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                "description": "Remittance man was meant to be a disparaging term. It reflected the fact that these young men had been sent to the colonies to spare their families continuing embarrassment or shame. At home they had been scoundrels, dreamers, and second sons without future prospects. Perhaps in...the Canadian West they would make something of themselves. If they didn't, at least they would be far enough away that little disgrace would fall upon their families. Mark ZuehlkeBeginning in 1880, thousands of young, upper-class British men with few prospects were sent to the Canadian West to distance them from British society. Still supported by their families, thus earning them the title remittance men, these men set out to continue their lives of leisure in this new land.With education, respectable breeding and the belief from birth that they were superior beings, the remittance men descended upon Western Canada with expectations of accomplishing something great and increasing their wealth. In reality, they hunted, played games, courted women, and enjoyed distinguished pursuits that squandered their parents' money and made hard-working Canadians raise their eyebrows.Though their era in Western Canada was short, 18801914, they left an indelible mark perpetuated by the stories and legends that sprung up around them.In Scoundrels, Dreamers & Second Sons, first published fifteen years ago, Mark Zuehlke traces the path of the remittance men through Western Canada, highlighting their adventures, limited successes and glorious failures.",
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                "description": "<p>Billy Proctor, resident legend of Echo Bay, BC, recounts almost a centurys worth of experience with this collection of stories, memories and local knowledge of the central BC coast region around Blackfish Sound. Situated in the beautiful Broughton Archipelago between northern Vancouver Island and the mainland coast, this region boasts a history and culture as engaging as its stunning localeand nobody tells its story quite like Proctor.</p>     <p>A lifelong fisherman, trapper, logger and, in later life, author, Proctor learned from both the indigenous Kwakwakawakw people and the settlers who came to live in Blackfish Sound. Along with his entertaining tales of the surrounding communities, Proctor also discusses the ingenious technology necessary to both fishing and everyday survival. Covering the natural and domestic history of the area and everything in betweenfrom recollections of old-time fishermen to Billys own stories of sasquatches and other strange thingTide Rips and Back Eddies is a riveting and deeply moving account of a long and uniquely coastal life.</p>     <p>Writing collaborator Yvonne Maximchuks drawings illustrate Proctors personal anecdotes as well as carefully detail an eclectic array of interesting items collected by Proctor throughout his lifetime for his personal museum. Tide Rips and Back Eddies is not only a historical archive of immeasurable significance, it is a fascinating read for those interested in the Blackfish Sound region as well as an honest and whimsical look into the life and lessons learned by a local legend.</p>",
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                "description": "Twenty years ago Nevin Sample walked into a small bank in Deep Cove, robbed a teller at gunpoint and fled into the forest of Cates Park. After a lengthy pursuit, he hid behind a stump at the edge of a small clearing. The police called to him. He raised the gun to his head and pulled the trigger.Nevin had a magnetism, an understated complexity: there were those who loved him, resented him, found him gregarious. To Joe Denham, he was an old, close friend. Regeneration Machine is a 100-stanza, 9,000-word letter-in-verse to Nevins ghosta requiem, elegy, lament; a sort of flailing attempt to make sense of the nonsensically violent way that a non-violent, caring, intelligent young man chose to end his life.",
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                "description": "Sheryda Warreners second poetry collection touches on the illusion of remaining grounded and a sense of belonging. A retired cosmonaut returns from a record-breaking 438 days in space and attempts to re-immerse himself in the world. One speaker considers reinvention from the top floor of the Worlds Tallest building; another, our complicated future from Reykjavik, post-eruption of Eyjafjallajokull. Confessions and aspirations suspend in air. Ghosts float in and out; inheritance and connection are called into question. Morrissey, Cindy Sherman, and Pancho Barnes make cameo appearances. Influence and personal lineage are traced back to the Vikings, demoted Pluto, artists frequenting a Parisian bar. One speaker confides: Yes, shes longing to be elsewhere. Just past the sun deck theres something invisible worth having. In Floating is Everything, a resolution lies nearly always out of reach.",
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                "description": "For Your Safety Please Hold On is a truly remarkable first poetry collection from debut talent Kayla Czaga. Her poems are already making wavesseveral from this collection have received award attention, including: The Fiddlehead's 23rd annual Ralph Gustafson Poetry Prize, The Malahat Review's 2012 Far Horizon's Award for Poetry and an Editor's Choice Award in ARC Poetry Magazine's 2012 Poem of the Year Contest. They have also been shortlisted for The New Quarterly's 2013 Occasional Verse Contest, longlisted for CBC's 2013 Canada Writes Poetry Contest and have appeared in literary publications across North America.The poems in For Your Safety Please Hold On move in thematic focus from family, to girlhood, to adulthood, each permeated by Czaga's lively voice and quick-witted, playful language. They test the line between honest humour and bitter reality in a sophisticated, incisive manner that tugs at the gut and feels true.The linguistic hopscotch of Czaga's poems about girlhood is often beautifully juxtaposed with feelings of menace or a first taste of smothering expectations\"She sits. She sips her bright pink fingers. / She slips into smart short haircuts, yes, / she does so, and does herself up just so.\" While her pin prick meditations on contemporary adulthood suggest a yearning for personal meaning and purpose on a larger scale\"I still wander, sometimes, / my coat closing the world out of my body, with pockets / full of garbage, with my slender steady want. I still / make the bed and at bedtime unmake it.\"The irrepressible energy of the poems in For Your Safety Please Hold On, paired with their complex balancing act between light and dark, humour and melancholy, innocence and danger, make this collection an extraordinary first offering.",
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                "description": "Mayor Snow is about both the abdication and acceptances of responsibilities and inheritance: be they civic, personal, poetic. It begins with speaker-less evocations of corrupt and oppressive political atmospheres and ends with first-person narrative tales of domestic life in Al Purdys refurbished A-frame. All of these poems work in a shadow, be they forebears, tabloids, cultural markers or government watchdogs.In the opening and closing sequences, narrative devices act as smokescreens to abstract illustrations of power, with the central sequence reflecting on the subject of dislocation. Parody and paradox are closely intertwined throughout, with the authority of power disrupted through dark humour, unexpected images and the deep resonances existing in apparently innocuous things: a well-worn (and literally powerless) cabin, a baby daughter, a poem. The question of groundedness, whether literal, literary or familial, explores the terrain between the fearful and the familiar: Go outside. / Listen to dogs howl. // How do we live / without power?",
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                "description": "Raw and honest, Bearskin Diary gives voice to a generation of First Nations women who have always been silenced, at a time when movements like Idle No More call for a national inquiry into the missing and murdered Aboriginal women. Carol Daniels adds an important perspective to the Canadian literary landscape.Taken from the arms of her mother as soon as she was born, Sandy was only one of over twenty thousand Aboriginal children scooped up by the federal government between the 1960s and 1980s. Sandy was adopted by a Ukrainian family and grew up as the only First Nations child in a town of white people. Ostracized by everyone around her and tired of being different, at the early age of five she tried to scrub the brown off her skin. But she was never sent back into the foster system, and for that she considers herself lucky.From this tragic period in her personal life and in Canadian history, Sandy does not emerge unscathed, but she emerges strongfinding her way by embracing the First Nations culture that the Sixties Scoop had tried to deny. Those very roots allow Sandy to overcome the discriminations that she suffers every day from her co-workers, from strangers and sometimes even from herself.",
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