { "type": "Product", "id": "00010000384106", "attributes": { "name": "Come in at the Door", "subtitle": "", "description": "William March's debut novel, Company K, introduced him to the reading public as a gifted writer of modern fiction. Of that World War I classic, Graham Greene wrote: It is the only war book I have read which has found a new form to fit the novelty of the protest. The prose is bare, lucid, without literary echoes. After Company K, March brought his same unerring style to a cycle of novels and short storieshis Pearl County seriesinspired in part by his childhood in the vicinity of Mobile, Alabama. Come in at the Door is the first in Marchs Pearl County collection, and it tells the story of Chester, a boy who lives with his withholding, widowed father, and Mitty, who keeps house and serves as a surrogate wife to Chesters father and a mother to Chester. One morning before dawn, Mitty takes Chester to the Athlestan courthouse to watch the hanging of a man whod killed a grotesque, dwarflike creature he thought had laid a conjure on him. Throughout Chesters rambunctious young manhood, the gruesome memory hovers just below the surface of his mind, recalled in detail only at his fathers death, when the book sweeps forward to its shattering denouement. A classic of Southern Gothic that illuminates family, class, race, and gender, Come in at the Door marks the homecoming of a Southern storyteller at the peak of his craft.", "author": "William March", "slug": "come-in-at-the-door-384106-9780817388317-william-march", "thumbnail_image": "//redshelf-images.s3-external-1.amazonaws.com/thumbnail/9780817388317.jpg", "default_thumbnail_image": "//redshelf-images.s3-external-1.amazonaws.com/thumbnail/default_book_thumbnail.jpg", "product_type": "book", "product_id": "384106", "product_url": "/app/ecom/book/384106/come-in-at-the-door-384106-9780817388317-william-march", "bisac_codes": [ "FIC000000", "813/.52" ], "items_count": null, "identifiers": { "ISBN13": "9780817358112", "EISBN13": "9780817388317" }, "drm": null, "cover_image": null, "default_cover_image": null, "book_type": null }, "relationships": { "lowest_offering": { "data": { "type": "offerings", "id": "00010010797114" } } } }, { "type": "Product", "id": "00010000384105", "attributes": { "name": "Conceiving Normalcy", "subtitle": "Rhetoric, Law, and the Double Binds of Infertility", "description": "This ground-breaking rhetorical analysis examines a 1987 Massachusetts law affecting infertility treatment and the cultural context that makes such a law possible Elizabeth C. Britt uses a Massachusetts statute requiring insurance coverage for infertility as a lens through which the work of rhetoric in complex cultural processes can be better understood. Countering the commonsensical notion that mandatory insurance coverage functions primarily to relieve the problem of infertility, Britt argues instead that the coverage serves to expose its contours. Britt finds that the mandate, operating as a technology of normalization, helps to identify the abnormal (the infertile) and to create procedures by which the abnormal can be subjected to reform. In its role in normalizing processes, the mandate is more successful when it sustains, rather than resolves, the distinction between the normal and the abnormal. This distinction is achieved in part by the rhetorical mechanism of the double bind. For the middle-class white women who are primarily served by the mandate, these double binds are created both by the desire for success, control, and order and by adherence to medical models that often frustrate these same desires. The resulting double binds help to create and sustain the tension between fertility and infertility, order and discontinuity, control and chaos, success and failure, tensions that are essential for the process of normalization to continue. Britt uses extensive interviews with women undergoing fertility treatments to provide the foundation for her detailed analysis. While her study focuses on the example of infertility, it is also more broadly a commentary on the power of definition to frame experience, on the burdens and responsibilities of belonging to social collectives, and on the ability of rhetorical criticism to interrogate cultural formations.", "author": "Elizabeth C. Britt", "slug": "conceiving-normalcy-384105-9780817387891-elizabeth-c-britt", "thumbnail_image": "//redshelf-images.s3-external-1.amazonaws.com/thumbnail/9780817387891.jpg", "default_thumbnail_image": "//redshelf-images.s3-external-1.amazonaws.com/thumbnail/default_book_thumbnail.jpg", "product_type": "book", "product_id": "384105", "product_url": "/app/ecom/book/384105/conceiving-normalcy-384105-9780817387891-elizabeth-c-britt", "bisac_codes": [ "MED000000", "362.1/98178/009744" ], "items_count": null, "identifiers": { "ISBN13": "9780817310981", "EISBN13": "9780817387891" }, "drm": null, "cover_image": null, "default_cover_image": null, "book_type": null }, "relationships": { "lowest_offering": { "data": { "type": "offerings", "id": "00010010799515" } } } }, { "type": "Product", "id": "00010000384104", "attributes": { "name": "Contradiction and Conflict", "subtitle": "The Popular Church in Nicaragua", "description": "Contradiction and Conflict explores the rich history, ideology, and development of the popular church in Nicaragua. From careful assessments within the context of Nicaragua's revolutionary period (1970s-1990), this book explains the historical conditions that worked to unify members of the Christian faith and the subsequent factors that fragmented the Christian community into at least four identifiable groups with religious and political differences, contradictions, and conflicts. Debra Sabia describes and analyzes the rise, growth, and fragmentation of the popular church and assesses the effect of the Christian base communities on religion, politics, and the nation's social revolutionary experiment.", "author": "Debra Sabia", "slug": "contradiction-and-conflict-384104-9780817387570-debra-sabia", "thumbnail_image": "//redshelf-images.s3-external-1.amazonaws.com/cover_image/9780817387570.jpg", "default_thumbnail_image": "//redshelf-images.s3-external-1.amazonaws.com/thumbnail/default_book_thumbnail.jpg", "product_type": "book", "product_id": "384104", "product_url": "/app/ecom/book/384104/contradiction-and-conflict-384104-9780817387570-debra-sabia", "bisac_codes": [ "POL000000", "282/.7285/09048" ], "items_count": null, "identifiers": { "ISBN13": "9780817308735", "EISBN13": "9780817387570" }, "drm": null, "cover_image": null, "default_cover_image": null, "book_type": null }, "relationships": { "lowest_offering": { "data": { "type": "offerings", "id": "00010010798375" } } } }, { "type": "Product", "id": "00010000384103", "attributes": { "name": "Cattle in the Cotton Fields", "subtitle": "A History of Cattle Raising in Alabama", "description": "This first history of cattle raising in a southern state documents the development of the industry within Alabama from colonial times to the present within the broader contexts of southern and American agricultural history Cattle raising today is the most widely practiced form of agriculture in Alabama and ranks second only to the poultry industry in terms of revenue. Brooks Blevins not only relates the development and importance of the industry to agricultural practices but also presents it as an integral component of southern history, inextricably linked to issues of sectional politics, progressivism, race and class struggles, and rural depopulation. Most historians believe cattle were first introduced by the Spanish explorers and missionaries during the early decades of the 16th century. Native Americans quickly took up cattle raising, and the practice was reinforced with the arrival of the French and the British. By 1819--after massive immigration of Anglo-American herders, farmers, and planters--cattle played an integral role in the territory's agriculture and economy. Despite the dominance of the cotton industry during the antebellum period, cattle herding continued to grow and to become identified as an important part of the region's agriculture. In the early decades of the 20th century, the boll weevil drove many planters out of the cotton business. These planters adopted a midwestern model of cattle raising consisting of purebred English breeds, enclosed pastures, scientific breeding and feeding practices, and intimate cooperation among cattlemen, government agents, and business interests. This model of farming gradually replaced the open range herding tradition. 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In it, Riding dismantles the pretensions of the snobscritics and poet-professionals who sought to codify modern poetry into systemsand champions the contemporaries, those who practiced poetry as an eccentric, individual act of creativity. In eight incisive essays, Riding takes readers on a tour of the literary scene of her day, exposing how the institutionalization of modernism threatened to clog the wellsprings of poetic originality. With ferocious wit, she critiques the philosophical dogmas of T. S. Eliot, Allen Tate, and the critical machinery of The Criterion, while elevating Gertrude Stein as the figurehead of a radical alternative, a barbaric poetics rooted in linguistic freshness. Ridings defense of the poet as person, her skepticism toward impersonality, and her insistence on poetrys autonomy from systems of thought anticipate later feminist and avant-garde critiques, making this volume a cornerstone for rethinking modernist traditions. 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