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                "description": "<p>George Balanchine, one of the twentieth century's foremost choreographers, strove to make music visible through dance. In The Art of Gravity, Jay Rogoff extends this alchemy into poetry, discovering in dancing -- from visionary ballets to Lindy-hopping at a drunken party -- the secret rhythms of our imaginations and the patterns of our lives.<br>The poems unfold in a rich variety of forms, both traditional and experimental. Some focus on how Edgar Degas's paintings expose the artifice and artistic self-consciousness of ballet while, paradoxically, illuminating how it creates rapture. Others investigate dance's translation of physical gesture into allegorical mystery, especially in Balanchine's matchless works. Rogoff pays tribute to superb dancers who grant audiences seductive glimpses of the sublime and to all of us who find in dance a redemptive image of ourselves.<br>The poet reveals dance as an \"art of gravity\" in the illusory weightlessness of a \"dance that ends in mid-air,\" in the clumsiness of a Latin dance class's members \"trip- / ping over each other in the high school / gym,\" and in the exploration of ultimate Gravity -- a sonnet sequence titled \"Danses Macabres.\" Ultimately, Rogoff confronts with unflinching precision the dark consummation of all our dancing.</p>",
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                "description": "<p>Jamestown and Plymouth serve as iconic images of British migration to the New World. A century later, however, when British migration was at its peak, the vast majority of men, women, and children crisscrossing the Atlantic on English ships were of African, not English, descent. Captives and Voyagers, a compelling study from Alexander X. Byrd, traces the departures, voyages, and landings of enslaved and free blacks who left their homelands in the eighteenth century for British colonies and examines how displacement and resettlement shaped migrant society and, in turn, Britain's Atlantic empire. <br>Captives and Voyagers breaks away from the conventional image of transatlantic migration and illustrates how black men and women, enslaved and free, came to populate the edges of an Anglo-Atlantic world. Whether as settlers in Sierra Leone or as slaves in Jamaica, these migrants brought a deep and affecting experience of being in motion to their new homelands, and as they became firmly ensconced in the particulars of their new local circumstances they both shaped and were themselves molded by the demands of the British Atlantic world, of which they were an essential part.<br>Byrd focuses on the two largest and most significant streams of black dislocation: the forced immigration of Africans from the Biafran interior of present-day southeastern Nigeria to Jamaica as part of the British slave trade and the emigration of free blacks from Great Britain and British North America to Sierra Leone in West Africa. By paying particular attention to the social and cultural effects of transatlantic migration on the groups themselves and focusing as well on their place in the British Empire, Byrd illuminates the meaning and experience of slavery and liberty for people whose journeys were similarly beset by extreme violence and catastrophe. By following the movement of this representative population, Captives and Voyagers provides a vitally important view of the British colonial world -- its intersection with the African diaspora.<br><br>Captives and Voyagers traces the departures, voyages, and landings of enslaved and free blacks who left their homelands in the eighteenth century for British colonies and examines how displacement and resettlement shaped migrant society and, in turn, Britain's Atlantic empire. Alexander X. Byrd focuses on the two largest and most significant streams of black dislocation: the forced migration of Africans from the Biafran interior of present-day southeastern Nigeria to Jamaica as part of the British slave trade and the journeys of free blacks from Great Britain and British North America to Sierra Leone in West Africa. By paying particular attention to the social and cultural effects of transatlantic migration on the groups themselves and focusing as well on their place in the British Empire, Byrd illuminates the meaning and experience of slavery and liberty for people whose movements were similarly beset by extreme violence and catastrophe.</p>",
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                "description": "<p>\"Dying never / ends for us. It only slowly rearranges us,\" writes Steve Scafidi in his poignant new collection. Inspired by his own work as a cabinetmaker -- defined by the peppery dust from the woodworker planing a walnut board, turning an oak spindle at the lathe, or honing chisels while gazing out a window -- Scafidi's poems reveal both the tenuous and the everlasting nature of existence.</p>",
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                "description": "<p>In 1918 , a one-month stint with the American Red Cross ambulance corps at the Italian front marked the beginning of Ernest Hemingways fascination with Italya place second only to Upper Michigan in stimulating his lifelong passion for geography and local expertise. Hemingways Italy offers a thorough reassessment of Italys importance in the authors life and work during World War I and the 1920s, when he emerged as a promising young writer, and during his maturity in the late 1940s and early 1950s.<br><br>This collection of eighteen essays presents a broad view of Hemingways personal and literary response to Italy. The contributors, some of the most distinguished Hemingway scholars, incorporate new biographical and historical information as well as critical approaches ranging from formalist and structuralist theory to cultural and interdisciplinary explorations.<br><br>Included are discussions of Italys psychological functioning in Hemingways life, the authors correspondence with his father during the writing of A Farewell to Arms, his stylistic experimentation and characterization in that novel, his juxtaposition of the themes of love and war, and his take on Fascism in both his fiction and journalistic work. In addition, the essayists explore relevant contexts of period and placesuch as the rise of Fascism, ethnic attitudes, and the cultural currents between Italy and the United States.<br><br>A landmark study, Hemingways Italy brings long-overdue attention to this great writers international role as cultural ambassador.<br><br>Contributors : Rena Sanderson, Nancy R. Comley, Kim Moreland, Steven Florczyk, Kirk Curnutt, Lawrence H. Martin, John Robert Bittner, Jeffrey A. Schwarz, J. Gerald Kennedy, H. R. Stoneback, Beverly Taylor, Ellen Andrews Knodt, Linda Wagner-Martin, Robert E. Fleming, Miriam B. Mandel, Joseph M. Flora, Margaret OShaughnessey, Stephen L. Tanner, Vita Fortunati</p>",
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                "description": "<p>Any appreciation of Louisiana's beautiful outdoors must include the lush variety of the state's ferns and lycophytes. Their striking diversity in form, color, and size makes identifying the array of species in the region enjoyable for hobbyists and professionals alike.<br>With illustrations and full-color photographs accompanying a complete description of more than sixty varieties, Ray Neyland's A Field Guide to the Ferns and Lycophytes of Louisiana offers an engaging reference for all levels of interest and expertise. Detailed line drawings of plant structures, a glossary of terms, and dichotomous keys make discovering Louisiana's diverse fern family -- the second largest in the country -- both easy and enjoyable.<br>In addition to providing the geographic range, similar species, and traditional and current uses, Neyland's guide follows the spread of ferns and lycophytes into areas of eastern Texas, southern Arkansas, and Mississippi.</p>",
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                "description": "<p>If We Must Die examines nearly five hundred shipboard rebellions that occurred over the course of the entire slave trade, directly challenging the prevailing thesis that such resistance was infrequent or insignificant. As Eric Robert Taylor shows, though most revolts were crushed quickly, others raged on for hours, days, or weeks, and, occasionally, the Africans captured the vessel and returned themselves to freedom. In recounting these rebellions, Taylor suggests that certain factors like geographic location, the involvement of women and children, and the timing of a shipboard revolt, determined the difference between success and failure. Taylor also explores issues like aid from other ships, punishment of slave rebels, and treatment of sailors captured by the Africans. If We Must Die expands the historical view of slave resistance, revealing a continuum of rebellions that spanned the Atlantic as well as the centuries. These uprisings, Taylor argues, ultimately helped limit and end the traffic in enslaved Africans and also served as crucial predecessors to the many revolts that occurred subsequently on plantations throughout the Americas.</p>",
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                "description": "<p>Since its publication in 1936, Gone with the Wind has held a unique position in American cultural memory, both for its particular vision of the American South in the age of the Civil War and for its often controversial portrayals of race, gender, and class. New Approaches to Gone with the Wind offers neither apology nor rehabilitation for the novel and its Oscar-winning film adaptation. Instead, the nine essays provide distinct, compelling insights that challenge and complicate conventional associations.<br><br>Racial and sexual identity form a cornerstone of the collection: Mark C. Jerng and Charlene Regester each examine Margaret Mitchells reframing of traditional racial identities and the impact on audience sympathy and engagement. Jessica Sims mines Mitchells depiction of childbirth for what it reveals about changing ideas of femininity in a postplantation economy, while Deborah Barker explores transgressive sexuality in the film version by comparing it to the depiction of rape in D. W. Griffiths earlier silent classic, Birth of a Nation.<br><br>Other essays position the novel and film within the context of their legacy and their impact on national and international audiences. Amy Clukey and James Crank inspect the reception of Gone with the Wind by Irish critics and gay communities, respectively. Daniel Cross Turner, Keaghan Turner, and Riche Richardson consider its aesthetic impact and mythology, and the ways that contemporary writers and artists, such as Natasha Trethewey and Kara Walker, have engaged with the work. Finally, Helen Taylor sums up the pervading influence that Gone with the Wind continues to exert on audiences in both America and Britain.<br><br>Through an emphasis on intertextuality, sexuality, and questions of audience and identity, these essayists deepen the ongoing conversation about the cultural impact and influence of this monumental work. Flawed in many ways yet successful beyond its time, Gone with the Wind remains a touchstone in southern studies.</p>",
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                "description": "<p>John Brown Gordons career of prominent public service spanned four of Americas most turbulent decades. Born in Upson County, Georgia, in 1832, Gordon practiced law in Atlanta and, in the years immediately preceding the Civil War, developed coal mines in northwest Georgia. In 1861, he responded to the Confederate call to arms by raising a company of volunteers. His subsequent rise from captain to corps commander was unmatched in the Army of Northern Virginia. He emerged from the Civil War as one of the Souths most respected generals, and the reputation that Gordon earned while wearing the gray significantly influenced almost every aspect of his life during the next forty years.<br><br><br>After the Civil War, Gordon drifted into politics. He was elected to the United States Senate in 2873 and quickly established himself as a spokesman for Georgia and for the South as a whole. He eloquently defended the integrity of southern whites while fighting to restore home rule. In addition to safeguarding and promoting southern interests, Gordon strove to replace sectional antagonisms with a commitment to building a stronger, more unified nation. His efforts throughout his post-war career contributed significantly to the process of national reconciliation.<br><br><br>Even in the wake of charges of corruption that surrounded his resignation from the Senate in 1880, Gordon remained an extremely popular man in the South. He engaged in a variety of speculative business ventures, served as governor of Georgia, and returned for another term in the Senate before he retired permanently from public office. He devoted his final years to lecture tours, to serving as commander-in-chief of the United Confederate Veterans, and to writing his memoirs, Reminiscences of the Civil War.<br><br><br>Utilizing newspapers, scattered manuscript collections, and official records, Ralph Eckert presents a critical biography of Gordon that analyzes all areas of his career. As one of the few Confederates to command a corps without the benefit of previous military training, Gordon provides a fascinating example of a Civil War citizen-soldier. Equally interesting, however, were Gordons postwar activities and the often conflicting responsibilities that he felt as a southerner and an American. The contributions that Gordon made to Georgia, to the South, and to the United States during this period are arguably as important as any of his career.</p>",
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                "description": "<p>When Freedom Would Triumph recalls the most significant and inspiring legislative battle of the twentieth century -- the two decades of struggle in the halls of Congress that resulted in civil rights for the descendants of American slaves. Robert Mann's comprehensive analysis shows how political leaders in Washington -- Lyndon Johnson, Hubert Humphrey, John F. Kennedy, and others -- transformed the ardent passion for freedom -- the protests, marches, and creative nonviolence of the civil rights movement -- into concrete progress for justice. A story of heroism and cowardice, statesmanship and political calculation, vision and blindness, When Freedom Would Triumph, an abridged and updated version of Mann's The Walls of Jericho: Lyndon Johnson, Hubert Humphrey, Richard Russell, and the Struggle for Civil Rights, is a captivating, thought-provoking reminder of the need for more effective government. <br>Mann argues that the passage of civil rights laws is one of the finest examples of what good is possible when political leaders transcend partisan political differences and focus not only on the immediate judgment of the voters, but also on the ultimate judgment of history. As Mann explains, despite the opposition of a powerful, determined band of southern politicians led by Georgia senator Richard Russell, the political environment of the 1950s and 1960s enabled a remarkable amount of compromise and progress in Congress. When Freedom Would Triumph recalls a time when statesmanship was possible and progress was achieved in ways that united the country and appealed to our highest principles, not our basest instincts. Although the era was far from perfect, and its leaders were deeply flawed in many ways, Mann shows that the mid-twentieth century was an age of bipartisan cooperation and willingness to set aside party differences in the pursuit of significant social reform. Such a political stance, Mann argues, is worthy of study and emulation today.</p>",
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                "description": "<p>*** EBOOK EXCLUSIVE ***<br><br>BOOK 1: Spectacular Wickedness<br><br>From 1897 to 1917 the red-light district of Storyville commercialized and even thrived on New Orleans's longstanding reputation for sin and sexual excess. This notorious neighborhood, located just outside of the French Quarter, hosted a diverse cast of characters who reflected the cultural milieu and complex social structure of turn-of-the-century New Orleans, a city infamous for both prostitution and interracial intimacy.<br><br>BOOK 2: The Great Southern Babylon<br><br>With a well-earned reputation for tolerance of both prostitution and miscegenation, New Orleans became known as the Great Southern Babylon in antebellum times. Following the Civil War, a profound alteration in social and economic conditions gradually reshaped the city's sexual culture and erotic commerce. Historian Alecia P. Long traces sex in the Crescent City over fifty years, drawing from Louisiana Supreme Court case testimony to relate intriguing tales of people both obscure and famous whose relationships and actions exemplify the era.<br><br>BOOK 3: Brothels, Depravity, and Abandoned Women<br><br>When a priest suggested to one of the first governors of Louisiana that he banish all disreputable women to raise the colony's moral tone, the governor responded, \"If I send away all the loose females, there will be no women left here at all.\" Primitive, mosquito infested, and disease ridden, early French colonial New Orleans offered few attractions to entice respectable women as residents. King Louis XIV of France solved the population problem in 1721 by emptying Paris's La Salpetriere prison of many of its most notorious prostitutes and convicts and sending them to Louisiana. Many of these women continued to ply their trade in New Orleans.</p>",
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                "description": "<p>From the outset of World War I, French doctors faced an apparent epidemic of puzzling neurological and psychiatric illnesses among soldiers. As they attempted to understand the causes of these illnesses, doctors organized specialized centers near the front, where they submitted soldiers to swift, humiliating treatments and then returned them to duty. At home, they interned the scores of civilians who succumbed to the war's strains in decrepit asylums or left them to fend for themselves. In Treating the Trauma of the Great War, Gregory M. Thomas explores the psychological effects of the war on French citizens, showing how doctors' understanding of mental illness produced deep, tangible effects in the lives of the men and women who suffered.<br>Doctors vigorously debated the war's role in the genesis of the neuropsychiatric disturbances observed in soldiers and civilians, but most psychiatrists ultimately concluded that mental illnesses appeared primarily in individuals predisposed to disease. Consequently, doctors granted their patients few favors when making decisions about diagnostic labels, treatment regimes, and pension allocations, leaving many to endure illnesses without adequate care or sufficient financial support. In their quest to understand the psychological impact of war, Thomas argues, doctors focused more on demonstrating the capabilities of their medical specialties and serving a state at war than on treating patients. Those aims significantly affected doctors' scientific conclusions, their medical and legal decisions, and their treatment practices. When the war ended, psychiatric reformers used the trauma of war to their advantage, promoting the perception of France as a traumatized nation in need of new psychiatric institutions that could accommodate a large and growing pool of psychologically wounded citizens.<br>Thomas draws on the vast medical literature produced during and after the war, including veterans' journals, parliamentary debates, newspaper articles, and medical administrative reports, infusing his narrative with a vivid human element. Though psychiatrists ultimately failed to raise the status of their specialty, Thomas reveals how the war helped precipitate lasting changes in psychiatric practice.</p>",
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        }
    }
}

Response Info

Default: None